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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #676720 it is the complementary color #9898DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #676720. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #676720 shade: #6C671B, #7D792E, #8E8B41, #9F9D54 and #B0AF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #676720. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #676720 shade: #676720, #56550D, #454300, #343100 and #231F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #676720 shade: #65651F, #65521F, #653F1F, #652C1F and #651F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #676720 shade: #65651F, #52651F, #3F651F, #2C651F and #1F6524

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #676720 shade matches the following richer shades: #65651F, #707014 and #7A7A09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #676720 shade: #65651F, #5A5A29, #4F4F34, #45453F and #3A3A4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #676720 shade: #653F1F, #65521F, #65651F, #52651F and #3F651F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #676720 shade: #26260B, #454515, #65651F, #858528 and #A4A432

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #676720 shade: #676720, #1F652D and #491F65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #676720 shade: #676720, #1F6565 and #651F65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #676720 shade: #676720, #1F652D, #1F1F65 and #651F57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #676720 shade: #676720, #1F6542, #1F1F65 and #651F42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 69 / 60

HEX #676720

RGB 103 103 32

HSL 60, 0.53%, 0.26%

LAB 42.29, -9.79, 38.45

 

Complementary color

CMYK 32 / 32 / 0 / 13

HEX #9898DF

RGB 152 152 223

HSL 240, 0.53%, 0.74%

LAB 65.33, 16.17, -36.01

 

CMYK 0 / 5 / 75 / 58

HEX #6C671B

RGB 108 103 27

HSL 56.3, 0.6%, 0.26%

LAB 42.71, -7.71, 41.18

 

CMYK 0 / 3 / 63 / 51

HEX #7D792E

RGB 125 121 46

HSL 56.96, 0.46%, 0.34%

LAB 49.78, -8.67, 40.51

 

CMYK 0 / 2 / 54 / 44

HEX #8E8B41

RGB 142 139 65

HSL 57.66, 0.37%, 0.41%

LAB 56.68, -9.38, 39.42

 

CMYK 0 / 1 / 47 / 38

HEX #9F9D54

RGB 159 157 84

HSL 58.4, 0.31%, 0.48%

LAB 63.45, -9.92, 38.2

 

CMYK 0 / 1 / 41 / 31

HEX #B0AF67

RGB 176 175 103

HSL 59.18, 0.32%, 0.55%

LAB 70.08, -10.36, 36.97

 

CMYK 0 / 0 / 69 / 60

HEX #676720

RGB 103 103 32

HSL 60, 0.53%, 0.26%

LAB 42.29, -9.79, 38.45

 

CMYK 0 / 1 / 85 / 66

HEX #56550D

RGB 86 85 13

HSL 59.18, 0.74%, 0.19%

LAB 35.01, -8.72, 38.51

 

CMYK 0 / 3 / 100 / 73

HEX #454300

RGB 69 67 0

HSL 58.26, 1%, 0.14%

LAB 27.52, -7.21, 36.23

 

CMYK 0 / 6 / 100 / 80

HEX #343100

RGB 52 49 0

HSL 56.54, 1%, 0.1%

LAB 19.75, -5.1, 27.86

 

CMYK 0 / 11 / 100 / 86

HEX #231F00

RGB 35 31 0

HSL 53.14, 1%, 0.07%

LAB 11.53, -2.8, 17.09

 

CMYK 0 / 0 / 69 / 60

HEX #65651F

RGB 101 101 31

HSL 60, 0.53%, 0.26%

LAB 41.49, -9.67, 38.02

 

CMYK 0 / 19 / 69 / 60

HEX #65521F

RGB 101 82 31

HSL 43.71, 0.53%, 0.26%

LAB 35.79, 1.5, 32

 

CMYK 0 / 38 / 69 / 60

HEX #653F1F

RGB 101 63 31

HSL 27.43, 0.53%, 0.26%

LAB 30.45, 13.21, 26.06

 

CMYK 0 / 56 / 69 / 60

HEX #652C1F

RGB 101 44 31

HSL 11.14, 0.53%, 0.26%

LAB 25.76, 24.61, 20.56

 

CMYK 0 / 69 / 69 / 60

HEX #651F1F

RGB 101 31 31

HSL 0, 0.53%, 0.26%

LAB 23.15, 31.46, 17.36

 

CMYK 0 / 0 / 69 / 60

HEX #65651F

RGB 101 101 31

HSL 60, 0.53%, 0.26%

LAB 41.49, -9.67, 38.02

 

CMYK 19 / 0 / 69 / 60

HEX #52651F

RGB 82 101 31

HSL 76.29, 0.53%, 0.26%

LAB 39.92, -18.47, 35.89

 

CMYK 38 / 0 / 69 / 60

HEX #3F651F

RGB 63 101 31

HSL 92.57, 0.53%, 0.26%

LAB 38.66, -26.52, 34.18

 

CMYK 56 / 0 / 69 / 60

HEX #2C651F

RGB 44 101 31

HSL 108.86, 0.53%, 0.26%

LAB 37.74, -33.21, 32.91

 

CMYK 69 / 0 / 64 / 60

HEX #1F6524

RGB 31 101 36

HSL 124.29, 0.53%, 0.26%

LAB 37.35, -36.11, 29.91

 

CMYK 0 / 0 / 69 / 60

HEX #65651F

RGB 101 101 31

HSL 60, 0.53%, 0.26%

LAB 41.49, -9.67, 38.02

 

CMYK 0 / 0 / 82 / 56

HEX #707014

RGB 112 112 20

HSL 60, 0.7%, 0.26%

LAB 45.75, -11.19, 46.67

 

CMYK 0 / 0 / 93 / 52

HEX #7A7A09

RGB 122 122 9

HSL 60, 0.86%, 0.26%

LAB 49.59, -12.3, 52.98

 

CMYK 0 / 0 / 69 / 60

HEX #65651F

RGB 101 101 31

HSL 60, 0.53%, 0.26%

LAB 41.49, -9.67, 38.02

 

CMYK 0 / 0 / 54 / 65

HEX #5A5A29

RGB 90 90 41

HSL 60, 0.37%, 0.26%

LAB 37.2, -7.72, 27.99

 

CMYK 0 / 0 / 34 / 69

HEX #4F4F34

RGB 79 79 52

HSL 60, 0.21%, 0.26%

LAB 32.92, -4.95, 16

 

CMYK 0 / 0 / 9 / 73

HEX #45453F

RGB 69 69 63

HSL 60, 0.05%, 0.26%

LAB 29.11, -1.28, 3.62

 

CMYK 22 / 22 / 0 / 71

HEX #3A3A4A

RGB 58 58 74

HSL 240, 0.12%, 0.26%

LAB 25.01, 4.02, -9.77

 

CMYK 0 / 38 / 69 / 60

HEX #653F1F

RGB 101 63 31

HSL 27.43, 0.53%, 0.26%

LAB 30.45, 13.21, 26.06

 

CMYK 0 / 19 / 69 / 60

HEX #65521F

RGB 101 82 31

HSL 43.71, 0.53%, 0.26%

LAB 35.79, 1.5, 32

 

CMYK 0 / 0 / 69 / 60

HEX #65651F

RGB 101 101 31

HSL 60, 0.53%, 0.26%

LAB 41.49, -9.67, 38.02

 

CMYK 19 / 0 / 69 / 60

HEX #52651F

RGB 82 101 31

HSL 76.29, 0.53%, 0.26%

LAB 39.92, -18.47, 35.89

 

CMYK 38 / 0 / 69 / 60

HEX #3F651F

RGB 63 101 31

HSL 92.57, 0.53%, 0.26%

LAB 38.66, -26.52, 34.18

 

CMYK 0 / 0 / 71 / 85

HEX #26260B

RGB 38 38 11

HSL 60, 0.55%, 0.1%

LAB 14.53, -4.71, 16.66

 

CMYK 0 / 0 / 70 / 73

HEX #454515

RGB 69 69 21

HSL 60, 0.53%, 0.18%

LAB 28.32, -7.26, 28.07

 

CMYK 0 / 0 / 69 / 60

HEX #65651F

RGB 101 101 31

HSL 60, 0.53%, 0.26%

LAB 41.49, -9.67, 38.02

 

CMYK 0 / 0 / 70 / 48

HEX #858528

RGB 133 133 40

HSL 60, 0.54%, 0.34%

LAB 53.94, -11.98, 47.71

 

CMYK 0 / 0 / 70 / 36

HEX #A4A432

RGB 164 164 50

HSL 60, 0.53%, 0.42%

LAB 65.49, -14.04, 56.14

 

CMYK 0 / 0 / 69 / 60

HEX #676720

RGB 103 103 32

HSL 60, 0.53%, 0.26%

LAB 42.29, -9.79, 38.45

 

CMYK 69 / 0 / 55 / 60

HEX #1F652D

RGB 31 101 45

HSL 132, 0.53%, 0.26%

LAB 37.46, -34.8, 25.29

 

CMYK 28 / 69 / 0 / 60

HEX #491F65

RGB 73 31 101

HSL 276, 0.53%, 0.26%

LAB 21.34, 33.45, -33.24

 

CMYK 0 / 0 / 69 / 60

HEX #676720

RGB 103 103 32

HSL 60, 0.53%, 0.26%

LAB 42.29, -9.79, 38.45

 

CMYK 69 / 0 / 0 / 60

HEX #1F6565

RGB 31 101 101

HSL 180, 0.53%, 0.26%

LAB 38.79, -21.07, -6.35

 

CMYK 0 / 69 / 0 / 60

HEX #651F65

RGB 101 31 101

HSL 300, 0.53%, 0.26%

LAB 25.82, 40.72, -25.83

 

CMYK 0 / 0 / 69 / 60

HEX #676720

RGB 103 103 32

HSL 60, 0.53%, 0.26%

LAB 42.29, -9.79, 38.45

 

CMYK 69 / 0 / 55 / 60

HEX #1F652D

RGB 31 101 45

HSL 132, 0.53%, 0.26%

LAB 37.46, -34.8, 25.29

 

CMYK 69 / 69 / 0 / 60

HEX #1F1F65

RGB 31 31 101

HSL 240, 0.53%, 0.26%

LAB 16.56, 24.48, -41.22

 

CMYK 0 / 69 / 14 / 60

HEX #651F57

RGB 101 31 87

HSL 312, 0.53%, 0.26%

LAB 25.06, 38.21, -17.83

 

CMYK 0 / 0 / 69 / 60

HEX #676720

RGB 103 103 32

HSL 60, 0.53%, 0.26%

LAB 42.29, -9.79, 38.45

 

CMYK 69 / 0 / 35 / 60

HEX #1F6542

RGB 31 101 66

HSL 150, 0.53%, 0.26%

LAB 37.83, -30.72, 13.63

 

CMYK 69 / 69 / 0 / 60

HEX #1F1F65

RGB 31 31 101

HSL 240, 0.53%, 0.26%

LAB 16.56, 24.48, -41.22

 

CMYK 0 / 69 / 35 / 60

HEX #651F42

RGB 101 31 66

HSL 330, 0.53%, 0.26%

LAB 24.13, 35.01, -5.16

 

Description

Color code: HEX #676720 | qconv.com Color code: HEX #676720 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 103 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 103 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 69 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 69% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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