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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #676934 it is the complementary color #9896CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #676934. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #676934 shade: #6C692F, #7D7B42, #8E8D55, #9F9F68 and #B0B17B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #676934. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #676934 shade: #676934, #565721, #45450E, #343300 and #232100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #676934 shade: #676934, #695D34, #694E34, #694034 and #693434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #676934 shade: #676934, #596934, #4A6934, #3C6934 and #34693A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #676934 shade matches the following richer shades: #676934, #737627, #7F831A, #8B900D and #979D01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #676934 shade: #676934, #5C5D40, #50504D, #44435A and #383667

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #676934 shade: #694F34, #695D34, #686934, #596934 and #4B6934

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #676934 shade: #313218, #4C4E26, #676934, #838541 and #9EA14F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #676934 shade: #676934, #346940 and #563469

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #676934 shade: #676934, #346869 and #693468

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #676934 shade: #676934, #346940, #353469 and #69345D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #676934 shade: #676934, #346950, #353469 and #69344D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 50 / 59

HEX #676934

RGB 103 105 52

HSL 62.26, 0.34%, 0.31%

LAB 43.11, -9.2, 29.31

 

Complementary color

CMYK 25 / 26 / 0 / 20

HEX #9896CB

RGB 152 150 203

HSL 242.26, 0.34%, 0.69%

LAB 64, 12.31, -26.95

 

CMYK 0 / 3 / 56 / 58

HEX #6C692F

RGB 108 105 47

HSL 57.05, 0.39%, 0.3%

LAB 43.5, -7.4, 32.56

 

CMYK 0 / 2 / 47 / 51

HEX #7D7B42

RGB 125 123 66

HSL 57.97, 0.31%, 0.37%

LAB 50.59, -7.98, 31.27

 

CMYK 0 / 1 / 40 / 44

HEX #8E8D55

RGB 142 141 85

HSL 58.95, 0.25%, 0.45%

LAB 57.52, -8.41, 29.99

 

CMYK 0 / 0 / 35 / 38

HEX #9F9F68

RGB 159 159 104

HSL 60, 0.22%, 0.52%

LAB 64.3, -8.74, 28.76

 

CMYK 1 / 0 / 31 / 31

HEX #B0B17B

RGB 176 177 123

HSL 61.11, 0.26%, 0.59%

LAB 70.94, -9.01, 27.59

 

CMYK 2 / 0 / 50 / 59

HEX #676934

RGB 103 105 52

HSL 62.26, 0.34%, 0.31%

LAB 43.11, -9.2, 29.31

 

CMYK 1 / 0 / 62 / 66

HEX #565721

RGB 86 87 33

HSL 61.11, 0.45%, 0.24%

LAB 35.8, -8.62, 30.55

 

CMYK 0 / 0 / 80 / 73

HEX #45450E

RGB 69 69 14

HSL 60, 0.66%, 0.16%

LAB 28.26, -7.74, 31.29

 

CMYK 0 / 2 / 100 / 80

HEX #343300

RGB 52 51 0

HSL 58.85, 1%, 0.1%

LAB 20.43, -6.38, 28.63

 

CMYK 0 / 6 / 100 / 86

HEX #232100

RGB 35 33 0

HSL 56.57, 1%, 0.07%

LAB 12.25, -4.18, 18.07

 

CMYK 2 / 0 / 50 / 59

HEX #676934

RGB 103 105 52

HSL 62.26, 0.34%, 0.31%

LAB 43.11, -9.2, 29.31

 

CMYK 0 / 11 / 50 / 59

HEX #695D34

RGB 105 93 52

HSL 46.42, 0.34%, 0.31%

LAB 39.71, -1.31, 25.21

 

CMYK 0 / 26 / 50 / 59

HEX #694E34

RGB 105 78 52

HSL 29.43, 0.34%, 0.31%

LAB 35.4, 7.77, 19.76

 

CMYK 0 / 39 / 50 / 59

HEX #694034

RGB 105 64 52

HSL 13.58, 0.34%, 0.31%

LAB 31.62, 16.38, 14.81

 

CMYK 0 / 50 / 50 / 59

HEX #693434

RGB 105 52 52

HSL 0, 0.34%, 0.31%

LAB 28.66, 23.59, 10.82

 

CMYK 2 / 0 / 50 / 59

HEX #676934

RGB 103 105 52

HSL 62.26, 0.34%, 0.31%

LAB 43.11, -9.2, 29.31

 

CMYK 15 / 0 / 50 / 59

HEX #596934

RGB 89 105 52

HSL 78.11, 0.34%, 0.31%

LAB 41.96, -15.44, 27.65

 

CMYK 30 / 0 / 50 / 59

HEX #4A6934

RGB 74 105 52

HSL 95.09, 0.34%, 0.31%

LAB 40.91, -21.74, 26.12

 

CMYK 43 / 0 / 50 / 59

HEX #3C6934

RGB 60 105 52

HSL 110.94, 0.34%, 0.31%

LAB 40.1, -27.02, 24.94

 

CMYK 50 / 0 / 45 / 59

HEX #34693A

RGB 52 105 58

HSL 126.79, 0.34%, 0.31%

LAB 39.81, -28.71, 21.1

 

CMYK 2 / 0 / 50 / 59

HEX #676934

RGB 103 105 52

HSL 62.26, 0.34%, 0.31%

LAB 43.11, -9.2, 29.31

 

CMYK 3 / 0 / 67 / 54

HEX #737627

RGB 115 118 39

HSL 62.28, 0.5%, 0.31%

LAB 47.94, -12.09, 41.51

 

CMYK 3 / 0 / 80 / 49

HEX #7F831A

RGB 127 131 26

HSL 62.29, 0.67%, 0.31%

LAB 52.75, -14.32, 51.52

 

CMYK 3 / 0 / 91 / 44

HEX #8B900D

RGB 139 144 13

HSL 62.29, 0.83%, 0.31%

LAB 57.53, -16.13, 59.16

 

CMYK 4 / 0 / 99 / 38

HEX #979D01

RGB 151 157 1

HSL 62.31, 0.99%, 0.31%

LAB 62.25, -17.67, 65.03

 

CMYK 2 / 0 / 50 / 59

HEX #676934

RGB 103 105 52

HSL 62.26, 0.34%, 0.31%

LAB 43.11, -9.2, 29.31

 

CMYK 1 / 0 / 31 / 64

HEX #5C5D40

RGB 92 93 64

HSL 62.07, 0.18%, 0.31%

LAB 38.68, -5.68, 16.58

 

CMYK 0 / 0 / 4 / 69

HEX #50504D

RGB 80 80 77

HSL 60, 0.02%, 0.31%

LAB 33.94, -0.64, 1.76

 

CMYK 24 / 26 / 0 / 65

HEX #44435A

RGB 68 67 90

HSL 242.61, 0.15%, 0.31%

LAB 29.37, 6.13, -13.49

 

CMYK 46 / 48 / 0 / 60

HEX #383667

RGB 56 54 103

HSL 242.45, 0.31%, 0.31%

LAB 25.13, 14.9, -28.58

 

CMYK 0 / 25 / 50 / 59

HEX #694F34

RGB 105 79 52

HSL 30.57, 0.34%, 0.31%

LAB 35.68, 7.16, 20.12

 

CMYK 0 / 11 / 50 / 59

HEX #695D34

RGB 105 93 52

HSL 46.42, 0.34%, 0.31%

LAB 39.71, -1.31, 25.21

 

CMYK 1 / 0 / 50 / 59

HEX #686934

RGB 104 105 52

HSL 61.13, 0.34%, 0.31%

LAB 43.2, -8.75, 29.44

 

CMYK 15 / 0 / 50 / 59

HEX #596934

RGB 89 105 52

HSL 78.11, 0.34%, 0.31%

LAB 41.96, -15.44, 27.65

 

CMYK 29 / 0 / 50 / 59

HEX #4B6934

RGB 75 105 52

HSL 93.96, 0.34%, 0.31%

LAB 40.97, -21.33, 26.21

 

CMYK 2 / 0 / 52 / 80

HEX #313218

RGB 49 50 24

HSL 62.31, 0.35%, 0.15%

LAB 20.04, -5.25, 16.34

 

CMYK 3 / 0 / 51 / 69

HEX #4C4E26

RGB 76 78 38

HSL 63, 0.34%, 0.23%

LAB 32.09, -7.6, 23.26

 

CMYK 2 / 0 / 50 / 59

HEX #676934

RGB 103 105 52

HSL 62.26, 0.34%, 0.31%

LAB 43.11, -9.2, 29.31

 

CMYK 2 / 0 / 51 / 48

HEX #838541

RGB 131 133 65

HSL 61.76, 0.34%, 0.39%

LAB 54.01, -10.94, 36.04

 

CMYK 2 / 0 / 51 / 37

HEX #9EA14F

RGB 158 161 79

HSL 62.2, 0.34%, 0.47%

LAB 64.42, -12.94, 41.87

 

CMYK 2 / 0 / 50 / 59

HEX #676934

RGB 103 105 52

HSL 62.26, 0.34%, 0.31%

LAB 43.11, -9.2, 29.31

 

CMYK 50 / 0 / 39 / 59

HEX #346940

RGB 52 105 64

HSL 133.58, 0.34%, 0.31%

LAB 39.92, -27.6, 17.76

 

CMYK 18 / 50 / 0 / 59

HEX #563469

RGB 86 52 105

HSL 278.49, 0.34%, 0.31%

LAB 27.99, 25.93, -25.14

 

CMYK 2 / 0 / 50 / 59

HEX #676934

RGB 103 105 52

HSL 62.26, 0.34%, 0.31%

LAB 43.11, -9.2, 29.31

 

CMYK 50 / 1 / 0 / 59

HEX #346869

RGB 52 104 105

HSL 181.13, 0.34%, 0.31%

LAB 40.66, -17.02, -5.94

 

CMYK 0 / 50 / 1 / 59

HEX #693468

RGB 105 52 104

HSL 301.13, 0.34%, 0.31%

LAB 30.54, 31.86, -20.32

 

CMYK 2 / 0 / 50 / 59

HEX #676934

RGB 103 105 52

HSL 62.26, 0.34%, 0.31%

LAB 43.11, -9.2, 29.31

 

CMYK 50 / 0 / 39 / 59

HEX #346940

RGB 52 105 64

HSL 133.58, 0.34%, 0.31%

LAB 39.92, -27.6, 17.76

 

CMYK 50 / 50 / 0 / 59

HEX #353469

RGB 53 52 105

HSL 241.13, 0.34%, 0.31%

LAB 24.43, 16.12, -31.02

 

CMYK 0 / 50 / 11 / 59

HEX #69345D

RGB 105 52 93

HSL 313.58, 0.34%, 0.31%

LAB 30.03, 29.72, -14.02

 

CMYK 2 / 0 / 50 / 59

HEX #676934

RGB 103 105 52

HSL 62.26, 0.34%, 0.31%

LAB 43.11, -9.2, 29.31

 

CMYK 50 / 0 / 24 / 59

HEX #346950

RGB 52 105 80

HSL 151.7, 0.34%, 0.31%

LAB 40.27, -24.18, 8.7

 

CMYK 50 / 50 / 0 / 59

HEX #353469

RGB 53 52 105

HSL 241.13, 0.34%, 0.31%

LAB 24.43, 16.12, -31.02

 

CMYK 0 / 50 / 27 / 59

HEX #69344D

RGB 105 52 77

HSL 331.7, 0.34%, 0.31%

LAB 29.4, 26.97, -4.56

 

Description

Color code: HEX #676934 | qconv.com Color code: HEX #676934 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 105 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 105 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 50 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 50% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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