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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6761CB it is the complementary color #989E34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6761CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6761CB shade: #6C61C6, #7D73D9, #8E85EC, #9F97FF and #B0A9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6761CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6761CB shade: #6761CB, #564FB8, #453DA5, #342B92 and #23197F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6761CB shade: #6862CA, #8462CA, #A062CA, #BC62CA and #CA62BC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6761CB shade: #6862CA and #6262CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6761CB shade matches the following richer shades: #6862CA, #5951DB, #4A40EC and #3B2FFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6761CB shade: #6862CA, #7773B9, #8684A8, #959497 and #A4A587

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6761CB shade: #6294CA, #6278CA, #6762CA, #8362CA and #9F62CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6761CB shade: #3C36A3, #4A43C0, #6862CA, #8581D5 and #A3A0DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6761CB shade: #6761CB, #CA62B0 and #86CA62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6761CB shade: #6761CB, #CA6762 and #62CA67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6761CB shade: #6761CB, #CA62B0, #C5CA62 and #62CA7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6761CB shade: #6761CB, #CA6291, #C5CA62 and #62CA9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 52 / 0 / 20

HEX #6761CB

RGB 103 97 203

HSL 243.4, 0.5%, 0.59%

LAB 46.64, 30.58, -54.55

 

Complementary color

CMYK 4 / 0 / 67 / 38

HEX #989E34

RGB 152 158 52

HSL 63.4, 0.5%, 0.41%

LAB 62.82, -16.04, 52.33

 

CMYK 45 / 51 / 0 / 22

HEX #6C61C6

RGB 108 97 198

HSL 246.53, 0.47%, 0.58%

LAB 46.73, 30.2, -51.5

 

CMYK 42 / 47 / 0 / 15

HEX #7D73D9

RGB 125 115 217

HSL 245.88, 0.57%, 0.65%

LAB 53.63, 29, -51.22

 

CMYK 40 / 44 / 0 / 7

HEX #8E85EC

RGB 142 133 236

HSL 245.24, 0.73%, 0.72%

LAB 60.41, 27.94, -50.99

 

CMYK 38 / 41 / 0 / 0

HEX #9F97FF

RGB 159 151 255

HSL 244.62, 1%, 0.8%

LAB 67.07, 27.01, -50.8

 

CMYK 31 / 34 / 0 / 0

HEX #B0A9FF

RGB 176 169 255

HSL 244.88, 1%, 0.83%

LAB 72.78, 21.35, -41.74

 

CMYK 49 / 52 / 0 / 20

HEX #6761CB

RGB 103 97 203

HSL 243.4, 0.5%, 0.59%

LAB 46.64, 30.58, -54.55

 

CMYK 53 / 57 / 0 / 28

HEX #564FB8

RGB 86 79 184

HSL 244, 0.43%, 0.52%

LAB 39.63, 32.11, -54.88

 

CMYK 58 / 63 / 0 / 35

HEX #453DA5

RGB 69 61 165

HSL 244.62, 0.46%, 0.44%

LAB 32.52, 33.88, -55.19

 

CMYK 64 / 71 / 0 / 43

HEX #342B92

RGB 52 43 146

HSL 245.24, 0.54%, 0.37%

LAB 25.36, 35.88, -55.38

 

CMYK 72 / 80 / 0 / 50

HEX #23197F

RGB 35 25 127

HSL 245.88, 0.67%, 0.3%

LAB 18.3, 37.89, -55.16

 

CMYK 49 / 51 / 0 / 21

HEX #6862CA

RGB 104 98 202

HSL 243.46, 0.5%, 0.59%

LAB 46.9, 29.89, -53.55

 

CMYK 35 / 51 / 0 / 21

HEX #8462CA

RGB 132 98 202

HSL 259.62, 0.5%, 0.59%

LAB 49.38, 36.59, -49.44

 

CMYK 21 / 51 / 0 / 21

HEX #A062CA

RGB 160 98 202

HSL 275.77, 0.5%, 0.59%

LAB 52.37, 43.94, -44.5

 

CMYK 7 / 51 / 0 / 21

HEX #BC62CA

RGB 188 98 202

HSL 291.92, 0.5%, 0.59%

LAB 55.78, 51.6, -38.9

 

CMYK 0 / 51 / 7 / 21

HEX #CA62BC

RGB 202 98 188

HSL 308.08, 0.5%, 0.59%

LAB 57, 53.05, -28.84

 

CMYK 49 / 51 / 0 / 21

HEX #6862CA

RGB 104 98 202

HSL 243.46, 0.5%, 0.59%

LAB 46.9, 29.89, -53.55

 

CMYK 51 / 51 / 0 / 21

HEX #6262CA

RGB 98 98 202

HSL 240, 0.5%, 0.59%

LAB 46.44, 28.58, -54.31

 

CMYK 49 / 51 / 0 / 21

HEX #6862CA

RGB 104 98 202

HSL 243.46, 0.5%, 0.59%

LAB 46.9, 29.89, -53.55

 

CMYK 59 / 63 / 0 / 14

HEX #5951DB

RGB 89 81 219

HSL 243.48, 0.66%, 0.59%

LAB 42.95, 42.55, -69.74

 

CMYK 69 / 73 / 0 / 7

HEX #4A40EC

RGB 74 64 236

HSL 243.49, 0.82%, 0.59%

LAB 39.88, 55.53, -84.48

 

CMYK 77 / 81 / 0 / 1

HEX #3B2FFD

RGB 59 47 253

HSL 243.5, 0.98%, 0.59%

LAB 37.94, 67.59, -97.29

 

CMYK 49 / 51 / 0 / 21

HEX #6862CA

RGB 104 98 202

HSL 243.46, 0.5%, 0.59%

LAB 46.9, 29.89, -53.55

 

CMYK 36 / 38 / 0 / 27

HEX #7773B9

RGB 119 115 185

HSL 243.43, 0.33%, 0.59%

LAB 51.48, 18.42, -36.41

 

CMYK 20 / 21 / 0 / 34

HEX #8684A8

RGB 134 132 168

HSL 243.33, 0.17%, 0.59%

LAB 56.48, 8.57, -18.78

 

CMYK 1 / 2 / 0 / 41

HEX #959497

RGB 149 148 151

HSL 260, 0.01%, 0.59%

LAB 61.48, 0.95, -1.46

 

CMYK 1 / 0 / 18 / 35

HEX #A4A587

RGB 164 165 135

HSL 62, 0.14%, 0.59%

LAB 66.94, -5.59, 15.47

 

CMYK 51 / 27 / 0 / 21

HEX #6294CA

RGB 98 148 202

HSL 211.15, 0.5%, 0.59%

LAB 59.93, -1.5, -32.97

 

CMYK 51 / 41 / 0 / 21

HEX #6278CA

RGB 98 120 202

HSL 227.31, 0.5%, 0.59%

LAB 52.17, 15.08, -45.16

 

CMYK 49 / 51 / 0 / 21

HEX #6762CA

RGB 103 98 202

HSL 242.88, 0.5%, 0.59%

LAB 46.82, 29.67, -53.68

 

CMYK 35 / 51 / 0 / 21

HEX #8362CA

RGB 131 98 202

HSL 259.04, 0.5%, 0.59%

LAB 49.28, 36.33, -49.6

 

CMYK 21 / 51 / 0 / 21

HEX #9F62CA

RGB 159 98 202

HSL 275.19, 0.5%, 0.59%

LAB 52.25, 43.67, -44.69

 

CMYK 63 / 67 / 0 / 36

HEX #3C36A3

RGB 60 54 163

HSL 243.3, 0.5%, 0.43%

LAB 30.02, 36.05, -58.1

 

CMYK 61 / 65 / 0 / 25

HEX #4A43C0

RGB 74 67 192

HSL 243.36, 0.5%, 0.51%

LAB 36.51, 39.88, -64.69

 

CMYK 49 / 51 / 0 / 21

HEX #6862CA

RGB 104 98 202

HSL 243.46, 0.5%, 0.59%

LAB 46.9, 29.89, -53.55

 

CMYK 38 / 39 / 0 / 16

HEX #8581D5

RGB 133 129 213

HSL 242.86, 0.5%, 0.67%

LAB 57.55, 21.63, -42.72

 

CMYK 27 / 28 / 0 / 13

HEX #A3A0DF

RGB 163 160 223

HSL 242.86, 0.5%, 0.75%

LAB 68.21, 14.81, -31.47

 

CMYK 49 / 52 / 0 / 20

HEX #6761CB

RGB 103 97 203

HSL 243.4, 0.5%, 0.59%

LAB 46.64, 30.58, -54.55

 

CMYK 0 / 51 / 13 / 21

HEX #CA62B0

RGB 202 98 176

HSL 315, 0.5%, 0.59%

LAB 56.51, 51.08, -22.69

 

CMYK 34 / 0 / 51 / 21

HEX #86CA62

RGB 134 202 98

HSL 99.23, 0.5%, 0.59%

LAB 74.95, -40.03, 44.83

 

CMYK 49 / 52 / 0 / 20

HEX #6761CB

RGB 103 97 203

HSL 243.4, 0.5%, 0.59%

LAB 46.64, 30.58, -54.55

 

CMYK 0 / 49 / 51 / 21

HEX #CA6762

RGB 202 103 98

HSL 2.88, 0.5%, 0.59%

LAB 55.22, 38.73, 20.97

 

CMYK 51 / 0 / 49 / 21

HEX #62CA67

RGB 98 202 103

HSL 122.88, 0.5%, 0.59%

LAB 73.43, -50.39, 40.18

 

CMYK 49 / 52 / 0 / 20

HEX #6761CB

RGB 103 97 203

HSL 243.4, 0.5%, 0.59%

LAB 46.64, 30.58, -54.55

 

CMYK 0 / 51 / 13 / 21

HEX #CA62B0

RGB 202 98 176

HSL 315, 0.5%, 0.59%

LAB 56.51, 51.08, -22.69

 

CMYK 2 / 0 / 51 / 21

HEX #C5CA62

RGB 197 202 98

HSL 62.88, 0.5%, 0.59%

LAB 79.04, -16.08, 50.69

 

CMYK 51 / 0 / 39 / 21

HEX #62CA7C

RGB 98 202 124

HSL 135, 0.5%, 0.59%

LAB 73.74, -47.13, 29.95

 

CMYK 49 / 52 / 0 / 20

HEX #6761CB

RGB 103 97 203

HSL 243.4, 0.5%, 0.59%

LAB 46.64, 30.58, -54.55

 

CMYK 0 / 51 / 28 / 21

HEX #CA6291

RGB 202 98 145

HSL 332.88, 0.5%, 0.59%

LAB 55.42, 46.53, -6.3

 

CMYK 2 / 0 / 51 / 21

HEX #C5CA62

RGB 197 202 98

HSL 62.88, 0.5%, 0.59%

LAB 79.04, -16.08, 50.69

 

CMYK 51 / 0 / 23 / 21

HEX #62CA9B

RGB 98 202 155

HSL 152.88, 0.5%, 0.59%

LAB 74.32, -41.21, 14.38

 

Description

Color code: HEX #6761CB | qconv.com Color code: HEX #6761CB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 97 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 97 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 52 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 52% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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