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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6762A0 it is the complementary color #989D5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6762A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6762A0 shade: #6C629B, #7D74AE, #8E86C1, #9F98D4 and #B0AAE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6762A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6762A0 shade: #6762A0, #56508D, #453E7A, #342C67 and #231A54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6762A0 shade: #6762A1, #7862A1, #8962A1, #9A62A1 and #A16297

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6762A0 shade: #6762A1 and #6262A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6762A0 shade matches the following richer shades: #6762A1, #564EB5, #453AC9, #3426DD and #2411F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6762A0 shade: #6762A1, #78778D, #898B78, #9A9F64 and #ABB350

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6762A0 shade: #627FA1, #626FA1, #6662A1, #7762A1 and #8862A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6762A0 shade: #46426E, #565288, #6762A1, #807CB0 and #9996C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6762A0 shade: #6762A0, #A16290 and #77A162

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6762A0 shade: #6762A0, #A16662 and #62A166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6762A0 shade: #6762A0, #A16290, #9DA162 and #62A173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6762A0 shade: #6762A0, #A1627D, #9DA162 and #62A186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 39 / 0 / 37

HEX #6762A0

RGB 103 98 160

HSL 244.84, 0.25%, 0.51%

LAB 44.46, 17.24, -32.94

 

Complementary color

CMYK 3 / 0 / 39 / 38

HEX #989D5F

RGB 152 157 95

HSL 64.84, 0.25%, 0.49%

LAB 63.02, -11.65, 31.81

 

CMYK 30 / 37 / 0 / 39

HEX #6C629B

RGB 108 98 155

HSL 250.53, 0.23%, 0.5%

LAB 44.65, 17.34, -29.65

 

CMYK 28 / 33 / 0 / 32

HEX #7D74AE

RGB 125 116 174

HSL 249.31, 0.26%, 0.57%

LAB 51.73, 16.63, -29.62

 

CMYK 26 / 31 / 0 / 24

HEX #8E86C1

RGB 142 134 193

HSL 248.14, 0.32%, 0.64%

LAB 58.65, 16.02, -29.65

 

CMYK 25 / 28 / 0 / 17

HEX #9F98D4

RGB 159 152 212

HSL 247, 0.41%, 0.71%

LAB 65.42, 15.47, -29.72

 

CMYK 24 / 26 / 0 / 9

HEX #B0AAE7

RGB 176 170 231

HSL 245.9, 0.56%, 0.79%

LAB 72.06, 14.98, -29.83

 

CMYK 36 / 39 / 0 / 37

HEX #6762A0

RGB 103 98 160

HSL 244.84, 0.25%, 0.51%

LAB 44.46, 17.24, -32.94

 

CMYK 39 / 43 / 0 / 45

HEX #56508D

RGB 86 80 141

HSL 245.9, 0.28%, 0.43%

LAB 37.19, 18.15, -33.1

 

CMYK 43 / 49 / 0 / 52

HEX #453E7A

RGB 69 62 122

HSL 247, 0.33%, 0.36%

LAB 29.7, 19.26, -33.33

 

CMYK 50 / 57 / 0 / 60

HEX #342C67

RGB 52 44 103

HSL 248.14, 0.4%, 0.29%

LAB 21.98, 20.65, -33.64

 

CMYK 58 / 69 / 0 / 67

HEX #231A54

RGB 35 26 84

HSL 249.31, 0.53%, 0.22%

LAB 14.04, 22.39, -33.96

 

CMYK 36 / 39 / 0 / 37

HEX #6762A1

RGB 103 98 161

HSL 244.76, 0.25%, 0.51%

LAB 44.51, 17.52, -33.45

 

CMYK 25 / 39 / 0 / 37

HEX #7862A1

RGB 120 98 161

HSL 260.95, 0.25%, 0.51%

LAB 46.04, 22.57, -30.93

 

CMYK 15 / 39 / 0 / 37

HEX #8962A1

RGB 137 98 161

HSL 277.14, 0.25%, 0.51%

LAB 47.79, 27.89, -28.08

 

CMYK 4 / 39 / 0 / 37

HEX #9A62A1

RGB 154 98 161

HSL 293.33, 0.25%, 0.51%

LAB 49.71, 33.35, -24.94

 

CMYK 0 / 39 / 6 / 37

HEX #A16297

RGB 161 98 151

HSL 309.52, 0.25%, 0.51%

LAB 50.15, 33.72, -18.3

 

CMYK 36 / 39 / 0 / 37

HEX #6762A1

RGB 103 98 161

HSL 244.76, 0.25%, 0.51%

LAB 44.51, 17.52, -33.45

 

CMYK 39 / 39 / 0 / 37

HEX #6262A1

RGB 98 98 161

HSL 240, 0.25%, 0.51%

LAB 44.1, 16.1, -34.13

 

CMYK 36 / 39 / 0 / 37

HEX #6762A1

RGB 103 98 161

HSL 244.76, 0.25%, 0.51%

LAB 44.51, 17.52, -33.45

 

CMYK 52 / 57 / 0 / 29

HEX #564EB5

RGB 86 78 181

HSL 244.66, 0.41%, 0.51%

LAB 39.18, 31.77, -53.85

 

CMYK 66 / 71 / 0 / 21

HEX #453AC9

RGB 69 58 201

HSL 244.62, 0.57%, 0.51%

LAB 35.02, 47.31, -72.4

 

CMYK 76 / 83 / 0 / 13

HEX #3426DD

RGB 52 38 221

HSL 244.59, 0.73%, 0.51%

LAB 32.56, 61.84, -88.08

 

CMYK 85 / 93 / 0 / 5

HEX #2411F2

RGB 36 17 242

HSL 245.07, 0.9%, 0.51%

LAB 32.23, 73.58, -100.64

 

CMYK 36 / 39 / 0 / 37

HEX #6762A1

RGB 103 98 161

HSL 244.76, 0.25%, 0.51%

LAB 44.51, 17.52, -33.45

 

CMYK 15 / 16 / 0 / 45

HEX #78778D

RGB 120 119 141

HSL 242.73, 0.09%, 0.51%

LAB 50.82, 5.12, -11.8

 

CMYK 1 / 0 / 14 / 45

HEX #898B78

RGB 137 139 120

HSL 66.32, 0.08%, 0.51%

LAB 57.21, -4.26, 9.92

 

CMYK 3 / 0 / 37 / 38

HEX #9A9F64

RGB 154 159 100

HSL 65.08, 0.24%, 0.51%

LAB 63.82, -11.28, 30.21

 

CMYK 4 / 0 / 55 / 30

HEX #ABB350

RGB 171 179 80

HSL 64.85, 0.39%, 0.51%

LAB 70.51, -16.69, 48.73

 

CMYK 39 / 21 / 0 / 37

HEX #627FA1

RGB 98 127 161

HSL 212.38, 0.25%, 0.51%

LAB 52.23, -1.43, -21.48

 

CMYK 39 / 31 / 0 / 37

HEX #626FA1

RGB 98 111 161

HSL 227.62, 0.25%, 0.51%

LAB 47.67, 8.11, -28.52

 

CMYK 37 / 39 / 0 / 37

HEX #6662A1

RGB 102 98 161

HSL 243.81, 0.25%, 0.51%

LAB 44.42, 17.23, -33.59

 

CMYK 26 / 39 / 0 / 37

HEX #7762A1

RGB 119 98 161

HSL 260, 0.25%, 0.51%

LAB 45.95, 22.27, -31.09

 

CMYK 16 / 39 / 0 / 37

HEX #8862A1

RGB 136 98 161

HSL 276.19, 0.25%, 0.51%

LAB 47.68, 27.57, -28.26

 

CMYK 36 / 40 / 0 / 57

HEX #46426E

RGB 70 66 110

HSL 245.45, 0.25%, 0.35%

LAB 30.22, 13.22, -24.94

 

CMYK 37 / 40 / 0 / 47

HEX #565288

RGB 86 82 136

HSL 244.44, 0.25%, 0.43%

LAB 37.46, 15.4, -29.61

 

CMYK 36 / 39 / 0 / 37

HEX #6762A1

RGB 103 98 161

HSL 244.76, 0.25%, 0.51%

LAB 44.51, 17.52, -33.45

 

CMYK 27 / 30 / 0 / 31

HEX #807CB0

RGB 128 124 176

HSL 244.62, 0.25%, 0.59%

LAB 54.17, 13.32, -26.97

 

CMYK 20 / 22 / 0 / 25

HEX #9996C0

RGB 153 150 192

HSL 244.29, 0.25%, 0.67%

LAB 63.66, 10.01, -21.3

 

CMYK 36 / 39 / 0 / 37

HEX #6762A0

RGB 103 98 160

HSL 244.84, 0.25%, 0.51%

LAB 44.46, 17.24, -32.94

 

CMYK 0 / 39 / 11 / 37

HEX #A16290

RGB 161 98 144

HSL 316.19, 0.25%, 0.51%

LAB 49.89, 32.46, -14.56

 

CMYK 26 / 0 / 39 / 37

HEX #77A162

RGB 119 161 98

HSL 100, 0.25%, 0.51%

LAB 61.91, -26.24, 28.31

 

CMYK 36 / 39 / 0 / 37

HEX #6762A0

RGB 103 98 160

HSL 244.84, 0.25%, 0.51%

LAB 44.46, 17.24, -32.94

 

CMYK 0 / 37 / 39 / 37

HEX #A16662

RGB 161 102 98

HSL 3.81, 0.25%, 0.51%

LAB 49.45, 23.27, 12.19

 

CMYK 39 / 0 / 37 / 37

HEX #62A166

RGB 98 161 102

HSL 123.81, 0.25%, 0.51%

LAB 60.82, -32.84, 24.52

 

CMYK 36 / 39 / 0 / 37

HEX #6762A0

RGB 103 98 160

HSL 244.84, 0.25%, 0.51%

LAB 44.46, 17.24, -32.94

 

CMYK 0 / 39 / 11 / 37

HEX #A16290

RGB 161 98 144

HSL 316.19, 0.25%, 0.51%

LAB 49.89, 32.46, -14.56

 

CMYK 2 / 0 / 39 / 37

HEX #9DA162

RGB 157 161 98

HSL 63.81, 0.25%, 0.51%

LAB 64.6, -11.35, 32.31

 

CMYK 39 / 0 / 29 / 37

HEX #62A173

RGB 98 161 115

HSL 136.19, 0.25%, 0.51%

LAB 61.07, -30.51, 17.73

 

CMYK 36 / 39 / 0 / 37

HEX #6762A0

RGB 103 98 160

HSL 244.84, 0.25%, 0.51%

LAB 44.46, 17.24, -32.94

 

CMYK 0 / 39 / 22 / 37

HEX #A1627D

RGB 161 98 125

HSL 334.29, 0.25%, 0.51%

LAB 49.24, 29.3, -4.22

 

CMYK 2 / 0 / 39 / 37

HEX #9DA162

RGB 157 161 98

HSL 63.81, 0.25%, 0.51%

LAB 64.6, -11.35, 32.31

 

CMYK 39 / 0 / 17 / 37

HEX #62A186

RGB 98 161 134

HSL 154.29, 0.25%, 0.51%

LAB 61.49, -26.61, 7.73

 

Description

Color code: HEX #6762A0 | qconv.com Color code: HEX #6762A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 98 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 98 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 39 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 39% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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