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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6776AB it is the complementary color #988954. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6776AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6776AB shade: #6C76A6, #7D88B9, #8E9ACC, #9FACDF and #B0BEF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6776AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6776AB shade: #6776AB, #566498, #455285, #344072 and #232E5F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6776AB shade: #6776AB, #6B67AB, #7D67AB, #8F67AB and #A267AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6776AB shade: #6776AB and #6767AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6776AB shade matches the following richer shades: #6776AB, #546CBE, #4161D1, #2E56E4 and #1B4CF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6776AB shade: #6776AB, #7A8198, #8D8B85, #A09672 and #B3A15F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6776AB shade: #679BAB, #6789AB, #6777AB, #6967AB and #7C67AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6776AB shade: #44507C, #536297, #6776AB, #828EBA and #9CA6C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6776AB shade: #6776AB, #A967AB and #92AB67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6776AB shade: #6776AB, #AB6777 and #77AB67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6776AB shade: #6776AB, #A967AB, #AB9B67 and #69AB67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6776AB shade: #6776AB, #AB6799, #AB9B67 and #67AB79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 31 / 0 / 33

HEX #6776AB

RGB 103 118 171

HSL 226.76, 0.29%, 0.54%

LAB 50.43, 8.17, -30.04

 

Complementary color

CMYK 0 / 10 / 45 / 40

HEX #988954

RGB 152 137 84

HSL 46.76, 0.29%, 0.46%

LAB 57.28, -2.05, 30.41

 

CMYK 35 / 29 / 0 / 35

HEX #6C76A6

RGB 108 118 166

HSL 229.66, 0.25%, 0.54%

LAB 50.57, 8.2, -26.89

 

CMYK 32 / 26 / 0 / 27

HEX #7D88B9

RGB 125 136 185

HSL 229, 0.3%, 0.61%

LAB 57.53, 7.71, -26.95

 

CMYK 30 / 25 / 0 / 20

HEX #8E9ACC

RGB 142 154 204

HSL 228.39, 0.38%, 0.68%

LAB 64.34, 7.28, -27.05

 

CMYK 29 / 23 / 0 / 13

HEX #9FACDF

RGB 159 172 223

HSL 227.81, 0.5%, 0.75%

LAB 71.01, 6.9, -27.18

 

CMYK 27 / 21 / 0 / 5

HEX #B0BEF2

RGB 176 190 242

HSL 227.27, 0.72%, 0.82%

LAB 77.56, 6.57, -27.34

 

CMYK 40 / 31 / 0 / 33

HEX #6776AB

RGB 103 118 171

HSL 226.76, 0.29%, 0.54%

LAB 50.43, 8.17, -30.04

 

CMYK 43 / 34 / 0 / 40

HEX #566498

RGB 86 100 152

HSL 227.27, 0.28%, 0.47%

LAB 43.3, 8.84, -30.09

 

CMYK 48 / 38 / 0 / 48

HEX #455285

RGB 69 82 133

HSL 227.81, 0.32%, 0.4%

LAB 35.97, 9.69, -30.22

 

CMYK 54 / 44 / 0 / 55

HEX #344072

RGB 52 64 114

HSL 228.39, 0.37%, 0.33%

LAB 28.41, 10.78, -30.43

 

CMYK 63 / 52 / 0 / 63

HEX #232E5F

RGB 35 46 95

HSL 229, 0.46%, 0.25%

LAB 20.59, 12.3, -30.73

 

CMYK 40 / 31 / 0 / 33

HEX #6776AB

RGB 103 118 171

HSL 226.76, 0.29%, 0.54%

LAB 50.43, 8.17, -30.04

 

CMYK 37 / 40 / 0 / 33

HEX #6B67AB

RGB 107 103 171

HSL 243.53, 0.29%, 0.54%

LAB 46.67, 18.42, -35.92

 

CMYK 27 / 40 / 0 / 33

HEX #7D67AB

RGB 125 103 171

HSL 259.41, 0.29%, 0.54%

LAB 48.26, 23.64, -33.3

 

CMYK 16 / 40 / 0 / 33

HEX #8F67AB

RGB 143 103 171

HSL 275.29, 0.29%, 0.54%

LAB 50.07, 29.15, -30.33

 

CMYK 5 / 40 / 0 / 33

HEX #A267AB

RGB 162 103 171

HSL 292.06, 0.29%, 0.54%

LAB 52.2, 35.13, -26.86

 

CMYK 40 / 31 / 0 / 33

HEX #6776AB

RGB 103 118 171

HSL 226.76, 0.29%, 0.54%

LAB 50.43, 8.17, -30.04

 

CMYK 40 / 40 / 0 / 33

HEX #6767AB

RGB 103 103 171

HSL 240, 0.29%, 0.54%

LAB 46.34, 17.31, -36.45

 

CMYK 40 / 31 / 0 / 33

HEX #6776AB

RGB 103 118 171

HSL 226.76, 0.29%, 0.54%

LAB 50.43, 8.17, -30.04

 

CMYK 56 / 43 / 0 / 25

HEX #546CBE

RGB 84 108 190

HSL 226.42, 0.45%, 0.54%

LAB 47.4, 15.5, -45.91

 

CMYK 69 / 54 / 0 / 18

HEX #4161D1

RGB 65 97 209

HSL 226.67, 0.61%, 0.54%

LAB 44.63, 25.61, -61.36

 

CMYK 80 / 62 / 0 / 11

HEX #2E56E4

RGB 46 86 228

HSL 226.81, 0.77%, 0.54%

LAB 42.52, 37.31, -75.66

 

CMYK 89 / 69 / 0 / 3

HEX #1B4CF7

RGB 27 76 247

HSL 226.64, 0.93%, 0.54%

LAB 41.4, 49.1, -88.23

 

CMYK 40 / 31 / 0 / 33

HEX #6776AB

RGB 103 118 171

HSL 226.76, 0.29%, 0.54%

LAB 50.43, 8.17, -30.04

 

CMYK 20 / 15 / 0 / 40

HEX #7A8198

RGB 122 129 152

HSL 226, 0.13%, 0.54%

LAB 54.14, 2.54, -13.19

 

CMYK 0 / 1 / 6 / 45

HEX #8D8B85

RGB 141 139 133

HSL 45, 0.03%, 0.54%

LAB 57.87, -0.4, 3.46

 

CMYK 0 / 6 / 29 / 37

HEX #A09672

RGB 160 150 114

HSL 46.96, 0.19%, 0.54%

LAB 62.08, -2.14, 20.36

 

CMYK 0 / 10 / 47 / 30

HEX #B3A15F

RGB 179 161 95

HSL 47.14, 0.36%, 0.54%

LAB 66.44, -2.52, 36.61

 

CMYK 40 / 9 / 0 / 33

HEX #679BAB

RGB 103 155 171

HSL 194.12, 0.29%, 0.54%

LAB 61.02, -13.04, -13.81

 

CMYK 40 / 20 / 0 / 33

HEX #6789AB

RGB 103 137 171

HSL 210, 0.29%, 0.54%

LAB 55.8, -3.01, -21.74

 

CMYK 40 / 30 / 0 / 33

HEX #6777AB

RGB 103 119 171

HSL 225.88, 0.29%, 0.54%

LAB 50.71, 7.57, -29.61

 

CMYK 39 / 40 / 0 / 33

HEX #6967AB

RGB 105 103 171

HSL 241.76, 0.29%, 0.54%

LAB 46.5, 17.86, -36.18

 

CMYK 27 / 40 / 0 / 33

HEX #7C67AB

RGB 124 103 171

HSL 258.53, 0.29%, 0.54%

LAB 48.17, 23.34, -33.45

 

CMYK 45 / 35 / 0 / 51

HEX #44507C

RGB 68 80 124

HSL 227.14, 0.29%, 0.38%

LAB 34.85, 7.81, -26.45

 

CMYK 45 / 35 / 0 / 41

HEX #536297

RGB 83 98 151

HSL 226.76, 0.29%, 0.46%

LAB 42.47, 8.97, -30.81

 

CMYK 40 / 31 / 0 / 33

HEX #6776AB

RGB 103 118 171

HSL 226.76, 0.29%, 0.54%

LAB 50.43, 8.17, -30.04

 

CMYK 30 / 24 / 0 / 27

HEX #828EBA

RGB 130 142 186

HSL 227.14, 0.29%, 0.62%

LAB 59.56, 5.98, -24.36

 

CMYK 22 / 17 / 0 / 21

HEX #9CA6C9

RGB 156 166 201

HSL 226.67, 0.29%, 0.7%

LAB 68.43, 4.06, -19.04

 

CMYK 40 / 31 / 0 / 33

HEX #6776AB

RGB 103 118 171

HSL 226.76, 0.29%, 0.54%

LAB 50.43, 8.17, -30.04

 

CMYK 1 / 40 / 0 / 33

HEX #A967AB

RGB 169 103 171

HSL 298.24, 0.29%, 0.54%

LAB 53.03, 37.35, -25.51

 

CMYK 15 / 0 / 40 / 33

HEX #92AB67

RGB 146 171 103

HSL 82.06, 0.29%, 0.54%

LAB 66.68, -20.32, 32.19

 

CMYK 40 / 31 / 0 / 33

HEX #6776AB

RGB 103 118 171

HSL 226.76, 0.29%, 0.54%

LAB 50.43, 8.17, -30.04

 

CMYK 0 / 40 / 30 / 33

HEX #AB6777

RGB 171 103 119

HSL 345.88, 0.29%, 0.54%

LAB 51.49, 29.37, 2.78

 

CMYK 30 / 0 / 40 / 33

HEX #77AB67

RGB 119 171 103

HSL 105.88, 0.29%, 0.54%

LAB 64.98, -30.35, 29.65

 

CMYK 40 / 31 / 0 / 33

HEX #6776AB

RGB 103 118 171

HSL 226.76, 0.29%, 0.54%

LAB 50.43, 8.17, -30.04

 

CMYK 1 / 40 / 0 / 33

HEX #A967AB

RGB 169 103 171

HSL 298.24, 0.29%, 0.54%

LAB 53.03, 37.35, -25.51

 

CMYK 0 / 9 / 40 / 33

HEX #AB9B67

RGB 171 155 103

HSL 45.88, 0.29%, 0.54%

LAB 64.23, -1.76, 29.4

 

CMYK 39 / 0 / 40 / 33

HEX #69AB67

RGB 105 171 103

HSL 118.24, 0.29%, 0.54%

LAB 64.25, -35.06, 28.56

 

CMYK 40 / 31 / 0 / 33

HEX #6776AB

RGB 103 118 171

HSL 226.76, 0.29%, 0.54%

LAB 50.43, 8.17, -30.04

 

CMYK 0 / 40 / 11 / 33

HEX #AB6799

RGB 171 103 153

HSL 315.88, 0.29%, 0.54%

LAB 52.57, 34.7, -15.68

 

CMYK 0 / 9 / 40 / 33

HEX #AB9B67

RGB 171 155 103

HSL 45.88, 0.29%, 0.54%

LAB 64.23, -1.76, 29.4

 

CMYK 40 / 0 / 29 / 33

HEX #67AB79

RGB 103 171 121

HSL 135.88, 0.29%, 0.54%

LAB 64.48, -32.58, 19.14

 

Description

Color code: HEX #6776AB | qconv.com Color code: HEX #6776AB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 118 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 118 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 31 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 31% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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