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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6772C5 it is the complementary color #988D3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6772C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6772C5 shade: #6C72C0, #7D84D3, #8E96E6, #9FA8F9 and #B0BAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6772C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6772C5 shade: #6772C5, #5660B2, #454E9F, #343C8C and #232A79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6772C5 shade: #6772C5, #7567C5, #8F67C5, #A867C5 and #C167C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6772C5 shade: #6772C5 and #6767C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6772C5 shade matches the following richer shades: #6772C5, #5665D6, #4558E7 and #344BF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6772C5 shade: #6772C5, #787FB4, #898CA3, #9A9992 and #ABA681

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6772C5 shade: #67A6C5, #678DC5, #6773C5, #7367C5 and #8D67C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6772C5 shade: #3C479E, #4956BA, #6772C5, #858ED0 and #A3A9DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6772C5 shade: #6772C5, #C567BF and #99C567

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6772C5 shade: #6772C5, #C56773 and #73C567

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6772C5 shade: #6772C5, #C567BF, #C5B867 and #67C56D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6772C5 shade: #6772C5, #C567A2, #C5B867 and #67C589

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 42 / 0 / 23

HEX #6772C5

RGB 103 114 197

HSL 232.98, 0.45%, 0.59%

LAB 50.63, 18.35, -44.73

 

Complementary color

CMYK 0 / 7 / 62 / 40

HEX #988D3A

RGB 152 141 58

HSL 52.98, 0.45%, 0.41%

LAB 58.07, -6.6, 44.63

 

CMYK 44 / 41 / 0 / 25

HEX #6C72C0

RGB 108 114 192

HSL 235.71, 0.4%, 0.59%

LAB 50.72, 18.08, -41.69

 

CMYK 41 / 37 / 0 / 17

HEX #7D84D3

RGB 125 132 211

HSL 235.12, 0.49%, 0.66%

LAB 57.62, 17.19, -41.52

 

CMYK 38 / 35 / 0 / 10

HEX #8E96E6

RGB 142 150 230

HSL 234.55, 0.64%, 0.73%

LAB 64.38, 16.43, -41.4

 

CMYK 36 / 33 / 0 / 2

HEX #9FA8F9

RGB 159 168 249

HSL 234, 0.88%, 0.8%

LAB 71.02, 15.76, -41.33

 

CMYK 31 / 27 / 0 / 0

HEX #B0BAFF

RGB 176 186 255

HSL 232.41, 1%, 0.85%

LAB 77.02, 11.91, -35.15

 

CMYK 48 / 42 / 0 / 23

HEX #6772C5

RGB 103 114 197

HSL 232.98, 0.45%, 0.59%

LAB 50.63, 18.35, -44.73

 

CMYK 52 / 46 / 0 / 30

HEX #5660B2

RGB 86 96 178

HSL 233.48, 0.37%, 0.52%

LAB 43.59, 19.54, -44.99

 

CMYK 57 / 51 / 0 / 38

HEX #454E9F

RGB 69 78 159

HSL 234, 0.39%, 0.45%

LAB 36.4, 20.99, -45.31

 

CMYK 63 / 57 / 0 / 45

HEX #343C8C

RGB 52 60 140

HSL 234.55, 0.46%, 0.38%

LAB 29.04, 22.81, -45.67

 

CMYK 71 / 65 / 0 / 53

HEX #232A79

RGB 35 42 121

HSL 235.12, 0.55%, 0.31%

LAB 21.56, 25.12, -45.98

 

CMYK 48 / 42 / 0 / 23

HEX #6772C5

RGB 103 114 197

HSL 232.98, 0.45%, 0.59%

LAB 50.63, 18.35, -44.73

 

CMYK 41 / 48 / 0 / 23

HEX #7567C5

RGB 117 103 197

HSL 248.94, 0.45%, 0.59%

LAB 48.9, 28.48, -47.41

 

CMYK 27 / 48 / 0 / 23

HEX #8F67C5

RGB 143 103 197

HSL 265.53, 0.45%, 0.59%

LAB 51.35, 35.34, -43.37

 

CMYK 15 / 48 / 0 / 23

HEX #A867C5

RGB 168 103 197

HSL 281.49, 0.45%, 0.59%

LAB 54.09, 42.36, -38.87

 

CMYK 2 / 48 / 0 / 23

HEX #C167C5

RGB 193 103 197

HSL 297.45, 0.45%, 0.59%

LAB 57.14, 49.55, -33.86

 

CMYK 48 / 42 / 0 / 23

HEX #6772C5

RGB 103 114 197

HSL 232.98, 0.45%, 0.59%

LAB 50.63, 18.35, -44.73

 

CMYK 48 / 48 / 0 / 23

HEX #6767C5

RGB 103 103 197

HSL 240, 0.45%, 0.59%

LAB 47.77, 25.08, -49.28

 

CMYK 48 / 42 / 0 / 23

HEX #6772C5

RGB 103 114 197

HSL 232.98, 0.45%, 0.59%

LAB 50.63, 18.35, -44.73

 

CMYK 60 / 53 / 0 / 16

HEX #5665D6

RGB 86 101 214

HSL 232.97, 0.61%, 0.59%

LAB 47.16, 28.24, -60.06

 

CMYK 70 / 62 / 0 / 9

HEX #4558E7

RGB 69 88 231

HSL 232.96, 0.77%, 0.59%

LAB 44.25, 39.49, -74.48

 

CMYK 79 / 70 / 0 / 3

HEX #344BF8

RGB 52 75 248

HSL 232.96, 0.93%, 0.59%

LAB 42.06, 51.41, -87.68

 

CMYK 48 / 42 / 0 / 23

HEX #6772C5

RGB 103 114 197

HSL 232.98, 0.45%, 0.59%

LAB 50.63, 18.35, -44.73

 

CMYK 33 / 29 / 0 / 29

HEX #787FB4

RGB 120 127 180

HSL 233, 0.29%, 0.59%

LAB 54.52, 10.18, -28.78

 

CMYK 16 / 14 / 0 / 36

HEX #898CA3

RGB 137 140 163

HSL 233.08, 0.12%, 0.59%

LAB 58.71, 3.8, -12.51

 

CMYK 0 / 1 / 5 / 40

HEX #9A9992

RGB 154 153 146

HSL 52.5, 0.04%, 0.59%

LAB 63.12, -0.95, 3.8

 

CMYK 0 / 3 / 25 / 33

HEX #ABA681

RGB 171 166 129

HSL 52.86, 0.2%, 0.59%

LAB 67.66, -4.31, 19.85

 

CMYK 48 / 16 / 0 / 23

HEX #67A6C5

RGB 103 166 197

HSL 199.79, 0.45%, 0.59%

LAB 65.11, -11.82, -22.17

 

CMYK 48 / 28 / 0 / 23

HEX #678DC5

RGB 103 141 197

HSL 215.74, 0.45%, 0.59%

LAB 58, 2.22, -33.13

 

CMYK 48 / 42 / 0 / 23

HEX #6773C5

RGB 103 115 197

HSL 232.34, 0.45%, 0.59%

LAB 50.89, 17.74, -44.31

 

CMYK 42 / 48 / 0 / 23

HEX #7367C5

RGB 115 103 197

HSL 247.66, 0.45%, 0.59%

LAB 48.73, 27.98, -47.69

 

CMYK 28 / 48 / 0 / 23

HEX #8D67C5

RGB 141 103 197

HSL 264.26, 0.45%, 0.59%

LAB 51.15, 34.79, -43.71

 

CMYK 62 / 55 / 0 / 38

HEX #3C479E

RGB 60 71 158

HSL 233.27, 0.45%, 0.43%

LAB 33.85, 23.42, -48.85

 

CMYK 61 / 54 / 0 / 27

HEX #4956BA

RGB 73 86 186

HSL 233.1, 0.45%, 0.51%

LAB 40.6, 25.86, -54.53

 

CMYK 48 / 42 / 0 / 23

HEX #6772C5

RGB 103 114 197

HSL 232.98, 0.45%, 0.59%

LAB 50.63, 18.35, -44.73

 

CMYK 36 / 32 / 0 / 18

HEX #858ED0

RGB 133 142 208

HSL 232.8, 0.44%, 0.67%

LAB 60.68, 12.65, -35

 

CMYK 26 / 23 / 0 / 14

HEX #A3A9DC

RGB 163 169 220

HSL 233.68, 0.45%, 0.75%

LAB 70.41, 9.03, -26.44

 

CMYK 48 / 42 / 0 / 23

HEX #6772C5

RGB 103 114 197

HSL 232.98, 0.45%, 0.59%

LAB 50.63, 18.35, -44.73

 

CMYK 0 / 48 / 3 / 23

HEX #C567BF

RGB 197 103 191

HSL 303.83, 0.45%, 0.59%

LAB 57.4, 49.63, -30

 

CMYK 22 / 0 / 48 / 23

HEX #99C567

RGB 153 197 103

HSL 88.09, 0.45%, 0.59%

LAB 74.63, -30.37, 42.25

 

CMYK 48 / 42 / 0 / 23

HEX #6772C5

RGB 103 114 197

HSL 232.98, 0.45%, 0.59%

LAB 50.63, 18.35, -44.73

 

CMYK 0 / 48 / 42 / 23

HEX #C56773

RGB 197 103 115

HSL 352.34, 0.45%, 0.59%

LAB 54.87, 38.57, 10.46

 

CMYK 42 / 0 / 48 / 23

HEX #73C567

RGB 115 197 103

HSL 112.34, 0.45%, 0.59%

LAB 72.6, -43.42, 39.3

 

CMYK 48 / 42 / 0 / 23

HEX #6772C5

RGB 103 114 197

HSL 232.98, 0.45%, 0.59%

LAB 50.63, 18.35, -44.73

 

CMYK 0 / 48 / 3 / 23

HEX #C567BF

RGB 197 103 191

HSL 303.83, 0.45%, 0.59%

LAB 57.4, 49.63, -30

 

CMYK 0 / 7 / 48 / 23

HEX #C5B867

RGB 197 184 103

HSL 51.7, 0.45%, 0.59%

LAB 74.27, -6.42, 42.56

 

CMYK 48 / 0 / 45 / 23

HEX #67C56D

RGB 103 197 109

HSL 123.83, 0.45%, 0.59%

LAB 72.18, -46.11, 35.65

 

CMYK 48 / 42 / 0 / 23

HEX #6772C5

RGB 103 114 197

HSL 232.98, 0.45%, 0.59%

LAB 50.63, 18.35, -44.73

 

CMYK 0 / 48 / 18 / 23

HEX #C567A2

RGB 197 103 162

HSL 322.34, 0.45%, 0.59%

LAB 56.27, 44.82, -15.01

 

CMYK 0 / 7 / 48 / 23

HEX #C5B867

RGB 197 184 103

HSL 51.7, 0.45%, 0.59%

LAB 74.27, -6.42, 42.56

 

CMYK 48 / 0 / 30 / 23

HEX #67C589

RGB 103 197 137

HSL 141.7, 0.45%, 0.59%

LAB 72.64, -41.36, 21.69

 

Description

Color code: HEX #6772C5 | qconv.com Color code: HEX #6772C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 114 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 114 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 42 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 42% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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