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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #677EC0 it is the complementary color #98813F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #677EC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #677EC0 shade: #6C7EBB, #7D90CE, #8EA2E1, #9FB4F4 and #B0C6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #677EC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #677EC0 shade: #677EC0, #566CAD, #455A9A, #344887 and #233674

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #677EC0 shade: #677EBF, #6867BF, #8067BF, #9867BF and #B067BF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #677EC0 shade: #677EBF and #6767BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #677EC0 shade matches the following richer shades: #677EBF, #5676D1, #456DE2 and #3465F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #677EC0 shade: #677EBF, #7987AE, #8A8F9D, #9B978B and #ADA07A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #677EC0 shade: #67AEBF, #6796BF, #677FBF, #6767BF and #7F67BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #677EC0 shade: #3E5596, #4B66B3, #677EBF, #8597CB and #A2B0D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #677EC0 shade: #677EC0, #B967BF and #A2BF67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #677EC0 shade: #677EC0, #BF677F and #7FBF67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #677EC0 shade: #677EC0, #B967BF, #BFA867 and #6DBF67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #677EC0 shade: #677EC0, #BF67AB, #BFA867 and #67BF7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 34 / 0 / 25

HEX #677EC0

RGB 103 126 192

HSL 224.49, 0.41%, 0.58%

LAB 53.61, 9.57, -37.16

 

Complementary color

CMYK 0 / 15 / 59 / 40

HEX #98813F

RGB 152 129 63

HSL 44.49, 0.41%, 0.42%

LAB 54.8, 0.41, 38.48

 

CMYK 42 / 33 / 0 / 27

HEX #6C7EBB

RGB 108 126 187

HSL 226.33, 0.37%, 0.58%

LAB 53.7, 9.38, -34.13

 

CMYK 39 / 30 / 0 / 19

HEX #7D90CE

RGB 125 144 206

HSL 225.93, 0.45%, 0.65%

LAB 60.57, 8.75, -34.09

 

CMYK 37 / 28 / 0 / 12

HEX #8EA2E1

RGB 142 162 225

HSL 225.54, 0.58%, 0.72%

LAB 67.3, 8.22, -34.1

 

CMYK 35 / 26 / 0 / 4

HEX #9FB4F4

RGB 159 180 244

HSL 225.18, 0.79%, 0.79%

LAB 73.9, 7.75, -34.15

 

CMYK 31 / 22 / 0 / 0

HEX #B0C6FF

RGB 176 198 255

HSL 223.29, 1%, 0.85%

LAB 80.09, 5.36, -30.42

 

CMYK 46 / 34 / 0 / 25

HEX #677EC0

RGB 103 126 192

HSL 224.49, 0.41%, 0.58%

LAB 53.61, 9.57, -37.16

 

CMYK 50 / 38 / 0 / 32

HEX #566CAD

RGB 86 108 173

HSL 224.83, 0.35%, 0.51%

LAB 46.61, 10.43, -37.28

 

CMYK 55 / 42 / 0 / 40

HEX #455A9A

RGB 69 90 154

HSL 225.18, 0.38%, 0.44%

LAB 39.43, 11.52, -37.47

 

CMYK 61 / 47 / 0 / 47

HEX #344887

RGB 52 72 135

HSL 225.54, 0.44%, 0.37%

LAB 32.07, 12.92, -37.72

 

CMYK 70 / 53 / 0 / 55

HEX #233674

RGB 35 54 116

HSL 225.93, 0.54%, 0.3%

LAB 24.5, 14.8, -38.02

 

CMYK 46 / 34 / 0 / 25

HEX #677EBF

RGB 103 126 191

HSL 224.32, 0.41%, 0.58%

LAB 53.56, 9.27, -36.66

 

CMYK 46 / 46 / 0 / 25

HEX #6867BF

RGB 104 103 191

HSL 240.68, 0.41%, 0.58%

LAB 47.5, 23.5, -46.25

 

CMYK 33 / 46 / 0 / 25

HEX #8067BF

RGB 128 103 191

HSL 257.05, 0.41%, 0.58%

LAB 49.56, 29.7, -42.85

 

CMYK 20 / 46 / 0 / 25

HEX #9867BF

RGB 152 103 191

HSL 273.41, 0.41%, 0.58%

LAB 51.99, 36.44, -38.85

 

CMYK 8 / 46 / 0 / 25

HEX #B067BF

RGB 176 103 191

HSL 289.77, 0.41%, 0.58%

LAB 54.75, 43.44, -34.32

 

CMYK 46 / 34 / 0 / 25

HEX #677EBF

RGB 103 126 191

HSL 224.32, 0.41%, 0.58%

LAB 53.56, 9.27, -36.66

 

CMYK 46 / 46 / 0 / 25

HEX #6767BF

RGB 103 103 191

HSL 240, 0.41%, 0.58%

LAB 47.42, 23.26, -46.37

 

CMYK 46 / 34 / 0 / 25

HEX #677EBF

RGB 103 126 191

HSL 224.32, 0.41%, 0.58%

LAB 53.56, 9.27, -36.66

 

CMYK 59 / 44 / 0 / 18

HEX #5676D1

RGB 86 118 209

HSL 224.39, 0.57%, 0.58%

LAB 51.31, 16.04, -50.55

 

CMYK 69 / 52 / 0 / 11

HEX #456DE2

RGB 69 109 226

HSL 224.71, 0.73%, 0.58%

LAB 49.12, 24.66, -63.74

 

CMYK 79 / 58 / 0 / 5

HEX #3465F3

RGB 52 101 243

HSL 224.61, 0.89%, 0.58%

LAB 47.63, 33.85, -75.74

 

CMYK 46 / 34 / 0 / 25

HEX #677EBF

RGB 103 126 191

HSL 224.32, 0.41%, 0.58%

LAB 53.56, 9.27, -36.66

 

CMYK 30 / 22 / 0 / 32

HEX #7987AE

RGB 121 135 174

HSL 224.15, 0.25%, 0.58%

LAB 56.53, 4.21, -22.23

 

CMYK 12 / 9 / 0 / 38

HEX #8A8F9D

RGB 138 143 157

HSL 224.21, 0.09%, 0.58%

LAB 59.42, 1.11, -8.02

 

CMYK 0 / 3 / 10 / 39

HEX #9B978B

RGB 155 151 139

HSL 45, 0.07%, 0.58%

LAB 62.48, -0.72, 6.83

 

CMYK 0 / 8 / 29 / 32

HEX #ADA07A

RGB 173 160 122

HSL 44.71, 0.24%, 0.58%

LAB 66.08, -1.26, 21.56

 

CMYK 46 / 9 / 0 / 25

HEX #67AEBF

RGB 103 174 191

HSL 191.59, 0.41%, 0.58%

LAB 67.21, -17.75, -15.64

 

CMYK 46 / 21 / 0 / 25

HEX #6796BF

RGB 103 150 191

HSL 207.95, 0.41%, 0.58%

LAB 60.3, -4.71, -26.19

 

CMYK 46 / 34 / 0 / 25

HEX #677FBF

RGB 103 127 191

HSL 223.64, 0.41%, 0.58%

LAB 53.84, 8.67, -36.23

 

CMYK 46 / 46 / 0 / 25

HEX #6767BF

RGB 103 103 191

HSL 240, 0.41%, 0.58%

LAB 47.42, 23.26, -46.37

 

CMYK 34 / 46 / 0 / 25

HEX #7F67BF

RGB 127 103 191

HSL 256.36, 0.41%, 0.58%

LAB 49.46, 29.43, -43.01

 

CMYK 59 / 43 / 0 / 41

HEX #3E5596

RGB 62 85 150

HSL 224.32, 0.42%, 0.42%

LAB 37.34, 11.81, -38.41

 

CMYK 58 / 43 / 0 / 30

HEX #4B66B3

RGB 75 102 179

HSL 224.42, 0.41%, 0.5%

LAB 44.59, 13.68, -44.02

 

CMYK 46 / 34 / 0 / 25

HEX #677EBF

RGB 103 126 191

HSL 224.32, 0.41%, 0.58%

LAB 53.56, 9.27, -36.66

 

CMYK 34 / 26 / 0 / 20

HEX #8597CB

RGB 133 151 203

HSL 224.57, 0.4%, 0.66%

LAB 62.87, 6.13, -28.81

 

CMYK 25 / 19 / 0 / 15

HEX #A2B0D8

RGB 162 176 216

HSL 224.44, 0.41%, 0.74%

LAB 72.02, 3.9, -21.79

 

CMYK 46 / 34 / 0 / 25

HEX #677EC0

RGB 103 126 192

HSL 224.49, 0.41%, 0.58%

LAB 53.61, 9.57, -37.16

 

CMYK 3 / 46 / 0 / 25

HEX #B967BF

RGB 185 103 191

HSL 295.91, 0.41%, 0.58%

LAB 55.86, 46.09, -32.5

 

CMYK 15 / 0 / 46 / 25

HEX #A2BF67

RGB 162 191 103

HSL 79.77, 0.41%, 0.58%

LAB 73.5, -24.06, 40.99

 

CMYK 46 / 34 / 0 / 25

HEX #677EC0

RGB 103 126 192

HSL 224.49, 0.41%, 0.58%

LAB 53.61, 9.57, -37.16

 

CMYK 0 / 46 / 34 / 25

HEX #BF677F

RGB 191 103 127

HSL 343.64, 0.41%, 0.58%

LAB 54.35, 37.81, 2.54

 

CMYK 34 / 0 / 46 / 25

HEX #7FBF67

RGB 127 191 103

HSL 103.64, 0.41%, 0.58%

LAB 71.39, -36.87, 37.91

 

CMYK 46 / 34 / 0 / 25

HEX #677EC0

RGB 103 126 192

HSL 224.49, 0.41%, 0.58%

LAB 53.61, 9.57, -37.16

 

CMYK 3 / 46 / 0 / 25

HEX #B967BF

RGB 185 103 191

HSL 295.91, 0.41%, 0.58%

LAB 55.86, 46.09, -32.5

 

CMYK 0 / 12 / 46 / 25

HEX #BFA867

RGB 191 168 103

HSL 44.32, 0.41%, 0.58%

LAB 69.51, -0.45, 36.53

 

CMYK 43 / 0 / 46 / 25

HEX #6DBF67

RGB 109 191 103

HSL 115.91, 0.41%, 0.58%

LAB 70.52, -42.69, 36.64

 

CMYK 46 / 34 / 0 / 25

HEX #677EC0

RGB 103 126 192

HSL 224.49, 0.41%, 0.58%

LAB 53.61, 9.57, -37.16

 

CMYK 0 / 46 / 10 / 25

HEX #BF67AB

RGB 191 103 171

HSL 313.64, 0.41%, 0.58%

LAB 55.8, 44.35, -21.01

 

CMYK 0 / 12 / 46 / 25

HEX #BFA867

RGB 191 168 103

HSL 44.32, 0.41%, 0.58%

LAB 69.51, -0.45, 36.53

 

CMYK 46 / 0 / 35 / 25

HEX #67BF7C

RGB 103 191 124

HSL 134.32, 0.41%, 0.58%

LAB 70.59, -41.11, 25.81

 

Description

Color code: HEX #677EC0 | qconv.com Color code: HEX #677EC0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 126 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 126 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 34 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 34% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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