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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67809B it is the complementary color #987F64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67809B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67809B shade: #6C8096, #7D92A9, #8EA4BC, #9FB6CF and #B0C8E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67809B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67809B shade: #67809B, #566E88, #455C75, #344A62 and #23384F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67809B shade: #67819C, #67729C, #6A679C, #79679C and #87679C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67809B shade: #67819C, #67729C and #67679C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67809B shade matches the following richer shades: #67819C, #5380B0, #3F7FC4, #2B7ED8 and #167DED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67809B shade: #67819C, #7C8188, #908273, #A4835F and #B8844B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67809B shade: #679C9B, #678F9C, #67819C, #67739C and #6A679C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67809B shade: #46586B, #566C84, #67819C, #8095AC and #99AABC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67809B shade: #67809B, #8D679C and #969C67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67809B shade: #67809B, #9C6781 and #819C67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67809B shade: #67809B, #8D679C, #9C8267 and #769C67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67809B shade: #67809B, #9C679B, #9C8267 and #679C68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 17 / 0 / 39

HEX #67809B

RGB 103 128 155

HSL 211.15, 0.21%, 0.51%

LAB 52.61, -2.2, -17.39

 

Complementary color

CMYK 0 / 16 / 34 / 40

HEX #987F64

RGB 152 127 100

HSL 31.15, 0.21%, 0.49%

LAB 54.84, 5.51, 18.27

 

CMYK 28 / 15 / 0 / 41

HEX #6C8096

RGB 108 128 150

HSL 211.43, 0.17%, 0.51%

LAB 52.76, -1.95, -14.21

 

CMYK 26 / 14 / 0 / 34

HEX #7D92A9

RGB 125 146 169

HSL 211.36, 0.2%, 0.58%

LAB 59.69, -2.11, -14.54

 

CMYK 24 / 13 / 0 / 26

HEX #8EA4BC

RGB 142 164 188

HSL 211.3, 0.26%, 0.65%

LAB 66.47, -2.25, -14.89

 

CMYK 23 / 12 / 0 / 19

HEX #9FB6CF

RGB 159 182 207

HSL 211.25, 0.33%, 0.72%

LAB 73.11, -2.39, -15.24

 

CMYK 22 / 12 / 0 / 11

HEX #B0C8E2

RGB 176 200 226

HSL 211.2, 0.46%, 0.79%

LAB 79.63, -2.51, -15.6

 

CMYK 34 / 17 / 0 / 39

HEX #67809B

RGB 103 128 155

HSL 211.15, 0.21%, 0.51%

LAB 52.61, -2.2, -17.39

 

CMYK 37 / 19 / 0 / 47

HEX #566E88

RGB 86 110 136

HSL 211.2, 0.23%, 0.44%

LAB 45.51, -1.96, -17.13

 

CMYK 41 / 21 / 0 / 54

HEX #455C75

RGB 69 92 117

HSL 211.25, 0.26%, 0.36%

LAB 38.21, -1.67, -16.91

 

CMYK 47 / 24 / 0 / 62

HEX #344A62

RGB 52 74 98

HSL 211.3, 0.31%, 0.29%

LAB 30.66, -1.28, -16.73

 

CMYK 56 / 29 / 0 / 69

HEX #23384F

RGB 35 56 79

HSL 211.36, 0.39%, 0.22%

LAB 22.83, -0.72, -16.6

 

CMYK 34 / 17 / 0 / 39

HEX #67819C

RGB 103 129 156

HSL 210.57, 0.21%, 0.51%

LAB 52.93, -2.51, -17.47

 

CMYK 34 / 27 / 0 / 39

HEX #67729C

RGB 103 114 156

HSL 227.55, 0.21%, 0.51%

LAB 48.66, 6.35, -24.03

 

CMYK 32 / 34 / 0 / 39

HEX #6A679C

RGB 106 103 156

HSL 243.4, 0.21%, 0.51%

LAB 45.86, 13.94, -28.36

 

CMYK 22 / 34 / 0 / 39

HEX #79679C

RGB 121 103 156

HSL 260.38, 0.21%, 0.51%

LAB 47.19, 18.62, -26.18

 

CMYK 13 / 34 / 0 / 39

HEX #87679C

RGB 135 103 156

HSL 276.23, 0.21%, 0.51%

LAB 48.58, 23.17, -23.93

 

CMYK 34 / 17 / 0 / 39

HEX #67819C

RGB 103 129 156

HSL 210.57, 0.21%, 0.51%

LAB 52.93, -2.51, -17.47

 

CMYK 34 / 27 / 0 / 39

HEX #67729C

RGB 103 114 156

HSL 227.55, 0.21%, 0.51%

LAB 48.66, 6.35, -24.03

 

CMYK 34 / 34 / 0 / 39

HEX #67679C

RGB 103 103 156

HSL 240, 0.21%, 0.51%

LAB 45.61, 13.04, -28.76

 

CMYK 34 / 17 / 0 / 39

HEX #67819C

RGB 103 129 156

HSL 210.57, 0.21%, 0.51%

LAB 52.93, -2.51, -17.47

 

CMYK 53 / 27 / 0 / 31

HEX #5380B0

RGB 83 128 176

HSL 210.97, 0.37%, 0.51%

LAB 52.3, -1.41, -30.11

 

CMYK 68 / 35 / 0 / 23

HEX #3F7FC4

RGB 63 127 196

HSL 211.13, 0.53%, 0.51%

LAB 52.09, 1.94, -41.98

 

CMYK 80 / 42 / 0 / 15

HEX #2B7ED8

RGB 43 126 216

HSL 211.21, 0.69%, 0.51%

LAB 52.28, 7.25, -53.07

 

CMYK 91 / 47 / 0 / 7

HEX #167DED

RGB 22 125 237

HSL 211.26, 0.86%, 0.51%

LAB 52.9, 14.38, -63.88

 

CMYK 34 / 17 / 0 / 39

HEX #67819C

RGB 103 129 156

HSL 210.57, 0.21%, 0.51%

LAB 52.93, -2.51, -17.47

 

CMYK 9 / 5 / 0 / 47

HEX #7C8188

RGB 124 129 136

HSL 215, 0.05%, 0.51%

LAB 53.77, -0.38, -4.42

 

CMYK 0 / 10 / 20 / 44

HEX #908273

RGB 144 130 115

HSL 31.03, 0.12%, 0.51%

LAB 55.21, 2.73, 10.05

 

CMYK 0 / 20 / 42 / 36

HEX #A4835F

RGB 164 131 95

HSL 31.3, 0.27%, 0.51%

LAB 57.03, 7.67, 24.25

 

CMYK 0 / 28 / 59 / 28

HEX #B8844B

RGB 184 132 75

HSL 31.38, 0.43%, 0.51%

LAB 59.16, 13.75, 38.27

 

CMYK 34 / 0 / 1 / 39

HEX #679C9B

RGB 103 156 155

HSL 178.87, 0.21%, 0.51%

LAB 60.81, -17.69, -5.07

 

CMYK 34 / 8 / 0 / 39

HEX #678F9C

RGB 103 143 156

HSL 194.72, 0.21%, 0.51%

LAB 57.01, -10.42, -11.31

 

CMYK 34 / 17 / 0 / 39

HEX #67819C

RGB 103 129 156

HSL 210.57, 0.21%, 0.51%

LAB 52.93, -2.51, -17.47

 

CMYK 34 / 26 / 0 / 39

HEX #67739C

RGB 103 115 156

HSL 226.42, 0.21%, 0.51%

LAB 48.94, 5.75, -23.59

 

CMYK 32 / 34 / 0 / 39

HEX #6A679C

RGB 106 103 156

HSL 243.4, 0.21%, 0.51%

LAB 45.86, 13.94, -28.36

 

CMYK 35 / 18 / 0 / 58

HEX #46586B

RGB 70 88 107

HSL 210.81, 0.21%, 0.35%

LAB 36.64, -1.81, -13.13

 

CMYK 35 / 18 / 0 / 48

HEX #566C84

RGB 86 108 132

HSL 211.3, 0.21%, 0.43%

LAB 44.76, -1.88, -15.89

 

CMYK 34 / 17 / 0 / 39

HEX #67819C

RGB 103 129 156

HSL 210.57, 0.21%, 0.51%

LAB 52.93, -2.51, -17.47

 

CMYK 26 / 13 / 0 / 33

HEX #8095AC

RGB 128 149 172

HSL 211.36, 0.21%, 0.59%

LAB 60.84, -2.12, -14.5

 

CMYK 19 / 10 / 0 / 26

HEX #99AABC

RGB 153 170 188

HSL 210.86, 0.21%, 0.67%

LAB 68.86, -2.06, -11.22

 

CMYK 34 / 17 / 0 / 39

HEX #67809B

RGB 103 128 155

HSL 211.15, 0.21%, 0.51%

LAB 52.61, -2.2, -17.39

 

CMYK 10 / 34 / 0 / 39

HEX #8D679C

RGB 141 103 156

HSL 283.02, 0.21%, 0.51%

LAB 49.21, 25.16, -22.9

 

CMYK 4 / 0 / 34 / 39

HEX #969C67

RGB 150 156 103

HSL 66.79, 0.21%, 0.51%

LAB 62.71, -10.93, 27.08

 

CMYK 34 / 17 / 0 / 39

HEX #67809B

RGB 103 128 155

HSL 211.15, 0.21%, 0.51%

LAB 52.61, -2.2, -17.39

 

CMYK 0 / 34 / 17 / 39

HEX #9C6781

RGB 156 103 129

HSL 330.57, 0.21%, 0.51%

LAB 49.92, 25.26, -5.67

 

CMYK 17 / 0 / 34 / 39

HEX #819C67

RGB 129 156 103

HSL 90.57, 0.21%, 0.51%

LAB 61.15, -19.23, 24.74

 

CMYK 34 / 17 / 0 / 39

HEX #67809B

RGB 103 128 155

HSL 211.15, 0.21%, 0.51%

LAB 52.61, -2.2, -17.39

 

CMYK 10 / 34 / 0 / 39

HEX #8D679C

RGB 141 103 156

HSL 283.02, 0.21%, 0.51%

LAB 49.21, 25.16, -22.9

 

CMYK 0 / 17 / 34 / 39

HEX #9C8267

RGB 156 130 103

HSL 30.57, 0.21%, 0.51%

LAB 56.1, 5.87, 18.35

 

CMYK 24 / 0 / 34 / 39

HEX #769C67

RGB 118 156 103

HSL 103.02, 0.21%, 0.51%

LAB 60.43, -23.36, 23.66

 

CMYK 34 / 17 / 0 / 39

HEX #67809B

RGB 103 128 155

HSL 211.15, 0.21%, 0.51%

LAB 52.61, -2.2, -17.39

 

CMYK 0 / 34 / 1 / 39

HEX #9C679B

RGB 156 103 155

HSL 301.13, 0.21%, 0.51%

LAB 50.84, 29.99, -19.65

 

CMYK 0 / 17 / 34 / 39

HEX #9C8267

RGB 156 130 103

HSL 30.57, 0.21%, 0.51%

LAB 56.1, 5.87, 18.35

 

CMYK 34 / 0 / 33 / 39

HEX #679C68

RGB 103 156 104

HSL 121.13, 0.21%, 0.51%

LAB 59.58, -28.48, 21.81

 

Description

Color code: HEX #67809B | qconv.com Color code: HEX #67809B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 128 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 128 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 17 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 17% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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