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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #681151 it is the complementary color #97EEAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #681151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #681151 shade: #6D114C, #7E235F, #8F3572, #A04785 and #B15998

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #681151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #681151 shade: #681151, #57003E, #46002B, #350018 and #240005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #681151 shade: #691151, #69113A, #691122 and #691111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #681151 shade: #691151, #681169, #511169, #391169 and #211169

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #681151 shade matches the following richer shades: #691151 and #730756

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #681151 shade: #691151, #5F1B4D, #552448, #4B2E43 and #41383F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #681151 shade: #501169, #671169, #691153, #69113B and #691124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #681151 shade: #22051A, #450B36, #691151, #8C166D and #B01C89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #681151 shade: #681151, #693811 and #11695C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #681151 shade: #681151, #536911 and #115369

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #681151 shade: #681151, #693811, #116927 and #114169

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #681151 shade: #681151, #695311, #116927 and #112769

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 22 / 59

HEX #681151

RGB 104 17 81

HSL 315.86, 0.72%, 0.24%

LAB 23.47, 43.34, -16.26

 

Complementary color

CMYK 37 / 0 / 27 / 7

HEX #97EEAE

RGB 151 238 174

HSL 135.86, 0.72%, 0.76%

LAB 87.38, -39.36, 22.9

 

CMYK 0 / 84 / 30 / 57

HEX #6D114C

RGB 109 17 76

HSL 321.52, 0.73%, 0.25%

LAB 24.24, 43.95, -11.62

 

CMYK 0 / 72 / 25 / 51

HEX #7E235F

RGB 126 35 95

HSL 320.44, 0.57%, 0.32%

LAB 30.55, 44.98, -14.22

 

CMYK 0 / 63 / 20 / 44

HEX #8F3572

RGB 143 53 114

HSL 319.33, 0.46%, 0.38%

LAB 37.12, 45.03, -16.01

 

CMYK 0 / 56 / 17 / 37

HEX #A04785

RGB 160 71 133

HSL 318.2, 0.39%, 0.45%

LAB 43.76, 44.6, -17.31

 

CMYK 0 / 50 / 14 / 31

HEX #B15998

RGB 177 89 152

HSL 317.05, 0.36%, 0.52%

LAB 50.4, 43.96, -18.32

 

CMYK 0 / 84 / 22 / 59

HEX #681151

RGB 104 17 81

HSL 315.86, 0.72%, 0.24%

LAB 23.47, 43.34, -16.26

 

CMYK 0 / 100 / 29 / 66

HEX #57003E

RGB 87 0 62

HSL 317.24, 1%, 0.17%

LAB 17.34, 41.11, -12.99

 

CMYK 0 / 100 / 39 / 73

HEX #46002B

RGB 70 0 43

HSL 323.14, 1%, 0.14%

LAB 12.46, 34.68, -7.12

 

CMYK 0 / 100 / 55 / 79

HEX #350018

RGB 53 0 24

HSL 332.83, 1%, 0.1%

LAB 7.43, 28.02, -0.59

 

CMYK 0 / 100 / 86 / 86

HEX #240005

RGB 36 0 5

HSL 351.67, 1%, 0.07%

LAB 3.49, 15.9, 3.46

 

CMYK 0 / 84 / 23 / 59

HEX #691151

RGB 105 17 81

HSL 316.36, 0.72%, 0.24%

LAB 23.67, 43.59, -15.93

 

CMYK 0 / 84 / 45 / 59

HEX #69113A

RGB 105 17 58

HSL 332.05, 0.72%, 0.24%

LAB 22.69, 40.71, -1.73

 

CMYK 0 / 84 / 68 / 59

HEX #691122

RGB 105 17 34

HSL 348.41, 0.72%, 0.24%

LAB 22.02, 38.65, 14.04

 

CMYK 0 / 84 / 84 / 59

HEX #691111

RGB 105 17 17

HSL 0, 0.72%, 0.24%

LAB 21.74, 37.8, 25.01

 

CMYK 0 / 84 / 23 / 59

HEX #691151

RGB 105 17 81

HSL 316.36, 0.72%, 0.24%

LAB 23.67, 43.59, -15.93

 

CMYK 1 / 84 / 0 / 59

HEX #681169

RGB 104 17 105

HSL 299.32, 0.72%, 0.24%

LAB 24.84, 47.2, -29.95

 

CMYK 23 / 84 / 0 / 59

HEX #511169

RGB 81 17 105

HSL 283.64, 0.72%, 0.24%

LAB 20.71, 42.42, -36.81

 

CMYK 46 / 84 / 0 / 59

HEX #391169

RGB 57 17 105

HSL 267.27, 0.72%, 0.24%

LAB 16.94, 38.04, -43.11

 

CMYK 69 / 84 / 0 / 59

HEX #211169

RGB 33 17 105

HSL 250.91, 0.72%, 0.24%

LAB 14.08, 34.71, -47.92

 

CMYK 0 / 84 / 23 / 59

HEX #691151

RGB 105 17 81

HSL 316.36, 0.72%, 0.24%

LAB 23.67, 43.59, -15.93

 

CMYK 0 / 94 / 25 / 55

HEX #730756

RGB 115 7 86

HSL 316.11, 0.89%, 0.24%

LAB 25.16, 48.99, -16.79

 

CMYK 0 / 84 / 23 / 59

HEX #691151

RGB 105 17 81

HSL 316.36, 0.72%, 0.24%

LAB 23.67, 43.59, -15.93

 

CMYK 0 / 72 / 19 / 63

HEX #5F1B4D

RGB 95 27 77

HSL 315.88, 0.56%, 0.24%

LAB 22.84, 36.56, -14.68

 

CMYK 0 / 58 / 15 / 67

HEX #552448

RGB 85 36 72

HSL 315.92, 0.4%, 0.24%

LAB 22.52, 27.92, -11.94

 

CMYK 0 / 39 / 11 / 71

HEX #4B2E43

RGB 75 46 67

HSL 316.55, 0.24%, 0.24%

LAB 23.19, 17.08, -7.67

 

CMYK 0 / 14 / 3 / 75

HEX #41383F

RGB 65 56 63

HSL 313.33, 0.07%, 0.24%

LAB 24.67, 5.45, -2.89

 

CMYK 24 / 84 / 0 / 59

HEX #501169

RGB 80 17 105

HSL 282.95, 0.72%, 0.24%

LAB 20.54, 42.22, -37.09

 

CMYK 2 / 84 / 0 / 59

HEX #671169

RGB 103 17 105

HSL 298.64, 0.72%, 0.24%

LAB 24.65, 46.99, -30.26

 

CMYK 0 / 84 / 21 / 59

HEX #691153

RGB 105 17 83

HSL 315, 0.72%, 0.24%

LAB 23.77, 43.88, -17.12

 

CMYK 0 / 84 / 44 / 59

HEX #69113B

RGB 105 17 59

HSL 331.36, 0.72%, 0.24%

LAB 22.72, 40.82, -2.37

 

CMYK 0 / 84 / 66 / 59

HEX #691124

RGB 105 17 36

HSL 347.05, 0.72%, 0.24%

LAB 22.06, 38.78, 12.7

 

CMYK 0 / 85 / 24 / 87

HEX #22051A

RGB 34 5 26

HSL 316.55, 0.74%, 0.08%

LAB 4.73, 16.46, -6.57

 

CMYK 0 / 84 / 22 / 73

HEX #450B36

RGB 69 11 54

HSL 315.52, 0.73%, 0.16%

LAB 14.24, 31.79, -12.42

 

CMYK 0 / 84 / 23 / 59

HEX #691151

RGB 105 17 81

HSL 316.36, 0.72%, 0.24%

LAB 23.67, 43.59, -15.93

 

CMYK 0 / 84 / 22 / 45

HEX #8C166D

RGB 140 22 109

HSL 315.76, 0.73%, 0.32%

LAB 32.38, 54.67, -20.2

 

CMYK 0 / 84 / 22 / 31

HEX #B01C89

RGB 176 28 137

HSL 315.81, 0.73%, 0.4%

LAB 41, 65.13, -23.78

 

CMYK 0 / 84 / 22 / 59

HEX #681151

RGB 104 17 81

HSL 315.86, 0.72%, 0.24%

LAB 23.47, 43.34, -16.26

 

CMYK 0 / 47 / 84 / 59

HEX #693811

RGB 105 56 17

HSL 26.59, 0.72%, 0.24%

LAB 29.09, 18.59, 32.3

 

CMYK 84 / 0 / 12 / 59

HEX #11695C

RGB 17 105 92

HSL 171.14, 0.72%, 0.24%

LAB 39.57, -27.83, 0.28

 

CMYK 0 / 84 / 22 / 59

HEX #681151

RGB 104 17 81

HSL 315.86, 0.72%, 0.24%

LAB 23.47, 43.34, -16.26

 

CMYK 21 / 0 / 84 / 59

HEX #536911

RGB 83 105 17

HSL 75, 0.72%, 0.24%

LAB 41.19, -20.99, 42.65

 

CMYK 84 / 21 / 0 / 59

HEX #115369

RGB 17 83 105

HSL 195, 0.72%, 0.24%

LAB 32.54, -11.53, -18.38

 

CMYK 0 / 84 / 22 / 59

HEX #681151

RGB 104 17 81

HSL 315.86, 0.72%, 0.24%

LAB 23.47, 43.34, -16.26

 

CMYK 0 / 47 / 84 / 59

HEX #693811

RGB 105 56 17

HSL 26.59, 0.72%, 0.24%

LAB 29.09, 18.59, 32.3

 

CMYK 84 / 0 / 63 / 59

HEX #116927

RGB 17 105 39

HSL 135, 0.72%, 0.24%

LAB 38.5, -39.77, 29.63

 

CMYK 84 / 38 / 0 / 59

HEX #114169

RGB 17 65 105

HSL 207.27, 0.72%, 0.24%

LAB 26.5, -0.06, -27.82

 

CMYK 0 / 84 / 22 / 59

HEX #681151

RGB 104 17 81

HSL 315.86, 0.72%, 0.24%

LAB 23.47, 43.34, -16.26

 

CMYK 0 / 21 / 84 / 59

HEX #695311

RGB 105 83 17

HSL 45, 0.72%, 0.24%

LAB 36.42, 2.1, 39.09

 

CMYK 84 / 0 / 63 / 59

HEX #116927

RGB 17 105 39

HSL 135, 0.72%, 0.24%

LAB 38.5, -39.77, 29.63

 

CMYK 84 / 63 / 0 / 59

HEX #112769

RGB 17 39 105

HSL 225, 0.72%, 0.24%

LAB 18.32, 18.51, -40.99

 

Description

Color code: HEX #681151 | qconv.com Color code: HEX #681151 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 17 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 17 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 22 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 22% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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