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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6813B8 it is the complementary color #97EC47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6813B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6813B8 shade: #6D13B3, #7E25C6, #8F37D9, #A049EC and #B15BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6813B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6813B8 shade: #6813B8, #5701A5, #460092, #35007F and #24006C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6813B8 shade: #6813B8, #9513B8, #B813AF, #B81383 and #B81356

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6813B8 shade: #6813B8, #3B13B8 and #1313B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6813B8 shade matches the following richer shades: #6813B8 and #6902C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6813B8 shade: #6813B8, #6823A8, #673497, #674487 and #665576

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6813B8 shade: #1318B8, #3913B8, #6613B8, #9213B8 and #B813B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6813B8 shade: #3E0B6D, #530F93, #6813B8, #7D17DD and #9234E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6813B8 shade: #6813B8, #B81344 and #13B823

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6813B8 shade: #6813B8, #B86613 and #13B866

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6813B8 shade: #6813B8, #B81344, #66B813 and #13B887

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6813B8 shade: #6813B8, #B81313, #66B813 and #13B8B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 90 / 0 / 28

HEX #6813B8

RGB 104 19 184

HSL 270.91, 0.81%, 0.4%

LAB 31.51, 62.96, -68.06

 

Complementary color

CMYK 36 / 0 / 70 / 7

HEX #97EC47

RGB 151 236 71

HSL 90.91, 0.81%, 0.6%

LAB 85.52, -51.09, 68.22

 

CMYK 39 / 89 / 0 / 30

HEX #6D13B3

RGB 109 19 179

HSL 273.75, 0.81%, 0.39%

LAB 31.74, 62.46, -64.67

 

CMYK 36 / 81 / 0 / 22

HEX #7E25C6

RGB 126 37 198

HSL 273.17, 0.69%, 0.46%

LAB 37.55, 63.88, -66.28

 

CMYK 34 / 75 / 0 / 15

HEX #8F37D9

RGB 143 55 217

HSL 272.59, 0.68%, 0.53%

LAB 43.63, 64.28, -67.25

 

CMYK 32 / 69 / 0 / 7

HEX #A049EC

RGB 160 73 236

HSL 272.02, 0.81%, 0.61%

LAB 49.85, 64.06, -67.83

 

CMYK 31 / 64 / 0 / 0

HEX #B15BFF

RGB 177 91 255

HSL 271.46, 1%, 0.68%

LAB 56.14, 63.52, -68.16

 

CMYK 43 / 90 / 0 / 28

HEX #6813B8

RGB 104 19 184

HSL 270.91, 0.81%, 0.4%

LAB 31.51, 62.96, -68.06

 

CMYK 47 / 99 / 0 / 35

HEX #5701A5

RGB 87 1 165

HSL 271.46, 0.99%, 0.33%

LAB 26.05, 60.41, -65.73

 

CMYK 52 / 100 / 0 / 43

HEX #460092

RGB 70 0 146

HSL 268.77, 1%, 0.29%

LAB 21.5, 54.86, -61.68

 

CMYK 58 / 100 / 0 / 50

HEX #35007F

RGB 53 0 127

HSL 265.04, 1%, 0.25%

LAB 16.94, 49.04, -57.36

 

CMYK 67 / 100 / 0 / 58

HEX #24006C

RGB 36 0 108

HSL 260, 1%, 0.21%

LAB 12.34, 43.16, -52.78

 

CMYK 43 / 90 / 0 / 28

HEX #6813B8

RGB 104 19 184

HSL 270.91, 0.81%, 0.4%

LAB 31.51, 62.96, -68.06

 

CMYK 19 / 90 / 0 / 28

HEX #9513B8

RGB 149 19 184

HSL 287.27, 0.81%, 0.4%

LAB 38.4, 69.11, -56.51

 

CMYK 0 / 90 / 5 / 28

HEX #B813AF

RGB 184 19 175

HSL 303.27, 0.81%, 0.4%

LAB 43.87, 73.57, -42.07

 

CMYK 0 / 90 / 29 / 28

HEX #B81383

RGB 184 19 131

HSL 319.27, 0.81%, 0.4%

LAB 41.68, 67.83, -18.92

 

CMYK 0 / 90 / 53 / 28

HEX #B81356

RGB 184 19 86

HSL 335.64, 0.81%, 0.4%

LAB 40.13, 63.57, 7

 

CMYK 43 / 90 / 0 / 28

HEX #6813B8

RGB 104 19 184

HSL 270.91, 0.81%, 0.4%

LAB 31.51, 62.96, -68.06

 

CMYK 68 / 90 / 0 / 28

HEX #3B13B8

RGB 59 19 184

HSL 254.55, 0.81%, 0.4%

LAB 26.32, 58.92, -76.8

 

CMYK 90 / 90 / 0 / 28

HEX #1313B8

RGB 19 19 184

HSL 240, 0.81%, 0.4%

LAB 23.88, 57.26, -80.92

 

CMYK 43 / 90 / 0 / 28

HEX #6813B8

RGB 104 19 184

HSL 270.91, 0.81%, 0.4%

LAB 31.51, 62.96, -68.06

 

CMYK 48 / 99 / 0 / 21

HEX #6902C9

RGB 105 2 201

HSL 271.06, 0.98%, 0.4%

LAB 32.4, 69.68, -76.6

 

CMYK 43 / 90 / 0 / 28

HEX #6813B8

RGB 104 19 184

HSL 270.91, 0.81%, 0.4%

LAB 31.51, 62.96, -68.06

 

CMYK 38 / 79 / 0 / 34

HEX #6823A8

RGB 104 35 168

HSL 271.13, 0.66%, 0.4%

LAB 31.74, 54.3, -58.11

 

CMYK 32 / 66 / 0 / 41

HEX #673497

RGB 103 52 151

HSL 270.91, 0.49%, 0.4%

LAB 33.08, 42.09, -45.65

 

CMYK 24 / 50 / 0 / 47

HEX #674487

RGB 103 68 135

HSL 271.34, 0.33%, 0.4%

LAB 35.53, 28.95, -31.93

 

CMYK 14 / 28 / 0 / 54

HEX #665576

RGB 102 85 118

HSL 270.91, 0.16%, 0.4%

LAB 38.95, 13.97, -16.15

 

CMYK 90 / 87 / 0 / 28

HEX #1318B8

RGB 19 24 184

HSL 238.18, 0.81%, 0.4%

LAB 24.49, 55.44, -79.91

 

CMYK 69 / 90 / 0 / 28

HEX #3913B8

RGB 57 19 184

HSL 253.82, 0.81%, 0.4%

LAB 26.15, 58.79, -77.1

 

CMYK 45 / 90 / 0 / 28

HEX #6613B8

RGB 102 19 184

HSL 270.18, 0.81%, 0.4%

LAB 31.23, 62.73, -68.52

 

CMYK 21 / 90 / 0 / 28

HEX #9213B8

RGB 146 19 184

HSL 286.18, 0.81%, 0.4%

LAB 37.91, 68.64, -57.33

 

CMYK 0 / 90 / 3 / 28

HEX #B813B3

RGB 184 19 179

HSL 301.82, 0.81%, 0.4%

LAB 44.1, 74.16, -44.07

 

CMYK 43 / 90 / 0 / 57

HEX #3E0B6D

RGB 62 11 109

HSL 271.22, 0.82%, 0.24%

LAB 17.31, 42.09, -45.1

 

CMYK 44 / 90 / 0 / 42

HEX #530F93

RGB 83 15 147

HSL 270.91, 0.81%, 0.32%

LAB 24.6, 52.94, -57.12

 

CMYK 43 / 90 / 0 / 28

HEX #6813B8

RGB 104 19 184

HSL 270.91, 0.81%, 0.4%

LAB 31.51, 62.96, -68.06

 

CMYK 43 / 90 / 0 / 13

HEX #7D17DD

RGB 125 23 221

HSL 270.91, 0.81%, 0.48%

LAB 38.19, 72.57, -78.55

 

CMYK 37 / 78 / 0 / 9

HEX #9234E9

RGB 146 52 233

HSL 271.16, 0.8%, 0.56%

LAB 44.87, 69.48, -74.32

 

CMYK 43 / 90 / 0 / 28

HEX #6813B8

RGB 104 19 184

HSL 270.91, 0.81%, 0.4%

LAB 31.51, 62.96, -68.06

 

CMYK 0 / 90 / 63 / 28

HEX #B81344

RGB 184 19 68

HSL 342.18, 0.81%, 0.4%

LAB 39.7, 62.38, 17.89

 

CMYK 90 / 0 / 81 / 28

HEX #13B823

RGB 19 184 35

HSL 125.82, 0.81%, 0.4%

LAB 65.39, -65.22, 58.99

 

CMYK 43 / 90 / 0 / 28

HEX #6813B8

RGB 104 19 184

HSL 270.91, 0.81%, 0.4%

LAB 31.51, 62.96, -68.06

 

CMYK 0 / 45 / 90 / 28

HEX #B86613

RGB 184 102 19

HSL 30.18, 0.81%, 0.4%

LAB 51.54, 27.67, 55.2

 

CMYK 90 / 0 / 45 / 28

HEX #13B866

RGB 19 184 102

HSL 150.18, 0.81%, 0.4%

LAB 66.04, -57.19, 30.97

 

CMYK 43 / 90 / 0 / 28

HEX #6813B8

RGB 104 19 184

HSL 270.91, 0.81%, 0.4%

LAB 31.51, 62.96, -68.06

 

CMYK 0 / 90 / 63 / 28

HEX #B81344

RGB 184 19 68

HSL 342.18, 0.81%, 0.4%

LAB 39.7, 62.38, 17.89

 

CMYK 45 / 0 / 90 / 28

HEX #66B813

RGB 102 184 19

HSL 89.82, 0.81%, 0.4%

LAB 67.39, -49.06, 65.26

 

CMYK 90 / 0 / 27 / 28

HEX #13B887

RGB 19 184 135

HSL 162.18, 0.81%, 0.4%

LAB 66.65, -50.27, 14.18

 

CMYK 43 / 90 / 0 / 28

HEX #6813B8

RGB 104 19 184

HSL 270.91, 0.81%, 0.4%

LAB 31.51, 62.96, -68.06

 

CMYK 0 / 90 / 90 / 28

HEX #B81313

RGB 184 19 19

HSL 0, 0.81%, 0.4%

LAB 39.08, 60.58, 45.75

 

CMYK 45 / 0 / 90 / 28

HEX #66B813

RGB 102 184 19

HSL 89.82, 0.81%, 0.4%

LAB 67.39, -49.06, 65.26

 

CMYK 90 / 0 / 0 / 28

HEX #13B8B8

RGB 19 184 184

HSL 180, 0.81%, 0.4%

LAB 67.93, -36.95, -10.9

 

Description

Color code: HEX #6813B8 | qconv.com Color code: HEX #6813B8 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 19 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 19 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 90 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 90% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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