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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6820EE it is the complementary color #97DF11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6820EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6820EE shade: #6D20E9, #7E32FC, #8F44FF, #A056FF and #B168FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6820EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6820EE shade: #6820EE, #570EDB, #4600C8, #3500B5 and #2400A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6820EE shade: #6820EE, #9F20EE, #D720EE, #EE20CD and #EE2095

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6820EE shade: #6820EE, #3020EE and #2020EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6820EE shade matches the following richer shades: #6820EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6820EE shade: #6820EE, #6D33DA, #7346C7, #795AB4 and #7F6DA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6820EE shade: #2049EE, #2D20EE, #6420EE, #9B20EE and #D220EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6820EE shade: #450DAE, #5410D5, #6820EE, #8246F1 and #9C6CF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6820EE shade: #6820EE, #EE2080 and #2DEE20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6820EE shade: #6820EE, #EE6420 and #20EE64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6820EE shade: #6820EE, #EE2080, #A9EE20 and #20EE8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6820EE shade: #6820EE, #EE2042, #A9EE20 and #20EECB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 87 / 0 / 7

HEX #6820EE

RGB 104 32 238

HSL 260.97, 0.86%, 0.53%

LAB 38.11, 72.17, -88.45

 

Complementary color

CMYK 32 / 0 / 92 / 13

HEX #97DF11

RGB 151 223 17

HSL 80.97, 0.86%, 0.47%

LAB 81.51, -47.95, 78.11

 

CMYK 53 / 86 / 0 / 9

HEX #6D20E9

RGB 109 32 233

HSL 262.99, 0.82%, 0.52%

LAB 38.14, 71.43, -85.54

 

CMYK 50 / 80 / 0 / 1

HEX #7E32FC

RGB 126 50 252

HSL 262.57, 0.97%, 0.59%

LAB 43.87, 71.92, -86.75

 

CMYK 44 / 73 / 0 / 0

HEX #8F44FF

RGB 143 68 255

HSL 264.06, 1%, 0.63%

LAB 48.5, 67.78, -80.75

 

CMYK 37 / 66 / 0 / 0

HEX #A056FF

RGB 160 86 255

HSL 266.27, 1%, 0.67%

LAB 53.33, 62.51, -72.8

 

CMYK 31 / 59 / 0 / 0

HEX #B168FF

RGB 177 104 255

HSL 269.01, 1%, 0.7%

LAB 58.48, 57.17, -64.39

 

CMYK 56 / 87 / 0 / 7

HEX #6820EE

RGB 104 32 238

HSL 260.97, 0.86%, 0.53%

LAB 38.11, 72.17, -88.45

 

CMYK 60 / 94 / 0 / 14

HEX #570EDB

RGB 87 14 219

HSL 261.37, 0.88%, 0.46%

LAB 32.82, 70.58, -86.42

 

CMYK 65 / 100 / 0 / 22

HEX #4600C8

RGB 70 0 200

HSL 261, 1%, 0.39%

LAB 28.04, 67.47, -83.37

 

CMYK 71 / 100 / 0 / 29

HEX #3500B5

RGB 53 0 181

HSL 257.57, 1%, 0.35%

LAB 23.98, 62.21, -78.93

 

CMYK 78 / 100 / 0 / 36

HEX #2400A2

RGB 36 0 162

HSL 253.33, 1%, 0.32%

LAB 19.98, 56.96, -74.15

 

CMYK 56 / 87 / 0 / 7

HEX #6820EE

RGB 104 32 238

HSL 260.97, 0.86%, 0.53%

LAB 38.11, 72.17, -88.45

 

CMYK 33 / 87 / 0 / 7

HEX #9F20EE

RGB 159 32 238

HSL 276.99, 0.86%, 0.53%

LAB 45.05, 78.22, -76.78

 

CMYK 10 / 87 / 0 / 7

HEX #D720EE

RGB 215 32 238

HSL 293.3, 0.86%, 0.53%

LAB 53.66, 86.47, -62.42

 

CMYK 0 / 87 / 14 / 7

HEX #EE20CD

RGB 238 32 205

HSL 309.61, 0.86%, 0.53%

LAB 55.7, 85.75, -40.21

 

CMYK 0 / 87 / 37 / 7

HEX #EE2095

RGB 238 32 149

HSL 325.92, 0.86%, 0.53%

LAB 53.36, 79.43, -11.11

 

CMYK 56 / 87 / 0 / 7

HEX #6820EE

RGB 104 32 238

HSL 260.97, 0.86%, 0.53%

LAB 38.11, 72.17, -88.45

 

CMYK 80 / 87 / 0 / 7

HEX #3020EE

RGB 48 32 238

HSL 244.66, 0.86%, 0.53%

LAB 33.64, 68.69, -96.01

 

CMYK 87 / 87 / 0 / 7

HEX #2020EE

RGB 32 32 238

HSL 240, 0.86%, 0.53%

LAB 32.95, 68.19, -97.17

 

CMYK 56 / 87 / 0 / 7

HEX #6820EE

RGB 104 32 238

HSL 260.97, 0.86%, 0.53%

LAB 38.11, 72.17, -88.45

 

CMYK 56 / 87 / 0 / 7

HEX #6820EE

RGB 104 32 238

HSL 260.97, 0.86%, 0.53%

LAB 38.11, 72.17, -88.45

 

CMYK 50 / 77 / 0 / 15

HEX #6D33DA

RGB 109 51 218

HSL 260.84, 0.69%, 0.53%

LAB 39.04, 60.88, -75.5

 

CMYK 42 / 65 / 0 / 22

HEX #7346C7

RGB 115 70 199

HSL 260.93, 0.54%, 0.53%

LAB 41.45, 47.61, -60.56

 

CMYK 33 / 50 / 0 / 29

HEX #795AB4

RGB 121 90 180

HSL 260.67, 0.38%, 0.53%

LAB 45.18, 32.58, -43.45

 

CMYK 21 / 32 / 0 / 37

HEX #7F6DA0

RGB 127 109 160

HSL 261.18, 0.21%, 0.53%

LAB 49.48, 17.93, -24.94

 

CMYK 87 / 69 / 0 / 7

HEX #2049EE

RGB 32 73 238

HSL 228.06, 0.86%, 0.53%

LAB 39.99, 47.96, -85.49

 

CMYK 81 / 87 / 0 / 7

HEX #2D20EE

RGB 45 32 238

HSL 243.79, 0.86%, 0.53%

LAB 33.49, 68.58, -96.26

 

CMYK 58 / 87 / 0 / 7

HEX #6420EE

RGB 100 32 238

HSL 259.81, 0.86%, 0.53%

LAB 37.69, 71.83, -89.16

 

CMYK 35 / 87 / 0 / 7

HEX #9B20EE

RGB 155 32 238

HSL 275.83, 0.86%, 0.53%

LAB 44.48, 77.7, -77.74

 

CMYK 12 / 87 / 0 / 7

HEX #D220EE

RGB 210 32 238

HSL 291.84, 0.86%, 0.53%

LAB 52.85, 85.67, -63.76

 

CMYK 60 / 93 / 0 / 32

HEX #450DAE

RGB 69 13 174

HSL 260.87, 0.86%, 0.37%

LAB 25.59, 58.63, -72

 

CMYK 61 / 92 / 0 / 16

HEX #5410D5

RGB 84 16 213

HSL 260.71, 0.86%, 0.45%

LAB 31.94, 68.58, -84.42

 

CMYK 56 / 87 / 0 / 7

HEX #6820EE

RGB 104 32 238

HSL 260.97, 0.86%, 0.53%

LAB 38.11, 72.17, -88.45

 

CMYK 46 / 71 / 0 / 5

HEX #8246F1

RGB 130 70 241

HSL 261.05, 0.86%, 0.61%

LAB 46.28, 61.34, -76.61

 

CMYK 36 / 56 / 0 / 5

HEX #9C6CF3

RGB 156 108 243

HSL 261.33, 0.85%, 0.69%

LAB 56.35, 47.38, -61.28

 

CMYK 56 / 87 / 0 / 7

HEX #6820EE

RGB 104 32 238

HSL 260.97, 0.86%, 0.53%

LAB 38.11, 72.17, -88.45

 

CMYK 0 / 87 / 46 / 7

HEX #EE2080

RGB 238 32 128

HSL 332.04, 0.86%, 0.53%

LAB 52.7, 77.57, 0.48

 

CMYK 81 / 0 / 87 / 7

HEX #2DEE20

RGB 45 238 32

HSL 116.21, 0.86%, 0.53%

LAB 82.81, -78.38, 75.51

 

CMYK 56 / 87 / 0 / 7

HEX #6820EE

RGB 104 32 238

HSL 260.97, 0.86%, 0.53%

LAB 38.11, 72.17, -88.45

 

CMYK 0 / 58 / 87 / 7

HEX #EE6420

RGB 238 100 32

HSL 19.81, 0.86%, 0.53%

LAB 59.34, 50.2, 60.53

 

CMYK 87 / 0 / 58 / 7

HEX #20EE64

RGB 32 238 100

HSL 139.81, 0.86%, 0.53%

LAB 83.11, -74.13, 52.94

 

CMYK 56 / 87 / 0 / 7

HEX #6820EE

RGB 104 32 238

HSL 260.97, 0.86%, 0.53%

LAB 38.11, 72.17, -88.45

 

CMYK 0 / 87 / 46 / 7

HEX #EE2080

RGB 238 32 128

HSL 332.04, 0.86%, 0.53%

LAB 52.7, 77.57, 0.48

 

CMYK 29 / 0 / 87 / 7

HEX #A9EE20

RGB 169 238 32

HSL 80.1, 0.86%, 0.53%

LAB 86.84, -47.35, 80.56

 

CMYK 87 / 0 / 40 / 7

HEX #20EE8E

RGB 32 238 142

HSL 152.04, 0.86%, 0.53%

LAB 83.66, -67.62, 33.62

 

CMYK 56 / 87 / 0 / 7

HEX #6820EE

RGB 104 32 238

HSL 260.97, 0.86%, 0.53%

LAB 38.11, 72.17, -88.45

 

CMYK 0 / 87 / 72 / 7

HEX #EE2042

RGB 238 32 66

HSL 350.1, 0.86%, 0.53%

LAB 51.39, 73.83, 36.06

 

CMYK 29 / 0 / 87 / 7

HEX #A9EE20

RGB 169 238 32

HSL 80.1, 0.86%, 0.53%

LAB 86.84, -47.35, 80.56

 

CMYK 87 / 0 / 15 / 7

HEX #20EECB

RGB 32 238 203

HSL 169.81, 0.86%, 0.53%

LAB 84.88, -54.13, 3.83

 

Description

Color code: HEX #6820EE | qconv.com Color code: HEX #6820EE | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 32 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 32 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 87 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 87% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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