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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6823E1 it is the complementary color #97DC1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6823E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6823E1 shade: #6D23DC, #7E35EF, #8F47FF, #A059FF and #B16BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6823E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6823E1 shade: #6823E1, #5711CE, #4600BB, #3500A8 and #240095

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6823E1 shade: #6823E1, #9B23E1, #CE23E1, #E123C0 and #E1238D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6823E1 shade: #6823E1, #3423E1 and #2323E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6823E1 shade matches the following richer shades: #6823E1 and #620EF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6823E1 shade: #6823E1, #6D37CC, #734BB8, #785FA4 and #7E7390

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6823E1 shade: #2345E1, #3223E1, #6523E1, #9823E1 and #CA23E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6823E1 shade: #46159C, #561AC0, #6823E1, #8047E5 and #996BEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6823E1 shade: #6823E1, #E12378 and #2CE123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6823E1 shade: #6823E1, #E16523 and #23E165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6823E1 shade: #6823E1, #E12378, #9EE123 and #23E18B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6823E1 shade: #6823E1, #E1233F, #9EE123 and #23E1C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 84 / 0 / 12

HEX #6823E1

RGB 104 35 225

HSL 261.79, 0.76%, 0.51%

LAB 37.08, 68.11, -82.75

 

Complementary color

CMYK 31 / 0 / 86 / 14

HEX #97DC1E

RGB 151 220 30

HSL 81.79, 0.76%, 0.49%

LAB 80.66, -46.4, 75.34

 

CMYK 50 / 84 / 0 / 14

HEX #6D23DC

RGB 109 35 220

HSL 264, 0.73%, 0.5%

LAB 37.15, 67.42, -79.75

 

CMYK 47 / 78 / 0 / 6

HEX #7E35EF

RGB 126 53 239

HSL 263.55, 0.85%, 0.57%

LAB 43.08, 67.63, -80.74

 

CMYK 44 / 72 / 0 / 0

HEX #8F47FF

RGB 143 71 255

HSL 263.48, 1%, 0.64%

LAB 48.97, 66.47, -79.99

 

CMYK 37 / 65 / 0 / 0

HEX #A059FF

RGB 160 89 255

HSL 265.66, 1%, 0.67%

LAB 53.86, 61.06, -71.95

 

CMYK 31 / 58 / 0 / 0

HEX #B16BFF

RGB 177 107 255

HSL 268.38, 1%, 0.71%

LAB 59.05, 55.64, -63.47

 

CMYK 54 / 84 / 0 / 12

HEX #6823E1

RGB 104 35 225

HSL 261.79, 0.76%, 0.51%

LAB 37.08, 68.11, -82.75

 

CMYK 58 / 92 / 0 / 19

HEX #5711CE

RGB 87 17 206

HSL 262.22, 0.85%, 0.44%

LAB 31.54, 66.91, -81.01

 

CMYK 63 / 100 / 0 / 27

HEX #4600BB

RGB 70 0 187

HSL 262.46, 1%, 0.37%

LAB 26.42, 64.43, -78.39

 

CMYK 68 / 100 / 0 / 34

HEX #3500A8

RGB 53 0 168

HSL 258.93, 1%, 0.33%

LAB 22.25, 59.06, -73.99

 

CMYK 76 / 100 / 0 / 42

HEX #240095

RGB 36 0 149

HSL 254.5, 1%, 0.29%

LAB 18.12, 53.68, -69.26

 

CMYK 54 / 84 / 0 / 12

HEX #6823E1

RGB 104 35 225

HSL 261.79, 0.76%, 0.51%

LAB 37.08, 68.11, -82.75

 

CMYK 31 / 84 / 0 / 12

HEX #9B23E1

RGB 155 35 225

HSL 277.89, 0.76%, 0.51%

LAB 43.66, 74.37, -71.7

 

CMYK 8 / 84 / 0 / 12

HEX #CE23E1

RGB 206 35 225

HSL 294, 0.76%, 0.51%

LAB 51.56, 82.36, -58.52

 

CMYK 0 / 84 / 15 / 12

HEX #E123C0

RGB 225 35 192

HSL 310.42, 0.76%, 0.51%

LAB 52.97, 81.03, -37.18

 

CMYK 0 / 84 / 37 / 12

HEX #E1238D

RGB 225 35 141

HSL 326.53, 0.76%, 0.51%

LAB 50.84, 75.19, -10.36

 

CMYK 54 / 84 / 0 / 12

HEX #6823E1

RGB 104 35 225

HSL 261.79, 0.76%, 0.51%

LAB 37.08, 68.11, -82.75

 

CMYK 77 / 84 / 0 / 12

HEX #3423E1

RGB 52 35 225

HSL 245.37, 0.76%, 0.51%

LAB 32.63, 64.19, -90.26

 

CMYK 84 / 84 / 0 / 12

HEX #2323E1

RGB 35 35 225

HSL 240, 0.76%, 0.51%

LAB 31.8, 63.49, -91.67

 

CMYK 54 / 84 / 0 / 12

HEX #6823E1

RGB 104 35 225

HSL 261.79, 0.76%, 0.51%

LAB 37.08, 68.11, -82.75

 

CMYK 60 / 94 / 0 / 4

HEX #620EF5

RGB 98 14 245

HSL 261.82, 0.92%, 0.51%

LAB 36.94, 77.31, -94.37

 

CMYK 54 / 84 / 0 / 12

HEX #6823E1

RGB 104 35 225

HSL 261.79, 0.76%, 0.51%

LAB 37.08, 68.11, -82.75

 

CMYK 47 / 73 / 0 / 20

HEX #6D37CC

RGB 109 55 204

HSL 261.74, 0.59%, 0.51%

LAB 38.45, 55.44, -68.38

 

CMYK 38 / 59 / 0 / 28

HEX #734BB8

RGB 115 75 184

HSL 262.02, 0.43%, 0.51%

LAB 41.43, 40.83, -51.83

 

CMYK 27 / 42 / 0 / 36

HEX #785FA4

RGB 120 95 164

HSL 261.74, 0.27%, 0.51%

LAB 45.44, 25.15, -33.65

 

CMYK 13 / 20 / 0 / 44

HEX #7E7390

RGB 126 115 144

HSL 262.76, 0.12%, 0.51%

LAB 50.35, 10.27, -14.22

 

CMYK 84 / 69 / 0 / 12

HEX #2345E1

RGB 35 69 225

HSL 229.26, 0.76%, 0.51%

LAB 37.93, 45.96, -81.51

 

CMYK 78 / 84 / 0 / 12

HEX #3223E1

RGB 50 35 225

HSL 244.74, 0.76%, 0.51%

LAB 32.52, 64.09, -90.46

 

CMYK 55 / 84 / 0 / 12

HEX #6523E1

RGB 101 35 225

HSL 260.84, 0.76%, 0.51%

LAB 36.75, 67.81, -83.3

 

CMYK 32 / 84 / 0 / 12

HEX #9823E1

RGB 152 35 225

HSL 276.95, 0.76%, 0.51%

LAB 43.23, 73.94, -72.42

 

CMYK 10 / 84 / 0 / 12

HEX #CA23E1

RGB 202 35 225

HSL 292.74, 0.76%, 0.51%

LAB 50.91, 81.68, -59.6

 

CMYK 55 / 87 / 0 / 39

HEX #46159C

RGB 70 21 156

HSL 261.78, 0.76%, 0.35%

LAB 24.45, 51.82, -62.97

 

CMYK 55 / 86 / 0 / 25

HEX #561AC0

RGB 86 26 192

HSL 261.69, 0.76%, 0.43%

LAB 30.7, 61.02, -74.21

 

CMYK 54 / 84 / 0 / 12

HEX #6823E1

RGB 104 35 225

HSL 261.79, 0.76%, 0.51%

LAB 37.08, 68.11, -82.75

 

CMYK 44 / 69 / 0 / 10

HEX #8047E5

RGB 128 71 229

HSL 261.65, 0.75%, 0.59%

LAB 45.29, 57.43, -71.45

 

CMYK 35 / 54 / 0 / 8

HEX #996BEA

RGB 153 107 234

HSL 261.73, 0.75%, 0.67%

LAB 55.31, 44.94, -57.96

 

CMYK 54 / 84 / 0 / 12

HEX #6823E1

RGB 104 35 225

HSL 261.79, 0.76%, 0.51%

LAB 37.08, 68.11, -82.75

 

CMYK 0 / 84 / 47 / 12

HEX #E12378

RGB 225 35 120

HSL 333.16, 0.76%, 0.51%

LAB 50.18, 73.29, 1.35

 

CMYK 80 / 0 / 84 / 12

HEX #2CE123

RGB 44 225 35

HSL 117.16, 0.76%, 0.51%

LAB 78.76, -74.69, 71.31

 

CMYK 54 / 84 / 0 / 12

HEX #6823E1

RGB 104 35 225

HSL 261.79, 0.76%, 0.51%

LAB 37.08, 68.11, -82.75

 

CMYK 0 / 55 / 84 / 12

HEX #E16523

RGB 225 101 35

HSL 20.84, 0.76%, 0.51%

LAB 57.5, 44.99, 57.05

 

CMYK 84 / 0 / 55 / 12

HEX #23E165

RGB 35 225 101

HSL 140.84, 0.76%, 0.51%

LAB 79.13, -69.72, 47.77

 

CMYK 54 / 84 / 0 / 12

HEX #6823E1

RGB 104 35 225

HSL 261.79, 0.76%, 0.51%

LAB 37.08, 68.11, -82.75

 

CMYK 0 / 84 / 47 / 12

HEX #E12378

RGB 225 35 120

HSL 333.16, 0.76%, 0.51%

LAB 50.18, 73.29, 1.35

 

CMYK 30 / 0 / 84 / 12

HEX #9EE123

RGB 158 225 35

HSL 81.16, 0.76%, 0.51%

LAB 82.51, -45.8, 76.04

 

CMYK 84 / 0 / 38 / 12

HEX #23E18B

RGB 35 225 139

HSL 152.84, 0.76%, 0.51%

LAB 79.65, -63.46, 29.84

 

CMYK 54 / 84 / 0 / 12

HEX #6823E1

RGB 104 35 225

HSL 261.79, 0.76%, 0.51%

LAB 37.08, 68.11, -82.75

 

CMYK 0 / 84 / 72 / 12

HEX #E1233F

RGB 225 35 63

HSL 351.16, 0.76%, 0.51%

LAB 48.97, 69.78, 34.34

 

CMYK 30 / 0 / 84 / 12

HEX #9EE123

RGB 158 225 35

HSL 81.16, 0.76%, 0.51%

LAB 82.51, -45.8, 76.04

 

CMYK 84 / 0 / 13 / 12

HEX #23E1C4

RGB 35 225 196

HSL 170.84, 0.76%, 0.51%

LAB 80.85, -50.45, 1.67

 

Description

Color code: HEX #6823E1 | qconv.com Color code: HEX #6823E1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 35 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 35 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 84 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 84% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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