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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6834A6 it is the complementary color #97CB59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6834A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6834A6 shade: #6D34A1, #7E46B4, #8F58C7, #A06ADA and #B17CED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6834A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6834A6 shade: #6834A6, #572293, #461080, #35006D and #24005A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6834A6 shade: #6834A6, #8734A6, #A634A6, #A63488 and #A63469

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6834A6 shade: #6834A6, #4934A6 and #3434A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6834A6 shade matches the following richer shades: #6834A6, #6722B8 and #6511CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6834A6 shade: #6834A6, #6A4694, #6B5883, #6D6971 and #6E7B5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6834A6 shade: #343EA6, #4934A6, #6734A6, #8634A6 and #A434A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6834A6 shade: #412067, #542A87, #6834A6, #7C41C3 and #9260CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6834A6 shade: #6834A6, #A6345C and #34A63A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6834A6 shade: #6834A6, #A66734 and #34A667

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6834A6 shade: #6834A6, #A6345C, #73A634 and #34A67E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6834A6 shade: #6834A6, #A6343A, #73A634 and #34A6A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 69 / 0 / 35

HEX #6834A6

RGB 104 52 166

HSL 267.37, 0.52%, 0.43%

LAB 34.3, 46.12, -52.75

 

Complementary color

CMYK 26 / 0 / 56 / 20

HEX #97CB59

RGB 151 203 89

HSL 87.37, 0.52%, 0.57%

LAB 76.08, -35.38, 50.61

 

CMYK 32 / 68 / 0 / 37

HEX #6D34A1

RGB 109 52 161

HSL 271.38, 0.51%, 0.42%

LAB 34.56, 45.92, -49.28

 

CMYK 30 / 61 / 0 / 29

HEX #7E46B4

RGB 126 70 180

HSL 270.55, 0.44%, 0.49%

LAB 41.39, 45.14, -49.49

 

CMYK 28 / 56 / 0 / 22

HEX #8F58C7

RGB 143 88 199

HSL 269.73, 0.5%, 0.56%

LAB 48.19, 44.23, -49.55

 

CMYK 27 / 51 / 0 / 15

HEX #A06ADA

RGB 160 106 218

HSL 268.93, 0.6%, 0.64%

LAB 54.91, 43.29, -49.56

 

CMYK 25 / 48 / 0 / 7

HEX #B17CED

RGB 177 124 237

HSL 268.14, 0.76%, 0.71%

LAB 61.55, 42.38, -49.54

 

CMYK 37 / 69 / 0 / 35

HEX #6834A6

RGB 104 52 166

HSL 267.37, 0.52%, 0.43%

LAB 34.3, 46.12, -52.75

 

CMYK 41 / 77 / 0 / 42

HEX #572293

RGB 87 34 147

HSL 268.14, 0.62%, 0.35%

LAB 27.51, 46.67, -52.33

 

CMYK 45 / 88 / 0 / 50

HEX #461080

RGB 70 16 128

HSL 268.93, 0.78%, 0.28%

LAB 20.95, 46.33, -51.29

 

CMYK 51 / 100 / 0 / 57

HEX #35006D

RGB 53 0 109

HSL 269.17, 1%, 0.21%

LAB 14.74, 44.67, -49.38

 

CMYK 60 / 100 / 0 / 65

HEX #24005A

RGB 36 0 90

HSL 264, 1%, 0.18%

LAB 9.9, 38.49, -44.83

 

CMYK 37 / 69 / 0 / 35

HEX #6834A6

RGB 104 52 166

HSL 267.37, 0.52%, 0.43%

LAB 34.3, 46.12, -52.75

 

CMYK 19 / 69 / 0 / 35

HEX #8734A6

RGB 135 52 166

HSL 283.68, 0.52%, 0.43%

LAB 38.48, 52.84, -45.79

 

CMYK 0 / 69 / 0 / 35

HEX #A634A6

RGB 166 52 166

HSL 300, 0.52%, 0.43%

LAB 43.24, 59.98, -37.92

 

CMYK 0 / 69 / 18 / 35

HEX #A63488

RGB 166 52 136

HSL 315.79, 0.52%, 0.43%

LAB 41.75, 55.24, -22.15

 

CMYK 0 / 69 / 37 / 35

HEX #A63469

RGB 166 52 105

HSL 332.11, 0.52%, 0.43%

LAB 40.55, 51.18, -4.81

 

CMYK 37 / 69 / 0 / 35

HEX #6834A6

RGB 104 52 166

HSL 267.37, 0.52%, 0.43%

LAB 34.3, 46.12, -52.75

 

CMYK 56 / 69 / 0 / 35

HEX #4934A6

RGB 73 52 166

HSL 251.05, 0.52%, 0.43%

LAB 30.94, 40.29, -58.36

 

CMYK 69 / 69 / 0 / 35

HEX #3434A6

RGB 52 52 166

HSL 240, 0.52%, 0.43%

LAB 29.26, 37.18, -61.18

 

CMYK 37 / 69 / 0 / 35

HEX #6834A6

RGB 104 52 166

HSL 267.37, 0.52%, 0.43%

LAB 34.3, 46.12, -52.75

 

CMYK 44 / 82 / 0 / 28

HEX #6722B8

RGB 103 34 184

HSL 267.6, 0.69%, 0.43%

LAB 32.89, 58.35, -65.78

 

CMYK 50 / 92 / 0 / 21

HEX #6511CA

RGB 101 17 202

HSL 267.24, 0.84%, 0.43%

LAB 32.77, 67.16, -76.59

 

CMYK 37 / 69 / 0 / 35

HEX #6834A6

RGB 104 52 166

HSL 267.37, 0.52%, 0.43%

LAB 34.3, 46.12, -52.75

 

CMYK 28 / 53 / 0 / 42

HEX #6A4694

RGB 106 70 148

HSL 267.69, 0.36%, 0.43%

LAB 37.08, 31.94, -37.39

 

CMYK 18 / 33 / 0 / 49

HEX #6B5883

RGB 107 88 131

HSL 266.51, 0.2%, 0.43%

LAB 40.81, 16.98, -21.2

 

CMYK 4 / 7 / 0 / 56

HEX #6D6971

RGB 109 105 113

HSL 270, 0.04%, 0.43%

LAB 45.01, 3.21, -3.92

 

CMYK 11 / 0 / 23 / 52

HEX #6E7B5F

RGB 110 123 95

HSL 87.86, 0.13%, 0.43%

LAB 49.87, -10.27, 13.74

 

CMYK 69 / 63 / 0 / 35

HEX #343EA6

RGB 52 62 166

HSL 234.74, 0.52%, 0.43%

LAB 31.64, 30.85, -57.28

 

CMYK 56 / 69 / 0 / 35

HEX #4934A6

RGB 73 52 166

HSL 251.05, 0.52%, 0.43%

LAB 30.94, 40.29, -58.36

 

CMYK 38 / 69 / 0 / 35

HEX #6734A6

RGB 103 52 166

HSL 266.84, 0.52%, 0.43%

LAB 34.18, 45.91, -52.95

 

CMYK 19 / 69 / 0 / 35

HEX #8634A6

RGB 134 52 166

HSL 283.16, 0.52%, 0.43%

LAB 38.34, 52.62, -46.03

 

CMYK 1 / 69 / 0 / 35

HEX #A434A6

RGB 164 52 166

HSL 298.95, 0.52%, 0.43%

LAB 42.92, 59.52, -38.45

 

CMYK 37 / 69 / 0 / 60

HEX #412067

RGB 65 32 103

HSL 267.89, 0.53%, 0.26%

LAB 20.58, 31.46, -35.83

 

CMYK 38 / 69 / 0 / 47

HEX #542A87

RGB 84 42 135

HSL 267.1, 0.53%, 0.35%

LAB 27.55, 38.99, -44.85

 

CMYK 37 / 69 / 0 / 35

HEX #6834A6

RGB 104 52 166

HSL 267.37, 0.52%, 0.43%

LAB 34.3, 46.12, -52.75

 

CMYK 36 / 67 / 0 / 24

HEX #7C41C3

RGB 124 65 195

HSL 267.23, 0.52%, 0.51%

LAB 41.23, 51, -58.55

 

CMYK 29 / 53 / 0 / 20

HEX #9260CD

RGB 146 96 205

HSL 267.52, 0.52%, 0.59%

LAB 50.55, 42.05, -49.2

 

CMYK 37 / 69 / 0 / 35

HEX #6834A6

RGB 104 52 166

HSL 267.37, 0.52%, 0.43%

LAB 34.3, 46.12, -52.75

 

CMYK 0 / 69 / 45 / 35

HEX #A6345C

RGB 166 52 92

HSL 338.95, 0.52%, 0.43%

LAB 40.14, 49.78, 2.76

 

CMYK 69 / 0 / 65 / 35

HEX #34A63A

RGB 52 166 58

HSL 123.16, 0.52%, 0.43%

LAB 60.17, -53.29, 45.4

 

CMYK 37 / 69 / 0 / 35

HEX #6834A6

RGB 104 52 166

HSL 267.37, 0.52%, 0.43%

LAB 34.3, 46.12, -52.75

 

CMYK 0 / 38 / 69 / 35

HEX #A66734

RGB 166 103 52

HSL 26.84, 0.52%, 0.43%

LAB 49.56, 20.61, 38.59

 

CMYK 69 / 0 / 38 / 35

HEX #34A667

RGB 52 166 103

HSL 146.84, 0.52%, 0.43%

LAB 60.77, -46.43, 23.61

 

CMYK 37 / 69 / 0 / 35

HEX #6834A6

RGB 104 52 166

HSL 267.37, 0.52%, 0.43%

LAB 34.3, 46.12, -52.75

 

CMYK 0 / 69 / 45 / 35

HEX #A6345C

RGB 166 52 92

HSL 338.95, 0.52%, 0.43%

LAB 40.14, 49.78, 2.76

 

CMYK 31 / 0 / 69 / 35

HEX #73A634

RGB 115 166 52

HSL 86.84, 0.52%, 0.43%

LAB 62.65, -35.17, 51.34

 

CMYK 69 / 0 / 24 / 35

HEX #34A67E

RGB 52 166 126

HSL 158.95, 0.52%, 0.43%

LAB 61.23, -41.46, 11.6

 

CMYK 37 / 69 / 0 / 35

HEX #6834A6

RGB 104 52 166

HSL 267.37, 0.52%, 0.43%

LAB 34.3, 46.12, -52.75

 

CMYK 0 / 69 / 65 / 35

HEX #A6343A

RGB 166 52 58

HSL 356.84, 0.52%, 0.43%

LAB 39.36, 47.01, 23.04

 

CMYK 31 / 0 / 69 / 35

HEX #73A634

RGB 115 166 52

HSL 86.84, 0.52%, 0.43%

LAB 62.65, -35.17, 51.34

 

CMYK 69 / 0 / 4 / 35

HEX #34A6A0

RGB 52 166 160

HSL 176.84, 0.52%, 0.43%

LAB 62.12, -32.55, -6.16

 

Description

Color code: HEX #6834A6 | qconv.com Color code: HEX #6834A6 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 52 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 52 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 69 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 69% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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