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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68374D it is the complementary color #97C8B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68374D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68374D shade: #6D3748, #7E495B, #8F5B6E, #A06D81 and #B17F94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68374D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68374D shade: #68374D, #57253A, #461327, #350114 and #240001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68374D shade: #67364C, #67363F and #673636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68374D shade: #67364C, #673659, #673666, #5A3667 and #4D3667

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68374D shade matches the following richer shades: #67364C, #74294B, #811C49, #8D1048 and #9A0347

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68374D shade: #67364C, #5A434D, #4D504F, #415C50 and #346951

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68374D shade: #673666, #673659, #67364C, #67363F and #673A36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68374D shade: #311A24, #4C2838, #67364C, #824460 and #9D5374

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68374D shade: #68374D, #675B36 and #366067

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68374D shade: #68374D, #4C6736 and #364C67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68374D shade: #68374D, #675B36, #366751 and #364267

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68374D shade: #68374D, #656736, #366751 and #383667

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 26 / 59

HEX #68374D

RGB 104 55 77

HSL 333.06, 0.31%, 0.31%

LAB 29.94, 24.83, -3.77

 

Complementary color

CMYK 25 / 0 / 11 / 22

HEX #97C8B2

RGB 151 200 178

HSL 153.06, 0.31%, 0.69%

LAB 76.74, -20.57, 5.81

 

CMYK 0 / 50 / 34 / 57

HEX #6D3748

RGB 109 55 72

HSL 341.11, 0.33%, 0.32%

LAB 30.52, 26.03, 0.44

 

CMYK 0 / 42 / 28 / 51

HEX #7E495B

RGB 126 73 91

HSL 339.62, 0.27%, 0.39%

LAB 37.76, 25.05, -0.85

 

CMYK 0 / 36 / 23 / 44

HEX #8F5B6E

RGB 143 91 110

HSL 338.08, 0.22%, 0.46%

LAB 44.87, 24.15, -1.89

 

CMYK 0 / 32 / 19 / 37

HEX #A06D81

RGB 160 109 129

HSL 336.47, 0.21%, 0.53%

LAB 51.83, 23.33, -2.79

 

CMYK 0 / 28 / 16 / 31

HEX #B17F94

RGB 177 127 148

HSL 334.8, 0.24%, 0.6%

LAB 58.66, 22.6, -3.58

 

CMYK 0 / 47 / 26 / 59

HEX #68374D

RGB 104 55 77

HSL 333.06, 0.31%, 0.31%

LAB 29.94, 24.83, -3.77

 

CMYK 0 / 57 / 33 / 66

HEX #57253A

RGB 87 37 58

HSL 334.8, 0.4%, 0.24%

LAB 22.5, 25.76, -2.4

 

CMYK 0 / 73 / 44 / 73

HEX #461327

RGB 70 19 39

HSL 336.47, 0.57%, 0.17%

LAB 15.03, 26.42, -0.34

 

CMYK 0 / 98 / 62 / 79

HEX #350114

RGB 53 1 20

HSL 338.08, 0.96%, 0.11%

LAB 7.49, 27.04, 2.37

 

CMYK 0 / 100 / 97 / 86

HEX #240001

RGB 36 0 1

HSL 358.33, 1%, 0.07%

LAB 3.41, 15.34, 4.98

 

CMYK 0 / 48 / 26 / 60

HEX #67364C

RGB 103 54 76

HSL 333.06, 0.31%, 0.31%

LAB 29.52, 24.87, -3.75

 

CMYK 0 / 48 / 39 / 60

HEX #67363F

RGB 103 54 63

HSL 348.98, 0.31%, 0.31%

LAB 29.11, 22.93, 4.18

 

CMYK 0 / 48 / 48 / 60

HEX #673636

RGB 103 54 54

HSL 0, 0.31%, 0.31%

LAB 28.87, 21.79, 9.75

 

CMYK 0 / 48 / 26 / 60

HEX #67364C

RGB 103 54 76

HSL 333.06, 0.31%, 0.31%

LAB 29.52, 24.87, -3.75

 

CMYK 0 / 48 / 14 / 60

HEX #673659

RGB 103 54 89

HSL 317.14, 0.31%, 0.31%

LAB 30.02, 27.12, -11.48

 

CMYK 0 / 48 / 1 / 60

HEX #673666

RGB 103 54 102

HSL 301.22, 0.31%, 0.31%

LAB 30.6, 29.65, -18.97

 

CMYK 13 / 48 / 0 / 60

HEX #5A3667

RGB 90 54 103

HSL 284.08, 0.31%, 0.31%

LAB 28.88, 25.53, -22.42

 

CMYK 25 / 48 / 0 / 60

HEX #4D3667

RGB 77 54 103

HSL 268.16, 0.31%, 0.31%

LAB 27.28, 21.28, -25.04

 

CMYK 0 / 48 / 26 / 60

HEX #67364C

RGB 103 54 76

HSL 333.06, 0.31%, 0.31%

LAB 29.52, 24.87, -3.75

 

CMYK 0 / 65 / 35 / 55

HEX #74294B

RGB 116 41 75

HSL 332.8, 0.48%, 0.31%

LAB 28.92, 36.49, -3.76

 

CMYK 0 / 78 / 43 / 49

HEX #811C49

RGB 129 28 73

HSL 333.27, 0.64%, 0.31%

LAB 29.36, 45.7, -1.51

 

CMYK 0 / 89 / 49 / 45

HEX #8D1048

RGB 141 16 72

HSL 333.12, 0.8%, 0.31%

LAB 30.64, 52.13, 1.32

 

CMYK 0 / 98 / 54 / 40

HEX #9A0347

RGB 154 3 71

HSL 332.98, 0.96%, 0.31%

LAB 32.68, 57.32, 5.27

 

CMYK 0 / 48 / 26 / 60

HEX #67364C

RGB 103 54 76

HSL 333.06, 0.31%, 0.31%

LAB 29.52, 24.87, -3.75

 

CMYK 0 / 26 / 14 / 65

HEX #5A434D

RGB 90 67 77

HSL 333.91, 0.15%, 0.31%

LAB 31.17, 11.74, -2.16

 

CMYK 4 / 0 / 1 / 69

HEX #4D504F

RGB 77 80 79

HSL 160, 0.02%, 0.31%

LAB 33.73, -1.43, 0.16

 

CMYK 29 / 0 / 13 / 64

HEX #415C50

RGB 65 92 80

HSL 153.33, 0.17%, 0.31%

LAB 36.66, -12.97, 3.67

 

CMYK 50 / 0 / 23 / 59

HEX #346951

RGB 52 105 81

HSL 152.83, 0.34%, 0.31%

LAB 40.29, -23.94, 8.13

 

CMYK 0 / 48 / 1 / 60

HEX #673666

RGB 103 54 102

HSL 301.22, 0.31%, 0.31%

LAB 30.6, 29.65, -18.97

 

CMYK 0 / 48 / 14 / 60

HEX #673659

RGB 103 54 89

HSL 317.14, 0.31%, 0.31%

LAB 30.02, 27.12, -11.48

 

CMYK 0 / 48 / 26 / 60

HEX #67364C

RGB 103 54 76

HSL 333.06, 0.31%, 0.31%

LAB 29.52, 24.87, -3.75

 

CMYK 0 / 48 / 39 / 60

HEX #67363F

RGB 103 54 63

HSL 348.98, 0.31%, 0.31%

LAB 29.11, 22.93, 4.18

 

CMYK 0 / 44 / 48 / 60

HEX #673A36

RGB 103 58 54

HSL 4.9, 0.31%, 0.31%

LAB 29.85, 19.39, 11.09

 

CMYK 0 / 47 / 27 / 81

HEX #311A24

RGB 49 26 36

HSL 333.91, 0.31%, 0.15%

LAB 12.73, 13.15, -1.97

 

CMYK 0 / 47 / 26 / 70

HEX #4C2838

RGB 76 40 56

HSL 333.33, 0.31%, 0.23%

LAB 21.36, 19.24, -2.91

 

CMYK 0 / 48 / 26 / 60

HEX #67364C

RGB 103 54 76

HSL 333.06, 0.31%, 0.31%

LAB 29.52, 24.87, -3.75

 

CMYK 0 / 48 / 26 / 49

HEX #824460

RGB 130 68 96

HSL 332.9, 0.31%, 0.39%

LAB 37.34, 30.2, -4.55

 

CMYK 0 / 47 / 26 / 38

HEX #9D5374

RGB 157 83 116

HSL 333.24, 0.31%, 0.47%

LAB 45.1, 34.76, -4.99

 

CMYK 0 / 47 / 26 / 59

HEX #68374D

RGB 104 55 77

HSL 333.06, 0.31%, 0.31%

LAB 29.94, 24.83, -3.77

 

CMYK 0 / 12 / 48 / 60

HEX #675B36

RGB 103 91 54

HSL 45.31, 0.31%, 0.31%

LAB 38.95, -0.82, 23.06

 

CMYK 48 / 7 / 0 / 60

HEX #366067

RGB 54 96 103

HSL 188.57, 0.31%, 0.31%

LAB 38.07, -12.57, -8.57

 

CMYK 0 / 47 / 26 / 59

HEX #68374D

RGB 104 55 77

HSL 333.06, 0.31%, 0.31%

LAB 29.94, 24.83, -3.77

 

CMYK 26 / 0 / 48 / 60

HEX #4C6736

RGB 76 103 54

HSL 93.06, 0.31%, 0.31%

LAB 40.42, -19.6, 24.42

 

CMYK 48 / 26 / 0 / 60

HEX #364C67

RGB 54 76 103

HSL 213.06, 0.31%, 0.31%

LAB 31.65, -0.37, -18.36

 

CMYK 0 / 47 / 26 / 59

HEX #68374D

RGB 104 55 77

HSL 333.06, 0.31%, 0.31%

LAB 29.94, 24.83, -3.77

 

CMYK 0 / 12 / 48 / 60

HEX #675B36

RGB 103 91 54

HSL 45.31, 0.31%, 0.31%

LAB 38.95, -0.82, 23.06

 

CMYK 48 / 0 / 21 / 60

HEX #366751

RGB 54 103 81

HSL 153.06, 0.31%, 0.31%

LAB 39.71, -22.33, 7.32

 

CMYK 48 / 36 / 0 / 60

HEX #364267

RGB 54 66 103

HSL 225.31, 0.31%, 0.31%

LAB 28.54, 6.2, -23.22

 

CMYK 0 / 47 / 26 / 59

HEX #68374D

RGB 104 55 77

HSL 333.06, 0.31%, 0.31%

LAB 29.94, 24.83, -3.77

 

CMYK 2 / 0 / 48 / 60

HEX #656736

RGB 101 103 54

HSL 62.45, 0.31%, 0.31%

LAB 42.36, -8.75, 27.25

 

CMYK 48 / 0 / 21 / 60

HEX #366751

RGB 54 103 81

HSL 153.06, 0.31%, 0.31%

LAB 39.71, -22.33, 7.32

 

CMYK 46 / 48 / 0 / 60

HEX #383667

RGB 56 54 103

HSL 242.45, 0.31%, 0.31%

LAB 25.13, 14.9, -28.58

 

Description

Color code: HEX #68374D | qconv.com Color code: HEX #68374D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 55 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 55 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 26 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 26% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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