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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #683780 it is the complementary color #97C87F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #683780. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #683780 shade: #6D377B, #7E498E, #8F5BA1, #A06DB4 and #B17FC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #683780. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #683780 shade: #683780, #57256D, #46135A, #350147 and #240034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #683780 shade: #683780, #7C3780, #803771, #80375D and #803749

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #683780 shade: #683780, #543780, #403780 and #373780

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #683780 shade matches the following richer shades: #683780, #6D288F, #72199E and #770AAD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #683780 shade: #683780, #634571, #5E5462, #596353 and #547245

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #683780 shade: #403780, #543780, #683780, #7B3780 and #803771

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #683780 shade: #391E46, #502A63, #683780, #7F439D and #9554B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #683780 shade: #683780, #803740 and #37804A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #683780 shade: #683780, #806837 and #378068

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #683780 shade: #683780, #803740, #4F8037 and #378076

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #683780 shade: #683780, #804337, #4F8037 and #377480

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 57 / 0 / 50

HEX #683780

RGB 104 55 128

HSL 280.27, 0.4%, 0.36%

LAB 32.33, 35.12, -32.66

 

Complementary color

CMYK 25 / 0 / 37 / 22

HEX #97C87F

RGB 151 200 127

HSL 100.27, 0.4%, 0.64%

LAB 75.71, -29.42, 31.47

 

CMYK 11 / 55 / 0 / 52

HEX #6D377B

RGB 109 55 123

HSL 287.65, 0.38%, 0.35%

LAB 32.73, 35.43, -28.86

 

CMYK 11 / 49 / 0 / 44

HEX #7E498E

RGB 126 73 142

HSL 286.09, 0.32%, 0.42%

LAB 39.84, 34.64, -29.23

 

CMYK 11 / 43 / 0 / 37

HEX #8F5BA1

RGB 143 91 161

HSL 284.57, 0.28%, 0.49%

LAB 46.84, 33.81, -29.51

 

CMYK 11 / 39 / 0 / 29

HEX #A06DB4

RGB 160 109 180

HSL 283.1, 0.32%, 0.57%

LAB 53.71, 33.01, -29.75

 

CMYK 11 / 36 / 0 / 22

HEX #B17FC7

RGB 177 127 199

HSL 281.67, 0.39%, 0.64%

LAB 60.47, 32.25, -29.97

 

CMYK 19 / 57 / 0 / 50

HEX #683780

RGB 104 55 128

HSL 280.27, 0.4%, 0.36%

LAB 32.33, 35.12, -32.66

 

CMYK 20 / 66 / 0 / 57

HEX #57256D

RGB 87 37 109

HSL 281.67, 0.49%, 0.29%

LAB 25.12, 35.81, -32.26

 

CMYK 22 / 79 / 0 / 65

HEX #46135A

RGB 70 19 90

HSL 283.1, 0.65%, 0.21%

LAB 17.95, 35.95, -31.45

 

CMYK 25 / 99 / 0 / 72

HEX #350147

RGB 53 1 71

HSL 284.57, 0.97%, 0.14%

LAB 10.8, 35.44, -30.16

 

CMYK 31 / 100 / 0 / 80

HEX #240034

RGB 36 0 52

HSL 281.54, 1%, 0.1%

LAB 5.63, 27.79, -25.06

 

CMYK 19 / 57 / 0 / 50

HEX #683780

RGB 104 55 128

HSL 280.27, 0.4%, 0.36%

LAB 32.33, 35.12, -32.66

 

CMYK 3 / 57 / 0 / 50

HEX #7C3780

RGB 124 55 128

HSL 296.71, 0.4%, 0.36%

LAB 35.15, 40.86, -28.02

 

CMYK 0 / 57 / 12 / 50

HEX #803771

RGB 128 55 113

HSL 312.33, 0.4%, 0.36%

LAB 35.03, 39.29, -18.79

 

CMYK 0 / 57 / 27 / 50

HEX #80375D

RGB 128 55 93

HSL 328.77, 0.4%, 0.36%

LAB 34.21, 36.08, -7.34

 

CMYK 0 / 57 / 43 / 50

HEX #803749

RGB 128 55 73

HSL 345.21, 0.4%, 0.36%

LAB 33.57, 33.43, 4.57

 

CMYK 19 / 57 / 0 / 50

HEX #683780

RGB 104 55 128

HSL 280.27, 0.4%, 0.36%

LAB 32.33, 35.12, -32.66

 

CMYK 34 / 57 / 0 / 50

HEX #543780

RGB 84 55 128

HSL 263.84, 0.4%, 0.36%

LAB 29.85, 29.57, -36.76

 

CMYK 50 / 57 / 0 / 50

HEX #403780

RGB 64 55 128

HSL 247.4, 0.4%, 0.36%

LAB 27.79, 24.51, -40.18

 

CMYK 57 / 57 / 0 / 50

HEX #373780

RGB 55 55 128

HSL 240, 0.4%, 0.36%

LAB 27.03, 22.49, -41.46

 

CMYK 19 / 57 / 0 / 50

HEX #683780

RGB 104 55 128

HSL 280.27, 0.4%, 0.36%

LAB 32.33, 35.12, -32.66

 

CMYK 24 / 72 / 0 / 44

HEX #6D288F

RGB 109 40 143

HSL 280.19, 0.56%, 0.36%

LAB 31.24, 47.39, -43.67

 

CMYK 28 / 84 / 0 / 38

HEX #72199E

RGB 114 25 158

HSL 280.15, 0.73%, 0.36%

LAB 31.21, 57.12, -52.86

 

CMYK 31 / 94 / 0 / 32

HEX #770AAD

RGB 119 10 173

HSL 280.12, 0.89%, 0.36%

LAB 32.16, 64.16, -60.34

 

CMYK 19 / 57 / 0 / 50

HEX #683780

RGB 104 55 128

HSL 280.27, 0.4%, 0.36%

LAB 32.33, 35.12, -32.66

 

CMYK 12 / 39 / 0 / 56

HEX #634571

RGB 99 69 113

HSL 280.91, 0.24%, 0.36%

LAB 34.19, 21.68, -20.4

 

CMYK 4 / 14 / 0 / 62

HEX #5E5462

RGB 94 84 98

HSL 282.86, 0.08%, 0.36%

LAB 37.12, 7.01, -6.6

 

CMYK 10 / 0 / 16 / 61

HEX #596353

RGB 89 99 83

HSL 97.5, 0.09%, 0.36%

LAB 40.69, -7.19, 7.8

 

CMYK 26 / 0 / 39 / 55

HEX #547245

RGB 84 114 69

HSL 100, 0.25%, 0.36%

LAB 44.73, -19.98, 21.52

 

CMYK 50 / 57 / 0 / 50

HEX #403780

RGB 64 55 128

HSL 247.4, 0.4%, 0.36%

LAB 27.79, 24.51, -40.18

 

CMYK 34 / 57 / 0 / 50

HEX #543780

RGB 84 55 128

HSL 263.84, 0.4%, 0.36%

LAB 29.85, 29.57, -36.76

 

CMYK 19 / 57 / 0 / 50

HEX #683780

RGB 104 55 128

HSL 280.27, 0.4%, 0.36%

LAB 32.33, 35.12, -32.66

 

CMYK 4 / 57 / 0 / 50

HEX #7B3780

RGB 123 55 128

HSL 295.89, 0.4%, 0.36%

LAB 35.01, 40.57, -28.26

 

CMYK 0 / 57 / 12 / 50

HEX #803771

RGB 128 55 113

HSL 312.33, 0.4%, 0.36%

LAB 35.03, 39.29, -18.79

 

CMYK 19 / 57 / 0 / 73

HEX #391E46

RGB 57 30 70

HSL 280.5, 0.4%, 0.2%

LAB 16.7, 21.45, -19.96

 

CMYK 19 / 58 / 0 / 61

HEX #502A63

RGB 80 42 99

HSL 280, 0.4%, 0.28%

LAB 24.52, 28.64, -26.79

 

CMYK 19 / 57 / 0 / 50

HEX #683780

RGB 104 55 128

HSL 280.27, 0.4%, 0.36%

LAB 32.33, 35.12, -32.66

 

CMYK 19 / 57 / 0 / 38

HEX #7F439D

RGB 127 67 157

HSL 280, 0.4%, 0.44%

LAB 39.51, 41.57, -38.8

 

CMYK 18 / 54 / 0 / 29

HEX #9554B5

RGB 149 84 181

HSL 280.21, 0.4%, 0.52%

LAB 47.06, 43.8, -40.86

 

CMYK 19 / 57 / 0 / 50

HEX #683780

RGB 104 55 128

HSL 280.27, 0.4%, 0.36%

LAB 32.33, 35.12, -32.66

 

CMYK 0 / 57 / 50 / 50

HEX #803740

RGB 128 55 64

HSL 352.6, 0.4%, 0.36%

LAB 33.33, 32.44, 10.04

 

CMYK 57 / 0 / 42 / 50

HEX #37804A

RGB 55 128 74

HSL 135.62, 0.4%, 0.36%

LAB 47.94, -35.44, 22.62

 

CMYK 19 / 57 / 0 / 50

HEX #683780

RGB 104 55 128

HSL 280.27, 0.4%, 0.36%

LAB 32.33, 35.12, -32.66

 

CMYK 0 / 19 / 57 / 50

HEX #806837

RGB 128 104 55

HSL 40.27, 0.4%, 0.36%

LAB 45.31, 3.15, 30.9

 

CMYK 57 / 0 / 19 / 50

HEX #378068

RGB 55 128 104

HSL 160.27, 0.4%, 0.36%

LAB 48.57, -28.95, 6.22

 

CMYK 19 / 57 / 0 / 50

HEX #683780

RGB 104 55 128

HSL 280.27, 0.4%, 0.36%

LAB 32.33, 35.12, -32.66

 

CMYK 0 / 57 / 50 / 50

HEX #803740

RGB 128 55 64

HSL 352.6, 0.4%, 0.36%

LAB 33.33, 32.44, 10.04

 

CMYK 38 / 0 / 57 / 50

HEX #4F8037

RGB 79 128 55

HSL 100.27, 0.4%, 0.36%

LAB 48.73, -30.76, 34.02

 

CMYK 57 / 0 / 8 / 50

HEX #378076

RGB 55 128 118

HSL 171.78, 0.4%, 0.36%

LAB 48.96, -25.28, -1.44

 

CMYK 19 / 57 / 0 / 50

HEX #683780

RGB 104 55 128

HSL 280.27, 0.4%, 0.36%

LAB 32.33, 35.12, -32.66

 

CMYK 0 / 48 / 57 / 50

HEX #804337

RGB 128 67 55

HSL 9.86, 0.4%, 0.36%

LAB 35.75, 24.94, 18.98

 

CMYK 38 / 0 / 57 / 50

HEX #4F8037

RGB 79 128 55

HSL 100.27, 0.4%, 0.36%

LAB 48.73, -30.76, 34.02

 

CMYK 57 / 9 / 0 / 50

HEX #377480

RGB 55 116 128

HSL 189.86, 0.4%, 0.36%

LAB 45.44, -16, -12.61

 

Description

Color code: HEX #683780 | qconv.com Color code: HEX #683780 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 55 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 55 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 57 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 57% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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