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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #683894 it is the complementary color #97C76B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #683894. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #683894 shade: #6D388F, #7E4AA2, #8F5CB5, #A06EC8 and #B180DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #683894. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #683894 shade: #683894, #572681, #46146E, #35025B and #240048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #683894 shade: #673893, #803893, #93388E, #933875 and #93385C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #683894 shade: #673893, #4F3893 and #383893

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #683894 shade matches the following richer shades: #673893, #6827A4, #6917B4 and #6A06C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #683894 shade: #673893, #674883, #665972, #656962 and #657A51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #683894 shade: #383993, #4F3893, #673893, #803893 and #93388F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #683894 shade: #3D2158, #522C75, #673893, #7D43B1 and #915CC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #683894 shade: #683894, #933852 and #389342

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #683894 shade: #683894, #936738 and #389367

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #683894 shade: #683894, #933852, #649338 and #389379

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #683894 shade: #683894, #933938, #649338 and #389293

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 62 / 0 / 42

HEX #683894

RGB 104 56 148

HSL 271.3, 0.45%, 0.4%

LAB 33.79, 39.43, -42.66

 

Complementary color

CMYK 24 / 0 / 46 / 22

HEX #97C76B

RGB 151 199 107

HSL 91.3, 0.45%, 0.6%

LAB 75.13, -31.58, 40.88

 

CMYK 24 / 61 / 0 / 44

HEX #6D388F

RGB 109 56 143

HSL 276.55, 0.44%, 0.39%

LAB 34.11, 39.47, -39.05

 

CMYK 22 / 54 / 0 / 36

HEX #7E4AA2

RGB 126 74 162

HSL 275.45, 0.37%, 0.46%

LAB 41.12, 38.63, -39.24

 

CMYK 21 / 49 / 0 / 29

HEX #8F5CB5

RGB 143 92 181

HSL 274.38, 0.38%, 0.54%

LAB 48.05, 37.74, -39.35

 

CMYK 20 / 45 / 0 / 22

HEX #A06EC8

RGB 160 110 200

HSL 273.33, 0.45%, 0.61%

LAB 54.86, 36.87, -39.42

 

CMYK 19 / 42 / 0 / 14

HEX #B180DB

RGB 177 128 219

HSL 272.31, 0.56%, 0.68%

LAB 61.57, 36.04, -39.49

 

CMYK 30 / 62 / 0 / 42

HEX #683894

RGB 104 56 148

HSL 271.3, 0.45%, 0.4%

LAB 33.79, 39.43, -42.66

 

CMYK 33 / 71 / 0 / 49

HEX #572681

RGB 87 38 129

HSL 272.31, 0.54%, 0.33%

LAB 26.73, 40.18, -42.4

 

CMYK 36 / 82 / 0 / 57

HEX #46146E

RGB 70 20 110

HSL 273.33, 0.69%, 0.25%

LAB 19.75, 40.34, -41.7

 

CMYK 42 / 98 / 0 / 64

HEX #35025B

RGB 53 2 91

HSL 274.38, 0.96%, 0.18%

LAB 12.96, 39.58, -40.37

 

CMYK 50 / 100 / 0 / 72

HEX #240048

RGB 36 0 72

HSL 270, 1%, 0.14%

LAB 7.61, 33.85, -36.2

 

CMYK 30 / 62 / 0 / 42

HEX #673893

RGB 103 56 147

HSL 270.99, 0.45%, 0.4%

LAB 33.6, 38.93, -42.36

 

CMYK 13 / 62 / 0 / 42

HEX #803893

RGB 128 56 147

HSL 287.47, 0.45%, 0.4%

LAB 36.97, 45.32, -36.78

 

CMYK 0 / 62 / 3 / 42

HEX #93388E

RGB 147 56 142

HSL 303.3, 0.45%, 0.4%

LAB 39.55, 49.41, -29.47

 

CMYK 0 / 62 / 20 / 42

HEX #933875

RGB 147 56 117

HSL 319.78, 0.45%, 0.4%

LAB 38.4, 45.31, -15.85

 

CMYK 0 / 62 / 37 / 42

HEX #93385C

RGB 147 56 92

HSL 336.26, 0.45%, 0.4%

LAB 37.49, 41.9, -1.51

 

CMYK 30 / 62 / 0 / 42

HEX #673893

RGB 103 56 147

HSL 270.99, 0.45%, 0.4%

LAB 33.6, 38.93, -42.36

 

CMYK 46 / 62 / 0 / 42

HEX #4F3893

RGB 79 56 147

HSL 255.16, 0.45%, 0.4%

LAB 30.87, 33.26, -46.91

 

CMYK 62 / 62 / 0 / 42

HEX #383893

RGB 56 56 147

HSL 240, 0.45%, 0.4%

LAB 28.84, 28.66, -50.3

 

CMYK 30 / 62 / 0 / 42

HEX #673893

RGB 103 56 147

HSL 270.99, 0.45%, 0.4%

LAB 33.6, 38.93, -42.36

 

CMYK 37 / 76 / 0 / 36

HEX #6827A4

RGB 104 39 164

HSL 271.2, 0.62%, 0.4%

LAB 31.98, 51.71, -55.32

 

CMYK 42 / 87 / 0 / 29

HEX #6917B4

RGB 105 23 180

HSL 271.34, 0.77%, 0.4%

LAB 31.6, 61.18, -65.51

 

CMYK 46 / 97 / 0 / 23

HEX #6A06C5

RGB 106 6 197

HSL 271.41, 0.94%, 0.4%

LAB 32.32, 68.32, -74.39

 

CMYK 30 / 62 / 0 / 42

HEX #673893

RGB 103 56 147

HSL 270.99, 0.45%, 0.4%

LAB 33.6, 38.93, -42.36

 

CMYK 21 / 45 / 0 / 49

HEX #674883

RGB 103 72 131

HSL 271.53, 0.29%, 0.4%

LAB 36.28, 25.52, -28.28

 

CMYK 11 / 22 / 0 / 55

HEX #665972

RGB 102 89 114

HSL 271.2, 0.12%, 0.4%

LAB 39.89, 10.55, -12.26

 

CMYK 4 / 0 / 7 / 59

HEX #656962

RGB 101 105 98

HSL 94.29, 0.03%, 0.4%

LAB 43.87, -2.98, 3.39

 

CMYK 17 / 0 / 34 / 52

HEX #657A51

RGB 101 122 81

HSL 90.73, 0.2%, 0.4%

LAB 48.61, -15.63, 20

 

CMYK 62 / 61 / 0 / 42

HEX #383993

RGB 56 57 147

HSL 239.34, 0.45%, 0.4%

LAB 29.09, 28.01, -49.89

 

CMYK 46 / 62 / 0 / 42

HEX #4F3893

RGB 79 56 147

HSL 255.16, 0.45%, 0.4%

LAB 30.87, 33.26, -46.91

 

CMYK 30 / 62 / 0 / 42

HEX #673893

RGB 103 56 147

HSL 270.99, 0.45%, 0.4%

LAB 33.6, 38.93, -42.36

 

CMYK 13 / 62 / 0 / 42

HEX #803893

RGB 128 56 147

HSL 287.47, 0.45%, 0.4%

LAB 36.97, 45.32, -36.78

 

CMYK 0 / 62 / 3 / 42

HEX #93388F

RGB 147 56 143

HSL 302.64, 0.45%, 0.4%

LAB 39.6, 49.59, -30

 

CMYK 31 / 63 / 0 / 65

HEX #3D2158

RGB 61 33 88

HSL 270.55, 0.45%, 0.24%

LAB 19.16, 25.64, -28.23

 

CMYK 30 / 62 / 0 / 54

HEX #522C75

RGB 82 44 117

HSL 271.23, 0.45%, 0.32%

LAB 26.39, 32.61, -35.39

 

CMYK 30 / 62 / 0 / 42

HEX #673893

RGB 103 56 147

HSL 270.99, 0.45%, 0.4%

LAB 33.6, 38.93, -42.36

 

CMYK 29 / 62 / 0 / 31

HEX #7D43B1

RGB 125 67 177

HSL 271.64, 0.45%, 0.48%

LAB 40.49, 45.76, -49.17

 

CMYK 25 / 52 / 0 / 24

HEX #915CC1

RGB 145 92 193

HSL 271.49, 0.45%, 0.56%

LAB 48.91, 41.11, -44.92

 

CMYK 30 / 62 / 0 / 42

HEX #683894

RGB 104 56 148

HSL 271.3, 0.45%, 0.4%

LAB 33.79, 39.43, -42.66

 

CMYK 0 / 62 / 44 / 42

HEX #933852

RGB 147 56 82

HSL 342.86, 0.45%, 0.4%

LAB 37.19, 40.75, 4.41

 

CMYK 62 / 0 / 55 / 42

HEX #389342

RGB 56 147 66

HSL 126.59, 0.45%, 0.4%

LAB 54.13, -44.37, 34.67

 

CMYK 30 / 62 / 0 / 42

HEX #683894

RGB 104 56 148

HSL 271.3, 0.45%, 0.4%

LAB 33.79, 39.43, -42.66

 

CMYK 0 / 30 / 62 / 42

HEX #936738

RGB 147 103 56

HSL 30.99, 0.45%, 0.4%

LAB 47.22, 12.46, 33.16

 

CMYK 62 / 0 / 30 / 42

HEX #389367

RGB 56 147 103

HSL 150.99, 0.45%, 0.4%

LAB 54.75, -37.71, 15.47

 

CMYK 30 / 62 / 0 / 42

HEX #683894

RGB 104 56 148

HSL 271.3, 0.45%, 0.4%

LAB 33.79, 39.43, -42.66

 

CMYK 0 / 62 / 44 / 42

HEX #933852

RGB 147 56 82

HSL 342.86, 0.45%, 0.4%

LAB 37.19, 40.75, 4.41

 

CMYK 32 / 0 / 62 / 42

HEX #649338

RGB 100 147 56

HSL 90.99, 0.45%, 0.4%

LAB 55.95, -31.75, 42.13

 

CMYK 62 / 0 / 18 / 42

HEX #389379

RGB 56 147 121

HSL 162.86, 0.45%, 0.4%

LAB 55.16, -33.48, 5.82

 

CMYK 30 / 62 / 0 / 42

HEX #683894

RGB 104 56 148

HSL 271.3, 0.45%, 0.4%

LAB 33.79, 39.43, -42.66

 

CMYK 0 / 61 / 62 / 42

HEX #933938

RGB 147 57 56

HSL 0.66, 0.45%, 0.4%

LAB 36.77, 37.91, 20.29

 

CMYK 32 / 0 / 62 / 42

HEX #649338

RGB 100 147 56

HSL 90.99, 0.45%, 0.4%

LAB 55.95, -31.75, 42.13

 

CMYK 62 / 1 / 0 / 42

HEX #389293

RGB 56 146 147

HSL 180.66, 0.45%, 0.4%

LAB 55.59, -25.89, -8.48

 

Description

Color code: HEX #683894 | qconv.com Color code: HEX #683894 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 56 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 56 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 62 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 62% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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