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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #683A9F it is the complementary color #97C560. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #683A9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #683A9F shade: #6D3A9A, #7E4CAD, #8F5EC0, #A070D3 and #B182E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #683A9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #683A9F shade: #683A9F, #57288C, #461679, #350466 and #240053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #683A9F shade: #693AA1, #843AA1, #A03AA1, #A13A85 and #A13A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #683A9F shade: #693AA1, #4D3AA1 and #3A3AA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #683A9F shade matches the following richer shades: #693AA1, #6728B2, #6516C4 and #6404D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #683A9F shade: #693AA1, #6A4B8F, #6C5D7D, #6D6F6B and #6F815A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #683A9F shade: #3A42A1, #4D3AA1, #683AA1, #833AA1 and #9F3AA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #683A9F shade: #412464, #552F82, #693AA1, #7D47BC and #9265C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #683A9F shade: #683A9F, #A13A5E and #3AA13F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #683A9F shade: #683A9F, #A1683A and #3AA168

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #683A9F shade: #683A9F, #A13A5E, #72A13A and #3AA17D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #683A9F shade: #683A9F, #A13A3F, #72A13A and #3AA19C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 64 / 0 / 38

HEX #683A9F

RGB 104 58 159

HSL 267.33, 0.47%, 0.43%

LAB 34.95, 41.14, -47.48

 

Complementary color

CMYK 23 / 0 / 51 / 23

HEX #97C560

RGB 151 197 96

HSL 87.33, 0.47%, 0.57%

LAB 74.42, -31.89, 45.38

 

CMYK 29 / 62 / 0 / 40

HEX #6D3A9A

RGB 109 58 154

HSL 271.88, 0.45%, 0.42%

LAB 35.22, 41.07, -43.98

 

CMYK 27 / 56 / 0 / 32

HEX #7E4CAD

RGB 126 76 173

HSL 270.93, 0.39%, 0.49%

LAB 42.19, 40.16, -44.08

 

CMYK 26 / 51 / 0 / 25

HEX #8F5EC0

RGB 143 94 192

HSL 270, 0.44%, 0.56%

LAB 49.07, 39.22, -44.11

 

CMYK 24 / 47 / 0 / 17

HEX #A070D3

RGB 160 112 211

HSL 269.09, 0.53%, 0.63%

LAB 55.85, 38.31, -44.11

 

CMYK 23 / 43 / 0 / 10

HEX #B182E6

RGB 177 130 230

HSL 268.2, 0.67%, 0.71%

LAB 62.53, 37.44, -44.11

 

CMYK 35 / 64 / 0 / 38

HEX #683A9F

RGB 104 58 159

HSL 267.33, 0.47%, 0.43%

LAB 34.95, 41.14, -47.48

 

CMYK 38 / 71 / 0 / 45

HEX #57288C

RGB 87 40 140

HSL 268.2, 0.56%, 0.35%

LAB 27.95, 41.99, -47.29

 

CMYK 42 / 82 / 0 / 53

HEX #461679

RGB 70 22 121

HSL 269.09, 0.69%, 0.28%

LAB 21.04, 42.3, -46.68

 

CMYK 48 / 96 / 0 / 60

HEX #350466

RGB 53 4 102

HSL 270, 0.92%, 0.21%

LAB 14.42, 41.49, -45.31

 

CMYK 57 / 100 / 0 / 67

HEX #240053

RGB 36 0 83

HSL 266.02, 1%, 0.16%

LAB 8.99, 36.68, -41.57

 

CMYK 35 / 64 / 0 / 37

HEX #693AA1

RGB 105 58 161

HSL 267.38, 0.47%, 0.43%

LAB 35.21, 41.89, -48.26

 

CMYK 18 / 64 / 0 / 37

HEX #843AA1

RGB 132 58 161

HSL 283.11, 0.47%, 0.43%

LAB 38.73, 48.32, -42.41

 

CMYK 1 / 64 / 0 / 37

HEX #A03AA1

RGB 160 58 161

HSL 299.42, 0.47%, 0.43%

LAB 42.87, 55.28, -35.58

 

CMYK 0 / 64 / 17 / 37

HEX #A13A85

RGB 161 58 133

HSL 316.31, 0.47%, 0.43%

LAB 41.68, 50.95, -20.49

 

CMYK 0 / 64 / 34 / 37

HEX #A13A6A

RGB 161 58 106

HSL 332.04, 0.47%, 0.43%

LAB 40.64, 47.23, -5.38

 

CMYK 35 / 64 / 0 / 37

HEX #693AA1

RGB 105 58 161

HSL 267.38, 0.47%, 0.43%

LAB 35.21, 41.89, -48.26

 

CMYK 52 / 64 / 0 / 37

HEX #4D3AA1

RGB 77 58 161

HSL 251.07, 0.47%, 0.43%

LAB 32.21, 35.92, -53.26

 

CMYK 64 / 64 / 0 / 37

HEX #3A3AA1

RGB 58 58 161

HSL 240, 0.47%, 0.43%

LAB 30.64, 32.56, -55.89

 

CMYK 35 / 64 / 0 / 37

HEX #693AA1

RGB 105 58 161

HSL 267.38, 0.47%, 0.43%

LAB 35.21, 41.89, -48.26

 

CMYK 42 / 78 / 0 / 30

HEX #6728B2

RGB 103 40 178

HSL 267.39, 0.63%, 0.43%

LAB 33.17, 54.54, -61.77

 

CMYK 48 / 89 / 0 / 23

HEX #6516C4

RGB 101 22 196

HSL 267.24, 0.8%, 0.43%

LAB 32.54, 64.64, -73.46

 

CMYK 53 / 98 / 0 / 16

HEX #6404D6

RGB 100 4 214

HSL 267.43, 0.96%, 0.43%

LAB 33.25, 71.84, -82.78

 

CMYK 35 / 64 / 0 / 37

HEX #693AA1

RGB 105 58 161

HSL 267.38, 0.47%, 0.43%

LAB 35.21, 41.89, -48.26

 

CMYK 26 / 48 / 0 / 44

HEX #6A4B8F

RGB 106 75 143

HSL 267.35, 0.31%, 0.43%

LAB 37.98, 27.65, -32.92

 

CMYK 14 / 26 / 0 / 51

HEX #6C5D7D

RGB 108 93 125

HSL 268.13, 0.15%, 0.43%

LAB 42, 12.81, -15.72

 

CMYK 2 / 0 / 4 / 56

HEX #6D6F6B

RGB 109 111 107

HSL 90, 0.02%, 0.43%

LAB 46.55, -1.58, 1.95

 

CMYK 14 / 0 / 30 / 49

HEX #6F815A

RGB 111 129 90

HSL 87.69, 0.18%, 0.43%

LAB 51.63, -14, 19.04

 

CMYK 64 / 59 / 0 / 37

HEX #3A42A1

RGB 58 66 161

HSL 235.34, 0.47%, 0.43%

LAB 32.63, 27.41, -52.64

 

CMYK 52 / 64 / 0 / 37

HEX #4D3AA1

RGB 77 58 161

HSL 251.07, 0.47%, 0.43%

LAB 32.21, 35.92, -53.26

 

CMYK 35 / 64 / 0 / 37

HEX #683AA1

RGB 104 58 161

HSL 266.8, 0.47%, 0.43%

LAB 35.09, 41.66, -48.46

 

CMYK 19 / 64 / 0 / 37

HEX #833AA1

RGB 131 58 161

HSL 282.52, 0.47%, 0.43%

LAB 38.59, 48.08, -42.64

 

CMYK 1 / 64 / 0 / 37

HEX #9F3AA1

RGB 159 58 161

HSL 298.83, 0.47%, 0.43%

LAB 42.72, 55.03, -35.83

 

CMYK 35 / 64 / 0 / 61

HEX #412464

RGB 65 36 100

HSL 267.19, 0.47%, 0.27%

LAB 21.23, 28.26, -32.82

 

CMYK 35 / 64 / 0 / 49

HEX #552F82

RGB 85 47 130

HSL 267.47, 0.47%, 0.35%

LAB 28.32, 35.11, -40.47

 

CMYK 35 / 64 / 0 / 37

HEX #693AA1

RGB 105 58 161

HSL 267.38, 0.47%, 0.43%

LAB 35.21, 41.89, -48.26

 

CMYK 34 / 62 / 0 / 26

HEX #7D47BC

RGB 125 71 188

HSL 267.69, 0.47%, 0.51%

LAB 42, 46.36, -53.22

 

CMYK 27 / 49 / 0 / 22

HEX #9265C7

RGB 146 101 199

HSL 267.55, 0.47%, 0.59%

LAB 51.32, 37.79, -44.55

 

CMYK 35 / 64 / 0 / 38

HEX #683A9F

RGB 104 58 159

HSL 267.33, 0.47%, 0.43%

LAB 34.95, 41.14, -47.48

 

CMYK 0 / 64 / 42 / 37

HEX #A13A5E

RGB 161 58 94

HSL 339.03, 0.47%, 0.43%

LAB 40.26, 45.84, 1.57

 

CMYK 64 / 0 / 61 / 37

HEX #3AA13F

RGB 58 161 63

HSL 122.91, 0.47%, 0.43%

LAB 58.74, -49.65, 41.57

 

CMYK 35 / 64 / 0 / 38

HEX #683A9F

RGB 104 58 159

HSL 267.33, 0.47%, 0.43%

LAB 34.95, 41.14, -47.48

 

CMYK 0 / 35 / 64 / 37

HEX #A1683A

RGB 161 104 58

HSL 26.8, 0.47%, 0.43%

LAB 49.23, 18.25, 34.87

 

CMYK 64 / 0 / 35 / 37

HEX #3AA168

RGB 58 161 104

HSL 146.8, 0.47%, 0.43%

LAB 59.33, -43.06, 21.17

 

CMYK 35 / 64 / 0 / 38

HEX #683A9F

RGB 104 58 159

HSL 267.33, 0.47%, 0.43%

LAB 34.95, 41.14, -47.48

 

CMYK 0 / 64 / 42 / 37

HEX #A13A5E

RGB 161 58 94

HSL 339.03, 0.47%, 0.43%

LAB 40.26, 45.84, 1.57

 

CMYK 29 / 0 / 64 / 37

HEX #72A13A

RGB 114 161 58

HSL 87.38, 0.47%, 0.43%

LAB 61.11, -32.77, 47.15

 

CMYK 64 / 0 / 22 / 37

HEX #3AA17D

RGB 58 161 125

HSL 159.03, 0.47%, 0.43%

LAB 59.77, -38.45, 10.13

 

CMYK 35 / 64 / 0 / 38

HEX #683A9F

RGB 104 58 159

HSL 267.33, 0.47%, 0.43%

LAB 34.95, 41.14, -47.48

 

CMYK 0 / 64 / 61 / 37

HEX #A13A3F

RGB 161 58 63

HSL 357.09, 0.47%, 0.43%

LAB 39.52, 43.01, 19.96

 

CMYK 29 / 0 / 64 / 37

HEX #72A13A

RGB 114 161 58

HSL 87.38, 0.47%, 0.43%

LAB 61.11, -32.77, 47.15

 

CMYK 64 / 0 / 3 / 37

HEX #3AA19C

RGB 58 161 156

HSL 177.09, 0.47%, 0.43%

LAB 60.6, -30.35, -6.14

 

Description

Color code: HEX #683A9F | qconv.com Color code: HEX #683A9F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 58 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 58 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 64 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 64% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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