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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #683AB9 it is the complementary color #97C546. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #683AB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #683AB9 shade: #6D3AB4, #7E4CC7, #8F5EDA, #A070ED and #B182FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #683AB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #683AB9 shade: #683AB9, #5728A6, #461693, #350480 and #24006D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #683AB9 shade: #683ABA, #8B3ABA, #AD3ABA, #BA3AA4 and #BA3A81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #683AB9 shade: #683ABA, #463ABA and #3A3ABA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #683AB9 shade matches the following richer shades: #683ABA, #6326CD and #5D13E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #683AB9 shade: #683ABA, #6E4EA6, #736292, #79767E and #7E896A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #683AB9 shade: #3A52BA, #453ABA, #673ABA, #893ABA and #AB3ABA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #683AB9 shade: #45267B, #57309A, #683ABA, #7E54C9 and #9674D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #683AB9 shade: #683AB9, #BA3A74 and #41BA3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #683AB9 shade: #683AB9, #BA673A and #3ABA67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #683AB9 shade: #683AB9, #BA3A74, #8DBA3A and #3ABA80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #683AB9 shade: #683AB9, #BA3A4D, #8DBA3A and #3ABAA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 69 / 0 / 27

HEX #683AB9

RGB 104 58 185

HSL 261.73, 0.52%, 0.48%

LAB 36.88, 48.04, -59.86

 

Complementary color

CMYK 23 / 0 / 64 / 23

HEX #97C546

RGB 151 197 70

HSL 81.73, 0.52%, 0.52%

LAB 74.16, -34.26, 56.78

 

CMYK 39 / 68 / 0 / 29

HEX #6D3AB4

RGB 109 58 180

HSL 265.08, 0.51%, 0.47%

LAB 37.06, 47.69, -56.58

 

CMYK 37 / 62 / 0 / 22

HEX #7E4CC7

RGB 126 76 199

HSL 264.39, 0.52%, 0.54%

LAB 43.84, 46.71, -56.64

 

CMYK 34 / 57 / 0 / 15

HEX #8F5EDA

RGB 143 94 218

HSL 263.71, 0.63%, 0.61%

LAB 50.58, 45.66, -56.59

 

CMYK 32 / 53 / 0 / 7

HEX #A070ED

RGB 160 112 237

HSL 263.04, 0.78%, 0.68%

LAB 57.25, 44.62, -56.49

 

CMYK 31 / 49 / 0 / 0

HEX #B182FF

RGB 177 130 255

HSL 262.56, 1%, 0.75%

LAB 63.78, 43.39, -55.92

 

CMYK 44 / 69 / 0 / 27

HEX #683AB9

RGB 104 58 185

HSL 261.73, 0.52%, 0.48%

LAB 36.88, 48.04, -59.86

 

CMYK 48 / 76 / 0 / 35

HEX #5728A6

RGB 87 40 166

HSL 262.38, 0.61%, 0.4%

LAB 30.15, 48.89, -59.6

 

CMYK 52 / 85 / 0 / 42

HEX #461693

RGB 70 22 147

HSL 263.04, 0.74%, 0.33%

LAB 23.61, 49.1, -58.8

 

CMYK 59 / 97 / 0 / 50

HEX #350480

RGB 53 4 128

HSL 263.71, 0.94%, 0.26%

LAB 17.47, 48.04, -57.11

 

CMYK 67 / 100 / 0 / 57

HEX #24006D

RGB 36 0 109

HSL 259.82, 1%, 0.21%

LAB 12.48, 43.42, -53.2

 

CMYK 44 / 69 / 0 / 27

HEX #683ABA

RGB 104 58 186

HSL 261.56, 0.52%, 0.48%

LAB 36.96, 48.3, -60.32

 

CMYK 25 / 69 / 0 / 27

HEX #8B3ABA

RGB 139 58 186

HSL 277.97, 0.52%, 0.48%

LAB 41.31, 55.35, -53.06

 

CMYK 7 / 69 / 0 / 27

HEX #AD3ABA

RGB 173 58 186

HSL 293.91, 0.52%, 0.48%

LAB 46.25, 62.81, -44.87

 

CMYK 0 / 69 / 12 / 27

HEX #BA3AA4

RGB 186 58 164

HSL 310.31, 0.52%, 0.48%

LAB 47.16, 62.26, -30.33

 

CMYK 0 / 69 / 31 / 27

HEX #BA3A81

RGB 186 58 129

HSL 326.72, 0.52%, 0.48%

LAB 45.7, 57.47, -11.54

 

CMYK 44 / 69 / 0 / 27

HEX #683ABA

RGB 104 58 186

HSL 261.56, 0.52%, 0.48%

LAB 36.96, 48.3, -60.32

 

CMYK 62 / 69 / 0 / 27

HEX #463ABA

RGB 70 58 186

HSL 245.63, 0.52%, 0.48%

LAB 33.72, 42.66, -65.74

 

CMYK 69 / 69 / 0 / 27

HEX #3A3ABA

RGB 58 58 186

HSL 240, 0.52%, 0.48%

LAB 32.86, 41.09, -67.19

 

CMYK 44 / 69 / 0 / 27

HEX #683ABA

RGB 104 58 186

HSL 261.56, 0.52%, 0.48%

LAB 36.96, 48.3, -60.32

 

CMYK 52 / 81 / 0 / 20

HEX #6326CD

RGB 99 38 205

HSL 261.92, 0.69%, 0.48%

LAB 34.9, 61.55, -74.84

 

CMYK 59 / 92 / 0 / 12

HEX #5D13E1

RGB 93 19 225

HSL 261.55, 0.84%, 0.48%

LAB 34.46, 71.44, -87.13

 

CMYK 44 / 69 / 0 / 27

HEX #683ABA

RGB 104 58 186

HSL 261.56, 0.52%, 0.48%

LAB 36.96, 48.3, -60.32

 

CMYK 34 / 53 / 0 / 35

HEX #6E4EA6

RGB 110 78 166

HSL 261.82, 0.36%, 0.48%

LAB 40.44, 33.03, -42.83

 

CMYK 21 / 33 / 0 / 43

HEX #736292

RGB 115 98 146

HSL 261.25, 0.2%, 0.48%

LAB 44.88, 17.22, -23.87

 

CMYK 4 / 6 / 0 / 51

HEX #79767E

RGB 121 118 126

HSL 262.5, 0.03%, 0.48%

LAB 50.13, 2.77, -3.98

 

CMYK 8 / 0 / 23 / 46

HEX #7E896A

RGB 126 137 106

HSL 81.29, 0.13%, 0.48%

LAB 55.45, -9.83, 15.32

 

CMYK 69 / 56 / 0 / 27

HEX #3A52BA

RGB 58 82 186

HSL 228.75, 0.52%, 0.48%

LAB 38.69, 25.95, -57.67

 

CMYK 63 / 69 / 0 / 27

HEX #453ABA

RGB 69 58 186

HSL 245.16, 0.52%, 0.48%

LAB 33.64, 42.52, -65.88

 

CMYK 45 / 69 / 0 / 27

HEX #673ABA

RGB 103 58 186

HSL 261.09, 0.52%, 0.48%

LAB 36.85, 48.12, -60.5

 

CMYK 26 / 69 / 0 / 27

HEX #893ABA

RGB 137 58 186

HSL 277.03, 0.52%, 0.48%

LAB 41.04, 54.93, -53.51

 

CMYK 8 / 69 / 0 / 27

HEX #AB3ABA

RGB 171 58 186

HSL 292.97, 0.52%, 0.48%

LAB 45.95, 62.36, -45.37

 

CMYK 44 / 69 / 0 / 52

HEX #45267B

RGB 69 38 123

HSL 261.88, 0.53%, 0.32%

LAB 23.94, 34.63, -43.24

 

CMYK 44 / 69 / 0 / 40

HEX #57309A

RGB 87 48 154

HSL 262.08, 0.52%, 0.4%

LAB 30.58, 41.57, -51.62

 

CMYK 44 / 69 / 0 / 27

HEX #683ABA

RGB 104 58 186

HSL 261.56, 0.52%, 0.48%

LAB 36.96, 48.3, -60.32

 

CMYK 37 / 58 / 0 / 21

HEX #7E54C9

RGB 126 84 201

HSL 261.54, 0.52%, 0.56%

LAB 45.63, 42.84, -54.92

 

CMYK 29 / 45 / 0 / 17

HEX #9674D3

RGB 150 116 211

HSL 261.47, 0.52%, 0.64%

LAB 55.76, 33.29, -44.31

 

CMYK 44 / 69 / 0 / 27

HEX #683AB9

RGB 104 58 185

HSL 261.73, 0.52%, 0.48%

LAB 36.88, 48.04, -59.86

 

CMYK 0 / 69 / 38 / 27

HEX #BA3A74

RGB 186 58 116

HSL 332.81, 0.52%, 0.48%

LAB 45.26, 55.96, -4.26

 

CMYK 65 / 0 / 69 / 27

HEX #41BA3A

RGB 65 186 58

HSL 116.72, 0.52%, 0.48%

LAB 66.94, -57.62, 52.83

 

CMYK 44 / 69 / 0 / 27

HEX #683AB9

RGB 104 58 185

HSL 261.73, 0.52%, 0.48%

LAB 36.88, 48.04, -59.86

 

CMYK 0 / 45 / 69 / 27

HEX #BA673A

RGB 186 103 58

HSL 21.09, 0.52%, 0.48%

LAB 52.34, 29.45, 39.31

 

CMYK 69 / 0 / 45 / 27

HEX #3ABA67

RGB 58 186 103

HSL 141.09, 0.52%, 0.48%

LAB 67.27, -53.1, 32.16

 

CMYK 44 / 69 / 0 / 27

HEX #683AB9

RGB 104 58 185

HSL 261.73, 0.52%, 0.48%

LAB 36.88, 48.04, -59.86

 

CMYK 0 / 69 / 38 / 27

HEX #BA3A74

RGB 186 58 116

HSL 332.81, 0.52%, 0.48%

LAB 45.26, 55.96, -4.26

 

CMYK 24 / 0 / 69 / 27

HEX #8DBA3A

RGB 141 186 58

HSL 81.09, 0.52%, 0.48%

LAB 70.24, -33.92, 57.29

 

CMYK 69 / 0 / 31 / 27

HEX #3ABA80

RGB 58 186 128

HSL 152.81, 0.52%, 0.48%

LAB 67.71, -48.33, 19.53

 

CMYK 44 / 69 / 0 / 27

HEX #683AB9

RGB 104 58 185

HSL 261.73, 0.52%, 0.48%

LAB 36.88, 48.04, -59.86

 

CMYK 0 / 69 / 59 / 27

HEX #BA3A4D

RGB 186 58 77

HSL 351.09, 0.52%, 0.48%

LAB 44.23, 52.41, 18.36

 

CMYK 24 / 0 / 69 / 27

HEX #8DBA3A

RGB 141 186 58

HSL 81.09, 0.52%, 0.48%

LAB 70.24, -33.92, 57.29

 

CMYK 69 / 0 / 11 / 27

HEX #3ABAA6

RGB 58 186 166

HSL 170.63, 0.52%, 0.48%

LAB 68.58, -39.24, 0.04

 

Description

Color code: HEX #683AB9 | qconv.com Color code: HEX #683AB9 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 58 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 58 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 69 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 69% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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