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Color name
HEX #683C0C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #683C0C it is the complementary color #97C3F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #683C0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #683C0C shade: #6D3C07, #7E4E1A, #8F602D, #A07240 and #B18453

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #683C0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #683C0C shade: #683C0C, #572A00, #461800, #350600 and #240000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #683C0C shade: #683C0C, #68230C and #680C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #683C0C shade: #683C0C, #68550C, #63680C, #4A680C and #31680C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #683C0C shade matches the following richer shades: #683C0C and #723D02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #683C0C shade: #683C0C, #5F3C15, #563B1F, #4C3B28 and #433B32

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #683C0C shade: #680C0D, #68230C, #683C0C, #68540C and #64680C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #683C0C shade: #1F1103, #442707, #683C0C, #8D5110 and #B26714

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #683C0C shade: #683C0C, #26680C and #170C68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #683C0C shade: #683C0C, #0C683C and #3C0C68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #683C0C shade: #683C0C, #26680C, #0C3968 and #4E0C68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #683C0C shade: #683C0C, #0C680D, #0C3968 and #680C67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 88 / 59

HEX #683C0C

RGB 104 60 12

HSL 31.3, 0.79%, 0.23%

LAB 29.91, 15.51, 35.22

 

Complementary color

CMYK 38 / 20 / 0 / 5

HEX #97C3F3

RGB 151 195 243

HSL 211.3, 0.79%, 0.77%

LAB 77.33, -2.85, -28.37

 

CMYK 0 / 45 / 94 / 57

HEX #6D3C07

RGB 109 60 7

HSL 31.18, 0.88%, 0.23%

LAB 30.64, 17.75, 38.03

 

CMYK 0 / 38 / 79 / 51

HEX #7E4E1A

RGB 126 78 26

HSL 31.2, 0.66%, 0.3%

LAB 37.77, 15.65, 37.48

 

CMYK 0 / 33 / 69 / 44

HEX #8F602D

RGB 143 96 45

HSL 31.22, 0.52%, 0.37%

LAB 44.79, 13.94, 36.09

 

CMYK 0 / 29 / 60 / 37

HEX #A07240

RGB 160 114 64

HSL 31.25, 0.43%, 0.44%

LAB 51.7, 12.56, 34.53

 

CMYK 0 / 25 / 53 / 31

HEX #B18453

RGB 177 132 83

HSL 31.28, 0.38%, 0.51%

LAB 58.48, 11.42, 33.01

 

CMYK 0 / 42 / 88 / 59

HEX #683C0C

RGB 104 60 12

HSL 31.3, 0.79%, 0.23%

LAB 29.91, 15.51, 35.22

 

CMYK 0 / 52 / 100 / 66

HEX #572A00

RGB 87 42 0

HSL 28.97, 1%, 0.17%

LAB 22.59, 17.94, 32.37

 

CMYK 0 / 66 / 100 / 73

HEX #461800

RGB 70 24 0

HSL 20.57, 1%, 0.14%

LAB 15.25, 20.68, 23.05

 

CMYK 0 / 89 / 100 / 79

HEX #350600

RGB 53 6 0

HSL 6.79, 1%, 0.1%

LAB 8.01, 22.83, 12.52

 

CMYK 0 / 100 / 100 / 86

HEX #240000

RGB 36 0 0

HSL 0, 1%, 0.07%

LAB 3.39, 15.2, 5.35

 

CMYK 0 / 42 / 88 / 59

HEX #683C0C

RGB 104 60 12

HSL 31.3, 0.79%, 0.23%

LAB 29.91, 15.51, 35.22

 

CMYK 0 / 66 / 88 / 59

HEX #68230C

RGB 104 35 12

HSL 15, 0.79%, 0.23%

LAB 24.23, 29.75, 30.09

 

CMYK 0 / 88 / 88 / 59

HEX #680C0C

RGB 104 12 12

HSL 0, 0.79%, 0.23%

LAB 20.95, 38.77, 26.68

 

CMYK 0 / 42 / 88 / 59

HEX #683C0C

RGB 104 60 12

HSL 31.3, 0.79%, 0.23%

LAB 29.91, 15.51, 35.22

 

CMYK 0 / 18 / 88 / 59

HEX #68550C

RGB 104 85 12

HSL 47.61, 0.79%, 0.23%

LAB 36.87, 0.22, 41.17

 

CMYK 5 / 0 / 88 / 59

HEX #63680C

RGB 99 104 12

HSL 63.26, 0.79%, 0.23%

LAB 42.12, -13.22, 45.41

 

CMYK 29 / 0 / 88 / 59

HEX #4A680C

RGB 74 104 12

HSL 79.57, 0.79%, 0.23%

LAB 40.22, -24.66, 43.02

 

CMYK 53 / 0 / 88 / 59

HEX #31680C

RGB 49 104 12

HSL 95.87, 0.79%, 0.23%

LAB 38.86, -34.31, 41.31

 

CMYK 0 / 42 / 88 / 59

HEX #683C0C

RGB 104 60 12

HSL 31.3, 0.79%, 0.23%

LAB 29.91, 15.51, 35.22

 

CMYK 0 / 46 / 98 / 55

HEX #723D02

RGB 114 61 2

HSL 31.61, 0.97%, 0.23%

LAB 31.62, 19.37, 41.09

 

CMYK 0 / 42 / 88 / 59

HEX #683C0C

RGB 104 60 12

HSL 31.3, 0.79%, 0.23%

LAB 29.91, 15.51, 35.22

 

CMYK 0 / 37 / 78 / 63

HEX #5F3C15

RGB 95 60 21

HSL 31.62, 0.64%, 0.23%

LAB 28.69, 11.52, 29.41

 

CMYK 0 / 31 / 64 / 66

HEX #563B1F

RGB 86 59 31

HSL 30.55, 0.47%, 0.23%

LAB 27.31, 8.44, 21.88

 

CMYK 0 / 22 / 47 / 70

HEX #4C3B28

RGB 76 59 40

HSL 31.67, 0.31%, 0.23%

LAB 26.21, 4.5, 14.61

 

CMYK 0 / 12 / 25 / 74

HEX #433B32

RGB 67 59 50

HSL 31.76, 0.15%, 0.23%

LAB 25.42, 1.75, 6.85

 

CMYK 0 / 88 / 88 / 59

HEX #680C0D

RGB 104 12 13

HSL 359.35, 0.79%, 0.23%

LAB 20.96, 38.8, 26.22

 

CMYK 0 / 66 / 88 / 59

HEX #68230C

RGB 104 35 12

HSL 15, 0.79%, 0.23%

LAB 24.23, 29.75, 30.09

 

CMYK 0 / 42 / 88 / 59

HEX #683C0C

RGB 104 60 12

HSL 31.3, 0.79%, 0.23%

LAB 29.91, 15.51, 35.22

 

CMYK 0 / 19 / 88 / 59

HEX #68540C

RGB 104 84 12

HSL 46.96, 0.79%, 0.23%

LAB 36.57, 0.82, 40.92

 

CMYK 4 / 0 / 88 / 59

HEX #64680C

RGB 100 104 12

HSL 62.61, 0.79%, 0.23%

LAB 42.21, -12.74, 45.52

 

CMYK 0 / 45 / 90 / 88

HEX #1F1103

RGB 31 17 3

HSL 30, 0.82%, 0.07%

LAB 6.31, 4.83, 8.31

 

CMYK 0 / 43 / 90 / 73

HEX #442707

RGB 68 39 7

HSL 31.48, 0.81%, 0.15%

LAB 18.78, 10.65, 24.44

 

CMYK 0 / 42 / 88 / 59

HEX #683C0C

RGB 104 60 12

HSL 31.3, 0.79%, 0.23%

LAB 29.91, 15.51, 35.22

 

CMYK 0 / 43 / 89 / 45

HEX #8D5110

RGB 141 81 16

HSL 31.2, 0.8%, 0.31%

LAB 40.55, 20.44, 44.84

 

CMYK 0 / 42 / 89 / 30

HEX #B26714

RGB 178 103 20

HSL 31.52, 0.8%, 0.39%

LAB 50.94, 24.56, 54.07

 

CMYK 0 / 42 / 88 / 59

HEX #683C0C

RGB 104 60 12

HSL 31.3, 0.79%, 0.23%

LAB 29.91, 15.51, 35.22

 

CMYK 63 / 0 / 88 / 59

HEX #26680C

RGB 38 104 12

HSL 103.04, 0.79%, 0.23%

LAB 38.44, -37.64, 40.78

 

CMYK 78 / 88 / 0 / 59

HEX #170C68

RGB 23 12 104

HSL 247.17, 0.79%, 0.23%

LAB 12.25, 35.95, -50.32

 

CMYK 0 / 42 / 88 / 59

HEX #683C0C

RGB 104 60 12

HSL 31.3, 0.79%, 0.23%

LAB 29.91, 15.51, 35.22

 

CMYK 88 / 0 / 42 / 59

HEX #0C683C

RGB 12 104 60

HSL 151.3, 0.79%, 0.23%

LAB 38.38, -36.25, 17.86

 

CMYK 42 / 88 / 0 / 59

HEX #3C0C68

RGB 60 12 104

HSL 271.3, 0.79%, 0.23%

LAB 16.62, 40.21, -42.97

 

CMYK 0 / 42 / 88 / 59

HEX #683C0C

RGB 104 60 12

HSL 31.3, 0.79%, 0.23%

LAB 29.91, 15.51, 35.22

 

CMYK 63 / 0 / 88 / 59

HEX #26680C

RGB 38 104 12

HSL 103.04, 0.79%, 0.23%

LAB 38.44, -37.64, 40.78

 

CMYK 88 / 45 / 0 / 59

HEX #0C3968

RGB 12 57 104

HSL 210.65, 0.79%, 0.23%

LAB 23.68, 4.49, -31.68

 

CMYK 25 / 88 / 0 / 59

HEX #4E0C68

RGB 78 12 104

HSL 283.04, 0.79%, 0.23%

LAB 19.57, 43.23, -38.04

 

CMYK 0 / 42 / 88 / 59

HEX #683C0C

RGB 104 60 12

HSL 31.3, 0.79%, 0.23%

LAB 29.91, 15.51, 35.22

 

CMYK 88 / 0 / 88 / 59

HEX #0C680D

RGB 12 104 13

HSL 120.65, 0.79%, 0.23%

LAB 37.86, -42.64, 39.74

 

CMYK 88 / 45 / 0 / 59

HEX #0C3968

RGB 12 57 104

HSL 210.65, 0.79%, 0.23%

LAB 23.68, 4.49, -31.68

 

CMYK 0 / 88 / 1 / 59

HEX #680C67

RGB 104 12 103

HSL 300.65, 0.79%, 0.23%

LAB 24.27, 48.13, -29.55

 

Description

Color code: HEX #683C0C | qconv.com Color code: HEX #683C0C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 60 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 60 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 88 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 88% 59% C M Y K

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Provide designers and agencies with accurate color values.

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