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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #683FAE it is the complementary color #97C051. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #683FAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #683FAE shade: #6D3FA9, #7E51BC, #8F63CF, #A075E2 and #B187F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #683FAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #683FAE shade: #683FAE, #572D9B, #461B88, #350975 and #240062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #683FAE shade: #663EAC, #843EAC, #A23EAC, #AC3E98 and #AC3E7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #683FAE shade: #663EAC, #493EAC and #3E3EAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #683FAE shade matches the following richer shades: #663EAC, #612BBF, #5C18D2 and #5805E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #683FAE shade: #663EAC, #6B5199, #706486, #757773 and #7A8A60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #683FAE shade: #3E50AC, #493EAC, #663EAC, #843EAC and #A13EAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #683FAE shade: #42286F, #54338E, #663EAC, #7B52C0 and #9271CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #683FAE shade: #683FAE, #AC3E6D and #41AC3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #683FAE shade: #683FAE, #AC663E and #3EAC66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #683FAE shade: #683FAE, #AC3E6D, #84AC3E and #3EAC7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #683FAE shade: #683FAE, #AC3E4C, #84AC3E and #3EAC9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 64 / 0 / 32

HEX #683FAE

RGB 104 63 174

HSL 262.16, 0.47%, 0.46%

LAB 37.03, 42.38, -53.1

 

Complementary color

CMYK 21 / 0 / 58 / 25

HEX #97C051

RGB 151 192 81

HSL 82.16, 0.47%, 0.54%

LAB 72.81, -31.03, 50.51

 

CMYK 36 / 63 / 0 / 34

HEX #6D3FA9

RGB 109 63 169

HSL 266.04, 0.46%, 0.45%

LAB 37.24, 42.16, -49.75

 

CMYK 33 / 57 / 0 / 26

HEX #7E51BC

RGB 126 81 188

HSL 265.23, 0.44%, 0.53%

LAB 44.16, 41.13, -49.73

 

CMYK 31 / 52 / 0 / 19

HEX #8F63CF

RGB 143 99 207

HSL 264.44, 0.53%, 0.6%

LAB 51, 40.1, -49.65

 

CMYK 29 / 48 / 0 / 11

HEX #A075E2

RGB 160 117 226

HSL 263.67, 0.65%, 0.67%

LAB 57.74, 39.12, -49.56

 

CMYK 28 / 45 / 0 / 4

HEX #B187F5

RGB 177 135 245

HSL 262.91, 0.85%, 0.75%

LAB 64.38, 38.21, -49.48

 

CMYK 40 / 64 / 0 / 32

HEX #683FAE

RGB 104 63 174

HSL 262.16, 0.47%, 0.46%

LAB 37.03, 42.38, -53.1

 

CMYK 44 / 71 / 0 / 39

HEX #572D9B

RGB 87 45 155

HSL 262.91, 0.55%, 0.39%

LAB 30.08, 43.43, -53.04

 

CMYK 49 / 80 / 0 / 47

HEX #461B88

RGB 70 27 136

HSL 263.67, 0.67%, 0.32%

LAB 23.22, 44.1, -52.61

 

CMYK 55 / 92 / 0 / 54

HEX #350975

RGB 53 9 117

HSL 264.44, 0.86%, 0.25%

LAB 16.68, 43.64, -51.36

 

CMYK 63 / 100 / 0 / 62

HEX #240062

RGB 36 0 98

HSL 262.04, 1%, 0.19%

LAB 10.97, 40.56, -48.43

 

CMYK 41 / 64 / 0 / 33

HEX #663EAC

RGB 102 62 172

HSL 261.82, 0.47%, 0.46%

LAB 36.46, 41.96, -52.84

 

CMYK 23 / 64 / 0 / 33

HEX #843EAC

RGB 132 62 172

HSL 278.18, 0.47%, 0.46%

LAB 40.13, 48.79, -46.74

 

CMYK 6 / 64 / 0 / 33

HEX #A23EAC

RGB 162 62 172

HSL 294.55, 0.47%, 0.46%

LAB 44.38, 56.06, -39.71

 

CMYK 0 / 64 / 12 / 33

HEX #AC3E98

RGB 172 62 152

HSL 310.91, 0.47%, 0.46%

LAB 44.92, 55.21, -26.85

 

CMYK 0 / 64 / 28 / 33

HEX #AC3E7B

RGB 172 62 123

HSL 326.73, 0.47%, 0.46%

LAB 43.72, 51.02, -11.09

 

CMYK 41 / 64 / 0 / 33

HEX #663EAC

RGB 102 62 172

HSL 261.82, 0.47%, 0.46%

LAB 36.46, 41.96, -52.84

 

CMYK 58 / 64 / 0 / 33

HEX #493EAC

RGB 73 62 172

HSL 246, 0.47%, 0.46%

LAB 33.65, 36.25, -57.54

 

CMYK 64 / 64 / 0 / 33

HEX #3E3EAC

RGB 62 62 172

HSL 240, 0.47%, 0.46%

LAB 32.81, 34.44, -58.95

 

CMYK 41 / 64 / 0 / 33

HEX #663EAC

RGB 102 62 172

HSL 261.82, 0.47%, 0.46%

LAB 36.46, 41.96, -52.84

 

CMYK 49 / 77 / 0 / 25

HEX #612BBF

RGB 97 43 191

HSL 261.89, 0.63%, 0.46%

LAB 34.05, 55.66, -68.05

 

CMYK 56 / 89 / 0 / 18

HEX #5C18D2

RGB 92 24 210

HSL 261.94, 0.79%, 0.46%

LAB 33.1, 66.59, -80.74

 

CMYK 62 / 98 / 0 / 10

HEX #5805E5

RGB 88 5 229

HSL 262.23, 0.96%, 0.46%

LAB 33.65, 74.3, -90.78

 

CMYK 41 / 64 / 0 / 33

HEX #663EAC

RGB 102 62 172

HSL 261.82, 0.47%, 0.46%

LAB 36.46, 41.96, -52.84

 

CMYK 30 / 47 / 0 / 40

HEX #6B5199

RGB 107 81 153

HSL 261.67, 0.31%, 0.46%

LAB 40.1, 26.92, -35.61

 

CMYK 16 / 25 / 0 / 47

HEX #706486

RGB 112 100 134

HSL 261.18, 0.15%, 0.46%

LAB 44.63, 12.07, -17.09

 

CMYK 2 / 0 / 3 / 53

HEX #757773

RGB 117 119 115

HSL 90, 0.02%, 0.46%

LAB 49.75, -1.56, 1.93

 

CMYK 12 / 0 / 30 / 46

HEX #7A8A60

RGB 122 138 96

HSL 82.86, 0.18%, 0.46%

LAB 55.24, -13.54, 20.63

 

CMYK 64 / 53 / 0 / 33

HEX #3E50AC

RGB 62 80 172

HSL 230.18, 0.47%, 0.46%

LAB 37.37, 22.87, -51.53

 

CMYK 58 / 64 / 0 / 33

HEX #493EAC

RGB 73 62 172

HSL 246, 0.47%, 0.46%

LAB 33.65, 36.25, -57.54

 

CMYK 41 / 64 / 0 / 33

HEX #663EAC

RGB 102 62 172

HSL 261.82, 0.47%, 0.46%

LAB 36.46, 41.96, -52.84

 

CMYK 23 / 64 / 0 / 33

HEX #843EAC

RGB 132 62 172

HSL 278.18, 0.47%, 0.46%

LAB 40.13, 48.79, -46.74

 

CMYK 6 / 64 / 0 / 33

HEX #A13EAC

RGB 161 62 172

HSL 294, 0.47%, 0.46%

LAB 44.23, 55.81, -39.95

 

CMYK 41 / 64 / 0 / 56

HEX #42286F

RGB 66 40 111

HSL 261.97, 0.47%, 0.3%

LAB 23.08, 29.25, -36.98

 

CMYK 41 / 64 / 0 / 44

HEX #54338E

RGB 84 51 142

HSL 261.76, 0.47%, 0.38%

LAB 29.93, 35.89, -45.34

 

CMYK 41 / 64 / 0 / 33

HEX #663EAC

RGB 102 62 172

HSL 261.82, 0.47%, 0.46%

LAB 36.46, 41.96, -52.84

 

CMYK 36 / 57 / 0 / 25

HEX #7B52C0

RGB 123 82 192

HSL 262.36, 0.47%, 0.54%

LAB 44.31, 40.88, -51.84

 

CMYK 28 / 44 / 0 / 20

HEX #9271CB

RGB 146 113 203

HSL 262, 0.46%, 0.62%

LAB 54.27, 31.91, -42.16

 

CMYK 40 / 64 / 0 / 32

HEX #683FAE

RGB 104 63 174

HSL 262.16, 0.47%, 0.46%

LAB 37.03, 42.38, -53.1

 

CMYK 0 / 64 / 37 / 33

HEX #AC3E6D

RGB 172 62 109

HSL 334.36, 0.47%, 0.46%

LAB 43.24, 49.28, -3.19

 

CMYK 62 / 0 / 64 / 33

HEX #41AC3E

RGB 65 172 62

HSL 118.36, 0.47%, 0.46%

LAB 62.49, -52.23, 46.31

 

CMYK 40 / 64 / 0 / 32

HEX #683FAE

RGB 104 63 174

HSL 262.16, 0.47%, 0.46%

LAB 37.03, 42.38, -53.1

 

CMYK 0 / 41 / 64 / 33

HEX #AC663E

RGB 172 102 62

HSL 21.82, 0.47%, 0.46%

LAB 50.24, 24.4, 34.25

 

CMYK 64 / 0 / 41 / 33

HEX #3EAC66

RGB 62 172 102

HSL 141.82, 0.47%, 0.46%

LAB 62.92, -47.11, 27.04

 

CMYK 40 / 64 / 0 / 32

HEX #683FAE

RGB 104 63 174

HSL 262.16, 0.47%, 0.46%

LAB 37.03, 42.38, -53.1

 

CMYK 0 / 64 / 37 / 33

HEX #AC3E6D

RGB 172 62 109

HSL 334.36, 0.47%, 0.46%

LAB 43.24, 49.28, -3.19

 

CMYK 23 / 0 / 64 / 33

HEX #84AC3E

RGB 132 172 62

HSL 81.82, 0.47%, 0.46%

LAB 65.56, -30.61, 50.56

 

CMYK 64 / 0 / 28 / 33

HEX #3EAC7C

RGB 62 172 124

HSL 153.82, 0.47%, 0.46%

LAB 63.33, -42.69, 15.68

 

CMYK 40 / 64 / 0 / 32

HEX #683FAE

RGB 104 63 174

HSL 262.16, 0.47%, 0.46%

LAB 37.03, 42.38, -53.1

 

CMYK 0 / 64 / 56 / 33

HEX #AC3E4C

RGB 172 62 76

HSL 352.36, 0.47%, 0.46%

LAB 42.37, 46.02, 16.03

 

CMYK 23 / 0 / 64 / 33

HEX #84AC3E

RGB 132 172 62

HSL 81.82, 0.47%, 0.46%

LAB 65.56, -30.61, 50.56

 

CMYK 64 / 0 / 9 / 33

HEX #3EAC9D

RGB 62 172 157

HSL 171.82, 0.47%, 0.46%

LAB 64.13, -34.61, -1.48

 

Description

Color code: HEX #683FAE | qconv.com Color code: HEX #683FAE | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 63 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 63 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 64 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 64% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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