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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #683FDE it is the complementary color #97C021. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #683FDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #683FDE shade: #6D3FD9, #7E51EC, #8F63FF, #A075FF and #B187FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #683FDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #683FDE shade: #683FDE, #572DCB, #461BB8, #3509A5 and #240092

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #683FDE shade: #683FDE, #933FDE, #BE3FDE, #DE3FD3 and #DE3FA8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #683FDE shade: #683FDE and #3F3FDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #683FDE shade matches the following richer shades: #683FDE and #5F2CF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #683FDE shade: #683FDE, #7151CC, #7963BA, #8275A8 and #8B8795

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #683FDE shade: #3F6CDE, #3F41DE, #663FDE, #913FDE and #BB3FDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #683FDE shade: #421DAD, #5023D0, #683FDE, #8362E4 and #9F85EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #683FDE shade: #683FDE, #DE3F96 and #57DE3F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #683FDE shade: #683FDE, #DE663F and #3FDE66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #683FDE shade: #683FDE, #DE3F96, #B6DE3F and #3FDE86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #683FDE shade: #683FDE, #DE3F66, #B6DE3F and #3FDEB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 72 / 0 / 13

HEX #683FDE

RGB 104 63 222

HSL 255.47, 0.71%, 0.56%

LAB 40.85, 55.64, -74.83

 

Complementary color

CMYK 21 / 0 / 83 / 25

HEX #97C021

RGB 151 192 33

HSL 75.47, 0.71%, 0.44%

LAB 72.49, -33.99, 67.67

 

CMYK 50 / 71 / 0 / 15

HEX #6D3FD9

RGB 109 63 217

HSL 257.92, 0.67%, 0.55%

LAB 40.92, 55.03, -71.83

 

CMYK 47 / 66 / 0 / 7

HEX #7E51EC

RGB 126 81 236

HSL 257.42, 0.8%, 0.62%

LAB 47.46, 53.85, -71.88

 

CMYK 44 / 61 / 0 / 0

HEX #8F63FF

RGB 143 99 255

HSL 256.92, 1%, 0.69%

LAB 54.01, 52.61, -71.78

 

CMYK 37 / 54 / 0 / 0

HEX #A075FF

RGB 160 117 255

HSL 258.7, 1%, 0.73%

LAB 59.36, 46.44, -63.08

 

CMYK 31 / 47 / 0 / 0

HEX #B187FF

RGB 177 135 255

HSL 261, 1%, 0.76%

LAB 64.88, 40.63, -54.17

 

CMYK 53 / 72 / 0 / 13

HEX #683FDE

RGB 104 63 222

HSL 255.47, 0.71%, 0.56%

LAB 40.85, 55.64, -74.83

 

CMYK 57 / 78 / 0 / 20

HEX #572DCB

RGB 87 45 203

HSL 255.95, 0.64%, 0.49%

LAB 34.43, 56.68, -74.49

 

CMYK 62 / 85 / 0 / 28

HEX #461BB8

RGB 70 27 184

HSL 256.43, 0.74%, 0.41%

LAB 28.24, 57.11, -73.59

 

CMYK 68 / 95 / 0 / 35

HEX #3509A5

RGB 53 9 165

HSL 256.92, 0.9%, 0.34%

LAB 22.55, 56.2, -71.67

 

CMYK 75 / 100 / 0 / 43

HEX #240092

RGB 36 0 146

HSL 254.79, 1%, 0.29%

LAB 17.69, 52.92, -68.11

 

CMYK 53 / 72 / 0 / 13

HEX #683FDE

RGB 104 63 222

HSL 255.47, 0.71%, 0.56%

LAB 40.85, 55.64, -74.83

 

CMYK 34 / 72 / 0 / 13

HEX #933FDE

RGB 147 63 222

HSL 271.7, 0.71%, 0.56%

LAB 45.68, 62.81, -66.75

 

CMYK 14 / 72 / 0 / 13

HEX #BE3FDE

RGB 190 63 222

HSL 287.92, 0.71%, 0.56%

LAB 51.58, 71.12, -56.92

 

CMYK 0 / 72 / 5 / 13

HEX #DE3FD3

RGB 222 63 211

HSL 304.15, 0.71%, 0.56%

LAB 55.87, 75.98, -43.54

 

CMYK 0 / 72 / 24 / 13

HEX #DE3FA8

RGB 222 63 168

HSL 320.38, 0.71%, 0.56%

LAB 53.93, 70.01, -21.73

 

CMYK 53 / 72 / 0 / 13

HEX #683FDE

RGB 104 63 222

HSL 255.47, 0.71%, 0.56%

LAB 40.85, 55.64, -74.83

 

CMYK 72 / 72 / 0 / 13

HEX #3F3FDE

RGB 63 63 222

HSL 240, 0.71%, 0.56%

LAB 37.64, 50.59, -80.23

 

CMYK 53 / 72 / 0 / 13

HEX #683FDE

RGB 104 63 222

HSL 255.47, 0.71%, 0.56%

LAB 40.85, 55.64, -74.83

 

CMYK 60 / 82 / 0 / 6

HEX #5F2CF0

RGB 95 44 240

HSL 255.61, 0.87%, 0.56%

LAB 38.77, 67.86, -88.52

 

CMYK 53 / 72 / 0 / 13

HEX #683FDE

RGB 104 63 222

HSL 255.47, 0.71%, 0.56%

LAB 40.85, 55.64, -74.83

 

CMYK 45 / 60 / 0 / 20

HEX #7151CC

RGB 113 81 204

HSL 255.61, 0.55%, 0.56%

LAB 43.88, 42.49, -59.53

 

CMYK 35 / 47 / 0 / 27

HEX #7963BA

RGB 121 99 186

HSL 255.17, 0.39%, 0.56%

LAB 47.67, 28.85, -43

 

CMYK 23 / 30 / 0 / 34

HEX #8275A8

RGB 130 117 168

HSL 255.29, 0.23%, 0.56%

LAB 52.17, 16.09, -25.43

 

CMYK 7 / 9 / 0 / 42

HEX #8B8795

RGB 139 135 149

HSL 257.14, 0.06%, 0.56%

LAB 57.06, 4.3, -6.94

 

CMYK 72 / 51 / 0 / 13

HEX #3F6CDE

RGB 63 108 222

HSL 223.02, 0.71%, 0.56%

LAB 48.33, 23.04, -62.77

 

CMYK 72 / 71 / 0 / 13

HEX #3F41DE

RGB 63 65 222

HSL 239.25, 0.71%, 0.56%

LAB 38.04, 49.46, -79.57

 

CMYK 54 / 72 / 0 / 13

HEX #663FDE

RGB 102 63 222

HSL 254.72, 0.71%, 0.56%

LAB 40.66, 55.34, -75.15

 

CMYK 35 / 72 / 0 / 13

HEX #913FDE

RGB 145 63 222

HSL 270.94, 0.71%, 0.56%

LAB 45.43, 62.45, -67.17

 

CMYK 16 / 72 / 0 / 13

HEX #BB3FDE

RGB 187 63 222

HSL 286.79, 0.71%, 0.56%

LAB 51.14, 70.51, -57.65

 

CMYK 62 / 83 / 0 / 32

HEX #421DAD

RGB 66 29 173

HSL 255.42, 0.71%, 0.4%

LAB 26.89, 52.97, -69.26

 

CMYK 62 / 83 / 0 / 18

HEX #5023D0

RGB 80 35 208

HSL 255.61, 0.71%, 0.48%

LAB 32.84, 61.46, -80.05

 

CMYK 53 / 72 / 0 / 13

HEX #683FDE

RGB 104 63 222

HSL 255.47, 0.71%, 0.56%

LAB 40.85, 55.64, -74.83

 

CMYK 43 / 57 / 0 / 11

HEX #8362E4

RGB 131 98 228

HSL 255.23, 0.71%, 0.64%

LAB 50.88, 43.37, -61.82

 

CMYK 32 / 43 / 0 / 8

HEX #9F85EA

RGB 159 133 234

HSL 255.45, 0.71%, 0.72%

LAB 61.73, 31.8, -47.7

 

CMYK 53 / 72 / 0 / 13

HEX #683FDE

RGB 104 63 222

HSL 255.47, 0.71%, 0.56%

LAB 40.85, 55.64, -74.83

 

CMYK 0 / 72 / 32 / 13

HEX #DE3F96

RGB 222 63 150

HSL 327.17, 0.71%, 0.56%

LAB 53.26, 67.87, -12.14

 

CMYK 61 / 0 / 72 / 13

HEX #57DE3F

RGB 87 222 63

HSL 110.94, 0.71%, 0.56%

LAB 78.83, -64.75, 63.48

 

CMYK 53 / 72 / 0 / 13

HEX #683FDE

RGB 104 63 222

HSL 255.47, 0.71%, 0.56%

LAB 40.85, 55.64, -74.83

 

CMYK 0 / 54 / 72 / 13

HEX #DE663F

RGB 222 102 63

HSL 14.72, 0.71%, 0.56%

LAB 57.45, 44.39, 43.87

 

CMYK 72 / 0 / 54 / 13

HEX #3FDE66

RGB 63 222 102

HSL 134.72, 0.71%, 0.56%

LAB 78.61, -65.24, 46.78

 

CMYK 53 / 72 / 0 / 13

HEX #683FDE

RGB 104 63 222

HSL 255.47, 0.71%, 0.56%

LAB 40.85, 55.64, -74.83

 

CMYK 0 / 72 / 32 / 13

HEX #DE3F96

RGB 222 63 150

HSL 327.17, 0.71%, 0.56%

LAB 53.26, 67.87, -12.14

 

CMYK 18 / 0 / 72 / 13

HEX #B6DE3F

RGB 182 222 63

HSL 75.09, 0.71%, 0.56%

LAB 83.2, -34.16, 69.3

 

CMYK 72 / 0 / 40 / 13

HEX #3FDE86

RGB 63 222 134

HSL 146.79, 0.71%, 0.56%

LAB 79.05, -60.17, 31.66

 

CMYK 53 / 72 / 0 / 13

HEX #683FDE

RGB 104 63 222

HSL 255.47, 0.71%, 0.56%

LAB 40.85, 55.64, -74.83

 

CMYK 0 / 72 / 54 / 13

HEX #DE3F66

RGB 222 63 102

HSL 345.28, 0.71%, 0.56%

LAB 51.89, 63.36, 14.61

 

CMYK 18 / 0 / 72 / 13

HEX #B6DE3F

RGB 182 222 63

HSL 75.09, 0.71%, 0.56%

LAB 83.2, -34.16, 69.3

 

CMYK 72 / 0 / 18 / 13

HEX #3FDEB6

RGB 63 222 182

HSL 164.91, 0.71%, 0.56%

LAB 80, -49.97, 7.92

 

Description

Color code: HEX #683FDE | qconv.com Color code: HEX #683FDE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 63 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 63 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 72 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 72% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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