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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6846AC it is the complementary color #97B953. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6846AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6846AC shade: #6D46A7, #7E58BA, #8F6ACD, #A07CE0 and #B18EF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6846AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6846AC shade: #6846AC, #573499, #462286, #351073 and #240060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6846AC shade: #6745AA, #8245AA, #9D45AA, #AA459B and #AA4580

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6846AC shade: #6745AA, #4B45AA and #4545AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6846AC shade matches the following richer shades: #6745AA, #6032BD, #5A1ED0 and #530BE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6846AC shade: #6745AA, #6D5896, #736C83, #7A7F70 and #80935C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6846AC shade: #4559AA, #4C45AA, #6745AA, #8145AA and #9C45AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6846AC shade: #432D6F, #55398C, #6745AA, #7C5CBC and #9379C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6846AC shade: #6846AC, #AA4574 and #4CAA45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6846AC shade: #6846AC, #AA6745 and #45AA67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6846AC shade: #6846AC, #AA4574, #88AA45 and #45AA7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6846AC shade: #6846AC, #AA4556, #88AA45 and #45AA99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 59 / 0 / 33

HEX #6846AC

RGB 104 70 172

HSL 260, 0.42%, 0.47%

LAB 38.38, 37.87, -49.73

 

Complementary color

CMYK 18 / 0 / 55 / 27

HEX #97B953

RGB 151 185 83

HSL 80, 0.42%, 0.53%

LAB 70.8, -27.51, 47.29

 

CMYK 35 / 58 / 0 / 35

HEX #6D46A7

RGB 109 70 167

HSL 264.12, 0.41%, 0.46%

LAB 38.59, 37.71, -46.39

 

CMYK 32 / 53 / 0 / 27

HEX #7E58BA

RGB 126 88 186

HSL 263.27, 0.42%, 0.54%

LAB 45.58, 36.63, -46.29

 

CMYK 30 / 48 / 0 / 20

HEX #8F6ACD

RGB 143 106 205

HSL 262.42, 0.5%, 0.61%

LAB 52.46, 35.62, -46.19

 

CMYK 29 / 45 / 0 / 12

HEX #A07CE0

RGB 160 124 224

HSL 261.6, 0.62%, 0.68%

LAB 59.22, 34.68, -46.09

 

CMYK 27 / 42 / 0 / 5

HEX #B18EF3

RGB 177 142 243

HSL 260.79, 0.81%, 0.75%

LAB 65.88, 33.82, -46.02

 

CMYK 40 / 59 / 0 / 33

HEX #6846AC

RGB 104 70 172

HSL 260, 0.42%, 0.47%

LAB 38.38, 37.87, -49.73

 

CMYK 43 / 66 / 0 / 40

HEX #573499

RGB 87 52 153

HSL 260.79, 0.49%, 0.4%

LAB 31.31, 39.08, -49.83

 

CMYK 48 / 75 / 0 / 47

HEX #462286

RGB 70 34 134

HSL 261.6, 0.6%, 0.33%

LAB 24.22, 40.16, -49.72

 

CMYK 54 / 86 / 0 / 55

HEX #351073

RGB 53 16 115

HSL 262.42, 0.76%, 0.26%

LAB 17.3, 40.62, -49.06

 

CMYK 63 / 100 / 0 / 62

HEX #240060

RGB 36 0 96

HSL 262.5, 1%, 0.19%

LAB 10.7, 40.04, -47.54

 

CMYK 39 / 59 / 0 / 33

HEX #6745AA

RGB 103 69 170

HSL 260.2, 0.42%, 0.47%

LAB 37.92, 37.66, -49.29

 

CMYK 24 / 59 / 0 / 33

HEX #8245AA

RGB 130 69 170

HSL 276.24, 0.42%, 0.47%

LAB 41.06, 44.27, -44.07

 

CMYK 8 / 59 / 0 / 33

HEX #9D45AA

RGB 157 69 170

HSL 292.28, 0.42%, 0.47%

LAB 44.7, 51.25, -38.07

 

CMYK 0 / 59 / 9 / 33

HEX #AA459B

RGB 170 69 155

HSL 308.91, 0.42%, 0.47%

LAB 45.86, 52.08, -27.19

 

CMYK 0 / 59 / 25 / 33

HEX #AA4580

RGB 170 69 128

HSL 324.95, 0.42%, 0.47%

LAB 44.75, 47.93, -12.63

 

CMYK 39 / 59 / 0 / 33

HEX #6745AA

RGB 103 69 170

HSL 260.2, 0.42%, 0.47%

LAB 37.92, 37.66, -49.29

 

CMYK 56 / 59 / 0 / 33

HEX #4B45AA

RGB 75 69 170

HSL 243.56, 0.42%, 0.47%

LAB 35.31, 31.64, -53.63

 

CMYK 59 / 59 / 0 / 33

HEX #4545AA

RGB 69 69 170

HSL 240, 0.42%, 0.47%

LAB 34.85, 30.52, -54.4

 

CMYK 39 / 59 / 0 / 33

HEX #6745AA

RGB 103 69 170

HSL 260.2, 0.42%, 0.47%

LAB 37.92, 37.66, -49.29

 

CMYK 49 / 74 / 0 / 26

HEX #6032BD

RGB 96 50 189

HSL 259.86, 0.58%, 0.47%

LAB 34.89, 51.76, -65.5

 

CMYK 57 / 86 / 0 / 18

HEX #5A1ED0

RGB 90 30 208

HSL 260.22, 0.75%, 0.47%

LAB 33.26, 64.14, -79.32

 

CMYK 64 / 95 / 0 / 11

HEX #530BE4

RGB 83 11 228

HSL 259.91, 0.91%, 0.47%

LAB 33.31, 72.95, -90.79

 

CMYK 39 / 59 / 0 / 33

HEX #6745AA

RGB 103 69 170

HSL 260.2, 0.42%, 0.47%

LAB 37.92, 37.66, -49.29

 

CMYK 27 / 41 / 0 / 41

HEX #6D5896

RGB 109 88 150

HSL 260.32, 0.26%, 0.47%

LAB 41.9, 22.45, -30.97

 

CMYK 12 / 18 / 0 / 49

HEX #736C83

RGB 115 108 131

HSL 258.26, 0.1%, 0.47%

LAB 46.99, 7.6, -11.7

 

CMYK 4 / 0 / 12 / 50

HEX #7A7F70

RGB 122 127 112

HSL 80, 0.06%, 0.47%

LAB 52.38, -4.78, 7.52

 

CMYK 13 / 0 / 37 / 42

HEX #80935C

RGB 128 147 92

HSL 80.73, 0.23%, 0.47%

LAB 58.25, -16.51, 26.92

 

CMYK 59 / 48 / 0 / 33

HEX #4559AA

RGB 69 89 170

HSL 228.12, 0.42%, 0.47%

LAB 40.1, 17.65, -45.93

 

CMYK 55 / 59 / 0 / 33

HEX #4C45AA

RGB 76 69 170

HSL 244.16, 0.42%, 0.47%

LAB 35.39, 31.84, -53.5

 

CMYK 39 / 59 / 0 / 33

HEX #6745AA

RGB 103 69 170

HSL 260.2, 0.42%, 0.47%

LAB 37.92, 37.66, -49.29

 

CMYK 24 / 59 / 0 / 33

HEX #8145AA

RGB 129 69 170

HSL 275.64, 0.42%, 0.47%

LAB 40.94, 44.02, -44.28

 

CMYK 8 / 59 / 0 / 33

HEX #9C45AA

RGB 156 69 170

HSL 291.68, 0.42%, 0.47%

LAB 44.56, 50.99, -38.3

 

CMYK 40 / 59 / 0 / 56

HEX #432D6F

RGB 67 45 111

HSL 260, 0.42%, 0.31%

LAB 24.38, 26.38, -34.88

 

CMYK 39 / 59 / 0 / 45

HEX #55398C

RGB 85 57 140

HSL 260.24, 0.42%, 0.39%

LAB 31.23, 32, -41.99

 

CMYK 39 / 59 / 0 / 33

HEX #6745AA

RGB 103 69 170

HSL 260.2, 0.42%, 0.47%

LAB 37.92, 37.66, -49.29

 

CMYK 34 / 51 / 0 / 26

HEX #7C5CBC

RGB 124 92 188

HSL 260, 0.42%, 0.55%

LAB 46.41, 34.32, -46.15

 

CMYK 27 / 40 / 0 / 22

HEX #9379C8

RGB 147 121 200

HSL 259.75, 0.42%, 0.63%

LAB 56.14, 26.82, -37.51

 

CMYK 40 / 59 / 0 / 33

HEX #6846AC

RGB 104 70 172

HSL 260, 0.42%, 0.47%

LAB 38.38, 37.87, -49.73

 

CMYK 0 / 59 / 32 / 33

HEX #AA4574

RGB 170 69 116

HSL 332.08, 0.42%, 0.47%

LAB 44.32, 46.32, -5.93

 

CMYK 55 / 0 / 59 / 33

HEX #4CAA45

RGB 76 170 69

HSL 115.84, 0.42%, 0.47%

LAB 62.27, -47.96, 42.97

 

CMYK 40 / 59 / 0 / 33

HEX #6846AC

RGB 104 70 172

HSL 260, 0.42%, 0.47%

LAB 38.38, 37.87, -49.73

 

CMYK 0 / 39 / 59 / 33

HEX #AA6745

RGB 170 103 69

HSL 20.2, 0.42%, 0.47%

LAB 50.31, 23.51, 30.38

 

CMYK 59 / 0 / 39 / 33

HEX #45AA67

RGB 69 170 103

HSL 140.2, 0.42%, 0.47%

LAB 62.5, -44.6, 25.99

 

CMYK 40 / 59 / 0 / 33

HEX #6846AC

RGB 104 70 172

HSL 260, 0.42%, 0.47%

LAB 38.38, 37.87, -49.73

 

CMYK 0 / 59 / 32 / 33

HEX #AA4574

RGB 170 69 116

HSL 332.08, 0.42%, 0.47%

LAB 44.32, 46.32, -5.93

 

CMYK 20 / 0 / 59 / 33

HEX #88AA45

RGB 136 170 69

HSL 80.2, 0.42%, 0.47%

LAB 65.29, -27.47, 47.22

 

CMYK 59 / 0 / 28 / 33

HEX #45AA7B

RGB 69 170 123

HSL 152.08, 0.42%, 0.47%

LAB 62.88, -40.62, 15.64

 

CMYK 40 / 59 / 0 / 33

HEX #6846AC

RGB 104 70 172

HSL 260, 0.42%, 0.47%

LAB 38.38, 37.87, -49.73

 

CMYK 0 / 59 / 49 / 33

HEX #AA4556

RGB 170 69 86

HSL 349.9, 0.42%, 0.47%

LAB 43.47, 42.96, 11.31

 

CMYK 20 / 0 / 59 / 33

HEX #88AA45

RGB 136 170 69

HSL 80.2, 0.42%, 0.47%

LAB 65.29, -27.47, 47.22

 

CMYK 59 / 0 / 10 / 33

HEX #45AA99

RGB 69 170 153

HSL 169.9, 0.42%, 0.47%

LAB 63.6, -33.45, 0

 

Description

Color code: HEX #6846AC | qconv.com Color code: HEX #6846AC | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 70 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 70 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 59 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 59% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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