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Color name
HEX #6848AC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6848AC it is the complementary color #97B753. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6848AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6848AC shade: #6D48A7, #7E5ABA, #8F6CCD, #A07EE0 and #B190F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6848AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6848AC shade: #6848AC, #573699, #462486, #351273 and #240060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6848AC shade: #6848AC, #8348AC, #9E48AC, #AC489F and #AC4884

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6848AC shade: #6848AC, #4D48AC and #4848AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6848AC shade matches the following richer shades: #6848AC, #6134C0, #5A20D4 and #520CE7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6848AC shade: #6848AC, #6F5C98, #766F84, #7D8371 and #84975D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6848AC shade: #485DAC, #4D48AC, #6748AC, #8248AC and #9D48AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6848AC shade: #452F72, #563C8F, #6848AC, #7E61BC and #967EC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6848AC shade: #6848AC, #AC4878 and #50AC48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6848AC shade: #6848AC, #AC6748 and #48AC67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6848AC shade: #6848AC, #AC4878, #8CAC48 and #48AC7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6848AC shade: #6848AC, #AC485A, #8CAC48 and #48AC9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 58 / 0 / 33

HEX #6848AC

RGB 104 72 172

HSL 259.2, 0.41%, 0.48%

LAB 38.82, 36.7, -49.02

 

Complementary color

CMYK 17 / 0 / 55 / 28

HEX #97B753

RGB 151 183 83

HSL 79.2, 0.41%, 0.52%

LAB 70.23, -26.54, 46.62

 

CMYK 35 / 57 / 0 / 35

HEX #6D48A7

RGB 109 72 167

HSL 263.37, 0.4%, 0.47%

LAB 39.03, 36.56, -45.68

 

CMYK 32 / 52 / 0 / 27

HEX #7E5ABA

RGB 126 90 186

HSL 262.5, 0.41%, 0.54%

LAB 46.03, 35.48, -45.57

 

CMYK 30 / 47 / 0 / 20

HEX #8F6CCD

RGB 143 108 205

HSL 261.65, 0.49%, 0.61%

LAB 52.92, 34.47, -45.46

 

CMYK 29 / 44 / 0 / 12

HEX #A07EE0

RGB 160 126 224

HSL 260.82, 0.61%, 0.69%

LAB 59.69, 33.55, -45.36

 

CMYK 27 / 41 / 0 / 5

HEX #B190F3

RGB 177 144 243

HSL 260, 0.8%, 0.76%

LAB 66.34, 32.7, -45.29

 

CMYK 40 / 58 / 0 / 33

HEX #6848AC

RGB 104 72 172

HSL 259.2, 0.41%, 0.48%

LAB 38.82, 36.7, -49.02

 

CMYK 43 / 65 / 0 / 40

HEX #573699

RGB 87 54 153

HSL 260, 0.48%, 0.41%

LAB 31.73, 37.94, -49.15

 

CMYK 48 / 73 / 0 / 47

HEX #462486

RGB 70 36 134

HSL 260.82, 0.58%, 0.33%

LAB 24.59, 39.11, -49.1

 

CMYK 54 / 84 / 0 / 55

HEX #351273

RGB 53 18 115

HSL 261.65, 0.73%, 0.26%

LAB 17.59, 39.78, -48.58

 

CMYK 63 / 100 / 0 / 62

HEX #240060

RGB 36 0 96

HSL 262.5, 1%, 0.19%

LAB 10.7, 40.04, -47.54

 

CMYK 40 / 58 / 0 / 33

HEX #6848AC

RGB 104 72 172

HSL 259.2, 0.41%, 0.48%

LAB 38.82, 36.7, -49.02

 

CMYK 24 / 58 / 0 / 33

HEX #8348AC

RGB 131 72 172

HSL 275.4, 0.41%, 0.48%

LAB 41.9, 43.4, -43.91

 

CMYK 8 / 58 / 0 / 33

HEX #9E48AC

RGB 158 72 172

HSL 291.6, 0.41%, 0.48%

LAB 45.47, 50.46, -38.02

 

CMYK 0 / 58 / 8 / 33

HEX #AC489F

RGB 172 72 159

HSL 307.8, 0.41%, 0.48%

LAB 46.85, 51.93, -28.01

 

CMYK 0 / 58 / 23 / 33

HEX #AC4884

RGB 172 72 132

HSL 324, 0.41%, 0.48%

LAB 45.73, 47.71, -13.53

 

CMYK 40 / 58 / 0 / 33

HEX #6848AC

RGB 104 72 172

HSL 259.2, 0.41%, 0.48%

LAB 38.82, 36.7, -49.02

 

CMYK 55 / 58 / 0 / 33

HEX #4D48AC

RGB 77 72 172

HSL 243, 0.41%, 0.48%

LAB 36.35, 30.8, -53.13

 

CMYK 58 / 58 / 0 / 33

HEX #4848AC

RGB 72 72 172

HSL 240, 0.41%, 0.48%

LAB 35.97, 29.84, -53.77

 

CMYK 40 / 58 / 0 / 33

HEX #6848AC

RGB 104 72 172

HSL 259.2, 0.41%, 0.48%

LAB 38.82, 36.7, -49.02

 

CMYK 49 / 73 / 0 / 25

HEX #6134C0

RGB 97 52 192

HSL 259.29, 0.57%, 0.48%

LAB 35.6, 51.75, -66.09

 

CMYK 58 / 85 / 0 / 17

HEX #5A20D4

RGB 90 32 212

HSL 259.33, 0.74%, 0.48%

LAB 33.9, 64.49, -80.58

 

CMYK 65 / 95 / 0 / 9

HEX #520CE7

RGB 82 12 231

HSL 259.18, 0.9%, 0.48%

LAB 33.62, 73.44, -91.99

 

CMYK 40 / 58 / 0 / 33

HEX #6848AC

RGB 104 72 172

HSL 259.2, 0.41%, 0.48%

LAB 38.82, 36.7, -49.02

 

CMYK 27 / 39 / 0 / 40

HEX #6F5C98

RGB 111 92 152

HSL 259, 0.25%, 0.48%

LAB 43.21, 21.14, -30.08

 

CMYK 11 / 16 / 0 / 48

HEX #766F84

RGB 118 111 132

HSL 260, 0.09%, 0.48%

LAB 48.12, 7.11, -10.56

 

CMYK 5 / 0 / 14 / 49

HEX #7D8371

RGB 125 131 113

HSL 80, 0.07%, 0.48%

LAB 53.8, -5.68, 8.98

 

CMYK 13 / 0 / 38 / 41

HEX #84975D

RGB 132 151 93

HSL 79.66, 0.24%, 0.48%

LAB 59.73, -16.87, 28.35

 

CMYK 58 / 46 / 0 / 33

HEX #485DAC

RGB 72 93 172

HSL 227.4, 0.41%, 0.48%

LAB 41.51, 16.39, -44.85

 

CMYK 55 / 58 / 0 / 33

HEX #4D48AC

RGB 77 72 172

HSL 243, 0.41%, 0.48%

LAB 36.35, 30.8, -53.13

 

CMYK 40 / 58 / 0 / 33

HEX #6748AC

RGB 103 72 172

HSL 258.6, 0.41%, 0.48%

LAB 38.72, 36.47, -49.19

 

CMYK 24 / 58 / 0 / 33

HEX #8248AC

RGB 130 72 172

HSL 274.8, 0.41%, 0.48%

LAB 41.78, 43.14, -44.11

 

CMYK 9 / 58 / 0 / 33

HEX #9D48AC

RGB 157 72 172

HSL 291, 0.41%, 0.48%

LAB 45.33, 50.2, -38.25

 

CMYK 39 / 59 / 0 / 55

HEX #452F72

RGB 69 47 114

HSL 259.7, 0.42%, 0.32%

LAB 25.3, 26.54, -35.31

 

CMYK 40 / 58 / 0 / 44

HEX #563C8F

RGB 86 60 143

HSL 258.8, 0.41%, 0.4%

LAB 32.24, 31.29, -42.2

 

CMYK 40 / 58 / 0 / 33

HEX #6848AC

RGB 104 72 172

HSL 259.2, 0.41%, 0.48%

LAB 38.82, 36.7, -49.02

 

CMYK 33 / 48 / 0 / 26

HEX #7E61BC

RGB 126 97 188

HSL 259.12, 0.4%, 0.56%

LAB 47.77, 31.91, -43.96

 

CMYK 25 / 37 / 0 / 21

HEX #967EC9

RGB 150 126 201

HSL 259.2, 0.41%, 0.64%

LAB 57.68, 25.04, -35.65

 

CMYK 40 / 58 / 0 / 33

HEX #6848AC

RGB 104 72 172

HSL 259.2, 0.41%, 0.48%

LAB 38.82, 36.7, -49.02

 

CMYK 0 / 58 / 30 / 33

HEX #AC4878

RGB 172 72 120

HSL 331.2, 0.41%, 0.48%

LAB 45.31, 46.06, -6.88

 

CMYK 53 / 0 / 58 / 33

HEX #50AC48

RGB 80 172 72

HSL 115.2, 0.41%, 0.48%

LAB 63.08, -47.31, 42.54

 

CMYK 40 / 58 / 0 / 33

HEX #6848AC

RGB 104 72 172

HSL 259.2, 0.41%, 0.48%

LAB 38.82, 36.7, -49.02

 

CMYK 0 / 40 / 58 / 33

HEX #AC6748

RGB 172 103 72

HSL 18.6, 0.41%, 0.48%

LAB 50.62, 24.59, 29.14

 

CMYK 58 / 0 / 40 / 33

HEX #48AC67

RGB 72 172 103

HSL 138.6, 0.41%, 0.48%

LAB 63.23, -44.74, 26.97

 

CMYK 40 / 58 / 0 / 33

HEX #6848AC

RGB 104 72 172

HSL 259.2, 0.41%, 0.48%

LAB 38.82, 36.7, -49.02

 

CMYK 0 / 58 / 30 / 33

HEX #AC4878

RGB 172 72 120

HSL 331.2, 0.41%, 0.48%

LAB 45.31, 46.06, -6.88

 

CMYK 19 / 0 / 58 / 33

HEX #8CAC48

RGB 140 172 72

HSL 79.2, 0.41%, 0.48%

LAB 66.17, -26.58, 46.91

 

CMYK 58 / 0 / 28 / 33

HEX #48AC7C

RGB 72 172 124

HSL 151.2, 0.41%, 0.48%

LAB 63.62, -40.62, 16.13

 

CMYK 40 / 58 / 0 / 33

HEX #6848AC

RGB 104 72 172

HSL 259.2, 0.41%, 0.48%

LAB 38.82, 36.7, -49.02

 

CMYK 0 / 58 / 48 / 33

HEX #AC485A

RGB 172 72 90

HSL 349.2, 0.41%, 0.48%

LAB 44.44, 42.6, 10.25

 

CMYK 19 / 0 / 58 / 33

HEX #8CAC48

RGB 140 172 72

HSL 79.2, 0.41%, 0.48%

LAB 66.17, -26.58, 46.91

 

CMYK 58 / 0 / 10 / 33

HEX #48AC9A

RGB 72 172 154

HSL 169.2, 0.41%, 0.48%

LAB 64.34, -33.54, 0.52

 

Description

Color code: HEX #6848AC | qconv.com Color code: HEX #6848AC | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 72 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 72 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 58 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 58% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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