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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #684256 it is the complementary color #97BDA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #684256. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #684256 shade: #6D4251, #7E5464, #8F6677, #A0788A and #B18A9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #684256. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #684256 shade: #684256, #573043, #461E30, #350C1D and #24000A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #684256 shade: #664155, #66414B and #664141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #684256 shade: #664155, #66415F, #644166, #5A4166 and #504166

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #684256 shade matches the following richer shades: #664155, #743455, #812656, #8F1857 and #9D0B57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #684256 shade: #664155, #594F54, #4B5C53, #3D6A52 and #307852

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #684256 shade: #644166, #66415F, #664155, #66414B and #664141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #684256 shade: #34212B, #4D3140, #664155, #7F5169 and #98617E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #684256 shade: #684256, #665A41 and #416466

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #684256 shade: #684256, #556641 and #415566

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #684256 shade: #684256, #665A41, #416652 and #414D66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #684256 shade: #684256, #666541, #416652 and #414266

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 17 / 59

HEX #684256

RGB 104 66 86

HSL 328.42, 0.22%, 0.33%

LAB 32.94, 19.74, -5.13

 

Complementary color

CMYK 20 / 0 / 11 / 26

HEX #97BDA9

RGB 151 189 169

HSL 148.42, 0.22%, 0.67%

LAB 73.44, -16.79, 5.93

 

CMYK 0 / 39 / 26 / 57

HEX #6D4251

RGB 109 66 81

HSL 339.07, 0.25%, 0.34%

LAB 33.44, 20.88, -1.12

 

CMYK 0 / 33 / 21 / 51

HEX #7E5464

RGB 126 84 100

HSL 337.14, 0.2%, 0.41%

LAB 40.73, 20, -2.1

 

CMYK 0 / 29 / 17 / 44

HEX #8F6677

RGB 143 102 119

HSL 335.12, 0.17%, 0.48%

LAB 47.85, 19.23, -2.94

 

CMYK 0 / 25 / 14 / 37

HEX #A0788A

RGB 160 120 138

HSL 333, 0.17%, 0.55%

LAB 54.81, 18.55, -3.69

 

CMYK 0 / 22 / 11 / 31

HEX #B18A9D

RGB 177 138 157

HSL 330.77, 0.2%, 0.62%

LAB 61.62, 17.94, -4.38

 

CMYK 0 / 37 / 17 / 59

HEX #684256

RGB 104 66 86

HSL 328.42, 0.22%, 0.33%

LAB 32.94, 19.74, -5.13

 

CMYK 0 / 45 / 23 / 66

HEX #573043

RGB 87 48 67

HSL 330.77, 0.29%, 0.26%

LAB 25.4, 20.65, -4.18

 

CMYK 0 / 57 / 31 / 73

HEX #461E30

RGB 70 30 48

HSL 333, 0.4%, 0.2%

LAB 17.66, 21.62, -2.91

 

CMYK 0 / 77 / 45 / 79

HEX #350C1D

RGB 53 12 29

HSL 335.12, 0.63%, 0.13%

LAB 9.86, 22.32, -0.89

 

CMYK 0 / 100 / 72 / 86

HEX #24000A

RGB 36 0 10

HSL 343.33, 1%, 0.07%

LAB 3.59, 16.59, 1.57

 

CMYK 0 / 36 / 17 / 60

HEX #664155

RGB 102 65 85

HSL 327.57, 0.22%, 0.33%

LAB 32.39, 19.38, -5.33

 

CMYK 0 / 36 / 26 / 60

HEX #66414B

RGB 102 65 75

HSL 343.78, 0.22%, 0.33%

LAB 32.06, 17.64, 0.61

 

CMYK 0 / 36 / 36 / 60

HEX #664141

RGB 102 65 65

HSL 0, 0.22%, 0.33%

LAB 31.78, 16.1, 6.65

 

CMYK 0 / 36 / 17 / 60

HEX #664155

RGB 102 65 85

HSL 327.57, 0.22%, 0.33%

LAB 32.39, 19.38, -5.33

 

CMYK 0 / 36 / 7 / 60

HEX #66415F

RGB 102 65 95

HSL 311.35, 0.22%, 0.33%

LAB 32.77, 21.3, -11.17

 

CMYK 2 / 36 / 0 / 60

HEX #644166

RGB 100 65 102

HSL 296.76, 0.22%, 0.33%

LAB 32.81, 22.02, -15.59

 

CMYK 12 / 36 / 0 / 60

HEX #5A4166

RGB 90 65 102

HSL 280.54, 0.22%, 0.33%

LAB 31.61, 18.43, -17.54

 

CMYK 22 / 36 / 0 / 60

HEX #504166

RGB 80 65 102

HSL 264.32, 0.22%, 0.33%

LAB 30.51, 14.91, -19.33

 

CMYK 0 / 36 / 17 / 60

HEX #664155

RGB 102 65 85

HSL 327.57, 0.22%, 0.33%

LAB 32.39, 19.38, -5.33

 

CMYK 0 / 55 / 27 / 55

HEX #743455

RGB 116 52 85

HSL 329.06, 0.38%, 0.33%

LAB 31.4, 32.26, -6.6

 

CMYK 0 / 71 / 33 / 49

HEX #812656

RGB 129 38 86

HSL 328.35, 0.54%, 0.33%

LAB 31.17, 43.44, -7.37

 

CMYK 0 / 83 / 39 / 44

HEX #8F1857

RGB 143 24 87

HSL 328.24, 0.71%, 0.33%

LAB 32.22, 52.24, -6.19

 

CMYK 0 / 93 / 45 / 38

HEX #9D0B57

RGB 157 11 87

HSL 328.77, 0.87%, 0.33%

LAB 34.18, 58.3, -2.96

 

CMYK 0 / 36 / 17 / 60

HEX #664155

RGB 102 65 85

HSL 327.57, 0.22%, 0.33%

LAB 32.39, 19.38, -5.33

 

CMYK 0 / 11 / 6 / 65

HEX #594F54

RGB 89 79 84

HSL 330, 0.06%, 0.33%

LAB 34.71, 5.14, -1.43

 

CMYK 18 / 0 / 10 / 64

HEX #4B5C53

RGB 75 92 83

HSL 148.24, 0.1%, 0.33%

LAB 37.43, -8.58, 3.01

 

CMYK 42 / 0 / 23 / 58

HEX #3D6A52

RGB 61 106 82

HSL 148, 0.27%, 0.33%

LAB 41.07, -21.52, 8.68

 

CMYK 60 / 0 / 32 / 53

HEX #307852

RGB 48 120 82

HSL 148.33, 0.43%, 0.33%

LAB 45.18, -32, 14.31

 

CMYK 2 / 36 / 0 / 60

HEX #644166

RGB 100 65 102

HSL 296.76, 0.22%, 0.33%

LAB 32.81, 22.02, -15.59

 

CMYK 0 / 36 / 7 / 60

HEX #66415F

RGB 102 65 95

HSL 311.35, 0.22%, 0.33%

LAB 32.77, 21.3, -11.17

 

CMYK 0 / 36 / 17 / 60

HEX #664155

RGB 102 65 85

HSL 327.57, 0.22%, 0.33%

LAB 32.39, 19.38, -5.33

 

CMYK 0 / 36 / 26 / 60

HEX #66414B

RGB 102 65 75

HSL 343.78, 0.22%, 0.33%

LAB 32.06, 17.64, 0.61

 

CMYK 0 / 36 / 36 / 60

HEX #664141

RGB 102 65 65

HSL 0, 0.22%, 0.33%

LAB 31.78, 16.1, 6.65

 

CMYK 0 / 37 / 17 / 80

HEX #34212B

RGB 52 33 43

HSL 328.42, 0.22%, 0.17%

LAB 15.45, 11.06, -2.96

 

CMYK 0 / 36 / 17 / 70

HEX #4D3140

RGB 77 49 64

HSL 327.86, 0.22%, 0.25%

LAB 24.14, 15.36, -4.19

 

CMYK 0 / 36 / 17 / 60

HEX #664155

RGB 102 65 85

HSL 327.57, 0.22%, 0.33%

LAB 32.39, 19.38, -5.33

 

CMYK 0 / 36 / 17 / 50

HEX #7F5169

RGB 127 81 105

HSL 328.7, 0.22%, 0.41%

LAB 40.27, 23.03, -5.85

 

CMYK 0 / 36 / 17 / 40

HEX #98617E

RGB 152 97 126

HSL 328.36, 0.22%, 0.49%

LAB 47.92, 26.71, -6.91

 

CMYK 0 / 37 / 17 / 59

HEX #684256

RGB 104 66 86

HSL 328.42, 0.22%, 0.33%

LAB 32.94, 19.74, -5.13

 

CMYK 0 / 12 / 36 / 60

HEX #665A41

RGB 102 90 65

HSL 40.54, 0.22%, 0.33%

LAB 38.76, 0.72, 16.25

 

CMYK 36 / 2 / 0 / 60

HEX #416466

RGB 65 100 102

HSL 183.24, 0.22%, 0.33%

LAB 39.91, -11.96, -5.14

 

CMYK 0 / 37 / 17 / 59

HEX #684256

RGB 104 66 86

HSL 328.42, 0.22%, 0.33%

LAB 32.94, 19.74, -5.13

 

CMYK 17 / 0 / 36 / 60

HEX #556641

RGB 85 102 65

HSL 87.57, 0.22%, 0.33%

LAB 40.92, -13.7, 18.86

 

CMYK 36 / 17 / 0 / 60

HEX #415566

RGB 65 85 102

HSL 207.57, 0.22%, 0.33%

LAB 35.16, -3, -12.28

 

CMYK 0 / 37 / 17 / 59

HEX #684256

RGB 104 66 86

HSL 328.42, 0.22%, 0.33%

LAB 32.94, 19.74, -5.13

 

CMYK 0 / 12 / 36 / 60

HEX #665A41

RGB 102 90 65

HSL 40.54, 0.22%, 0.33%

LAB 38.76, 0.72, 16.25

 

CMYK 36 / 0 / 20 / 60

HEX #416652

RGB 65 102 82

HSL 147.57, 0.22%, 0.33%

LAB 39.97, -18.08, 7.17

 

CMYK 36 / 25 / 0 / 60

HEX #414D66

RGB 65 77 102

HSL 220.54, 0.22%, 0.33%

LAB 32.68, 2.04, -16.08

 

CMYK 0 / 37 / 17 / 59

HEX #684256

RGB 104 66 86

HSL 328.42, 0.22%, 0.33%

LAB 32.94, 19.74, -5.13

 

CMYK 0 / 1 / 36 / 60

HEX #666541

RGB 102 101 65

HSL 58.38, 0.22%, 0.33%

LAB 42.02, -5.79, 20.56

 

CMYK 36 / 0 / 20 / 60

HEX #416652

RGB 65 102 82

HSL 147.57, 0.22%, 0.33%

LAB 39.97, -18.08, 7.17

 

CMYK 36 / 35 / 0 / 60

HEX #414266

RGB 65 66 102

HSL 238.38, 0.22%, 0.33%

LAB 29.36, 9.23, -21.23

 

Description

Color code: HEX #684256 | qconv.com Color code: HEX #684256 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 66 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 66 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 17 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 17% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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