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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #685449 it is the complementary color #97ABB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #685449. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #685449 shade: #6D5444, #7E6657, #8F786A, #A08A7D and #B19C90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #685449. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #685449 shade: #685449, #574236, #463023, #351E10 and #240C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #685449 shade: #695449, #694B49 and #694949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #685449 shade: #695449, #695D49, #696549, #646949 and #5B6949

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #685449 shade matches the following richer shades: #695449, #77503A, #864C2C, #94481D and #A3430F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #685449 shade: #695449, #5A5857, #4C5C66, #3D6174 and #2F6582

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #685449 shade: #69494F, #694B49, #695449, #695C49 and #696549

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #685449 shade: #382D27, #504138, #695449, #81685A and #987C6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #685449 shade: #685449, #576949 and #494A69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #685449 shade: #685449, #496954 and #544969

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #685449 shade: #685449, #576949, #495E69 and #5A4969

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #685449 shade: #685449, #4E6949, #495E69 and #644969

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 30 / 59

HEX #685449

RGB 104 84 73

HSL 21.29, 0.18%, 0.35%

LAB 37.42, 6.44, 9.55

 

Complementary color

CMYK 17 / 6 / 0 / 29

HEX #97ABB6

RGB 151 171 182

HSL 201.29, 0.18%, 0.65%

LAB 68.81, -4.58, -7.99

 

CMYK 0 / 23 / 38 / 57

HEX #6D5444

RGB 109 84 68

HSL 23.41, 0.23%, 0.35%

LAB 37.86, 7.92, 13.33

 

CMYK 0 / 19 / 31 / 51

HEX #7E6657

RGB 126 102 87

HSL 23.08, 0.18%, 0.42%

LAB 45.12, 7.22, 12.1

 

CMYK 0 / 16 / 26 / 44

HEX #8F786A

RGB 143 120 106

HSL 22.7, 0.15%, 0.49%

LAB 52.19, 6.64, 11.01

 

CMYK 0 / 14 / 22 / 37

HEX #A08A7D

RGB 160 138 125

HSL 22.29, 0.16%, 0.56%

LAB 59.1, 6.16, 10.02

 

CMYK 0 / 12 / 19 / 31

HEX #B19C90

RGB 177 156 144

HSL 21.82, 0.17%, 0.63%

LAB 65.86, 5.74, 9.11

 

CMYK 0 / 19 / 30 / 59

HEX #685449

RGB 104 84 73

HSL 21.29, 0.18%, 0.35%

LAB 37.42, 6.44, 9.55

 

CMYK 0 / 24 / 38 / 66

HEX #574236

RGB 87 66 54

HSL 21.82, 0.23%, 0.28%

LAB 29.88, 7.16, 10.79

 

CMYK 0 / 31 / 50 / 73

HEX #463023

RGB 70 48 35

HSL 22.29, 0.33%, 0.21%

LAB 22.08, 8.12, 12.29

 

CMYK 0 / 43 / 70 / 79

HEX #351E10

RGB 53 30 16

HSL 22.7, 0.54%, 0.14%

LAB 13.96, 9.5, 13.83

 

CMYK 0 / 67 / 100 / 86

HEX #240C00

RGB 36 12 0

HSL 20, 1%, 0.07%

LAB 5.76, 10.34, 8.82

 

CMYK 0 / 20 / 30 / 59

HEX #695449

RGB 105 84 73

HSL 20.63, 0.18%, 0.35%

LAB 37.53, 6.88, 9.72

 

CMYK 0 / 29 / 30 / 59

HEX #694B49

RGB 105 75 73

HSL 3.75, 0.18%, 0.35%

LAB 35.04, 12.42, 6.21

 

CMYK 0 / 30 / 30 / 59

HEX #694949

RGB 105 73 73

HSL 0, 0.18%, 0.35%

LAB 34.5, 13.65, 5.45

 

CMYK 0 / 20 / 30 / 59

HEX #695449

RGB 105 84 73

HSL 20.63, 0.18%, 0.35%

LAB 37.53, 6.88, 9.72

 

CMYK 0 / 11 / 30 / 59

HEX #695D49

RGB 105 93 73

HSL 37.5, 0.18%, 0.35%

LAB 40.1, 1.42, 13.28

 

CMYK 0 / 4 / 30 / 59

HEX #696549

RGB 105 101 73

HSL 52.5, 0.18%, 0.35%

LAB 42.45, -3.33, 16.46

 

CMYK 5 / 0 / 30 / 59

HEX #646949

RGB 100 105 73

HSL 69.38, 0.18%, 0.35%

LAB 43.2, -7.81, 17.4

 

CMYK 13 / 0 / 30 / 59

HEX #5B6949

RGB 91 105 73

HSL 86.25, 0.18%, 0.35%

LAB 42.47, -11.6, 16.29

 

CMYK 0 / 20 / 30 / 59

HEX #695449

RGB 105 84 73

HSL 20.63, 0.18%, 0.35%

LAB 37.53, 6.88, 9.72

 

CMYK 0 / 33 / 51 / 53

HEX #77503A

RGB 119 80 58

HSL 21.64, 0.34%, 0.35%

LAB 37.78, 13.62, 19.54

 

CMYK 0 / 43 / 67 / 47

HEX #864C2C

RGB 134 76 44

HSL 21.33, 0.51%, 0.35%

LAB 38.58, 21.48, 29.24

 

CMYK 0 / 51 / 80 / 42

HEX #94481D

RGB 148 72 29

HSL 21.68, 0.67%, 0.35%

LAB 39.61, 28.99, 38.95

 

CMYK 0 / 59 / 91 / 36

HEX #A3430F

RGB 163 67 15

HSL 21.08, 0.83%, 0.35%

LAB 40.95, 37.31, 46.97

 

CMYK 0 / 20 / 30 / 59

HEX #695449

RGB 105 84 73

HSL 20.63, 0.18%, 0.35%

LAB 37.53, 6.88, 9.72

 

CMYK 0 / 2 / 3 / 65

HEX #5A5857

RGB 90 88 87

HSL 20, 0.02%, 0.35%

LAB 37.56, 0.6, 0.86

 

CMYK 25 / 10 / 0 / 60

HEX #4C5C66

RGB 76 92 102

HSL 203.08, 0.15%, 0.35%

LAB 38.11, -3.61, -7.76

 

CMYK 47 / 16 / 0 / 55

HEX #3D6174

RGB 61 97 116

HSL 200.73, 0.31%, 0.35%

LAB 39.25, -7.3, -14.75

 

CMYK 64 / 22 / 0 / 49

HEX #2F6582

RGB 47 101 130

HSL 200.96, 0.47%, 0.35%

LAB 40.45, -8.41, -21.48

 

CMYK 0 / 30 / 25 / 59

HEX #69494F

RGB 105 73 79

HSL 348.75, 0.18%, 0.35%

LAB 34.67, 14.62, 1.88

 

CMYK 0 / 29 / 30 / 59

HEX #694B49

RGB 105 75 73

HSL 3.75, 0.18%, 0.35%

LAB 35.04, 12.42, 6.21

 

CMYK 0 / 20 / 30 / 59

HEX #695449

RGB 105 84 73

HSL 20.63, 0.18%, 0.35%

LAB 37.53, 6.88, 9.72

 

CMYK 0 / 12 / 30 / 59

HEX #695C49

RGB 105 92 73

HSL 35.63, 0.18%, 0.35%

LAB 39.81, 2.02, 12.88

 

CMYK 0 / 4 / 30 / 59

HEX #696549

RGB 105 101 73

HSL 52.5, 0.18%, 0.35%

LAB 42.45, -3.33, 16.46

 

CMYK 0 / 20 / 30 / 78

HEX #382D27

RGB 56 45 39

HSL 21.18, 0.18%, 0.19%

LAB 19.49, 3.9, 5.76

 

CMYK 0 / 19 / 30 / 69

HEX #504138

RGB 80 65 56

HSL 22.5, 0.18%, 0.27%

LAB 28.83, 4.88, 7.92

 

CMYK 0 / 20 / 30 / 59

HEX #695449

RGB 105 84 73

HSL 20.63, 0.18%, 0.35%

LAB 37.53, 6.88, 9.72

 

CMYK 0 / 19 / 30 / 49

HEX #81685A

RGB 129 104 90

HSL 21.54, 0.18%, 0.43%

LAB 46.05, 7.75, 11.65

 

CMYK 0 / 18 / 29 / 40

HEX #987C6C

RGB 152 124 108

HSL 21.82, 0.18%, 0.51%

LAB 54.21, 8.33, 12.81

 

CMYK 0 / 19 / 30 / 59

HEX #685449

RGB 104 84 73

HSL 21.29, 0.18%, 0.35%

LAB 37.42, 6.44, 9.55

 

CMYK 17 / 0 / 30 / 59

HEX #576949

RGB 87 105 73

HSL 93.75, 0.18%, 0.35%

LAB 42.17, -13.25, 15.83

 

CMYK 30 / 30 / 0 / 59

HEX #494A69

RGB 73 74 105

HSL 238.13, 0.18%, 0.35%

LAB 32.56, 7.49, -18.12

 

CMYK 0 / 19 / 30 / 59

HEX #685449

RGB 104 84 73

HSL 21.29, 0.18%, 0.35%

LAB 37.42, 6.44, 9.55

 

CMYK 30 / 0 / 20 / 59

HEX #496954

RGB 73 105 84

HSL 140.63, 0.18%, 0.35%

LAB 41.47, -16.49, 8.14

 

CMYK 20 / 30 / 0 / 59

HEX #544969

RGB 84 73 105

HSL 260.63, 0.18%, 0.35%

LAB 33.29, 11.93, -16.9

 

CMYK 0 / 19 / 30 / 59

HEX #685449

RGB 104 84 73

HSL 21.29, 0.18%, 0.35%

LAB 37.42, 6.44, 9.55

 

CMYK 17 / 0 / 30 / 59

HEX #576949

RGB 87 105 73

HSL 93.75, 0.18%, 0.35%

LAB 42.17, -13.25, 15.83

 

CMYK 30 / 10 / 0 / 59

HEX #495E69

RGB 73 94 105

HSL 200.63, 0.18%, 0.35%

LAB 38.62, -5.05, -8.86

 

CMYK 14 / 30 / 0 / 59

HEX #5A4969

RGB 90 73 105

HSL 271.88, 0.18%, 0.35%

LAB 33.9, 14.07, -15.91

 

CMYK 0 / 19 / 30 / 59

HEX #685449

RGB 104 84 73

HSL 21.29, 0.18%, 0.35%

LAB 37.42, 6.44, 9.55

 

CMYK 26 / 0 / 30 / 59

HEX #4E6949

RGB 78 105 73

HSL 110.63, 0.18%, 0.35%

LAB 41.54, -16.82, 14.87

 

CMYK 30 / 10 / 0 / 59

HEX #495E69

RGB 73 94 105

HSL 200.63, 0.18%, 0.35%

LAB 38.62, -5.05, -8.86

 

CMYK 5 / 30 / 0 / 59

HEX #644969

RGB 100 73 105

HSL 290.63, 0.18%, 0.35%

LAB 34.99, 17.72, -14.14

 

Description

Color code: HEX #685449 | qconv.com Color code: HEX #685449 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 84 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 84 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 30 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 30% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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