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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #685981 it is the complementary color #97A67E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #685981. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #685981 shade: #6D597C, #7E6B8F, #8F7DA2, #A08FB5 and #B1A1C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #685981. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #685981 shade: #685981, #57476E, #46355B, #352348 and #241135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #685981 shade: #685981, #735981, #7E5981, #81597A and #81596F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #685981 shade: #685981, #5E5981 and #595981

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #685981 shade matches the following richer shades: #685981, #644893, #5F36A4, #5B24B6 and #5612C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #685981 shade: #685981, #6D6B6F, #717D5D, #768F4C and #7AA03A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #685981 shade: #596081, #5D5981, #685981, #725981 and #7D5981

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #685981 shade: #413850, #554869, #685981, #7C6B98 and #9284A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #685981 shade: #685981, #81596B and #5B8159

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #685981 shade: #685981, #816859 and #598168

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #685981 shade: #685981, #81596B, #728159 and #598170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #685981 shade: #685981, #81595F, #728159 and #59817C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 31 / 0 / 49

HEX #685981

RGB 104 89 129

HSL 262.5, 0.18%, 0.43%

LAB 40.69, 14.86, -20.19

 

Complementary color

CMYK 9 / 0 / 24 / 35

HEX #97A67E

RGB 151 166 126

HSL 82.5, 0.18%, 0.57%

LAB 66.03, -12.51, 19

 

CMYK 12 / 28 / 0 / 51

HEX #6D597C

RGB 109 89 124

HSL 274.29, 0.16%, 0.42%

LAB 40.98, 15.39, -16.66

 

CMYK 12 / 25 / 0 / 44

HEX #7E6B8F

RGB 126 107 143

HSL 271.67, 0.14%, 0.49%

LAB 48.18, 14.8, -16.93

 

CMYK 12 / 23 / 0 / 36

HEX #8F7DA2

RGB 143 125 162

HSL 269.19, 0.17%, 0.56%

LAB 55.19, 14.28, -17.22

 

CMYK 12 / 21 / 0 / 29

HEX #A08FB5

RGB 160 143 181

HSL 266.84, 0.2%, 0.64%

LAB 62.04, 13.81, -17.52

 

CMYK 12 / 20 / 0 / 22

HEX #B1A1C8

RGB 177 161 200

HSL 264.62, 0.26%, 0.71%

LAB 68.76, 13.39, -17.83

 

CMYK 19 / 31 / 0 / 49

HEX #685981

RGB 104 89 129

HSL 262.5, 0.18%, 0.43%

LAB 40.69, 14.86, -20.19

 

CMYK 21 / 35 / 0 / 57

HEX #57476E

RGB 87 71 110

HSL 264.62, 0.22%, 0.35%

LAB 33.26, 15.55, -20.07

 

CMYK 23 / 42 / 0 / 64

HEX #46355B

RGB 70 53 91

HSL 266.84, 0.26%, 0.28%

LAB 25.57, 16.37, -20

 

CMYK 26 / 51 / 0 / 72

HEX #352348

RGB 53 35 72

HSL 269.19, 0.35%, 0.21%

LAB 17.58, 17.34, -19.97

 

CMYK 32 / 68 / 0 / 79

HEX #241135

RGB 36 17 53

HSL 271.67, 0.51%, 0.14%

LAB 9.26, 18.46, -19.94

 

CMYK 19 / 31 / 0 / 49

HEX #685981

RGB 104 89 129

HSL 262.5, 0.18%, 0.43%

LAB 40.69, 14.86, -20.19

 

CMYK 11 / 31 / 0 / 49

HEX #735981

RGB 115 89 129

HSL 279, 0.18%, 0.43%

LAB 41.81, 18.65, -18.38

 

CMYK 2 / 31 / 0 / 49

HEX #7E5981

RGB 126 89 129

HSL 295.5, 0.18%, 0.43%

LAB 43.01, 22.52, -16.43

 

CMYK 0 / 31 / 5 / 49

HEX #81597A

RGB 129 89 122

HSL 310.5, 0.18%, 0.43%

LAB 43.09, 22.18, -12.03

 

CMYK 0 / 31 / 14 / 49

HEX #81596F

RGB 129 89 111

HSL 327, 0.18%, 0.43%

LAB 42.7, 20.11, -5.9

 

CMYK 19 / 31 / 0 / 49

HEX #685981

RGB 104 89 129

HSL 262.5, 0.18%, 0.43%

LAB 40.69, 14.86, -20.19

 

CMYK 27 / 31 / 0 / 49

HEX #5E5981

RGB 94 89 129

HSL 247.5, 0.18%, 0.43%

LAB 39.76, 11.52, -21.7

 

CMYK 31 / 31 / 0 / 49

HEX #595981

RGB 89 89 129

HSL 240, 0.18%, 0.43%

LAB 39.33, 9.9, -22.4

 

CMYK 19 / 31 / 0 / 49

HEX #685981

RGB 104 89 129

HSL 262.5, 0.18%, 0.43%

LAB 40.69, 14.86, -20.19

 

CMYK 32 / 51 / 0 / 42

HEX #644893

RGB 100 72 147

HSL 262.4, 0.34%, 0.43%

LAB 36.84, 28.8, -37.21

 

CMYK 42 / 67 / 0 / 36

HEX #5F36A4

RGB 95 54 164

HSL 262.36, 0.5%, 0.43%

LAB 33.46, 42.69, -52.95

 

CMYK 50 / 80 / 0 / 29

HEX #5B24B6

RGB 91 36 182

HSL 262.6, 0.67%, 0.43%

LAB 31.49, 55.44, -66.95

 

CMYK 57 / 91 / 0 / 22

HEX #5612C8

RGB 86 18 200

HSL 262.42, 0.83%, 0.43%

LAB 30.83, 65.17, -78.68

 

CMYK 19 / 31 / 0 / 49

HEX #685981

RGB 104 89 129

HSL 262.5, 0.18%, 0.43%

LAB 40.69, 14.86, -20.19

 

CMYK 2 / 4 / 0 / 56

HEX #6D6B6F

RGB 109 107 111

HSL 270, 0.02%, 0.43%

LAB 45.52, 1.6, -1.96

 

CMYK 10 / 0 / 26 / 51

HEX #717D5D

RGB 113 125 93

HSL 82.5, 0.15%, 0.43%

LAB 50.65, -10.52, 16.01

 

CMYK 17 / 0 / 47 / 44

HEX #768F4C

RGB 118 143 76

HSL 82.39, 0.31%, 0.43%

LAB 56.11, -20.52, 32.63

 

CMYK 24 / 0 / 64 / 37

HEX #7AA03A

RGB 122 160 58

HSL 82.35, 0.47%, 0.43%

LAB 61.29, -29.17, 47.5

 

CMYK 31 / 26 / 0 / 49

HEX #596081

RGB 89 96 129

HSL 229.5, 0.18%, 0.43%

LAB 41.33, 5.54, -19.31

 

CMYK 28 / 31 / 0 / 49

HEX #5D5981

RGB 93 89 129

HSL 246, 0.18%, 0.43%

LAB 39.68, 11.19, -21.84

 

CMYK 19 / 31 / 0 / 49

HEX #685981

RGB 104 89 129

HSL 262.5, 0.18%, 0.43%

LAB 40.69, 14.86, -20.19

 

CMYK 12 / 31 / 0 / 49

HEX #725981

RGB 114 89 129

HSL 277.5, 0.18%, 0.43%

LAB 41.7, 18.3, -18.55

 

CMYK 3 / 31 / 0 / 49

HEX #7D5981

RGB 125 89 129

HSL 294, 0.18%, 0.43%

LAB 42.9, 22.16, -16.61

 

CMYK 19 / 30 / 0 / 69

HEX #413850

RGB 65 56 80

HSL 262.5, 0.18%, 0.27%

LAB 25.36, 9.62, -13.15

 

CMYK 19 / 31 / 0 / 59

HEX #554869

RGB 85 72 105

HSL 263.64, 0.19%, 0.35%

LAB 33.11, 12.93, -17.17

 

CMYK 19 / 31 / 0 / 49

HEX #685981

RGB 104 89 129

HSL 262.5, 0.18%, 0.43%

LAB 40.69, 14.86, -20.19

 

CMYK 18 / 30 / 0 / 40

HEX #7C6B98

RGB 124 107 152

HSL 262.67, 0.18%, 0.51%

LAB 48.34, 16.22, -22.01

 

CMYK 14 / 22 / 0 / 34

HEX #9284A9

RGB 146 132 169

HSL 262.7, 0.18%, 0.59%

LAB 57.54, 12.79, -17.65

 

CMYK 19 / 31 / 0 / 49

HEX #685981

RGB 104 89 129

HSL 262.5, 0.18%, 0.43%

LAB 40.69, 14.86, -20.19

 

CMYK 0 / 31 / 17 / 49

HEX #81596B

RGB 129 89 107

HSL 333, 0.18%, 0.43%

LAB 42.57, 19.4, -3.64

 

CMYK 29 / 0 / 31 / 49

HEX #5B8159

RGB 91 129 89

HSL 117, 0.18%, 0.43%

LAB 50.27, -21.79, 17.54

 

CMYK 19 / 31 / 0 / 49

HEX #685981

RGB 104 89 129

HSL 262.5, 0.18%, 0.43%

LAB 40.69, 14.86, -20.19

 

CMYK 0 / 19 / 31 / 49

HEX #816859

RGB 129 104 89

HSL 22.5, 0.18%, 0.43%

LAB 46.03, 7.6, 12.22

 

CMYK 31 / 0 / 19 / 49

HEX #598168

RGB 89 129 104

HSL 142.5, 0.18%, 0.43%

LAB 50.48, -19.58, 9.15

 

CMYK 19 / 31 / 0 / 49

HEX #685981

RGB 104 89 129

HSL 262.5, 0.18%, 0.43%

LAB 40.69, 14.86, -20.19

 

CMYK 0 / 31 / 17 / 49

HEX #81596B

RGB 129 89 107

HSL 333, 0.18%, 0.43%

LAB 42.57, 19.4, -3.64

 

CMYK 12 / 0 / 31 / 49

HEX #728159

RGB 114 129 89

HSL 82.5, 0.18%, 0.43%

LAB 51.84, -12.95, 19.92

 

CMYK 31 / 0 / 13 / 49

HEX #598170

RGB 89 129 112

HSL 154.5, 0.18%, 0.43%

LAB 50.68, -17.85, 4.77

 

CMYK 19 / 31 / 0 / 49

HEX #685981

RGB 104 89 129

HSL 262.5, 0.18%, 0.43%

LAB 40.69, 14.86, -20.19

 

CMYK 0 / 31 / 26 / 49

HEX #81595F

RGB 129 89 95

HSL 351, 0.18%, 0.43%

LAB 42.21, 17.42, 3.19

 

CMYK 12 / 0 / 31 / 49

HEX #728159

RGB 114 129 89

HSL 82.5, 0.18%, 0.43%

LAB 51.84, -12.95, 19.92

 

CMYK 31 / 0 / 4 / 49

HEX #59817C

RGB 89 129 124

HSL 172.5, 0.18%, 0.43%

LAB 51.01, -15.04, -1.76

 

Description

Color code: HEX #685981 | qconv.com Color code: HEX #685981 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 89 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 89 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 31 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 31% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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