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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #685080 it is the complementary color #97AF7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #685080. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #685080 shade: #6D507B, #7E628E, #8F74A1, #A086B4 and #B198C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #685080. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #685080 shade: #685080, #573E6D, #462C5A, #351A47 and #240834

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #685080 shade: #685080, #755080, #80507E, #805071 and #805064

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #685080 shade: #685080, #5B5080 and #505080

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #685080 shade matches the following richer shades: #685080, #683F91, #682EA2, #681DB3 and #680CC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #685080 shade: #685080, #68616F, #68725E, #68834D and #68943C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #685080 shade: #505280, #5B5080, #685080, #755080 and #80507E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #685080 shade: #3F304D, #534067, #685080, #7D6099 and #9178AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #685080 shade: #685080, #80505E and #508055

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #685080 shade: #685080, #806850 and #508068

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #685080 shade: #685080, #80505E, #688050 and #508072

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #685080 shade: #685080, #805050, #688050 and #508080

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 38 / 0 / 50

HEX #685080

RGB 104 80 128

HSL 270, 0.23%, 0.41%

LAB 38.27, 20.18, -23.33

 

Complementary color

CMYK 14 / 0 / 27 / 31

HEX #97AF7F

RGB 151 175 127

HSL 90, 0.23%, 0.59%

LAB 68.59, -17.04, 21.95

 

CMYK 11 / 35 / 0 / 52

HEX #6D507B

RGB 109 80 123

HSL 280.47, 0.21%, 0.4%

LAB 38.58, 20.68, -19.73

 

CMYK 11 / 31 / 0 / 44

HEX #7E628E

RGB 126 98 142

HSL 278.18, 0.18%, 0.47%

LAB 45.8, 19.96, -19.97

 

CMYK 11 / 28 / 0 / 37

HEX #8F74A1

RGB 143 116 161

HSL 276, 0.19%, 0.54%

LAB 52.84, 19.32, -20.22

 

CMYK 11 / 26 / 0 / 29

HEX #A086B4

RGB 160 134 180

HSL 273.91, 0.23%, 0.62%

LAB 59.72, 18.73, -20.49

 

CMYK 11 / 24 / 0 / 22

HEX #B198C7

RGB 177 152 199

HSL 271.91, 0.3%, 0.69%

LAB 66.46, 18.21, -20.76

 

CMYK 19 / 38 / 0 / 50

HEX #685080

RGB 104 80 128

HSL 270, 0.23%, 0.41%

LAB 38.27, 20.18, -23.33

 

CMYK 20 / 43 / 0 / 57

HEX #573E6D

RGB 87 62 109

HSL 271.91, 0.27%, 0.34%

LAB 30.82, 21.02, -23.24

 

CMYK 22 / 51 / 0 / 65

HEX #462C5A

RGB 70 44 90

HSL 273.91, 0.34%, 0.26%

LAB 23.14, 21.97, -23.16

 

CMYK 25 / 63 / 0 / 72

HEX #351A47

RGB 53 26 71

HSL 276, 0.46%, 0.19%

LAB 15.23, 22.98, -23.03

 

CMYK 31 / 85 / 0 / 80

HEX #240834

RGB 36 8 52

HSL 278.18, 0.73%, 0.12%

LAB 7.2, 23.57, -22.53

 

CMYK 19 / 38 / 0 / 50

HEX #685080

RGB 104 80 128

HSL 270, 0.23%, 0.41%

LAB 38.27, 20.18, -23.33

 

CMYK 9 / 38 / 0 / 50

HEX #755080

RGB 117 80 128

HSL 286.25, 0.23%, 0.41%

LAB 39.71, 24.56, -20.98

 

CMYK 0 / 38 / 2 / 50

HEX #80507E

RGB 128 80 126

HSL 302.5, 0.23%, 0.41%

LAB 40.95, 27.92, -17.74

 

CMYK 0 / 38 / 12 / 50

HEX #805071

RGB 128 80 113

HSL 318.75, 0.23%, 0.41%

LAB 40.44, 25.42, -10.53

 

CMYK 0 / 38 / 22 / 50

HEX #805064

RGB 128 80 100

HSL 335, 0.23%, 0.41%

LAB 39.99, 23.16, -3.15

 

CMYK 19 / 38 / 0 / 50

HEX #685080

RGB 104 80 128

HSL 270, 0.23%, 0.41%

LAB 38.27, 20.18, -23.33

 

CMYK 29 / 38 / 0 / 50

HEX #5B5080

RGB 91 80 128

HSL 253.75, 0.23%, 0.41%

LAB 36.97, 15.94, -25.46

 

CMYK 38 / 38 / 0 / 50

HEX #505080

RGB 80 80 128

HSL 240, 0.23%, 0.41%

LAB 35.99, 12.54, -27.06

 

CMYK 19 / 38 / 0 / 50

HEX #685080

RGB 104 80 128

HSL 270, 0.23%, 0.41%

LAB 38.27, 20.18, -23.33

 

CMYK 28 / 57 / 0 / 43

HEX #683F91

RGB 104 63 145

HSL 270, 0.39%, 0.41%

LAB 35.09, 34.72, -38.76

 

CMYK 36 / 72 / 0 / 36

HEX #682EA2

RGB 104 46 162

HSL 270, 0.56%, 0.41%

LAB 32.93, 48.07, -52.55

 

CMYK 42 / 84 / 0 / 30

HEX #681DB3

RGB 104 29 179

HSL 270, 0.72%, 0.41%

LAB 31.98, 59.03, -64.31

 

CMYK 47 / 94 / 0 / 23

HEX #680CC4

RGB 104 12 196

HSL 270, 0.88%, 0.41%

LAB 32.24, 67.02, -73.94

 

CMYK 19 / 38 / 0 / 50

HEX #685080

RGB 104 80 128

HSL 270, 0.23%, 0.41%

LAB 38.27, 20.18, -23.33

 

CMYK 6 / 13 / 0 / 56

HEX #68616F

RGB 104 97 111

HSL 270, 0.07%, 0.41%

LAB 42.22, 5.71, -6.9

 

CMYK 9 / 0 / 18 / 55

HEX #68725E

RGB 104 114 94

HSL 90, 0.1%, 0.41%

LAB 46.69, -7.77, 9.83

 

CMYK 21 / 0 / 41 / 49

HEX #68834D

RGB 104 131 77

HSL 90, 0.26%, 0.41%

LAB 51.51, -19.8, 26.08

 

CMYK 30 / 0 / 59 / 42

HEX #68943C

RGB 104 148 60

HSL 90, 0.42%, 0.41%

LAB 56.53, -30.31, 40.97

 

CMYK 38 / 36 / 0 / 50

HEX #505280

RGB 80 82 128

HSL 237.5, 0.23%, 0.41%

LAB 36.55, 11.25, -26.18

 

CMYK 29 / 38 / 0 / 50

HEX #5B5080

RGB 91 80 128

HSL 253.75, 0.23%, 0.41%

LAB 36.97, 15.94, -25.46

 

CMYK 19 / 38 / 0 / 50

HEX #685080

RGB 104 80 128

HSL 270, 0.23%, 0.41%

LAB 38.27, 20.18, -23.33

 

CMYK 9 / 38 / 0 / 50

HEX #755080

RGB 117 80 128

HSL 286.25, 0.23%, 0.41%

LAB 39.71, 24.56, -20.98

 

CMYK 0 / 38 / 2 / 50

HEX #80507E

RGB 128 80 126

HSL 302.5, 0.23%, 0.41%

LAB 40.95, 27.92, -17.74

 

CMYK 18 / 38 / 0 / 70

HEX #3F304D

RGB 63 48 77

HSL 271.03, 0.23%, 0.25%

LAB 22.68, 13.45, -15.31

 

CMYK 19 / 38 / 0 / 60

HEX #534067

RGB 83 64 103

HSL 269.23, 0.23%, 0.33%

LAB 30.6, 16.85, -19.79

 

CMYK 19 / 38 / 0 / 50

HEX #685080

RGB 104 80 128

HSL 270, 0.23%, 0.41%

LAB 38.27, 20.18, -23.33

 

CMYK 18 / 37 / 0 / 40

HEX #7D6099

RGB 125 96 153

HSL 270.53, 0.23%, 0.49%

LAB 45.67, 23.38, -26.74

 

CMYK 15 / 29 / 0 / 33

HEX #9178AA

RGB 145 120 170

HSL 270, 0.23%, 0.57%

LAB 54.4, 19.65, -23.03

 

CMYK 19 / 38 / 0 / 50

HEX #685080

RGB 104 80 128

HSL 270, 0.23%, 0.41%

LAB 38.27, 20.18, -23.33

 

CMYK 0 / 38 / 27 / 50

HEX #80505E

RGB 128 80 94

HSL 342.5, 0.23%, 0.41%

LAB 39.81, 22.19, 0.3

 

CMYK 38 / 0 / 34 / 50

HEX #508055

RGB 80 128 85

HSL 126.25, 0.23%, 0.41%

LAB 49.25, -25.86, 18.34

 

CMYK 19 / 38 / 0 / 50

HEX #685080

RGB 104 80 128

HSL 270, 0.23%, 0.41%

LAB 38.27, 20.18, -23.33

 

CMYK 0 / 19 / 38 / 50

HEX #806850

RGB 128 104 80

HSL 30, 0.23%, 0.41%

LAB 45.73, 5.92, 17.13

 

CMYK 38 / 0 / 19 / 50

HEX #508068

RGB 80 128 104

HSL 150, 0.23%, 0.41%

LAB 49.67, -22.01, 7.93

 

CMYK 19 / 38 / 0 / 50

HEX #685080

RGB 104 80 128

HSL 270, 0.23%, 0.41%

LAB 38.27, 20.18, -23.33

 

CMYK 0 / 38 / 27 / 50

HEX #80505E

RGB 128 80 94

HSL 342.5, 0.23%, 0.41%

LAB 39.81, 22.19, 0.3

 

CMYK 19 / 0 / 38 / 50

HEX #688050

RGB 104 128 80

HSL 90, 0.23%, 0.41%

LAB 50.64, -17.79, 23.29

 

CMYK 38 / 0 / 11 / 50

HEX #508072

RGB 80 128 114

HSL 162.5, 0.23%, 0.41%

LAB 49.93, -19.71, 2.46

 

CMYK 19 / 38 / 0 / 50

HEX #685080

RGB 104 80 128

HSL 270, 0.23%, 0.41%

LAB 38.27, 20.18, -23.33

 

CMYK 0 / 38 / 38 / 50

HEX #805050

RGB 128 80 80

HSL 0, 0.23%, 0.41%

LAB 39.42, 20.17, 8.44

 

CMYK 19 / 0 / 38 / 50

HEX #688050

RGB 104 128 80

HSL 90, 0.23%, 0.41%

LAB 50.64, -17.79, 23.29

 

CMYK 38 / 0 / 0 / 50

HEX #508080

RGB 80 128 128

HSL 180, 0.23%, 0.41%

LAB 50.34, -16.19, -5.16

 

Description

Color code: HEX #685080 | qconv.com Color code: HEX #685080 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 80 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 80 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 38 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 38% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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