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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #685AAE it is the complementary color #97A551. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #685AAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #685AAE shade: #6D5AA9, #7E6CBC, #8F7ECF, #A090E2 and #B1A2F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #685AAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #685AAE shade: #685AAE, #57489B, #463688, #352475 and #241262

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #685AAE shade: #685AAE, #7F5AAE, #955AAE, #AC5AAE and #AE5A99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #685AAE shade: #685AAE and #5A5AAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #685AAE shade matches the following richer shades: #685AAE, #5B47C2, #4E33D5, #411FE9 and #340BFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #685AAE shade: #685AAE, #766E9A, #838286, #909672 and #9DAA5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #685AAE shade: #5A79AE, #5A63AE, #685AAE, #7F5AAE and #955AAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #685AAE shade: #463C7A, #564996, #685AAE, #8276BB and #9B92C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #685AAE shade: #685AAE, #AE5A8F and #6EAE5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #685AAE shade: #685AAE, #AE685A and #5AAE68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #685AAE shade: #685AAE, #AE5A8F, #A0AE5A and #5AAE79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #685AAE shade: #685AAE, #AE5A76, #A0AE5A and #5AAE92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 48 / 0 / 32

HEX #685AAE

RGB 104 90 174

HSL 250, 0.34%, 0.52%

LAB 43.23, 26.44, -43.14

 

Complementary color

CMYK 8 / 0 / 51 / 35

HEX #97A551

RGB 151 165 81

HSL 70, 0.34%, 0.48%

LAB 65.03, -17.75, 41.47

 

CMYK 36 / 47 / 0 / 34

HEX #6D5AA9

RGB 109 90 169

HSL 254.43, 0.31%, 0.51%

LAB 43.4, 26.36, -39.89

 

CMYK 33 / 43 / 0 / 26

HEX #7E6CBC

RGB 126 108 188

HSL 253.5, 0.37%, 0.58%

LAB 50.44, 25.39, -39.73

 

CMYK 31 / 39 / 0 / 19

HEX #8F7ECF

RGB 143 126 207

HSL 252.59, 0.46%, 0.65%

LAB 57.33, 24.53, -39.62

 

CMYK 29 / 36 / 0 / 11

HEX #A090E2

RGB 160 144 226

HSL 251.71, 0.59%, 0.73%

LAB 64.09, 23.77, -39.55

 

CMYK 28 / 34 / 0 / 4

HEX #B1A2F5

RGB 177 162 245

HSL 250.84, 0.81%, 0.8%

LAB 70.72, 23.09, -39.52

 

CMYK 40 / 48 / 0 / 32

HEX #685AAE

RGB 104 90 174

HSL 250, 0.34%, 0.52%

LAB 43.23, 26.44, -43.14

 

CMYK 44 / 54 / 0 / 39

HEX #57489B

RGB 87 72 155

HSL 250.84, 0.37%, 0.45%

LAB 36.04, 27.67, -43.41

 

CMYK 49 / 60 / 0 / 47

HEX #463688

RGB 70 54 136

HSL 251.71, 0.43%, 0.37%

LAB 28.69, 29.1, -43.69

 

CMYK 55 / 69 / 0 / 54

HEX #352475

RGB 53 36 117

HSL 252.59, 0.53%, 0.3%

LAB 21.22, 30.72, -43.92

 

CMYK 63 / 82 / 0 / 62

HEX #241262

RGB 36 18 98

HSL 253.5, 0.69%, 0.23%

LAB 13.77, 32.28, -43.81

 

CMYK 40 / 48 / 0 / 32

HEX #685AAE

RGB 104 90 174

HSL 250, 0.34%, 0.52%

LAB 43.23, 26.44, -43.14

 

CMYK 27 / 48 / 0 / 32

HEX #7F5AAE

RGB 127 90 174

HSL 266.43, 0.34%, 0.52%

LAB 45.47, 32.68, -39.44

 

CMYK 14 / 48 / 0 / 32

HEX #955AAE

RGB 149 90 174

HSL 282.14, 0.34%, 0.52%

LAB 47.95, 39, -35.36

 

CMYK 1 / 48 / 0 / 32

HEX #AC5AAE

RGB 172 90 174

HSL 298.57, 0.34%, 0.52%

LAB 50.85, 45.77, -30.61

 

CMYK 0 / 48 / 12 / 32

HEX #AE5A99

RGB 174 90 153

HSL 315, 0.34%, 0.52%

LAB 50.23, 42.65, -19.22

 

CMYK 40 / 48 / 0 / 32

HEX #685AAE

RGB 104 90 174

HSL 250, 0.34%, 0.52%

LAB 43.23, 26.44, -43.14

 

CMYK 48 / 48 / 0 / 32

HEX #5A5AAE

RGB 90 90 174

HSL 240, 0.34%, 0.52%

LAB 42.06, 22.97, -45.07

 

CMYK 40 / 48 / 0 / 32

HEX #685AAE

RGB 104 90 174

HSL 250, 0.34%, 0.52%

LAB 43.23, 26.44, -43.14

 

CMYK 53 / 63 / 0 / 24

HEX #5B47C2

RGB 91 71 194

HSL 249.76, 0.5%, 0.52%

LAB 38.94, 41, -61.83

 

CMYK 63 / 76 / 0 / 16

HEX #4E33D5

RGB 78 51 213

HSL 250, 0.66%, 0.52%

LAB 35.58, 55.67, -78.42

 

CMYK 72 / 87 / 0 / 9

HEX #411FE9

RGB 65 31 233

HSL 250.1, 0.82%, 0.52%

LAB 33.96, 68.46, -92.61

 

CMYK 79 / 96 / 0 / 1

HEX #340BFD

RGB 52 11 253

HSL 250.17, 0.98%, 0.52%

LAB 34.11, 77.72, -103.68

 

CMYK 40 / 48 / 0 / 32

HEX #685AAE

RGB 104 90 174

HSL 250, 0.34%, 0.52%

LAB 43.23, 26.44, -43.14

 

CMYK 23 / 29 / 0 / 40

HEX #766E9A

RGB 118 110 154

HSL 250.91, 0.18%, 0.52%

LAB 48.68, 12.94, -22.72

 

CMYK 2 / 3 / 0 / 47

HEX #838286

RGB 131 130 134

HSL 255, 0.02%, 0.52%

LAB 54.57, 1.18, -2.03

 

CMYK 4 / 0 / 24 / 41

HEX #909672

RGB 144 150 114

HSL 70, 0.15%, 0.52%

LAB 60.74, -8.54, 18.31

 

CMYK 8 / 0 / 45 / 33

HEX #9DAA5E

RGB 157 170 94

HSL 70.26, 0.31%, 0.52%

LAB 67.07, -16.5, 37.51

 

CMYK 48 / 30 / 0 / 32

HEX #5A79AE

RGB 90 121 174

HSL 217.86, 0.34%, 0.52%

LAB 50.58, 3.81, -31.62

 

CMYK 48 / 43 / 0 / 32

HEX #5A63AE

RGB 90 99 174

HSL 233.57, 0.34%, 0.52%

LAB 44.45, 17.33, -41.26

 

CMYK 40 / 48 / 0 / 32

HEX #685AAE

RGB 104 90 174

HSL 250, 0.34%, 0.52%

LAB 43.23, 26.44, -43.14

 

CMYK 27 / 48 / 0 / 32

HEX #7F5AAE

RGB 127 90 174

HSL 266.43, 0.34%, 0.52%

LAB 45.47, 32.68, -39.44

 

CMYK 14 / 48 / 0 / 32

HEX #955AAE

RGB 149 90 174

HSL 282.14, 0.34%, 0.52%

LAB 47.95, 39, -35.36

 

CMYK 43 / 51 / 0 / 52

HEX #463C7A

RGB 70 60 122

HSL 249.68, 0.34%, 0.36%

LAB 29.26, 20.84, -34.03

 

CMYK 43 / 51 / 0 / 41

HEX #564996

RGB 86 73 150

HSL 250.13, 0.35%, 0.44%

LAB 35.88, 25.29, -40.64

 

CMYK 40 / 48 / 0 / 32

HEX #685AAE

RGB 104 90 174

HSL 250, 0.34%, 0.52%

LAB 43.23, 26.44, -43.14

 

CMYK 30 / 37 / 0 / 27

HEX #8276BB

RGB 130 118 187

HSL 250.43, 0.34%, 0.6%

LAB 53.27, 20.31, -34.69

 

CMYK 23 / 27 / 0 / 21

HEX #9B92C9

RGB 155 146 201

HSL 249.82, 0.34%, 0.68%

LAB 63.13, 15.03, -27.15

 

CMYK 40 / 48 / 0 / 32

HEX #685AAE

RGB 104 90 174

HSL 250, 0.34%, 0.52%

LAB 43.23, 26.44, -43.14

 

CMYK 0 / 48 / 18 / 32

HEX #AE5A8F

RGB 174 90 143

HSL 322.14, 0.34%, 0.52%

LAB 49.85, 41.02, -13.86

 

CMYK 37 / 0 / 48 / 32

HEX #6EAE5A

RGB 110 174 90

HSL 105.71, 0.34%, 0.52%

LAB 65.22, -36.66, 36.59

 

CMYK 40 / 48 / 0 / 32

HEX #685AAE

RGB 104 90 174

HSL 250, 0.34%, 0.52%

LAB 43.23, 26.44, -43.14

 

CMYK 0 / 40 / 48 / 32

HEX #AE685A

RGB 174 104 90

HSL 10, 0.34%, 0.52%

LAB 51.42, 26.5, 19.87

 

CMYK 48 / 0 / 40 / 32

HEX #5AAE68

RGB 90 174 104

HSL 130, 0.34%, 0.52%

LAB 64.52, -40.77, 28.25

 

CMYK 40 / 48 / 0 / 32

HEX #685AAE

RGB 104 90 174

HSL 250, 0.34%, 0.52%

LAB 43.23, 26.44, -43.14

 

CMYK 0 / 48 / 18 / 32

HEX #AE5A8F

RGB 174 90 143

HSL 322.14, 0.34%, 0.52%

LAB 49.85, 41.02, -13.86

 

CMYK 8 / 0 / 48 / 32

HEX #A0AE5A

RGB 160 174 90

HSL 70, 0.34%, 0.52%

LAB 68.38, -17.75, 41.18

 

CMYK 48 / 0 / 30 / 32

HEX #5AAE79

RGB 90 174 121

HSL 142.14, 0.34%, 0.52%

LAB 64.82, -37.69, 19.53

 

CMYK 40 / 48 / 0 / 32

HEX #685AAE

RGB 104 90 174

HSL 250, 0.34%, 0.52%

LAB 43.23, 26.44, -43.14

 

CMYK 0 / 48 / 32 / 32

HEX #AE5A76

RGB 174 90 118

HSL 340, 0.34%, 0.52%

LAB 49.03, 37.39, -0.14

 

CMYK 8 / 0 / 48 / 32

HEX #A0AE5A

RGB 160 174 90

HSL 70, 0.34%, 0.52%

LAB 68.38, -17.75, 41.18

 

CMYK 48 / 0 / 16 / 32

HEX #5AAE92

RGB 90 174 146

HSL 160, 0.34%, 0.52%

LAB 65.37, -32.36, 6.55

 

Description

Color code: HEX #685AAE | qconv.com Color code: HEX #685AAE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 90 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 90 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 48 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 48% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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