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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #685E60 it is the complementary color #97A19F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #685E60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #685E60 shade: #6D5E5B, #7E706E, #8F8281, #A09494 and #B1A6A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #685E60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #685E60 shade: #685E60, #574C4D, #463A3A, #352827 and #241614

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #685E60 shade: #685E60 and #685E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #685E60 shade: #685E60, #685E63, #685E65, #685E68 and #655E68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #685E60 shade matches the following richer shades: #685E60, #784E56, #883E4D, #982E43 and #A81E39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #685E60 shade: #685E60, #586E6A, #487E73, #388E7D and #289E87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #685E60 shade: #685E65, #685E63, #685E60, #685F5E and #68615E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #685E60 shade: #3D3738, #524A4C, #685E60, #7E7274 and #928689

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #685E60 shade: #685E60, #68685E and #5E6468

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #685E60 shade: #685E60, #60685E and #5E6068

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #685E60 shade: #685E60, #68685E, #5E6866 and #5E5E68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #685E60 shade: #685E60, #65685E, #5E6866 and #615E68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 8 / 59

HEX #685E60

RGB 104 94 96

HSL 348, 0.05%, 0.39%

LAB 40.89, 4.4, 0.31

 

Complementary color

CMYK 6 / 0 / 1 / 37

HEX #97A19F

RGB 151 161 159

HSL 168, 0.05%, 0.61%

LAB 65.41, -3.94, -0.19

 

CMYK 0 / 14 / 17 / 57

HEX #6D5E5B

RGB 109 94 91

HSL 10, 0.09%, 0.39%

LAB 41.24, 5.5, 3.94

 

CMYK 0 / 11 / 13 / 51

HEX #7E706E

RGB 126 112 110

HSL 7.5, 0.07%, 0.46%

LAB 48.45, 5.09, 3.1

 

CMYK 0 / 9 / 10 / 44

HEX #8F8281

RGB 143 130 129

HSL 4.29, 0.06%, 0.53%

LAB 55.47, 4.74, 2.32

 

CMYK 0 / 7 / 7 / 37

HEX #A09494

RGB 160 148 148

HSL 0, 0.06%, 0.6%

LAB 62.33, 4.43, 1.59

 

CMYK 0 / 6 / 6 / 31

HEX #B1A6A7

RGB 177 166 167

HSL 354.55, 0.07%, 0.67%

LAB 69.05, 4.15, 0.9

 

CMYK 0 / 10 / 8 / 59

HEX #685E60

RGB 104 94 96

HSL 348, 0.05%, 0.39%

LAB 40.89, 4.4, 0.31

 

CMYK 0 / 13 / 11 / 66

HEX #574C4D

RGB 87 76 77

HSL 354.55, 0.07%, 0.32%

LAB 33.42, 4.79, 1.09

 

CMYK 0 / 17 / 17 / 73

HEX #463A3A

RGB 70 58 58

HSL 0, 0.09%, 0.25%

LAB 25.66, 5.26, 1.96

 

CMYK 0 / 25 / 26 / 79

HEX #352827

RGB 53 40 39

HSL 4.29, 0.15%, 0.18%

LAB 17.56, 5.88, 2.97

 

CMYK 0 / 39 / 44 / 86

HEX #241614

RGB 36 22 20

HSL 7.5, 0.29%, 0.11%

LAB 8.99, 6.78, 4.13

 

CMYK 0 / 10 / 8 / 59

HEX #685E60

RGB 104 94 96

HSL 348, 0.05%, 0.39%

LAB 40.89, 4.4, 0.31

 

CMYK 0 / 10 / 10 / 59

HEX #685E5E

RGB 104 94 94

HSL 0, 0.05%, 0.39%

LAB 40.83, 4.01, 1.45

 

CMYK 0 / 10 / 8 / 59

HEX #685E60

RGB 104 94 96

HSL 348, 0.05%, 0.39%

LAB 40.89, 4.4, 0.31

 

CMYK 0 / 10 / 5 / 59

HEX #685E63

RGB 104 94 99

HSL 330, 0.05%, 0.39%

LAB 40.98, 5, -1.4

 

CMYK 0 / 10 / 3 / 59

HEX #685E65

RGB 104 94 101

HSL 318, 0.05%, 0.39%

LAB 41.04, 5.4, -2.53

 

CMYK 0 / 10 / 0 / 59

HEX #685E68

RGB 104 94 104

HSL 300, 0.05%, 0.39%

LAB 41.13, 6.03, -4.23

 

CMYK 3 / 10 / 0 / 59

HEX #655E68

RGB 101 94 104

HSL 282, 0.05%, 0.39%

LAB 40.85, 4.86, -4.68

 

CMYK 0 / 10 / 8 / 59

HEX #685E60

RGB 104 94 96

HSL 348, 0.05%, 0.39%

LAB 40.89, 4.4, 0.31

 

CMYK 0 / 35 / 28 / 53

HEX #784E56

RGB 120 78 86

HSL 348.57, 0.21%, 0.39%

LAB 38.05, 18.92, 2.6

 

CMYK 0 / 54 / 43 / 47

HEX #883E4D

RGB 136 62 77

HSL 347.84, 0.37%, 0.39%

LAB 36.4, 33.19, 6.21

 

CMYK 0 / 70 / 56 / 40

HEX #982E43

RGB 152 46 67

HSL 348.11, 0.54%, 0.39%

LAB 36.05, 45.48, 12.52

 

CMYK 0 / 82 / 66 / 34

HEX #A81E39

RGB 168 30 57

HSL 348.26, 0.7%, 0.39%

LAB 37.02, 55.1, 20.76

 

CMYK 0 / 10 / 8 / 59

HEX #685E60

RGB 104 94 96

HSL 348, 0.05%, 0.39%

LAB 40.89, 4.4, 0.31

 

CMYK 20 / 0 / 4 / 57

HEX #586E6A

RGB 88 110 106

HSL 169.09, 0.11%, 0.39%

LAB 44.61, -9.03, -0.47

 

CMYK 43 / 0 / 9 / 51

HEX #487E73

RGB 72 126 115

HSL 167.78, 0.27%, 0.39%

LAB 48.93, -20.76, 0.37

 

CMYK 61 / 0 / 12 / 44

HEX #388E7D

RGB 56 142 125

HSL 168.14, 0.43%, 0.39%

LAB 53.67, -30.08, 1.37

 

CMYK 75 / 0 / 15 / 38

HEX #289E87

RGB 40 158 135

HSL 168.31, 0.6%, 0.39%

LAB 58.65, -37.47, 2.84

 

CMYK 0 / 10 / 3 / 59

HEX #685E65

RGB 104 94 101

HSL 318, 0.05%, 0.39%

LAB 41.04, 5.4, -2.53

 

CMYK 0 / 10 / 5 / 59

HEX #685E63

RGB 104 94 99

HSL 330, 0.05%, 0.39%

LAB 40.98, 5, -1.4

 

CMYK 0 / 10 / 8 / 59

HEX #685E60

RGB 104 94 96

HSL 348, 0.05%, 0.39%

LAB 40.89, 4.4, 0.31

 

CMYK 0 / 9 / 10 / 59

HEX #685F5E

RGB 104 95 94

HSL 6, 0.05%, 0.39%

LAB 41.11, 3.4, 1.87

 

CMYK 0 / 7 / 10 / 59

HEX #68615E

RGB 104 97 94

HSL 18, 0.05%, 0.39%

LAB 41.69, 2.2, 2.7

 

CMYK 0 / 10 / 8 / 76

HEX #3D3738

RGB 61 55 56

HSL 350, 0.05%, 0.23%

LAB 23.7, 2.84, 0.32

 

CMYK 0 / 10 / 7 / 68

HEX #524A4C

RGB 82 74 76

HSL 345, 0.05%, 0.31%

LAB 32.29, 3.75, 0.02

 

CMYK 0 / 10 / 8 / 59

HEX #685E60

RGB 104 94 96

HSL 348, 0.05%, 0.39%

LAB 40.89, 4.4, 0.31

 

CMYK 0 / 10 / 8 / 51

HEX #7E7274

RGB 126 114 116

HSL 350, 0.05%, 0.47%

LAB 49.17, 5.03, 0.58

 

CMYK 0 / 8 / 6 / 43

HEX #928689

RGB 146 134 137

HSL 345, 0.05%, 0.55%

LAB 57.04, 5.06, 0.02

 

CMYK 0 / 10 / 8 / 59

HEX #685E60

RGB 104 94 96

HSL 348, 0.05%, 0.39%

LAB 40.89, 4.4, 0.31

 

CMYK 0 / 0 / 10 / 59

HEX #68685E

RGB 104 104 94

HSL 60, 0.05%, 0.39%

LAB 43.73, -1.97, 5.63

 

CMYK 10 / 4 / 0 / 59

HEX #5E6468

RGB 94 100 104

HSL 204, 0.05%, 0.39%

LAB 41.99, -1.43, -3.06

 

CMYK 0 / 10 / 8 / 59

HEX #685E60

RGB 104 94 96

HSL 348, 0.05%, 0.39%

LAB 40.89, 4.4, 0.31

 

CMYK 8 / 0 / 10 / 59

HEX #60685E

RGB 96 104 94

HSL 108, 0.05%, 0.39%

LAB 43.06, -5.16, 4.58

 

CMYK 10 / 8 / 0 / 59

HEX #5E6068

RGB 94 96 104

HSL 228, 0.05%, 0.39%

LAB 40.81, 0.98, -4.81

 

CMYK 0 / 10 / 8 / 59

HEX #685E60

RGB 104 94 96

HSL 348, 0.05%, 0.39%

LAB 40.89, 4.4, 0.31

 

CMYK 0 / 0 / 10 / 59

HEX #68685E

RGB 104 104 94

HSL 60, 0.05%, 0.39%

LAB 43.73, -1.97, 5.63

 

CMYK 10 / 0 / 2 / 59

HEX #5E6866

RGB 94 104 102

HSL 168, 0.05%, 0.39%

LAB 43.12, -4.25, -0.19

 

CMYK 10 / 10 / 0 / 59

HEX #5E5E68

RGB 94 94 104

HSL 240, 0.05%, 0.39%

LAB 40.22, 2.2, -5.69

 

CMYK 0 / 10 / 8 / 59

HEX #685E60

RGB 104 94 96

HSL 348, 0.05%, 0.39%

LAB 40.89, 4.4, 0.31

 

CMYK 3 / 0 / 10 / 59

HEX #65685E

RGB 101 104 94

HSL 78, 0.05%, 0.39%

LAB 43.47, -3.18, 5.23

 

CMYK 10 / 0 / 2 / 59

HEX #5E6866

RGB 94 104 102

HSL 168, 0.05%, 0.39%

LAB 43.12, -4.25, -0.19

 

CMYK 7 / 10 / 0 / 59

HEX #615E68

RGB 97 94 104

HSL 258, 0.05%, 0.39%

LAB 40.49, 3.33, -5.26

 

Description

Color code: HEX #685E60 | qconv.com Color code: HEX #685E60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 94 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 94 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 8 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 8% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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