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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #685E72 it is the complementary color #97A18D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #685E72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #685E72 shade: #6D5E6D, #7E7080, #8F8293, #A094A6 and #B1A6B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #685E72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #685E72 shade: #685E72, #574C5F, #463A4C, #352839 and #241626

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #685E72 shade: #685E73, #6E5E73, #735E72, #735E6C and #735E66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #685E72 shade: #685E73, #625E73 and #5E5E73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #685E72 shade matches the following richer shades: #685E73, #684D83, #683C94, #682BA5 and #681AB6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #685E72 shade: #685E73, #686F62, #687F51, #689040 and #68A12F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #685E72 shade: #5E5E73, #625E73, #685E73, #6E5E73 and #735E72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #685E72 shade: #3F3845, #534B5C, #685E73, #7D7089 and #91869C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #685E72 shade: #685E72, #735E64 and #5E7360

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #685E72 shade: #685E72, #73685E and #5E7368

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #685E72 shade: #685E72, #735E64, #68735E and #5E736C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #685E72 shade: #685E72, #735E5E, #68735E and #5E7373

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 18 / 0 / 55

HEX #685E72

RGB 104 94 114

HSL 270, 0.1%, 0.41%

LAB 41.47, 8.21, -9.84

 

Complementary color

CMYK 6 / 0 / 12 / 37

HEX #97A18D

RGB 151 161 141

HSL 90, 0.1%, 0.59%

LAB 64.96, -7.33, 9.2

 

CMYK 0 / 14 / 0 / 57

HEX #6D5E6D

RGB 109 94 109

HSL 300, 0.07%, 0.4%

LAB 41.78, 9.01, -6.27

 

CMYK 2 / 13 / 0 / 50

HEX #7E7080

RGB 126 112 128

HSL 292.5, 0.07%, 0.47%

LAB 48.99, 8.58, -6.81

 

CMYK 3 / 12 / 0 / 42

HEX #8F8293

RGB 143 130 147

HSL 285.88, 0.07%, 0.54%

LAB 56, 8.2, -7.33

 

CMYK 4 / 11 / 0 / 35

HEX #A094A6

RGB 160 148 166

HSL 280, 0.09%, 0.62%

LAB 62.85, 7.86, -7.83

 

CMYK 4 / 10 / 0 / 27

HEX #B1A6B9

RGB 177 166 185

HSL 274.74, 0.12%, 0.69%

LAB 69.56, 7.55, -8.32

 

CMYK 9 / 18 / 0 / 55

HEX #685E72

RGB 104 94 114

HSL 270, 0.1%, 0.41%

LAB 41.47, 8.21, -9.84

 

CMYK 8 / 20 / 0 / 63

HEX #574C5F

RGB 87 76 95

HSL 274.74, 0.11%, 0.34%

LAB 34.03, 8.66, -9.43

 

CMYK 8 / 24 / 0 / 70

HEX #463A4C

RGB 70 58 76

HSL 280, 0.13%, 0.26%

LAB 26.3, 9.2, -9.02

 

CMYK 7 / 30 / 0 / 78

HEX #352839

RGB 53 40 57

HSL 285.88, 0.18%, 0.19%

LAB 18.23, 9.86, -8.61

 

CMYK 5 / 42 / 0 / 85

HEX #241626

RGB 36 22 38

HSL 292.5, 0.27%, 0.12%

LAB 9.71, 10.69, -8.19

 

CMYK 10 / 18 / 0 / 55

HEX #685E73

RGB 104 94 115

HSL 268.57, 0.1%, 0.41%

LAB 41.51, 8.44, -10.4

 

CMYK 4 / 18 / 0 / 55

HEX #6E5E73

RGB 110 94 115

HSL 285.71, 0.1%, 0.41%

LAB 42.09, 10.67, -9.47

 

CMYK 0 / 18 / 1 / 55

HEX #735E72

RGB 115 94 114

HSL 302.86, 0.1%, 0.41%

LAB 42.56, 12.34, -8.1

 

CMYK 0 / 18 / 6 / 55

HEX #735E6C

RGB 115 94 108

HSL 320, 0.1%, 0.41%

LAB 42.36, 11.12, -4.74

 

CMYK 0 / 18 / 11 / 55

HEX #735E66

RGB 115 94 102

HSL 337.14, 0.1%, 0.41%

LAB 42.17, 9.96, -1.36

 

CMYK 10 / 18 / 0 / 55

HEX #685E73

RGB 104 94 115

HSL 268.57, 0.1%, 0.41%

LAB 41.51, 8.44, -10.4

 

CMYK 15 / 18 / 0 / 55

HEX #625E73

RGB 98 94 115

HSL 251.43, 0.1%, 0.41%

LAB 40.96, 6.25, -11.28

 

CMYK 18 / 18 / 0 / 55

HEX #5E5E73

RGB 94 94 115

HSL 240, 0.1%, 0.41%

LAB 40.61, 4.81, -11.85

 

CMYK 10 / 18 / 0 / 55

HEX #685E73

RGB 104 94 115

HSL 268.57, 0.1%, 0.41%

LAB 41.51, 8.44, -10.4

 

CMYK 21 / 41 / 0 / 49

HEX #684D83

RGB 104 77 131

HSL 270, 0.26%, 0.41%

LAB 37.64, 22.77, -26.15

 

CMYK 30 / 59 / 0 / 42

HEX #683C94

RGB 104 60 148

HSL 270, 0.42%, 0.41%

LAB 34.63, 37.2, -41.32

 

CMYK 37 / 74 / 0 / 35

HEX #682BA5

RGB 104 43 165

HSL 270, 0.59%, 0.41%

LAB 32.67, 50.2, -54.78

 

CMYK 43 / 86 / 0 / 29

HEX #681AB6

RGB 104 26 182

HSL 270, 0.75%, 0.41%

LAB 31.94, 60.66, -66.16

 

CMYK 10 / 18 / 0 / 55

HEX #685E73

RGB 104 94 115

HSL 268.57, 0.1%, 0.41%

LAB 41.51, 8.44, -10.4

 

CMYK 6 / 0 / 12 / 56

HEX #686F62

RGB 104 111 98

HSL 92.31, 0.06%, 0.41%

LAB 45.9, -5.3, 6.33

 

CMYK 18 / 0 / 36 / 50

HEX #687F51

RGB 104 127 81

HSL 90, 0.22%, 0.41%

LAB 50.35, -17.11, 22.34

 

CMYK 28 / 0 / 56 / 44

HEX #689040

RGB 104 144 64

HSL 90, 0.38%, 0.41%

LAB 55.34, -27.97, 37.64

 

CMYK 35 / 0 / 71 / 37

HEX #68A12F

RGB 104 161 47

HSL 90, 0.55%, 0.41%

LAB 60.46, -37.39, 50.89

 

CMYK 18 / 18 / 0 / 55

HEX #5E5E73

RGB 94 94 115

HSL 240, 0.1%, 0.41%

LAB 40.61, 4.81, -11.85

 

CMYK 15 / 18 / 0 / 55

HEX #625E73

RGB 98 94 115

HSL 251.43, 0.1%, 0.41%

LAB 40.96, 6.25, -11.28

 

CMYK 10 / 18 / 0 / 55

HEX #685E73

RGB 104 94 115

HSL 268.57, 0.1%, 0.41%

LAB 41.51, 8.44, -10.4

 

CMYK 4 / 18 / 0 / 55

HEX #6E5E73

RGB 110 94 115

HSL 285.71, 0.1%, 0.41%

LAB 42.09, 10.67, -9.47

 

CMYK 0 / 18 / 1 / 55

HEX #735E72

RGB 115 94 114

HSL 302.86, 0.1%, 0.41%

LAB 42.56, 12.34, -8.1

 

CMYK 9 / 19 / 0 / 73

HEX #3F3845

RGB 63 56 69

HSL 272.31, 0.1%, 0.25%

LAB 24.69, 6.02, -6.89

 

CMYK 10 / 18 / 0 / 64

HEX #534B5C

RGB 83 75 92

HSL 268.24, 0.1%, 0.33%

LAB 33.23, 7.06, -8.77

 

CMYK 10 / 18 / 0 / 55

HEX #685E73

RGB 104 94 115

HSL 268.57, 0.1%, 0.41%

LAB 41.51, 8.44, -10.4

 

CMYK 9 / 18 / 0 / 46

HEX #7D7089

RGB 125 112 137

HSL 271.2, 0.1%, 0.49%

LAB 49.2, 10.13, -11.84

 

CMYK 7 / 14 / 0 / 39

HEX #91869C

RGB 145 134 156

HSL 270, 0.1%, 0.57%

LAB 57.53, 8.47, -10.21

 

CMYK 9 / 18 / 0 / 55

HEX #685E72

RGB 104 94 114

HSL 270, 0.1%, 0.41%

LAB 41.47, 8.21, -9.84

 

CMYK 0 / 18 / 13 / 55

HEX #735E64

RGB 115 94 100

HSL 342.86, 0.1%, 0.41%

LAB 42.11, 9.59, -0.22

 

CMYK 18 / 0 / 17 / 55

HEX #5E7360

RGB 94 115 96

HSL 125.71, 0.1%, 0.41%

LAB 46.29, -11.83, 7.97

 

CMYK 9 / 18 / 0 / 55

HEX #685E72

RGB 104 94 114

HSL 270, 0.1%, 0.41%

LAB 41.47, 8.21, -9.84

 

CMYK 0 / 10 / 18 / 55

HEX #73685E

RGB 115 104 94

HSL 28.57, 0.1%, 0.41%

LAB 44.74, 2.52, 7.2

 

CMYK 18 / 0 / 10 / 55

HEX #5E7368

RGB 94 115 104

HSL 148.57, 0.1%, 0.41%

LAB 46.5, -10.17, 3.51

 

CMYK 9 / 18 / 0 / 55

HEX #685E72

RGB 104 94 114

HSL 270, 0.1%, 0.41%

LAB 41.47, 8.21, -9.84

 

CMYK 0 / 18 / 13 / 55

HEX #735E64

RGB 115 94 100

HSL 342.86, 0.1%, 0.41%

LAB 42.11, 9.59, -0.22

 

CMYK 10 / 0 / 18 / 55

HEX #68735E

RGB 104 115 94

HSL 91.43, 0.1%, 0.41%

LAB 46.99, -8.34, 10.25

 

CMYK 18 / 0 / 6 / 55

HEX #5E736C

RGB 94 115 108

HSL 160, 0.1%, 0.41%

LAB 46.61, -9.29, 1.29

 

CMYK 9 / 18 / 0 / 55

HEX #685E72

RGB 104 94 114

HSL 270, 0.1%, 0.41%

LAB 41.47, 8.21, -9.84

 

CMYK 0 / 18 / 18 / 55

HEX #735E5E

RGB 115 94 94

HSL 0, 0.1%, 0.41%

LAB 41.94, 8.51, 3.2

 

CMYK 10 / 0 / 18 / 55

HEX #68735E

RGB 104 115 94

HSL 91.43, 0.1%, 0.41%

LAB 46.99, -8.34, 10.25

 

CMYK 18 / 0 / 0 / 55

HEX #5E7373

RGB 94 115 115

HSL 180, 0.1%, 0.41%

LAB 46.82, -7.7, -2.58

 

Description

Color code: HEX #685E72 | qconv.com Color code: HEX #685E72 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 94 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 94 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 18 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 18% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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