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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #685F4E it is the complementary color #97A0B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #685F4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #685F4E shade: #6D5F49, #7E715C, #8F836F, #A09582 and #B1A795

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #685F4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #685F4E shade: #685F4E, #574D3B, #463B28, #352915 and #241702

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #685F4E shade: #685F4E, #68584E, #68514E and #684E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #685F4E shade: #685F4E, #68664E, #63684E, #5C684E and #55684E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #685F4E shade matches the following richer shades: #685F4E, #776440, #866831, #956D22 and #A47213

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #685F4E shade: #685F4E, #595B5D, #4A566C, #3C527B and #2D4D8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #685F4E shade: #68514E, #68584E, #685F4E, #68664E and #63684E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #685F4E shade: #39342B, #514A3D, #685F4E, #807560 and #968A73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #685F4E shade: #685F4E, #52684E and #554E68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #685F4E shade: #685F4E, #4E685F and #5F4E68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #685F4E shade: #685F4E, #52684E, #4E5768 and #644E68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #685F4E shade: #685F4E, #4E6852, #4E5768 and #684E64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 25 / 59

HEX #685F4E

RGB 104 95 78

HSL 39.23, 0.14%, 0.36%

LAB 40.7, 0.56, 11.05

 

Complementary color

CMYK 15 / 10 / 0 / 31

HEX #97A0B1

RGB 151 160 177

HSL 219.23, 0.14%, 0.64%

LAB 65.67, 0.36, -9.89

 

CMYK 0 / 13 / 33 / 57

HEX #6D5F49

RGB 109 95 73

HSL 36.67, 0.2%, 0.36%

LAB 41.08, 1.98, 14.68

 

CMYK 0 / 10 / 27 / 51

HEX #7E715C

RGB 126 113 92

HSL 37.06, 0.16%, 0.43%

LAB 48.28, 1.51, 13.52

 

CMYK 0 / 8 / 22 / 44

HEX #8F836F

RGB 143 131 111

HSL 37.5, 0.13%, 0.5%

LAB 55.3, 1.13, 12.47

 

CMYK 0 / 7 / 19 / 37

HEX #A09582

RGB 160 149 130

HSL 38, 0.14%, 0.57%

LAB 62.15, 0.8, 11.5

 

CMYK 0 / 6 / 16 / 31

HEX #B1A795

RGB 177 167 149

HSL 38.57, 0.15%, 0.64%

LAB 68.86, 0.52, 10.6

 

CMYK 0 / 9 / 25 / 59

HEX #685F4E

RGB 104 95 78

HSL 39.23, 0.14%, 0.36%

LAB 40.7, 0.56, 11.05

 

CMYK 0 / 11 / 32 / 66

HEX #574D3B

RGB 87 77 59

HSL 38.57, 0.19%, 0.29%

LAB 33.24, 1, 12.22

 

CMYK 0 / 16 / 43 / 73

HEX #463B28

RGB 70 59 40

HSL 38, 0.27%, 0.22%

LAB 25.51, 1.58, 13.57

 

CMYK 0 / 23 / 60 / 79

HEX #352915

RGB 53 41 21

HSL 37.5, 0.43%, 0.15%

LAB 17.45, 2.45, 15.15

 

CMYK 0 / 36 / 94 / 86

HEX #241702

RGB 36 23 2

HSL 37.06, 0.89%, 0.07%

LAB 8.93, 3.73, 12.62

 

CMYK 0 / 9 / 25 / 59

HEX #685F4E

RGB 104 95 78

HSL 39.23, 0.14%, 0.36%

LAB 40.7, 0.56, 11.05

 

CMYK 0 / 15 / 25 / 59

HEX #68584E

RGB 104 88 78

HSL 23.08, 0.14%, 0.36%

LAB 38.68, 4.79, 8.22

 

CMYK 0 / 22 / 25 / 59

HEX #68514E

RGB 104 81 78

HSL 6.92, 0.14%, 0.36%

LAB 36.7, 9.09, 5.42

 

CMYK 0 / 25 / 25 / 59

HEX #684E4E

RGB 104 78 78

HSL 0, 0.14%, 0.36%

LAB 35.87, 10.94, 4.24

 

CMYK 0 / 9 / 25 / 59

HEX #685F4E

RGB 104 95 78

HSL 39.23, 0.14%, 0.36%

LAB 40.7, 0.56, 11.05

 

CMYK 0 / 2 / 25 / 59

HEX #68664E

RGB 104 102 78

HSL 55.38, 0.14%, 0.36%

LAB 42.76, -3.58, 13.89

 

CMYK 5 / 0 / 25 / 59

HEX #63684E

RGB 99 104 78

HSL 71.54, 0.14%, 0.36%

LAB 42.92, -6.87, 14.04

 

CMYK 12 / 0 / 25 / 59

HEX #5C684E

RGB 92 104 78

HSL 87.69, 0.14%, 0.36%

LAB 42.35, -9.78, 13.16

 

CMYK 18 / 0 / 25 / 59

HEX #55684E

RGB 85 104 78

HSL 103.85, 0.14%, 0.36%

LAB 41.82, -12.6, 12.35

 

CMYK 0 / 9 / 25 / 59

HEX #685F4E

RGB 104 95 78

HSL 39.23, 0.14%, 0.36%

LAB 40.7, 0.56, 11.05

 

CMYK 0 / 16 / 46 / 53

HEX #776440

RGB 119 100 64

HSL 39.27, 0.3%, 0.36%

LAB 43.37, 2.31, 23.21

 

CMYK 0 / 22 / 63 / 47

HEX #866831

RGB 134 104 49

HSL 38.82, 0.46%, 0.36%

LAB 45.89, 5.42, 34.95

 

CMYK 0 / 27 / 77 / 42

HEX #956D22

RGB 149 109 34

HSL 39.13, 0.63%, 0.36%

LAB 48.81, 8.57, 45.69

 

CMYK 0 / 30 / 88 / 36

HEX #A47213

RGB 164 114 19

HSL 39.31, 0.79%, 0.36%

LAB 51.81, 12.11, 54.3

 

CMYK 0 / 9 / 25 / 59

HEX #685F4E

RGB 104 95 78

HSL 39.23, 0.14%, 0.36%

LAB 40.7, 0.56, 11.05

 

CMYK 4 / 2 / 0 / 64

HEX #595B5D

RGB 89 91 93

HSL 210, 0.02%, 0.36%

LAB 38.54, -0.36, -1.43

 

CMYK 31 / 20 / 0 / 58

HEX #4A566C

RGB 74 86 108

HSL 218.82, 0.19%, 0.36%

LAB 36.36, 1.03, -14.15

 

CMYK 51 / 33 / 0 / 52

HEX #3C527B

RGB 60 82 123

HSL 219.05, 0.34%, 0.36%

LAB 34.85, 4.01, -25.86

 

CMYK 67 / 44 / 0 / 46

HEX #2D4D8A

RGB 45 77 138

HSL 219.35, 0.51%, 0.36%

LAB 33.35, 9.32, -37.53

 

CMYK 0 / 22 / 25 / 59

HEX #68514E

RGB 104 81 78

HSL 6.92, 0.14%, 0.36%

LAB 36.7, 9.09, 5.42

 

CMYK 0 / 15 / 25 / 59

HEX #68584E

RGB 104 88 78

HSL 23.08, 0.14%, 0.36%

LAB 38.68, 4.79, 8.22

 

CMYK 0 / 9 / 25 / 59

HEX #685F4E

RGB 104 95 78

HSL 39.23, 0.14%, 0.36%

LAB 40.7, 0.56, 11.05

 

CMYK 0 / 2 / 25 / 59

HEX #68664E

RGB 104 102 78

HSL 55.38, 0.14%, 0.36%

LAB 42.76, -3.58, 13.89

 

CMYK 5 / 0 / 25 / 59

HEX #63684E

RGB 99 104 78

HSL 71.54, 0.14%, 0.36%

LAB 42.92, -6.87, 14.04

 

CMYK 0 / 9 / 25 / 78

HEX #39342B

RGB 57 52 43

HSL 38.57, 0.14%, 0.2%

LAB 21.95, 0.4, 6.5

 

CMYK 0 / 9 / 25 / 68

HEX #514A3D

RGB 81 74 61

HSL 39, 0.14%, 0.28%

LAB 31.77, 0.48, 8.83

 

CMYK 0 / 9 / 25 / 59

HEX #685F4E

RGB 104 95 78

HSL 39.23, 0.14%, 0.36%

LAB 40.7, 0.56, 11.05

 

CMYK 0 / 9 / 25 / 50

HEX #807560

RGB 128 117 96

HSL 39.38, 0.14%, 0.44%

LAB 49.69, 0.64, 13.14

 

CMYK 0 / 8 / 23 / 41

HEX #968A73

RGB 150 138 115

HSL 39.43, 0.14%, 0.52%

LAB 57.94, 0.62, 13.96

 

CMYK 0 / 9 / 25 / 59

HEX #685F4E

RGB 104 95 78

HSL 39.23, 0.14%, 0.36%

LAB 40.7, 0.56, 11.05

 

CMYK 21 / 0 / 25 / 59

HEX #52684E

RGB 82 104 78

HSL 110.77, 0.14%, 0.36%

LAB 41.6, -13.79, 12.02

 

CMYK 18 / 25 / 0 / 59

HEX #554E68

RGB 85 78 104

HSL 256.15, 0.14%, 0.36%

LAB 34.76, 8.84, -14

 

CMYK 0 / 9 / 25 / 59

HEX #685F4E

RGB 104 95 78

HSL 39.23, 0.14%, 0.36%

LAB 40.7, 0.56, 11.05

 

CMYK 25 / 0 / 9 / 59

HEX #4E685F

RGB 78 104 95

HSL 159.23, 0.14%, 0.36%

LAB 41.76, -11.7, 1.94

 

CMYK 9 / 25 / 0 / 59

HEX #5F4E68

RGB 95 78 104

HSL 279.23, 0.14%, 0.36%

LAB 35.75, 12.51, -12.4

 

CMYK 0 / 9 / 25 / 59

HEX #685F4E

RGB 104 95 78

HSL 39.23, 0.14%, 0.36%

LAB 40.7, 0.56, 11.05

 

CMYK 21 / 0 / 25 / 59

HEX #52684E

RGB 82 104 78

HSL 110.77, 0.14%, 0.36%

LAB 41.6, -13.79, 12.02

 

CMYK 25 / 16 / 0 / 59

HEX #4E5768

RGB 78 87 104

HSL 219.23, 0.14%, 0.36%

LAB 36.81, 0.68, -10.94

 

CMYK 4 / 25 / 0 / 59

HEX #644E68

RGB 100 78 104

HSL 290.77, 0.14%, 0.36%

LAB 36.29, 14.38, -11.54

 

CMYK 0 / 9 / 25 / 59

HEX #685F4E

RGB 104 95 78

HSL 39.23, 0.14%, 0.36%

LAB 40.7, 0.56, 11.05

 

CMYK 25 / 0 / 21 / 59

HEX #4E6852

RGB 78 104 82

HSL 129.23, 0.14%, 0.36%

LAB 41.42, -14.53, 9.32

 

CMYK 25 / 16 / 0 / 59

HEX #4E5768

RGB 78 87 104

HSL 219.23, 0.14%, 0.36%

LAB 36.81, 0.68, -10.94

 

CMYK 0 / 25 / 4 / 59

HEX #684E64

RGB 104 78 100

HSL 309.23, 0.14%, 0.36%

LAB 36.58, 15.05, -8.55

 

Description

Color code: HEX #685F4E | qconv.com Color code: HEX #685F4E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 95 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 95 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 25 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 25% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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