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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68646F it is the complementary color #979B90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68646F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68646F shade: #6D646A, #7E767D, #8F8890, #A09AA3 and #B1ACB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68646F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68646F shade: #68646F, #57525C, #464049, #352E36 and #241C23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68646F shade: #67636D, #69636D, #6C636D, #6D636B and #6D6369

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68646F shade: #67636D, #64636D and #63636D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68646F shade matches the following richer shades: #67636D, #62527E, #5D418F, #5930A0 and #541FB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68646F shade: #67636D, #6B745C, #70854B, #74963B and #79A62A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68646F shade: #63656D, #64636D, #66636D, #69636D and #6C636D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68646F shade: #3E3C42, #524F58, #67636D, #7B7683 and #908C97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68646F shade: #68646F, #6D6368 and #636D63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68646F shade: #68646F, #6D6663 and #636D66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68646F shade: #68646F, #6D6368, #6A6D63 and #636D69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68646F shade: #68646F, #6D6364, #6A6D63 and #636D6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 10 / 0 / 56

HEX #68646F

RGB 104 100 111

HSL 261.82, 0.05%, 0.41%

LAB 43.07, 3.89, -5.63

 

Complementary color

CMYK 3 / 0 / 7 / 39

HEX #979B90

RGB 151 155 144

HSL 81.82, 0.05%, 0.59%

LAB 63.37, -3.52, 5.26

 

CMYK 0 / 8 / 3 / 57

HEX #6D646A

RGB 109 100 106

HSL 320, 0.04%, 0.41%

LAB 43.37, 4.75, -2.1

 

CMYK 0 / 6 / 1 / 51

HEX #7E767D

RGB 126 118 125

HSL 307.5, 0.03%, 0.48%

LAB 50.54, 4.44, -2.74

 

CMYK 1 / 6 / 0 / 44

HEX #8F8890

RGB 143 136 144

HSL 292.5, 0.03%, 0.55%

LAB 57.52, 4.16, -3.34

 

CMYK 2 / 6 / 0 / 36

HEX #A09AA3

RGB 160 154 163

HSL 280, 0.05%, 0.62%

LAB 64.35, 3.9, -3.92

 

CMYK 3 / 5 / 0 / 29

HEX #B1ACB6

RGB 177 172 182

HSL 270, 0.06%, 0.69%

LAB 71.03, 3.67, -4.49

 

CMYK 6 / 10 / 0 / 56

HEX #68646F

RGB 104 100 111

HSL 261.82, 0.05%, 0.41%

LAB 43.07, 3.89, -5.63

 

CMYK 5 / 11 / 0 / 64

HEX #57525C

RGB 87 82 92

HSL 270, 0.06%, 0.34%

LAB 35.66, 4.2, -5.09

 

CMYK 4 / 12 / 0 / 71

HEX #464049

RGB 70 64 73

HSL 280, 0.07%, 0.27%

LAB 27.98, 4.55, -4.53

 

CMYK 2 / 15 / 0 / 79

HEX #352E36

RGB 53 46 54

HSL 292.5, 0.08%, 0.2%

LAB 19.95, 4.97, -3.94

 

CMYK 0 / 22 / 3 / 86

HEX #241C23

RGB 36 28 35

HSL 307.5, 0.13%, 0.13%

LAB 11.46, 5.53, -3.32

 

CMYK 6 / 9 / 0 / 57

HEX #67636D

RGB 103 99 109

HSL 264, 0.05%, 0.41%

LAB 42.63, 3.68, -5.08

 

CMYK 4 / 9 / 0 / 57

HEX #69636D

RGB 105 99 109

HSL 276, 0.05%, 0.41%

LAB 42.81, 4.44, -4.79

 

CMYK 1 / 9 / 0 / 57

HEX #6C636D

RGB 108 99 109

HSL 294, 0.05%, 0.41%

LAB 43.09, 5.59, -4.35

 

CMYK 0 / 9 / 2 / 57

HEX #6D636B

RGB 109 99 107

HSL 312, 0.05%, 0.41%

LAB 43.12, 5.56, -3.08

 

CMYK 0 / 9 / 4 / 57

HEX #6D6369

RGB 109 99 105

HSL 324, 0.05%, 0.41%

LAB 43.06, 5.15, -1.95

 

CMYK 6 / 9 / 0 / 57

HEX #67636D

RGB 103 99 109

HSL 264, 0.05%, 0.41%

LAB 42.63, 3.68, -5.08

 

CMYK 8 / 9 / 0 / 57

HEX #64636D

RGB 100 99 109

HSL 246, 0.05%, 0.41%

LAB 42.36, 2.55, -5.5

 

CMYK 9 / 9 / 0 / 57

HEX #63636D

RGB 99 99 109

HSL 240, 0.05%, 0.41%

LAB 42.28, 2.17, -5.64

 

CMYK 6 / 9 / 0 / 57

HEX #67636D

RGB 103 99 109

HSL 264, 0.05%, 0.41%

LAB 42.63, 3.68, -5.08

 

CMYK 22 / 35 / 0 / 51

HEX #62527E

RGB 98 82 126

HSL 261.82, 0.21%, 0.41%

LAB 38.09, 16.43, -22.43

 

CMYK 35 / 55 / 0 / 44

HEX #5D418F

RGB 93 65 143

HSL 261.54, 0.38%, 0.41%

LAB 34.17, 30.05, -39.07

 

CMYK 44 / 70 / 0 / 37

HEX #5930A0

RGB 89 48 160

HSL 261.96, 0.54%, 0.41%

LAB 31.29, 43.62, -54.09

 

CMYK 53 / 82 / 0 / 31

HEX #541FB1

RGB 84 31 177

HSL 261.78, 0.7%, 0.41%

LAB 29.51, 55.23, -67.26

 

CMYK 6 / 9 / 0 / 57

HEX #67636D

RGB 103 99 109

HSL 264, 0.05%, 0.41%

LAB 42.63, 3.68, -5.08

 

CMYK 8 / 0 / 21 / 55

HEX #6B745C

RGB 107 116 92

HSL 82.5, 0.12%, 0.41%

LAB 47.48, -8.06, 12.15

 

CMYK 16 / 0 / 44 / 48

HEX #70854B

RGB 112 133 75

HSL 81.72, 0.28%, 0.41%

LAB 52.65, -17.89, 28.74

 

CMYK 23 / 0 / 61 / 41

HEX #74963B

RGB 116 150 59

HSL 82.42, 0.44%, 0.41%

LAB 57.89, -26.64, 43.17

 

CMYK 27 / 0 / 75 / 35

HEX #79A62A

RGB 121 166 42

HSL 81.77, 0.6%, 0.41%

LAB 62.93, -33.51, 55.53

 

CMYK 9 / 7 / 0 / 57

HEX #63656D

RGB 99 101 109

HSL 228, 0.05%, 0.41%

LAB 42.86, 0.97, -4.77

 

CMYK 8 / 9 / 0 / 57

HEX #64636D

RGB 100 99 109

HSL 246, 0.05%, 0.41%

LAB 42.36, 2.55, -5.5

 

CMYK 6 / 9 / 0 / 57

HEX #66636D

RGB 102 99 109

HSL 258, 0.05%, 0.41%

LAB 42.54, 3.3, -5.22

 

CMYK 4 / 9 / 0 / 57

HEX #69636D

RGB 105 99 109

HSL 276, 0.05%, 0.41%

LAB 42.81, 4.44, -4.79

 

CMYK 1 / 9 / 0 / 57

HEX #6C636D

RGB 108 99 109

HSL 294, 0.05%, 0.41%

LAB 43.09, 5.59, -4.35

 

CMYK 6 / 9 / 0 / 74

HEX #3E3C42

RGB 62 60 66

HSL 260, 0.05%, 0.25%

LAB 25.71, 2.24, -3.38

 

CMYK 7 / 10 / 0 / 65

HEX #524F58

RGB 82 79 88

HSL 260, 0.05%, 0.33%

LAB 34.17, 3.21, -4.84

 

CMYK 6 / 9 / 0 / 57

HEX #67636D

RGB 103 99 109

HSL 264, 0.05%, 0.41%

LAB 42.63, 3.68, -5.08

 

CMYK 6 / 10 / 0 / 49

HEX #7B7683

RGB 123 118 131

HSL 263.08, 0.05%, 0.49%

LAB 50.46, 4.57, -6.42

 

CMYK 5 / 7 / 0 / 41

HEX #908C97

RGB 144 140 151

HSL 261.82, 0.05%, 0.57%

LAB 58.9, 3.66, -5.31

 

CMYK 6 / 10 / 0 / 56

HEX #68646F

RGB 104 100 111

HSL 261.82, 0.05%, 0.41%

LAB 43.07, 3.89, -5.63

 

CMYK 0 / 9 / 5 / 57

HEX #6D6368

RGB 109 99 104

HSL 330, 0.05%, 0.41%

LAB 43.02, 4.95, -1.39

 

CMYK 9 / 0 / 9 / 57

HEX #636D63

RGB 99 109 99

HSL 120, 0.05%, 0.41%

LAB 44.93, -5.89, 4.29

 

CMYK 6 / 10 / 0 / 56

HEX #68646F

RGB 104 100 111

HSL 261.82, 0.05%, 0.41%

LAB 43.07, 3.89, -5.63

 

CMYK 0 / 6 / 9 / 57

HEX #6D6663

RGB 109 102 99

HSL 18, 0.05%, 0.41%

LAB 43.73, 2.18, 2.68

 

CMYK 9 / 0 / 6 / 57

HEX #636D66

RGB 99 109 102

HSL 138, 0.05%, 0.41%

LAB 45.01, -5.28, 2.61

 

CMYK 6 / 10 / 0 / 56

HEX #68646F

RGB 104 100 111

HSL 261.82, 0.05%, 0.41%

LAB 43.07, 3.89, -5.63

 

CMYK 0 / 9 / 5 / 57

HEX #6D6368

RGB 109 99 104

HSL 330, 0.05%, 0.41%

LAB 43.02, 4.95, -1.39

 

CMYK 3 / 0 / 9 / 57

HEX #6A6D63

RGB 106 109 99

HSL 78, 0.05%, 0.41%

LAB 45.5, -3.15, 5.18

 

CMYK 9 / 0 / 4 / 57

HEX #636D69

RGB 99 109 105

HSL 156, 0.05%, 0.41%

LAB 45.1, -4.65, 0.93

 

CMYK 6 / 10 / 0 / 56

HEX #68646F

RGB 104 100 111

HSL 261.82, 0.05%, 0.41%

LAB 43.07, 3.89, -5.63

 

CMYK 0 / 9 / 8 / 57

HEX #6D6364

RGB 109 99 100

HSL 354, 0.05%, 0.41%

LAB 42.91, 4.16, 0.87

 

CMYK 3 / 0 / 9 / 57

HEX #6A6D63

RGB 106 109 99

HSL 78, 0.05%, 0.41%

LAB 45.5, -3.15, 5.18

 

CMYK 9 / 0 / 1 / 57

HEX #636D6C

RGB 99 109 108

HSL 174, 0.05%, 0.41%

LAB 45.18, -4, -0.75

 

Description

Color code: HEX #68646F | qconv.com Color code: HEX #68646F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 100 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 100 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 10 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 10% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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