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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68633F it is the complementary color #979CC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68633F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68633F shade: #6D633A, #7E754D, #8F8760, #A09973 and #B1AB86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68633F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68633F shade: #68633F, #57512C, #463F19, #352D06 and #241B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68633F shade: #69643F, #69583F, #694D3F, #69423F and #693F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68633F shade: #69643F, #62693F, #57693F, #4C693F and #40693F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68633F shade matches the following richer shades: #69643F, #766E31, #847823, #928216 and #9F8D08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68633F shade: #69643F, #5B594C, #4D4F5A, #404567 and #323A75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68633F shade: #694D3F, #69583F, #69633F, #63693F and #58693F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68633F shade: #353220, #4F4B2F, #69643F, #827C4E and #9C955E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68633F shade: #68633F, #3F6941 and #523F69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68633F shade: #68633F, #3F6963 and #633F69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68633F shade: #68633F, #3F6941, #3F4469 and #693F66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68633F shade: #68633F, #3F694E, #3F4469 and #693F59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 39 / 59

HEX #68633F

RGB 104 99 63

HSL 52.68, 0.25%, 0.33%

LAB 41.57, -3.99, 21.18

 

Complementary color

CMYK 21 / 19 / 0 / 25

HEX #979CC0

RGB 151 156 192

HSL 232.68, 0.25%, 0.67%

LAB 65.09, 5.98, -19.14

 

CMYK 0 / 9 / 47 / 57

HEX #6D633A

RGB 109 99 58

HSL 48.24, 0.31%, 0.33%

LAB 41.97, -2.34, 24.68

 

CMYK 0 / 7 / 39 / 51

HEX #7E754D

RGB 126 117 77

HSL 48.98, 0.24%, 0.4%

LAB 49.12, -2.88, 23.34

 

CMYK 0 / 6 / 33 / 44

HEX #8F8760

RGB 143 135 96

HSL 49.79, 0.2%, 0.47%

LAB 56.1, -3.3, 22.09

 

CMYK 0 / 4 / 28 / 37

HEX #A09973

RGB 160 153 115

HSL 50.67, 0.19%, 0.54%

LAB 62.92, -3.64, 20.94

 

CMYK 0 / 3 / 24 / 31

HEX #B1AB86

RGB 177 171 134

HSL 51.63, 0.22%, 0.61%

LAB 69.61, -3.92, 19.87

 

CMYK 0 / 5 / 39 / 59

HEX #68633F

RGB 104 99 63

HSL 52.68, 0.25%, 0.33%

LAB 41.57, -3.99, 21.18

 

CMYK 0 / 7 / 49 / 66

HEX #57512C

RGB 87 81 44

HSL 51.63, 0.33%, 0.26%

LAB 34.18, -3.47, 22.56

 

CMYK 0 / 10 / 64 / 73

HEX #463F19

RGB 70 63 25

HSL 50.67, 0.47%, 0.19%

LAB 26.53, -2.71, 23.98

 

CMYK 0 / 15 / 89 / 79

HEX #352D06

RGB 53 45 6

HSL 49.79, 0.8%, 0.12%

LAB 18.57, -1.52, 24.08

 

CMYK 0 / 25 / 100 / 86

HEX #241B00

RGB 36 27 0

HSL 45, 1%, 0.07%

LAB 10.25, 0.61, 15.32

 

CMYK 0 / 5 / 40 / 59

HEX #69643F

RGB 105 100 63

HSL 52.86, 0.25%, 0.33%

LAB 41.96, -4.13, 21.71

 

CMYK 0 / 16 / 40 / 59

HEX #69583F

RGB 105 88 63

HSL 35.71, 0.25%, 0.33%

LAB 38.45, 3.01, 17.1

 

CMYK 0 / 27 / 40 / 59

HEX #694D3F

RGB 105 77 63

HSL 20, 0.25%, 0.33%

LAB 35.34, 9.74, 12.91

 

CMYK 0 / 37 / 40 / 59

HEX #69423F

RGB 105 66 63

HSL 4.29, 0.25%, 0.33%

LAB 32.39, 16.52, 8.85

 

CMYK 0 / 40 / 40 / 59

HEX #693F3F

RGB 105 63 63

HSL 0, 0.25%, 0.33%

LAB 31.62, 18.35, 7.77

 

CMYK 0 / 5 / 40 / 59

HEX #69643F

RGB 105 100 63

HSL 52.86, 0.25%, 0.33%

LAB 41.96, -4.13, 21.71

 

CMYK 7 / 0 / 40 / 59

HEX #62693F

RGB 98 105 63

HSL 70, 0.25%, 0.33%

LAB 42.85, -10.11, 22.73

 

CMYK 17 / 0 / 40 / 59

HEX #57693F

RGB 87 105 63

HSL 85.71, 0.25%, 0.33%

LAB 41.98, -14.83, 21.43

 

CMYK 28 / 0 / 40 / 59

HEX #4C693F

RGB 76 105 63

HSL 101.43, 0.25%, 0.33%

LAB 41.21, -19.31, 20.29

 

CMYK 39 / 0 / 40 / 59

HEX #40693F

RGB 64 105 63

HSL 118.57, 0.25%, 0.33%

LAB 40.5, -23.82, 19.21

 

CMYK 0 / 5 / 40 / 59

HEX #69643F

RGB 105 100 63

HSL 52.86, 0.25%, 0.33%

LAB 41.96, -4.13, 21.71

 

CMYK 0 / 7 / 58 / 54

HEX #766E31

RGB 118 110 49

HSL 53.04, 0.41%, 0.33%

LAB 45.94, -5.46, 34.57

 

CMYK 0 / 9 / 73 / 48

HEX #847823

RGB 132 120 35

HSL 52.58, 0.58%, 0.33%

LAB 50.05, -5.57, 45.87

 

CMYK 0 / 11 / 85 / 43

HEX #928216

RGB 146 130 22

HSL 52.26, 0.74%, 0.33%

LAB 54.17, -5.15, 54.62

 

CMYK 0 / 11 / 95 / 38

HEX #9F8D08

RGB 159 141 8

HSL 52.85, 0.9%, 0.33%

LAB 58.45, -5.46, 61.46

 

CMYK 0 / 5 / 40 / 59

HEX #69643F

RGB 105 100 63

HSL 52.86, 0.25%, 0.33%

LAB 41.96, -4.13, 21.71

 

CMYK 0 / 2 / 16 / 64

HEX #5B594C

RGB 91 89 76

HSL 52, 0.09%, 0.33%

LAB 37.65, -1.73, 7.82

 

CMYK 14 / 12 / 0 / 65

HEX #4D4F5A

RGB 77 79 90

HSL 230.77, 0.08%, 0.33%

LAB 33.79, 1.75, -6.72

 

CMYK 38 / 33 / 0 / 60

HEX #404567

RGB 64 69 103

HSL 232.31, 0.23%, 0.33%

LAB 30.22, 7.23, -20.53

 

CMYK 57 / 50 / 0 / 54

HEX #323A75

RGB 50 58 117

HSL 232.84, 0.4%, 0.33%

LAB 26.7, 15.46, -35.06

 

CMYK 0 / 27 / 40 / 59

HEX #694D3F

RGB 105 77 63

HSL 20, 0.25%, 0.33%

LAB 35.34, 9.74, 12.91

 

CMYK 0 / 16 / 40 / 59

HEX #69583F

RGB 105 88 63

HSL 35.71, 0.25%, 0.33%

LAB 38.45, 3.01, 17.1

 

CMYK 0 / 6 / 40 / 59

HEX #69633F

RGB 105 99 63

HSL 51.43, 0.25%, 0.33%

LAB 41.67, -3.55, 21.32

 

CMYK 6 / 0 / 40 / 59

HEX #63693F

RGB 99 105 63

HSL 68.57, 0.25%, 0.33%

LAB 42.94, -9.68, 22.85

 

CMYK 16 / 0 / 40 / 59

HEX #58693F

RGB 88 105 63

HSL 84.29, 0.25%, 0.33%

LAB 42.06, -14.41, 21.55

 

CMYK 0 / 6 / 40 / 79

HEX #353220

RGB 53 50 32

HSL 51.43, 0.25%, 0.17%

LAB 20.61, -2.09, 11.96

 

CMYK 0 / 5 / 41 / 69

HEX #4F4B2F

RGB 79 75 47

HSL 52.5, 0.25%, 0.25%

LAB 31.58, -3.22, 17.3

 

CMYK 0 / 5 / 40 / 59

HEX #69643F

RGB 105 100 63

HSL 52.86, 0.25%, 0.33%

LAB 41.96, -4.13, 21.71

 

CMYK 0 / 5 / 40 / 49

HEX #827C4E

RGB 130 124 78

HSL 53.08, 0.25%, 0.41%

LAB 51.51, -4.98, 25.94

 

CMYK 0 / 4 / 40 / 39

HEX #9C955E

RGB 156 149 94

HSL 53.23, 0.25%, 0.49%

LAB 61.11, -5.81, 29.97

 

CMYK 0 / 5 / 39 / 59

HEX #68633F

RGB 104 99 63

HSL 52.68, 0.25%, 0.33%

LAB 41.57, -3.99, 21.18

 

CMYK 40 / 0 / 38 / 59

HEX #3F6941

RGB 63 105 65

HSL 122.86, 0.25%, 0.33%

LAB 40.48, -23.81, 18.01

 

CMYK 22 / 40 / 0 / 59

HEX #523F69

RGB 82 63 105

HSL 267.14, 0.25%, 0.33%

LAB 30.32, 17.67, -21.51

 

CMYK 0 / 5 / 39 / 59

HEX #68633F

RGB 104 99 63

HSL 52.68, 0.25%, 0.33%

LAB 41.57, -3.99, 21.18

 

CMYK 40 / 0 / 6 / 59

HEX #3F6963

RGB 63 105 99

HSL 171.43, 0.25%, 0.33%

LAB 41.31, -16.19, -1.26

 

CMYK 6 / 40 / 0 / 59

HEX #633F69

RGB 99 63 105

HSL 291.43, 0.25%, 0.33%

LAB 32.32, 23.55, -18.26

 

CMYK 0 / 5 / 39 / 59

HEX #68633F

RGB 104 99 63

HSL 52.68, 0.25%, 0.33%

LAB 41.57, -3.99, 21.18

 

CMYK 40 / 0 / 38 / 59

HEX #3F6941

RGB 63 105 65

HSL 122.86, 0.25%, 0.33%

LAB 40.48, -23.81, 18.01

 

CMYK 40 / 35 / 0 / 59

HEX #3F4469

RGB 63 68 105

HSL 232.86, 0.25%, 0.33%

LAB 29.94, 8.19, -22.25

 

CMYK 0 / 40 / 3 / 59

HEX #693F66

RGB 105 63 102

HSL 304.29, 0.25%, 0.33%

LAB 32.96, 25.03, -15.31

 

CMYK 0 / 5 / 39 / 59

HEX #68633F

RGB 104 99 63

HSL 52.68, 0.25%, 0.33%

LAB 41.57, -3.99, 21.18

 

CMYK 40 / 0 / 26 / 59

HEX #3F694E

RGB 63 105 78

HSL 141.43, 0.25%, 0.33%

LAB 40.75, -21.23, 10.66

 

CMYK 40 / 35 / 0 / 59

HEX #3F4469

RGB 63 68 105

HSL 232.86, 0.25%, 0.33%

LAB 29.94, 8.19, -22.25

 

CMYK 0 / 40 / 15 / 59

HEX #693F59

RGB 105 63 89

HSL 322.86, 0.25%, 0.33%

LAB 32.43, 22.5, -7.8

 

Description

Color code: HEX #68633F | qconv.com Color code: HEX #68633F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 99 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 99 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 39 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 39% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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