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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #686A72 it is the complementary color #97958D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #686A72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #686A72 shade: #6D6A6D, #7E7C80, #8F8E93, #A0A0A6 and #B1B2B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #686A72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #686A72 shade: #686A72, #57585F, #46464C, #353439 and #242226

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #686A72 shade: #686A73, #686873, #6B6873, #6E6873 and #716873

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #686A72 shade: #686A73 and #686873

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #686A72 shade matches the following richer shades: #686A73, #565F84, #445596, #324AA8 and #213FBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #686A72 shade: #686A73, #797561, #8B7F4F, #9D8A3D and #AF942C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #686A72 shade: #687073, #686D73, #686A73, #686873 and #6B6873

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #686A72 shade: #404247, #54565D, #686A73, #7C7E88 and #91939C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #686A72 shade: #686A72, #736873 and #6E7368

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #686A72 shade: #686A72, #73686A and #6A7368

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #686A72 shade: #686A72, #736873, #737068 and #687368

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #686A72 shade: #686A72, #73686F, #737068 and #68736B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 7 / 0 / 55

HEX #686A72

RGB 104 106 114

HSL 228, 0.05%, 0.43%

LAB 44.89, 0.96, -4.73

 

Complementary color

CMYK 0 / 1 / 7 / 41

HEX #97958D

RGB 151 149 141

HSL 48, 0.05%, 0.57%

LAB 61.65, -0.76, 4.47

 

CMYK 0 / 3 / 0 / 57

HEX #6D6A6D

RGB 109 106 109

HSL 300, 0.01%, 0.42%

LAB 45.17, 1.78, -1.27

 

CMYK 2 / 3 / 0 / 50

HEX #7E7C80

RGB 126 124 128

HSL 270, 0.02%, 0.49%

LAB 52.3, 1.56, -1.91

 

CMYK 3 / 3 / 0 / 42

HEX #8F8E93

RGB 143 142 147

HSL 252, 0.02%, 0.57%

LAB 59.24, 1.36, -2.53

 

CMYK 4 / 4 / 0 / 35

HEX #A0A0A6

RGB 160 160 166

HSL 240, 0.03%, 0.64%

LAB 66.03, 1.17, -3.12

 

CMYK 4 / 4 / 0 / 27

HEX #B1B2B9

RGB 177 178 185

HSL 232.5, 0.05%, 0.71%

LAB 72.69, 0.99, -3.69

 

CMYK 9 / 7 / 0 / 55

HEX #686A72

RGB 104 106 114

HSL 228, 0.05%, 0.43%

LAB 44.89, 0.96, -4.73

 

CMYK 8 / 7 / 0 / 63

HEX #57585F

RGB 87 88 95

HSL 232.5, 0.04%, 0.36%

LAB 37.54, 1.15, -4.17

 

CMYK 8 / 8 / 0 / 70

HEX #46464C

RGB 70 70 76

HSL 240, 0.04%, 0.29%

LAB 29.92, 1.37, -3.59

 

CMYK 7 / 9 / 0 / 78

HEX #353439

RGB 53 52 57

HSL 252, 0.05%, 0.21%

LAB 21.97, 1.62, -2.99

 

CMYK 5 / 11 / 0 / 85

HEX #242226

RGB 36 34 38

HSL 270, 0.06%, 0.14%

LAB 13.59, 1.93, -2.34

 

CMYK 10 / 8 / 0 / 55

HEX #686A73

RGB 104 106 115

HSL 229.09, 0.05%, 0.43%

LAB 44.93, 1.18, -5.29

 

CMYK 10 / 10 / 0 / 55

HEX #686873

RGB 104 104 115

HSL 240, 0.05%, 0.43%

LAB 44.35, 2.37, -6.15

 

CMYK 7 / 10 / 0 / 55

HEX #6B6873

RGB 107 104 115

HSL 256.36, 0.05%, 0.43%

LAB 44.61, 3.49, -5.73

 

CMYK 4 / 10 / 0 / 55

HEX #6E6873

RGB 110 104 115

HSL 272.73, 0.05%, 0.43%

LAB 44.88, 4.62, -5.31

 

CMYK 2 / 10 / 0 / 55

HEX #716873

RGB 113 104 115

HSL 289.09, 0.05%, 0.43%

LAB 45.15, 5.75, -4.87

 

CMYK 10 / 8 / 0 / 55

HEX #686A73

RGB 104 106 115

HSL 229.09, 0.05%, 0.43%

LAB 44.93, 1.18, -5.29

 

CMYK 10 / 10 / 0 / 55

HEX #686873

RGB 104 104 115

HSL 240, 0.05%, 0.43%

LAB 44.35, 2.37, -6.15

 

CMYK 10 / 8 / 0 / 55

HEX #686A73

RGB 104 106 115

HSL 229.09, 0.05%, 0.43%

LAB 44.93, 1.18, -5.29

 

CMYK 35 / 28 / 0 / 48

HEX #565F84

RGB 86 95 132

HSL 228.26, 0.21%, 0.43%

LAB 40.94, 6.05, -21.75

 

CMYK 55 / 43 / 0 / 41

HEX #445596

RGB 68 85 150

HSL 227.56, 0.38%, 0.43%

LAB 37.71, 13.15, -37.8

 

CMYK 70 / 56 / 0 / 34

HEX #324AA8

RGB 50 74 168

HSL 227.8, 0.54%, 0.43%

LAB 34.81, 23.42, -53.33

 

CMYK 82 / 66 / 0 / 27

HEX #213FBA

RGB 33 63 186

HSL 228.24, 0.7%, 0.43%

LAB 32.75, 35.48, -67.41

 

CMYK 10 / 8 / 0 / 55

HEX #686A73

RGB 104 106 115

HSL 229.09, 0.05%, 0.43%

LAB 44.93, 1.18, -5.29

 

CMYK 0 / 3 / 20 / 53

HEX #797561

RGB 121 117 97

HSL 50, 0.11%, 0.43%

LAB 49.07, -2.09, 11.6

 

CMYK 0 / 9 / 43 / 45

HEX #8B7F4F

RGB 139 127 79

HSL 48, 0.28%, 0.43%

LAB 53.2, -2.65, 27.72

 

CMYK 0 / 12 / 61 / 38

HEX #9D8A3D

RGB 157 138 61

HSL 48.13, 0.44%, 0.43%

LAB 57.73, -2.51, 42.96

 

CMYK 0 / 15 / 75 / 31

HEX #AF942C

RGB 175 148 44

HSL 47.63, 0.6%, 0.43%

LAB 62.06, -0.94, 55.43

 

CMYK 10 / 3 / 0 / 55

HEX #687073

RGB 104 112 115

HSL 196.36, 0.05%, 0.43%

LAB 46.67, -2.37, -2.71

 

CMYK 10 / 5 / 0 / 55

HEX #686D73

RGB 104 109 115

HSL 212.73, 0.05%, 0.43%

LAB 45.8, -0.6, -4

 

CMYK 10 / 8 / 0 / 55

HEX #686A73

RGB 104 106 115

HSL 229.09, 0.05%, 0.43%

LAB 44.93, 1.18, -5.29

 

CMYK 10 / 10 / 0 / 55

HEX #686873

RGB 104 104 115

HSL 240, 0.05%, 0.43%

LAB 44.35, 2.37, -6.15

 

CMYK 7 / 10 / 0 / 55

HEX #6B6873

RGB 107 104 115

HSL 256.36, 0.05%, 0.43%

LAB 44.61, 3.49, -5.73

 

CMYK 10 / 7 / 0 / 72

HEX #404247

RGB 64 66 71

HSL 222.86, 0.05%, 0.26%

LAB 27.96, 0.34, -3.32

 

CMYK 10 / 8 / 0 / 64

HEX #54565D

RGB 84 86 93

HSL 226.67, 0.05%, 0.35%

LAB 36.61, 0.77, -4.33

 

CMYK 10 / 8 / 0 / 55

HEX #686A73

RGB 104 106 115

HSL 229.09, 0.05%, 0.43%

LAB 44.93, 1.18, -5.29

 

CMYK 9 / 7 / 0 / 47

HEX #7C7E88

RGB 124 126 136

HSL 230, 0.05%, 0.51%

LAB 52.93, 1.34, -5.67

 

CMYK 7 / 6 / 0 / 39

HEX #91939C

RGB 145 147 156

HSL 229.09, 0.05%, 0.59%

LAB 61.03, 1.09, -4.99

 

CMYK 9 / 7 / 0 / 55

HEX #686A72

RGB 104 106 114

HSL 228, 0.05%, 0.43%

LAB 44.89, 0.96, -4.73

 

CMYK 0 / 10 / 0 / 55

HEX #736873

RGB 115 104 115

HSL 300, 0.05%, 0.43%

LAB 45.34, 6.51, -4.57

 

CMYK 4 / 0 / 10 / 55

HEX #6E7368

RGB 110 115 104

HSL 87.27, 0.05%, 0.43%

LAB 47.72, -4.1, 5.43

 

CMYK 9 / 7 / 0 / 55

HEX #686A72

RGB 104 106 114

HSL 228, 0.05%, 0.43%

LAB 44.89, 0.96, -4.73

 

CMYK 0 / 10 / 8 / 55

HEX #73686A

RGB 115 104 106

HSL 349.09, 0.05%, 0.43%

LAB 45.06, 4.71, 0.45

 

CMYK 8 / 0 / 10 / 55

HEX #6A7368

RGB 106 115 104

HSL 109.09, 0.05%, 0.43%

LAB 47.4, -5.65, 4.92

 

CMYK 9 / 7 / 0 / 55

HEX #686A72

RGB 104 106 114

HSL 228, 0.05%, 0.43%

LAB 44.89, 0.96, -4.73

 

CMYK 0 / 10 / 0 / 55

HEX #736873

RGB 115 104 115

HSL 300, 0.05%, 0.43%

LAB 45.34, 6.51, -4.57

 

CMYK 0 / 3 / 10 / 55

HEX #737068

RGB 115 112 104

HSL 43.64, 0.05%, 0.43%

LAB 47.28, -0.39, 4.85

 

CMYK 10 / 0 / 10 / 55

HEX #687368

RGB 104 115 104

HSL 120, 0.05%, 0.43%

LAB 47.24, -6.42, 4.68

 

CMYK 9 / 7 / 0 / 55

HEX #686A72

RGB 104 106 114

HSL 228, 0.05%, 0.43%

LAB 44.89, 0.96, -4.73

 

CMYK 0 / 10 / 3 / 55

HEX #73686F

RGB 115 104 111

HSL 321.82, 0.05%, 0.43%

LAB 45.21, 5.7, -2.35

 

CMYK 0 / 3 / 10 / 55

HEX #737068

RGB 115 112 104

HSL 43.64, 0.05%, 0.43%

LAB 47.28, -0.39, 4.85

 

CMYK 10 / 0 / 7 / 55

HEX #68736B

RGB 104 115 107

HSL 136.36, 0.05%, 0.43%

LAB 47.32, -5.81, 3.01

 

Description

Color code: HEX #686A72 | qconv.com Color code: HEX #686A72 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 106 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 106 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 7 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 7% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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