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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #687532 it is the complementary color #978ACD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #687532. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #687532 shade: #6D752D, #7E8740, #8F9953, #A0AB66 and #B1BD79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #687532. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #687532 shade: #687532, #57631F, #46510C, #353F00 and #242D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #687532 shade: #687532, #757032, #755E32, #754C32 and #753A32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #687532 shade: #687532, #567532, #447532, #327532 and #327544

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #687532 shade matches the following richer shades: #687532, #718324, #799117 and #819E09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #687532 shade: #687532, #606840, #585A4D, #4F4C5B and #473F68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #687532 shade: #755E32, #757032, #697532, #577532 and #457532

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #687532 shade: #353C19, #4F5826, #687532, #82923E and #9CAF4B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #687532 shade: #687532, #32754C and #673275

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #687532 shade: #687532, #326975 and #753269

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #687532 shade: #687532, #32754C, #3E3275 and #75325C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #687532 shade: #687532, #327560, #3E3275 and #753247

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 57 / 54

HEX #687532

RGB 104 117 50

HSL 71.64, 0.4%, 0.33%

LAB 46.84, -15.6, 34.77

 

Complementary color

CMYK 26 / 33 / 0 / 20

HEX #978ACD

RGB 151 138 205

HSL 251.64, 0.4%, 0.67%

LAB 60.93, 19.38, -32.83

 

CMYK 7 / 0 / 62 / 54

HEX #6D752D

RGB 109 117 45

HSL 66.67, 0.44%, 0.32%

LAB 47.19, -13.81, 37.76

 

CMYK 7 / 0 / 53 / 47

HEX #7E8740

RGB 126 135 64

HSL 67.61, 0.36%, 0.39%

LAB 54.17, -14.29, 36.65

 

CMYK 7 / 0 / 46 / 40

HEX #8F9953

RGB 143 153 83

HSL 68.57, 0.3%, 0.46%

LAB 61, -14.64, 35.43

 

CMYK 6 / 0 / 40 / 33

HEX #A0AB66

RGB 160 171 102

HSL 69.57, 0.29%, 0.54%

LAB 67.69, -14.89, 34.21

 

CMYK 6 / 0 / 36 / 26

HEX #B1BD79

RGB 177 189 121

HSL 70.59, 0.34%, 0.61%

LAB 74.27, -15.08, 33.02

 

CMYK 11 / 0 / 57 / 54

HEX #687532

RGB 104 117 50

HSL 71.64, 0.4%, 0.33%

LAB 46.84, -15.6, 34.77

 

CMYK 12 / 0 / 69 / 61

HEX #57631F

RGB 87 99 31

HSL 70.59, 0.52%, 0.25%

LAB 39.66, -15.11, 35.74

 

CMYK 14 / 0 / 85 / 68

HEX #46510C

RGB 70 81 12

HSL 69.57, 0.74%, 0.18%

LAB 32.29, -14.34, 35.87

 

CMYK 16 / 0 / 100 / 75

HEX #353F00

RGB 53 63 0

HSL 69.52, 1%, 0.12%

LAB 24.68, -13.12, 33.09

 

CMYK 20 / 0 / 100 / 82

HEX #242D00

RGB 36 45 0

HSL 72, 1%, 0.09%

LAB 16.76, -11.31, 23.93

 

CMYK 11 / 0 / 57 / 54

HEX #687532

RGB 104 117 50

HSL 71.64, 0.4%, 0.33%

LAB 46.84, -15.6, 34.77

 

CMYK 0 / 4 / 57 / 54

HEX #757032

RGB 117 112 50

HSL 55.52, 0.4%, 0.33%

LAB 46.45, -6.97, 34.61

 

CMYK 0 / 20 / 57 / 54

HEX #755E32

RGB 117 94 50

HSL 39.4, 0.4%, 0.33%

LAB 41.24, 3.49, 28.49

 

CMYK 0 / 35 / 57 / 54

HEX #754C32

RGB 117 76 50

HSL 23.28, 0.4%, 0.33%

LAB 36.33, 14.32, 22.45

 

CMYK 0 / 50 / 57 / 54

HEX #753A32

RGB 117 58 50

HSL 7.16, 0.4%, 0.33%

LAB 31.89, 24.99, 16.76

 

CMYK 11 / 0 / 57 / 54

HEX #687532

RGB 104 117 50

HSL 71.64, 0.4%, 0.33%

LAB 46.84, -15.6, 34.77

 

CMYK 26 / 0 / 57 / 54

HEX #567532

RGB 86 117 50

HSL 87.76, 0.4%, 0.33%

LAB 45.54, -23.27, 32.93

 

CMYK 42 / 0 / 57 / 54

HEX #447532

RGB 68 117 50

HSL 103.88, 0.4%, 0.33%

LAB 44.49, -30.17, 31.44

 

CMYK 57 / 0 / 57 / 54

HEX #327532

RGB 50 117 50

HSL 120, 0.4%, 0.33%

LAB 43.7, -35.92, 30.3

 

CMYK 57 / 0 / 42 / 54

HEX #327544

RGB 50 117 68

HSL 136.12, 0.4%, 0.33%

LAB 43.97, -32.99, 20.78

 

CMYK 11 / 0 / 57 / 54

HEX #687532

RGB 104 117 50

HSL 71.64, 0.4%, 0.33%

LAB 46.84, -15.6, 34.77

 

CMYK 14 / 0 / 73 / 49

HEX #718324

RGB 113 131 36

HSL 71.37, 0.57%, 0.33%

LAB 51.69, -20.11, 46.55

 

CMYK 17 / 0 / 84 / 43

HEX #799117

RGB 121 145 23

HSL 71.8, 0.73%, 0.33%

LAB 56.46, -24.34, 55.49

 

CMYK 18 / 0 / 94 / 38

HEX #819E09

RGB 129 158 9

HSL 71.68, 0.89%, 0.33%

LAB 60.91, -27.65, 62.15

 

CMYK 11 / 0 / 57 / 54

HEX #687532

RGB 104 117 50

HSL 71.64, 0.4%, 0.33%

LAB 46.84, -15.6, 34.77

 

CMYK 8 / 0 / 38 / 59

HEX #606840

RGB 96 104 64

HSL 72, 0.24%, 0.33%

LAB 42.4, -10.28, 21.53

 

CMYK 2 / 0 / 14 / 65

HEX #585A4D

RGB 88 90 77

HSL 69.23, 0.08%, 0.33%

LAB 37.7, -3.41, 7.25

 

CMYK 13 / 16 / 0 / 64

HEX #4F4C5B

RGB 79 76 91

HSL 252, 0.09%, 0.33%

LAB 33.11, 4.66, -8.36

 

CMYK 32 / 39 / 0 / 59

HEX #473F68

RGB 71 63 104

HSL 251.71, 0.25%, 0.33%

LAB 29.14, 13.74, -22.8

 

CMYK 0 / 20 / 57 / 54

HEX #755E32

RGB 117 94 50

HSL 39.4, 0.4%, 0.33%

LAB 41.24, 3.49, 28.49

 

CMYK 0 / 4 / 57 / 54

HEX #757032

RGB 117 112 50

HSL 55.52, 0.4%, 0.33%

LAB 46.45, -6.97, 34.61

 

CMYK 10 / 0 / 57 / 54

HEX #697532

RGB 105 117 50

HSL 70.75, 0.4%, 0.33%

LAB 46.92, -15.16, 34.88

 

CMYK 26 / 0 / 57 / 54

HEX #577532

RGB 87 117 50

HSL 86.87, 0.4%, 0.33%

LAB 45.61, -22.86, 33.03

 

CMYK 41 / 0 / 57 / 54

HEX #457532

RGB 69 117 50

HSL 102.99, 0.4%, 0.33%

LAB 44.54, -29.81, 31.51

 

CMYK 12 / 0 / 58 / 76

HEX #353C19

RGB 53 60 25

HSL 72, 0.41%, 0.17%

LAB 23.86, -9.39, 20.46

 

CMYK 10 / 0 / 57 / 65

HEX #4F5826

RGB 79 88 38

HSL 70.8, 0.4%, 0.25%

LAB 35.56, -12.02, 27.46

 

CMYK 11 / 0 / 57 / 54

HEX #687532

RGB 104 117 50

HSL 71.64, 0.4%, 0.33%

LAB 46.84, -15.6, 34.77

 

CMYK 11 / 0 / 58 / 43

HEX #82923E

RGB 130 146 62

HSL 71.43, 0.4%, 0.41%

LAB 57.7, -18.55, 41.82

 

CMYK 11 / 0 / 57 / 31

HEX #9CAF4B

RGB 156 175 75

HSL 71.4, 0.4%, 0.49%

LAB 68.19, -21.3, 48.12

 

CMYK 11 / 0 / 57 / 54

HEX #687532

RGB 104 117 50

HSL 71.64, 0.4%, 0.33%

LAB 46.84, -15.6, 34.77

 

CMYK 57 / 0 / 35 / 54

HEX #32754C

RGB 50 117 76

HSL 143.28, 0.4%, 0.33%

LAB 44.12, -31.41, 16.37

 

CMYK 12 / 57 / 0 / 54

HEX #673275

RGB 103 50 117

HSL 287.46, 0.4%, 0.33%

LAB 30.52, 35.1, -28.64

 

CMYK 11 / 0 / 57 / 54

HEX #687532

RGB 104 117 50

HSL 71.64, 0.4%, 0.33%

LAB 46.84, -15.6, 34.77

 

CMYK 57 / 10 / 0 / 54

HEX #326975

RGB 50 105 117

HSL 190.75, 0.4%, 0.33%

LAB 41.32, -14.4, -12.25

 

CMYK 0 / 57 / 10 / 54

HEX #753269

RGB 117 50 105

HSL 310.75, 0.4%, 0.33%

LAB 32, 36.98, -18.56

 

CMYK 11 / 0 / 57 / 54

HEX #687532

RGB 104 117 50

HSL 71.64, 0.4%, 0.33%

LAB 46.84, -15.6, 34.77

 

CMYK 57 / 0 / 35 / 54

HEX #32754C

RGB 50 117 76

HSL 143.28, 0.4%, 0.33%

LAB 44.12, -31.41, 16.37

 

CMYK 47 / 57 / 0 / 54

HEX #3E3275

RGB 62 50 117

HSL 250.75, 0.4%, 0.33%

LAB 25.53, 23.74, -36.89

 

CMYK 0 / 57 / 21 / 54

HEX #75325C

RGB 117 50 92

HSL 322.39, 0.4%, 0.33%

LAB 31.43, 34.77, -11.08

 

CMYK 11 / 0 / 57 / 54

HEX #687532

RGB 104 117 50

HSL 71.64, 0.4%, 0.33%

LAB 46.84, -15.6, 34.77

 

CMYK 57 / 0 / 18 / 54

HEX #327560

RGB 50 117 96

HSL 161.19, 0.4%, 0.33%

LAB 44.58, -26.77, 5.22

 

CMYK 47 / 57 / 0 / 54

HEX #3E3275

RGB 62 50 117

HSL 250.75, 0.4%, 0.33%

LAB 25.53, 23.74, -36.89

 

CMYK 0 / 57 / 39 / 54

HEX #753247

RGB 117 50 71

HSL 341.19, 0.4%, 0.33%

LAB 30.68, 31.74, 1.48

 

Description

Color code: HEX #687532 | qconv.com Color code: HEX #687532 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 117 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 117 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 57 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 57% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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