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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6878DD it is the complementary color #978722. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6878DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6878DD shade: #6D78D8, #7E8AEB, #8F9CFE, #A0AEFF and #B1C0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6878DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6878DD shade: #6878DD, #5766CA, #4654B7, #3542A4 and #243091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6878DD shade: #6979DD, #7869DD, #9769DD, #B769DD and #D669DD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6878DD shade: #6979DD and #6969DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6878DD shade matches the following richer shades: #6979DD, #5A6EEB and #4B63FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6878DD shade: #6979DD, #7883CE, #878EBF, #9599B0 and #A4A4A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6878DD shade: #69B8DD, #6999DD, #697ADD, #7669DD and #9569DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6878DD shade: #2D42C6, #475BD5, #6979DD, #8A97E4 and #ACB5EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6878DD shade: #6878DD, #DD69D7 and #A8DD69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6878DD shade: #6878DD, #DD697A and #7ADD69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6878DD shade: #6878DD, #DD69D7, #DDCB69 and #69DD6F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6878DD shade: #6878DD, #DD69B4, #DDCB69 and #69DD91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 46 / 0 / 13

HEX #6878DD

RGB 104 120 221

HSL 231.79, 0.63%, 0.64%

LAB 53.6, 22.4, -53.63

 

Complementary color

CMYK 0 / 11 / 77 / 41

HEX #978722

RGB 151 135 34

HSL 51.79, 0.63%, 0.36%

LAB 56.11, -5.16, 52.68

 

CMYK 50 / 44 / 0 / 15

HEX #6D78D8

RGB 109 120 216

HSL 233.83, 0.58%, 0.64%

LAB 53.65, 21.94, -50.71

 

CMYK 46 / 41 / 0 / 8

HEX #7E8AEB

RGB 126 138 235

HSL 233.39, 0.73%, 0.71%

LAB 60.44, 20.84, -50.47

 

CMYK 44 / 39 / 0 / 0

HEX #8F9CFE

RGB 143 156 254

HSL 232.97, 0.98%, 0.78%

LAB 67.11, 19.9, -50.27

 

CMYK 37 / 32 / 0 / 0

HEX #A0AEFF

RGB 160 174 255

HSL 231.16, 1%, 0.81%

LAB 72.87, 14.24, -41.68

 

CMYK 31 / 25 / 0 / 0

HEX #B1C0FF

RGB 177 192 255

HSL 228.46, 1%, 0.85%

LAB 78.62, 8.9, -32.68

 

CMYK 53 / 46 / 0 / 13

HEX #6878DD

RGB 104 120 221

HSL 231.79, 0.63%, 0.64%

LAB 53.6, 22.4, -53.63

 

CMYK 57 / 50 / 0 / 21

HEX #5766CA

RGB 87 102 202

HSL 232.17, 0.52%, 0.57%

LAB 46.7, 23.83, -53.93

 

CMYK 62 / 54 / 0 / 28

HEX #4654B7

RGB 70 84 183

HSL 232.57, 0.45%, 0.5%

LAB 39.68, 25.56, -54.26

 

CMYK 68 / 60 / 0 / 36

HEX #3542A4

RGB 53 66 164

HSL 232.97, 0.51%, 0.43%

LAB 32.55, 27.67, -54.59

 

CMYK 75 / 67 / 0 / 43

HEX #243091

RGB 36 48 145

HSL 233.39, 0.6%, 0.35%

LAB 25.36, 30.25, -54.8

 

CMYK 52 / 45 / 0 / 13

HEX #6979DD

RGB 105 121 221

HSL 231.72, 0.63%, 0.64%

LAB 53.92, 22.01, -53.11

 

CMYK 46 / 52 / 0 / 13

HEX #7869DD

RGB 120 105 221

HSL 247.76, 0.63%, 0.64%

LAB 51.06, 34.91, -57.63

 

CMYK 32 / 52 / 0 / 13

HEX #9769DD

RGB 151 105 221

HSL 263.79, 0.63%, 0.64%

LAB 53.92, 42.28, -52.88

 

CMYK 17 / 52 / 0 / 13

HEX #B769DD

RGB 183 105 221

HSL 280.34, 0.63%, 0.64%

LAB 57.45, 50.53, -47.05

 

CMYK 3 / 52 / 0 / 13

HEX #D669DD

RGB 214 105 221

HSL 296.38, 0.63%, 0.64%

LAB 61.32, 58.8, -40.69

 

CMYK 52 / 45 / 0 / 13

HEX #6979DD

RGB 105 121 221

HSL 231.72, 0.63%, 0.64%

LAB 53.92, 22.01, -53.11

 

CMYK 52 / 52 / 0 / 13

HEX #6969DD

RGB 105 105 221

HSL 240, 0.63%, 0.64%

LAB 49.89, 31.71, -59.57

 

CMYK 52 / 45 / 0 / 13

HEX #6979DD

RGB 105 121 221

HSL 231.72, 0.63%, 0.64%

LAB 53.92, 22.01, -53.11

 

CMYK 62 / 53 / 0 / 8

HEX #5A6EEB

RGB 90 110 235

HSL 231.72, 0.78%, 0.64%

LAB 51.06, 30.38, -65.61

 

CMYK 70 / 60 / 0 / 2

HEX #4B63FA

RGB 75 99 250

HSL 231.77, 0.95%, 0.64%

LAB 48.66, 40, -77.92

 

CMYK 52 / 45 / 0 / 13

HEX #6979DD

RGB 105 121 221

HSL 231.72, 0.63%, 0.64%

LAB 53.92, 22.01, -53.11

 

CMYK 42 / 36 / 0 / 19

HEX #7883CE

RGB 120 131 206

HSL 232.33, 0.47%, 0.64%

LAB 56.76, 15.06, -40.08

 

CMYK 29 / 26 / 0 / 25

HEX #878EBF

RGB 135 142 191

HSL 232.5, 0.3%, 0.64%

LAB 60.12, 8.76, -26.29

 

CMYK 15 / 13 / 0 / 31

HEX #9599B0

RGB 149 153 176

HSL 231.11, 0.15%, 0.64%

LAB 63.6, 3.38, -12.45

 

CMYK 0 / 0 / 2 / 36

HEX #A4A4A1

RGB 164 164 161

HSL 60, 0.02%, 0.64%

LAB 67.29, -0.56, 1.55

 

CMYK 52 / 17 / 0 / 13

HEX #69B8DD

RGB 105 184 221

HSL 199.14, 0.63%, 0.64%

LAB 71.22, -14.12, -26.03

 

CMYK 52 / 31 / 0 / 13

HEX #6999DD

RGB 105 153 221

HSL 215.17, 0.63%, 0.64%

LAB 62.51, 3.03, -39.52

 

CMYK 52 / 45 / 0 / 13

HEX #697ADD

RGB 105 122 221

HSL 231.21, 0.63%, 0.64%

LAB 54.18, 21.4, -52.69

 

CMYK 47 / 52 / 0 / 13

HEX #7669DD

RGB 118 105 221

HSL 246.72, 0.63%, 0.64%

LAB 50.89, 34.47, -57.91

 

CMYK 33 / 52 / 0 / 13

HEX #9569DD

RGB 149 105 221

HSL 262.76, 0.63%, 0.64%

LAB 53.72, 41.78, -53.21

 

CMYK 77 / 67 / 0 / 22

HEX #2D42C6

RGB 45 66 198

HSL 231.76, 0.63%, 0.48%

LAB 35.07, 38.97, -70.63

 

CMYK 67 / 57 / 0 / 16

HEX #475BD5

RGB 71 91 213

HSL 231.55, 0.63%, 0.56%

LAB 43.69, 31.69, -65.15

 

CMYK 52 / 45 / 0 / 13

HEX #6979DD

RGB 105 121 221

HSL 231.72, 0.63%, 0.64%

LAB 53.92, 22.01, -53.11

 

CMYK 39 / 34 / 0 / 11

HEX #8A97E4

RGB 138 151 228

HSL 231.33, 0.63%, 0.72%

LAB 64.27, 14.25, -40.49

 

CMYK 27 / 23 / 0 / 7

HEX #ACB5EC

RGB 172 181 236

HSL 231.56, 0.63%, 0.8%

LAB 74.75, 8.89, -28.44

 

CMYK 53 / 46 / 0 / 13

HEX #6878DD

RGB 104 120 221

HSL 231.79, 0.63%, 0.64%

LAB 53.6, 22.4, -53.63

 

CMYK 0 / 52 / 3 / 13

HEX #DD69D7

RGB 221 105 215

HSL 303.1, 0.63%, 0.64%

LAB 61.98, 59.64, -36.23

 

CMYK 24 / 0 / 52 / 13

HEX #A8DD69

RGB 168 221 105

HSL 87.41, 0.63%, 0.64%

LAB 82.41, -35.77, 50.9

 

CMYK 53 / 46 / 0 / 13

HEX #6878DD

RGB 104 120 221

HSL 231.79, 0.63%, 0.64%

LAB 53.6, 22.4, -53.63

 

CMYK 0 / 52 / 45 / 13

HEX #DD697A

RGB 221 105 122

HSL 351.21, 0.63%, 0.64%

LAB 58.86, 46.89, 12.47

 

CMYK 45 / 0 / 52 / 13

HEX #7ADD69

RGB 122 221 105

HSL 111.21, 0.63%, 0.64%

LAB 80.11, -51.05, 47.6

 

CMYK 53 / 46 / 0 / 13

HEX #6878DD

RGB 104 120 221

HSL 231.79, 0.63%, 0.64%

LAB 53.6, 22.4, -53.63

 

CMYK 0 / 52 / 3 / 13

HEX #DD69D7

RGB 221 105 215

HSL 303.1, 0.63%, 0.64%

LAB 61.98, 59.64, -36.23

 

CMYK 0 / 8 / 52 / 13

HEX #DDCB69

RGB 221 203 105

HSL 50.69, 0.63%, 0.64%

LAB 81.35, -6.2, 50.59

 

CMYK 52 / 0 / 50 / 13

HEX #69DD6F

RGB 105 221 111

HSL 123.1, 0.63%, 0.64%

LAB 79.54, -54.95, 43.9

 

CMYK 53 / 46 / 0 / 13

HEX #6878DD

RGB 104 120 221

HSL 231.79, 0.63%, 0.64%

LAB 53.6, 22.4, -53.63

 

CMYK 0 / 52 / 19 / 13

HEX #DD69B4

RGB 221 105 180

HSL 321.21, 0.63%, 0.64%

LAB 60.58, 54.08, -18.54

 

CMYK 0 / 8 / 52 / 13

HEX #DDCB69

RGB 221 203 105

HSL 50.69, 0.63%, 0.64%

LAB 81.35, -6.2, 50.59

 

CMYK 52 / 0 / 34 / 13

HEX #69DD91

RGB 105 221 145

HSL 140.69, 0.63%, 0.64%

LAB 80.04, -49.59, 27.55

 

Description

Color code: HEX #6878DD | qconv.com Color code: HEX #6878DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 120 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 120 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 46 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 46% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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