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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68721C it is the complementary color #978DE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68721C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68721C shade: #6D7217, #7E842A, #8F963D, #A0A850 and #B1BA63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68721C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68721C shade: #68721C, #576009, #464E00, #353C00 and #242A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68721C shade: #68721B, #72651B, #724E1B, #72361B and #721F1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68721C shade: #68721B, #51721B, #39721B, #22721B and #1B722C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68721C shade matches the following richer shades: #68721B, #717E10 and #7A8A04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68721C shade: #68721B, #5F6727, #575B32, #4E503E and #45444A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68721C shade: #724D1B, #72641B, #6A721B, #53721B and #3B721B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68721C shade: #2C300B, #4A5113, #68721B, #879423 and #A5B52B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68721C shade: #68721C, #1B7235 and #581B72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68721C shade: #68721C, #1B6A72 and #721B6A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68721C shade: #68721C, #1B7235, #241B72 and #721B58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68721C shade: #68721C, #1B7250, #241B72 and #721B3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 75 / 55

HEX #68721C

RGB 104 114 28

HSL 66.98, 0.61%, 0.28%

LAB 45.72, -15.64, 43.58

 

Complementary color

CMYK 33 / 38 / 0 / 11

HEX #978DE3

RGB 151 141 227

HSL 246.98, 0.61%, 0.72%

LAB 62.66, 23.24, -42.41

 

CMYK 4 / 0 / 80 / 55

HEX #6D7217

RGB 109 114 23

HSL 63.3, 0.66%, 0.27%

LAB 46.11, -13.58, 45.91

 

CMYK 5 / 0 / 68 / 48

HEX #7E842A

RGB 126 132 42

HSL 64, 0.52%, 0.34%

LAB 53.06, -14.48, 45.81

 

CMYK 5 / 0 / 59 / 41

HEX #8F963D

RGB 143 150 61

HSL 64.72, 0.42%, 0.41%

LAB 59.88, -15.14, 45.01

 

CMYK 5 / 0 / 52 / 34

HEX #A0A850

RGB 160 168 80

HSL 65.45, 0.35%, 0.49%

LAB 66.56, -15.65, 43.94

 

CMYK 5 / 0 / 47 / 27

HEX #B1BA63

RGB 177 186 99

HSL 66.21, 0.39%, 0.56%

LAB 73.13, -16.03, 42.78

 

CMYK 9 / 0 / 75 / 55

HEX #68721C

RGB 104 114 28

HSL 66.98, 0.61%, 0.28%

LAB 45.72, -15.64, 43.58

 

CMYK 9 / 0 / 91 / 62

HEX #576009

RGB 87 96 9

HSL 66.21, 0.83%, 0.21%

LAB 38.57, -14.62, 42.78

 

CMYK 10 / 0 / 100 / 69

HEX #464E00

RGB 70 78 0

HSL 66.15, 1%, 0.15%

LAB 31.23, -13.17, 39.19

 

CMYK 12 / 0 / 100 / 76

HEX #353C00

RGB 53 60 0

HSL 67, 1%, 0.12%

LAB 23.63, -11.36, 32.06

 

CMYK 14 / 0 / 100 / 84

HEX #242A00

RGB 36 42 0

HSL 68.57, 1%, 0.08%

LAB 15.65, -9.47, 22.55

 

CMYK 9 / 0 / 76 / 55

HEX #68721B

RGB 104 114 27

HSL 66.9, 0.62%, 0.28%

LAB 45.71, -15.7, 43.95

 

CMYK 0 / 11 / 76 / 55

HEX #72651B

RGB 114 101 27

HSL 51.03, 0.62%, 0.28%

LAB 42.71, -3.69, 41.37

 

CMYK 0 / 32 / 76 / 55

HEX #724E1B

RGB 114 78 27

HSL 35.17, 0.62%, 0.28%

LAB 36.19, 10.01, 34.89

 

CMYK 0 / 53 / 76 / 55

HEX #72361B

RGB 114 54 27

HSL 18.62, 0.62%, 0.28%

LAB 30.14, 24.31, 28.55

 

CMYK 0 / 73 / 76 / 55

HEX #721F1B

RGB 114 31 27

HSL 2.76, 0.62%, 0.28%

LAB 25.67, 36.04, 23.59

 

CMYK 9 / 0 / 76 / 55

HEX #68721B

RGB 104 114 27

HSL 66.9, 0.62%, 0.28%

LAB 45.71, -15.7, 43.95

 

CMYK 29 / 0 / 76 / 55

HEX #51721B

RGB 81 114 27

HSL 82.76, 0.62%, 0.28%

LAB 44.04, -25.85, 41.75

 

CMYK 50 / 0 / 76 / 55

HEX #39721B

RGB 57 114 27

HSL 99.31, 0.62%, 0.28%

LAB 42.74, -34.95, 40.03

 

CMYK 70 / 0 / 76 / 55

HEX #22721B

RGB 34 114 27

HSL 115.17, 0.62%, 0.28%

LAB 41.93, -41.37, 38.95

 

CMYK 76 / 0 / 61 / 55

HEX #1B722C

RGB 27 114 44

HSL 131.72, 0.62%, 0.28%

LAB 41.92, -40.84, 31.12

 

CMYK 9 / 0 / 76 / 55

HEX #68721B

RGB 104 114 27

HSL 66.9, 0.62%, 0.28%

LAB 45.71, -15.7, 43.95

 

CMYK 10 / 0 / 87 / 51

HEX #717E10

RGB 113 126 16

HSL 67.09, 0.77%, 0.28%

LAB 50.06, -18.42, 51.55

 

CMYK 12 / 0 / 97 / 46

HEX #7A8A04

RGB 122 138 4

HSL 67.16, 0.94%, 0.28%

LAB 54.37, -20.85, 57.61

 

CMYK 9 / 0 / 76 / 55

HEX #68721B

RGB 104 114 27

HSL 66.9, 0.62%, 0.28%

LAB 45.71, -15.7, 43.95

 

CMYK 8 / 0 / 62 / 60

HEX #5F6727

RGB 95 103 39

HSL 67.5, 0.45%, 0.28%

LAB 41.66, -12.99, 34.25

 

CMYK 4 / 0 / 45 / 64

HEX #575B32

RGB 87 91 50

HSL 65.85, 0.29%, 0.28%

LAB 37.37, -8.68, 23.06

 

CMYK 2 / 0 / 23 / 69

HEX #4E503E

RGB 78 80 62

HSL 66.67, 0.13%, 0.28%

LAB 33.36, -4.38, 10.37

 

CMYK 7 / 8 / 0 / 71

HEX #45444A

RGB 69 68 74

HSL 250, 0.04%, 0.28%

LAB 29.14, 1.78, -3.46

 

CMYK 0 / 32 / 76 / 55

HEX #724D1B

RGB 114 77 27

HSL 34.48, 0.62%, 0.28%

LAB 35.92, 10.61, 34.62

 

CMYK 0 / 12 / 76 / 55

HEX #72641B

RGB 114 100 27

HSL 50.34, 0.62%, 0.28%

LAB 42.42, -3.11, 41.09

 

CMYK 7 / 0 / 76 / 55

HEX #6A721B

RGB 106 114 27

HSL 65.52, 0.62%, 0.28%

LAB 45.88, -14.78, 44.17

 

CMYK 27 / 0 / 76 / 55

HEX #53721B

RGB 83 114 27

HSL 81.38, 0.62%, 0.28%

LAB 44.17, -25.01, 41.92

 

CMYK 48 / 0 / 76 / 55

HEX #3B721B

RGB 59 114 27

HSL 97.93, 0.62%, 0.28%

LAB 42.83, -34.28, 40.15

 

CMYK 8 / 0 / 77 / 81

HEX #2C300B

RGB 44 48 11

HSL 66.49, 0.63%, 0.12%

LAB 18.69, -7.97, 21.93

 

CMYK 9 / 0 / 77 / 68

HEX #4A5113

RGB 74 81 19

HSL 66.77, 0.62%, 0.2%

LAB 32.67, -12.01, 33.62

 

CMYK 9 / 0 / 76 / 55

HEX #68721B

RGB 104 114 27

HSL 66.9, 0.62%, 0.28%

LAB 45.71, -15.7, 43.95

 

CMYK 9 / 0 / 76 / 42

HEX #879423

RGB 135 148 35

HSL 66.9, 0.62%, 0.36%

LAB 58.46, -19.25, 54.03

 

CMYK 9 / 0 / 76 / 29

HEX #A5B52B

RGB 165 181 43

HSL 66.96, 0.62%, 0.44%

LAB 70.33, -22.56, 63.27

 

CMYK 9 / 0 / 75 / 55

HEX #68721C

RGB 104 114 28

HSL 66.98, 0.61%, 0.28%

LAB 45.72, -15.64, 43.58

 

CMYK 76 / 0 / 54 / 55

HEX #1B7235

RGB 27 114 53

HSL 137.93, 0.62%, 0.28%

LAB 42.04, -39.47, 26.54

 

CMYK 23 / 76 / 0 / 55

HEX #581B72

RGB 88 27 114

HSL 282.07, 0.62%, 0.28%

LAB 23.91, 41.98, -37.41

 

CMYK 9 / 0 / 75 / 55

HEX #68721C

RGB 104 114 28

HSL 66.98, 0.61%, 0.28%

LAB 45.72, -15.64, 43.58

 

CMYK 76 / 7 / 0 / 55

HEX #1B6A72

RGB 27 106 114

HSL 185.52, 0.62%, 0.28%

LAB 40.83, -20.09, -11.25

 

CMYK 0 / 76 / 7 / 55

HEX #721B6A

RGB 114 27 106

HSL 305.52, 0.62%, 0.28%

LAB 27.85, 46.5, -25.71

 

CMYK 9 / 0 / 75 / 55

HEX #68721C

RGB 104 114 28

HSL 66.98, 0.61%, 0.28%

LAB 45.72, -15.64, 43.58

 

CMYK 76 / 0 / 54 / 55

HEX #1B7235

RGB 27 114 53

HSL 137.93, 0.62%, 0.28%

LAB 42.04, -39.47, 26.54

 

CMYK 68 / 76 / 0 / 55

HEX #241B72

RGB 36 27 114

HSL 246.21, 0.62%, 0.28%

LAB 17.34, 32.46, -48.41

 

CMYK 0 / 76 / 23 / 55

HEX #721B58

RGB 114 27 88

HSL 317.93, 0.62%, 0.28%

LAB 26.92, 43.67, -15.42

 

CMYK 9 / 0 / 75 / 55

HEX #68721C

RGB 104 114 28

HSL 66.98, 0.61%, 0.28%

LAB 45.72, -15.64, 43.58

 

CMYK 76 / 0 / 30 / 55

HEX #1B7250

RGB 27 114 80

HSL 156.55, 0.62%, 0.28%

LAB 42.53, -33.93, 11.74

 

CMYK 68 / 76 / 0 / 55

HEX #241B72

RGB 36 27 114

HSL 246.21, 0.62%, 0.28%

LAB 17.34, 32.46, -48.41

 

CMYK 0 / 76 / 46 / 55

HEX #721B3E

RGB 114 27 62

HSL 335.86, 0.62%, 0.28%

LAB 25.89, 40.38, 0.44

 

Description

Color code: HEX #68721C | qconv.com Color code: HEX #68721C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 114 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 114 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 75 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 75% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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