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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #688626 it is the complementary color #9779D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #688626. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #688626 shade: #6D8621, #7E9834, #8FAA47, #A0BC5A and #B1CE6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #688626. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #688626 shade: #688626, #577413, #466200, #355000 and #243E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #688626 shade: #688726, #838726, #877126, #875726 and #873C26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #688626 shade: #688726, #4E8726, #348726, #268731 and #26874C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #688626 shade matches the following richer shades: #688726, #6E9518 and #73A30A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #688626 shade: #688726, #637934, #5E6B42, #595D50 and #534F5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #688626 shade: #877026, #848726, #6A8726, #508726 and #368726

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #688626 shade: #364613, #4F671D, #688726, #81A72F and #9AC738

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #688626 shade: #688626, #268756 and #7D2687

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #688626 shade: #688626, #266A87 and #87266A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #688626 shade: #688626, #268756, #432687 and #872656

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #688626 shade: #688626, #268773, #432687 and #872639

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 72 / 47

HEX #688626

RGB 104 134 38

HSL 78.75, 0.56%, 0.34%

LAB 51.99, -25.37, 45.83

 

Complementary color

CMYK 30 / 44 / 0 / 15

HEX #9779D9

RGB 151 121 217

HSL 258.75, 0.56%, 0.66%

LAB 57.33, 32.2, -45.21

 

CMYK 19 / 0 / 75 / 47

HEX #6D8621

RGB 109 134 33

HSL 74.85, 0.6%, 0.33%

LAB 52.3, -23.55, 48.19

 

CMYK 17 / 0 / 66 / 40

HEX #7E9834

RGB 126 152 52

HSL 75.6, 0.49%, 0.4%

LAB 59.1, -24.1, 47.84

 

CMYK 16 / 0 / 58 / 33

HEX #8FAA47

RGB 143 170 71

HSL 76.36, 0.41%, 0.47%

LAB 65.78, -24.48, 46.99

 

CMYK 15 / 0 / 52 / 26

HEX #A0BC5A

RGB 160 188 90

HSL 77.14, 0.42%, 0.55%

LAB 72.35, -24.74, 45.93

 

CMYK 14 / 0 / 47 / 19

HEX #B1CE6D

RGB 177 206 109

HSL 77.94, 0.5%, 0.62%

LAB 78.81, -24.92, 44.8

 

CMYK 22 / 0 / 72 / 47

HEX #688626

RGB 104 134 38

HSL 78.75, 0.56%, 0.34%

LAB 51.99, -25.37, 45.83

 

CMYK 25 / 0 / 84 / 55

HEX #577413

RGB 87 116 19

HSL 77.94, 0.72%, 0.26%

LAB 45.03, -24.74, 45.6

 

CMYK 29 / 0 / 100 / 62

HEX #466200

RGB 70 98 0

HSL 77.14, 1%, 0.19%

LAB 37.91, -23.85, 44.23

 

CMYK 34 / 0 / 100 / 69

HEX #355000

RGB 53 80 0

HSL 80.25, 1%, 0.16%

LAB 30.63, -22.31, 38.16

 

CMYK 42 / 0 / 100 / 76

HEX #243E00

RGB 36 62 0

HSL 85.16, 1%, 0.12%

LAB 23.07, -20.69, 31.07

 

CMYK 23 / 0 / 72 / 47

HEX #688726

RGB 104 135 38

HSL 79.18, 0.56%, 0.34%

LAB 52.3, -25.86, 46.15

 

CMYK 3 / 0 / 72 / 47

HEX #838726

RGB 131 135 38

HSL 62.47, 0.56%, 0.34%

LAB 54.34, -14.07, 48.86

 

CMYK 0 / 16 / 72 / 47

HEX #877126

RGB 135 113 38

HSL 46.39, 0.56%, 0.34%

LAB 48.39, -0.04, 43.02

 

CMYK 0 / 36 / 72 / 47

HEX #875726

RGB 135 87 38

HSL 30.31, 0.56%, 0.34%

LAB 41.39, 15.12, 35.68

 

CMYK 0 / 56 / 72 / 47

HEX #873C26

RGB 135 60 38

HSL 13.61, 0.56%, 0.34%

LAB 35.05, 30.5, 28.64

 

CMYK 23 / 0 / 72 / 47

HEX #688726

RGB 104 135 38

HSL 79.18, 0.56%, 0.34%

LAB 52.3, -25.86, 46.15

 

CMYK 42 / 0 / 72 / 47

HEX #4E8726

RGB 78 135 38

HSL 95.26, 0.56%, 0.34%

LAB 50.79, -35.97, 44.13

 

CMYK 61 / 0 / 72 / 47

HEX #348726

RGB 52 135 38

HSL 111.34, 0.56%, 0.34%

LAB 49.74, -43.96, 42.7

 

CMYK 72 / 0 / 64 / 47

HEX #268731

RGB 38 135 49

HSL 126.8, 0.56%, 0.34%

LAB 49.45, -45.93, 37.4

 

CMYK 72 / 0 / 44 / 47

HEX #26874C

RGB 38 135 76

HSL 143.51, 0.56%, 0.34%

LAB 49.81, -41.74, 23.86

 

CMYK 23 / 0 / 72 / 47

HEX #688726

RGB 104 135 38

HSL 79.18, 0.56%, 0.34%

LAB 52.3, -25.86, 46.15

 

CMYK 26 / 0 / 84 / 42

HEX #6E9518

RGB 110 149 24

HSL 78.72, 0.72%, 0.34%

LAB 56.95, -30.86, 55.37

 

CMYK 29 / 0 / 94 / 36

HEX #73A30A

RGB 115 163 10

HSL 78.82, 0.88%, 0.34%

LAB 61.53, -35.71, 62.13

 

CMYK 23 / 0 / 72 / 47

HEX #688726

RGB 104 135 38

HSL 79.18, 0.56%, 0.34%

LAB 52.3, -25.86, 46.15

 

CMYK 18 / 0 / 57 / 53

HEX #637934

RGB 99 121 52

HSL 79.13, 0.4%, 0.34%

LAB 47.72, -19.69, 34.68

 

CMYK 12 / 0 / 38 / 58

HEX #5E6B42

RGB 94 107 66

HSL 79.02, 0.24%, 0.34%

LAB 43.19, -12.55, 21.38

 

CMYK 4 / 0 / 14 / 64

HEX #595D50

RGB 89 93 80

HSL 78.46, 0.08%, 0.34%

LAB 38.78, -4.23, 6.93

 

CMYK 12 / 16 / 0 / 63

HEX #534F5E

RGB 83 79 94

HSL 256, 0.09%, 0.34%

LAB 34.48, 5, -8.16

 

CMYK 0 / 17 / 72 / 47

HEX #877026

RGB 135 112 38

HSL 45.77, 0.56%, 0.34%

LAB 48.11, 0.53, 42.73

 

CMYK 2 / 0 / 72 / 47

HEX #848726

RGB 132 135 38

HSL 61.86, 0.56%, 0.34%

LAB 54.42, -13.62, 48.97

 

CMYK 21 / 0 / 72 / 47

HEX #6A8726

RGB 106 135 38

HSL 77.94, 0.56%, 0.34%

LAB 52.43, -25.02, 46.33

 

CMYK 41 / 0 / 72 / 47

HEX #508726

RGB 80 135 38

HSL 94.02, 0.56%, 0.34%

LAB 50.89, -35.26, 44.26

 

CMYK 60 / 0 / 72 / 47

HEX #368726

RGB 54 135 38

HSL 110.1, 0.56%, 0.34%

LAB 49.8, -43.44, 42.79

 

CMYK 23 / 0 / 73 / 73

HEX #364613

RGB 54 70 19

HSL 78.82, 0.57%, 0.17%

LAB 27.33, -15.36, 27.63

 

CMYK 23 / 0 / 72 / 60

HEX #4F671D

RGB 79 103 29

HSL 79.46, 0.56%, 0.26%

LAB 40.33, -21.01, 37.15

 

CMYK 23 / 0 / 72 / 47

HEX #688726

RGB 104 135 38

HSL 79.18, 0.56%, 0.34%

LAB 52.3, -25.86, 46.15

 

CMYK 23 / 0 / 72 / 35

HEX #81A72F

RGB 129 167 47

HSL 79, 0.56%, 0.42%

LAB 63.76, -30.49, 54.7

 

CMYK 23 / 0 / 72 / 22

HEX #9AC738

RGB 154 199 56

HSL 78.88, 0.56%, 0.5%

LAB 74.83, -34.95, 62.91

 

CMYK 22 / 0 / 72 / 47

HEX #688626

RGB 104 134 38

HSL 78.75, 0.56%, 0.34%

LAB 51.99, -25.37, 45.83

 

CMYK 72 / 0 / 36 / 47

HEX #268756

RGB 38 135 86

HSL 149.69, 0.56%, 0.34%

LAB 49.99, -39.73, 18.5

 

CMYK 7 / 72 / 0 / 47

HEX #7D2687

RGB 125 38 135

HSL 293.81, 0.56%, 0.34%

LAB 32.91, 50.21, -35.91

 

CMYK 22 / 0 / 72 / 47

HEX #688626

RGB 104 134 38

HSL 78.75, 0.56%, 0.34%

LAB 51.99, -25.37, 45.83

 

CMYK 72 / 21 / 0 / 47

HEX #266A87

RGB 38 106 135

HSL 197.94, 0.56%, 0.34%

LAB 41.95, -11.21, -22.2

 

CMYK 0 / 72 / 21 / 47

HEX #87266A

RGB 135 38 106

HSL 317.94, 0.56%, 0.34%

LAB 33.09, 47.91, -17.26

 

CMYK 22 / 0 / 72 / 47

HEX #688626

RGB 104 134 38

HSL 78.75, 0.56%, 0.34%

LAB 51.99, -25.37, 45.83

 

CMYK 72 / 0 / 36 / 47

HEX #268756

RGB 38 135 86

HSL 149.69, 0.56%, 0.34%

LAB 49.99, -39.73, 18.5

 

CMYK 50 / 72 / 0 / 47

HEX #432687

RGB 67 38 135

HSL 257.94, 0.56%, 0.34%

LAB 24.73, 37.76, -49.52

 

CMYK 0 / 72 / 36 / 47

HEX #872656

RGB 135 38 86

HSL 330.31, 0.56%, 0.34%

LAB 32.28, 45.25, -5.6

 

CMYK 22 / 0 / 72 / 47

HEX #688626

RGB 104 134 38

HSL 78.75, 0.56%, 0.34%

LAB 51.99, -25.37, 45.83

 

CMYK 72 / 0 / 15 / 47

HEX #268773

RGB 38 135 115

HSL 167.63, 0.56%, 0.34%

LAB 50.66, -32.67, 2.74

 

CMYK 50 / 72 / 0 / 47

HEX #432687

RGB 67 38 135

HSL 257.94, 0.56%, 0.34%

LAB 24.73, 37.76, -49.52

 

CMYK 0 / 72 / 58 / 47

HEX #872639

RGB 135 38 57

HSL 348.25, 0.56%, 0.34%

LAB 31.42, 42.34, 12.17

 

Description

Color code: HEX #688626 | qconv.com Color code: HEX #688626 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 134 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 134 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 72 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 72% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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