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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6886AC it is the complementary color #977953. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6886AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6886AC shade: #6D86A7, #7E98BA, #8FAACD, #A0BCE0 and #B1CEF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6886AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6886AC shade: #6886AC, #577499, #466286, #355073 and #243E60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6886AC shade: #6785AB, #6773AB, #6E67AB, #8067AB and #9367AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6886AC shade: #6785AB, #6773AB and #6767AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6886AC shade matches the following richer shades: #6785AB, #5483BE, #4181D1, #2E7EE4 and #1B7CF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6886AC shade: #6785AB, #7A8798, #8D8A85, #A08C72 and #B38E5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6886AC shade: #67AAAB, #6798AB, #6786AB, #6774AB and #6D67AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6886AC shade: #445D7C, #537197, #6785AB, #829BBA and #9CB0C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6886AC shade: #6886AC, #9A67AB and #A1AB67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6886AC shade: #6886AC, #AB6786 and #86AB67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6886AC shade: #6886AC, #9A67AB, #AB8D67 and #78AB67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6886AC shade: #6886AC, #AB67A8, #AB8D67 and #67AB6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 22 / 0 / 33

HEX #6886AC

RGB 104 134 172

HSL 213.53, 0.29%, 0.54%

LAB 55.04, -0.72, -23.47

 

Complementary color

CMYK 0 / 20 / 45 / 41

HEX #977953

RGB 151 121 83

HSL 33.53, 0.29%, 0.46%

LAB 52.82, 6.42, 25.22

 

CMYK 35 / 20 / 0 / 35

HEX #6D86A7

RGB 109 134 167

HSL 214.14, 0.25%, 0.54%

LAB 55.17, -0.66, -20.38

 

CMYK 32 / 18 / 0 / 27

HEX #7E98BA

RGB 126 152 186

HSL 214, 0.3%, 0.61%

LAB 62.03, -0.91, -20.6

 

CMYK 30 / 17 / 0 / 20

HEX #8FAACD

RGB 143 170 205

HSL 213.87, 0.38%, 0.68%

LAB 68.75, -1.13, -20.85

 

CMYK 29 / 16 / 0 / 12

HEX #A0BCE0

RGB 160 188 224

HSL 213.75, 0.51%, 0.75%

LAB 75.34, -1.33, -21.11

 

CMYK 27 / 15 / 0 / 5

HEX #B1CEF3

RGB 177 206 243

HSL 213.64, 0.73%, 0.82%

LAB 81.82, -1.51, -21.38

 

CMYK 40 / 22 / 0 / 33

HEX #6886AC

RGB 104 134 172

HSL 213.53, 0.29%, 0.54%

LAB 55.04, -0.72, -23.47

 

CMYK 43 / 24 / 0 / 40

HEX #577499

RGB 87 116 153

HSL 213.64, 0.28%, 0.47%

LAB 48.03, -0.34, -23.33

 

CMYK 48 / 27 / 0 / 47

HEX #466286

RGB 70 98 134

HSL 213.75, 0.31%, 0.4%

LAB 40.83, 0.15, -23.22

 

CMYK 54 / 30 / 0 / 55

HEX #355073

RGB 53 80 115

HSL 213.87, 0.37%, 0.33%

LAB 33.42, 0.79, -23.16

 

CMYK 63 / 35 / 0 / 62

HEX #243E60

RGB 36 62 96

HSL 214, 0.45%, 0.26%

LAB 25.76, 1.71, -23.16

 

CMYK 40 / 22 / 0 / 33

HEX #6785AB

RGB 103 133 171

HSL 213.53, 0.29%, 0.54%

LAB 54.66, -0.7, -23.5

 

CMYK 40 / 33 / 0 / 33

HEX #6773AB

RGB 103 115 171

HSL 229.41, 0.29%, 0.54%

LAB 49.6, 9.98, -31.34

 

CMYK 36 / 40 / 0 / 33

HEX #6E67AB

RGB 110 103 171

HSL 246.18, 0.29%, 0.54%

LAB 46.92, 19.26, -35.51

 

CMYK 25 / 40 / 0 / 33

HEX #8067AB

RGB 128 103 171

HSL 262.06, 0.29%, 0.54%

LAB 48.55, 24.54, -32.83

 

CMYK 14 / 40 / 0 / 33

HEX #9367AB

RGB 147 103 171

HSL 278.82, 0.29%, 0.54%

LAB 50.5, 30.4, -29.63

 

CMYK 40 / 22 / 0 / 33

HEX #6785AB

RGB 103 133 171

HSL 213.53, 0.29%, 0.54%

LAB 54.66, -0.7, -23.5

 

CMYK 40 / 33 / 0 / 33

HEX #6773AB

RGB 103 115 171

HSL 229.41, 0.29%, 0.54%

LAB 49.6, 9.98, -31.34

 

CMYK 40 / 40 / 0 / 33

HEX #6767AB

RGB 103 103 171

HSL 240, 0.29%, 0.54%

LAB 46.34, 17.31, -36.45

 

CMYK 40 / 22 / 0 / 33

HEX #6785AB

RGB 103 133 171

HSL 213.53, 0.29%, 0.54%

LAB 54.66, -0.7, -23.5

 

CMYK 56 / 31 / 0 / 25

HEX #5483BE

RGB 84 131 190

HSL 213.4, 0.45%, 0.54%

LAB 53.85, 1.51, -35.72

 

CMYK 69 / 38 / 0 / 18

HEX #4181D1

RGB 65 129 209

HSL 213.33, 0.61%, 0.54%

LAB 53.41, 5.63, -47.26

 

CMYK 80 / 45 / 0 / 11

HEX #2E7EE4

RGB 46 126 228

HSL 213.63, 0.77%, 0.54%

LAB 53.06, 12.03, -58.56

 

CMYK 89 / 50 / 0 / 3

HEX #1B7CF7

RGB 27 124 247

HSL 213.55, 0.93%, 0.54%

LAB 53.35, 19.08, -68.71

 

CMYK 40 / 22 / 0 / 33

HEX #6785AB

RGB 103 133 171

HSL 213.53, 0.29%, 0.54%

LAB 54.66, -0.7, -23.5

 

CMYK 20 / 11 / 0 / 40

HEX #7A8798

RGB 122 135 152

HSL 214, 0.13%, 0.54%

LAB 55.82, -0.92, -10.66

 

CMYK 0 / 2 / 6 / 45

HEX #8D8A85

RGB 141 138 133

HSL 37.5, 0.03%, 0.54%

LAB 57.59, 0.17, 3.06

 

CMYK 0 / 13 / 29 / 37

HEX #A08C72

RGB 160 140 114

HSL 33.91, 0.19%, 0.54%

LAB 59.38, 3.4, 16.67

 

CMYK 0 / 21 / 47 / 30

HEX #B38E5F

RGB 179 142 95

HSL 33.57, 0.36%, 0.54%

LAB 61.44, 7.87, 30.29

 

CMYK 40 / 1 / 0 / 33

HEX #67AAAB

RGB 103 170 171

HSL 180.88, 0.29%, 0.54%

LAB 65.42, -20.95, -7.23

 

CMYK 40 / 11 / 0 / 33

HEX #6798AB

RGB 103 152 171

HSL 196.76, 0.29%, 0.54%

LAB 60.14, -11.41, -15.13

 

CMYK 40 / 22 / 0 / 33

HEX #6786AB

RGB 103 134 171

HSL 212.65, 0.29%, 0.54%

LAB 54.94, -1.28, -23.06

 

CMYK 40 / 32 / 0 / 33

HEX #6774AB

RGB 103 116 171

HSL 228.53, 0.29%, 0.54%

LAB 49.88, 9.38, -30.91

 

CMYK 36 / 40 / 0 / 33

HEX #6D67AB

RGB 109 103 171

HSL 245.29, 0.29%, 0.54%

LAB 46.83, 18.98, -35.64

 

CMYK 45 / 25 / 0 / 51

HEX #445D7C

RGB 68 93 124

HSL 213.21, 0.29%, 0.38%

LAB 38.75, -0.44, -20.37

 

CMYK 45 / 25 / 0 / 41

HEX #537197

RGB 83 113 151

HSL 213.53, 0.29%, 0.46%

LAB 46.82, -0.23, -24.03

 

CMYK 40 / 22 / 0 / 33

HEX #6785AB

RGB 103 133 171

HSL 213.53, 0.29%, 0.54%

LAB 54.66, -0.7, -23.5

 

CMYK 30 / 17 / 0 / 27

HEX #829BBA

RGB 130 155 186

HSL 213.21, 0.29%, 0.62%

LAB 63.12, -1.41, -18.91

 

CMYK 22 / 12 / 0 / 21

HEX #9CB0C9

RGB 156 176 201

HSL 213.33, 0.29%, 0.7%

LAB 71.1, -1.44, -15

 

CMYK 40 / 22 / 0 / 33

HEX #6886AC

RGB 104 134 172

HSL 213.53, 0.29%, 0.54%

LAB 55.04, -0.72, -23.47

 

CMYK 10 / 40 / 0 / 33

HEX #9A67AB

RGB 154 103 171

HSL 285, 0.29%, 0.54%

LAB 51.28, 32.6, -28.36

 

CMYK 6 / 0 / 40 / 33

HEX #A1AB67

RGB 161 171 103

HSL 68.82, 0.29%, 0.54%

LAB 67.79, -14.37, 33.82

 

CMYK 40 / 22 / 0 / 33

HEX #6886AC

RGB 104 134 172

HSL 213.53, 0.29%, 0.54%

LAB 55.04, -0.72, -23.47

 

CMYK 0 / 40 / 22 / 33

HEX #AB6786

RGB 171 103 134

HSL 332.65, 0.29%, 0.54%

LAB 51.93, 31.57, -5.45

 

CMYK 22 / 0 / 40 / 33

HEX #86AB67

RGB 134 171 103

HSL 92.65, 0.29%, 0.54%

LAB 65.88, -24.9, 30.99

 

CMYK 40 / 22 / 0 / 33

HEX #6886AC

RGB 104 134 172

HSL 213.53, 0.29%, 0.54%

LAB 55.04, -0.72, -23.47

 

CMYK 10 / 40 / 0 / 33

HEX #9A67AB

RGB 154 103 171

HSL 285, 0.29%, 0.54%

LAB 51.28, 32.6, -28.36

 

CMYK 0 / 18 / 40 / 33

HEX #AB8D67

RGB 171 141 103

HSL 33.53, 0.29%, 0.54%

LAB 60.5, 5.95, 24.52

 

CMYK 30 / 0 / 40 / 33

HEX #78AB67

RGB 120 171 103

HSL 105, 0.29%, 0.54%

LAB 65.04, -30, 29.74

 

CMYK 40 / 22 / 0 / 33

HEX #6886AC

RGB 104 134 172

HSL 213.53, 0.29%, 0.54%

LAB 55.04, -0.72, -23.47

 

CMYK 0 / 40 / 2 / 33

HEX #AB67A8

RGB 171 103 168

HSL 302.65, 0.29%, 0.54%

LAB 53.15, 37.42, -23.56

 

CMYK 0 / 18 / 40 / 33

HEX #AB8D67

RGB 171 141 103

HSL 33.53, 0.29%, 0.54%

LAB 60.5, 5.95, 24.52

 

CMYK 40 / 0 / 37 / 33

HEX #67AB6B

RGB 103 171 107

HSL 123.53, 0.29%, 0.54%

LAB 64.22, -35.05, 26.37

 

Description

Color code: HEX #6886AC | qconv.com Color code: HEX #6886AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 134 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 134 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 22 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 22% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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