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Color name
HEX #689710

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #689710 it is the complementary color #9768EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #689710. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #689710 shade: #6D970B, #7EA91E, #8FBB31, #A0CD44 and #B1DF57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #689710. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #689710 shade: #689710, #578500, #467300, #356100 and #244F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #689710 shade: #68980F, #8D980F, #987E0F, #98590F and #98340F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #689710 shade: #68980F, #44980F, #1F980F, #0F9825 and #0F984A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #689710 shade matches the following richer shades: #68980F and #6CA502

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #689710 shade: #68980F, #648A1D, #607D2B, #5C6F38 and #586146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #689710 shade: #987D0F, #8F980F, #6A980F, #46980F and #22980F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #689710 shade: #354D08, #4F720C, #68980F, #82BD13 and #9CE217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #689710 shade: #689710, #0F9858 and #8F0F98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #689710 shade: #689710, #0F6A98 and #980F6A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #689710 shade: #689710, #0F9858, #3D0F98 and #980F4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #689710 shade: #689710, #0F9881, #3D0F98 and #980F26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 89 / 41

HEX #689710

RGB 104 151 16

HSL 80.89, 0.81%, 0.33%

LAB 57.19, -34.47, 57.3

 

Complementary color

CMYK 37 / 56 / 0 / 6

HEX #9768EF

RGB 151 104 239

HSL 260.89, 0.81%, 0.67%

LAB 54.77, 47.4, -61.62

 

CMYK 28 / 0 / 93 / 41

HEX #6D970B

RGB 109 151 11

HSL 78, 0.86%, 0.32%

LAB 57.47, -32.6, 58.56

 

CMYK 25 / 0 / 82 / 34

HEX #7EA91E

RGB 126 169 30

HSL 78.56, 0.7%, 0.39%

LAB 64.08, -33.49, 60.45

 

CMYK 24 / 0 / 74 / 27

HEX #8FBB31

RGB 143 187 49

HSL 79.13, 0.58%, 0.46%

LAB 70.6, -34.14, 60.99

 

CMYK 22 / 0 / 67 / 20

HEX #A0CD44

RGB 160 205 68

HSL 79.71, 0.58%, 0.54%

LAB 77.01, -34.62, 60.76

 

CMYK 21 / 0 / 61 / 13

HEX #B1DF57

RGB 177 223 87

HSL 80.29, 0.68%, 0.61%

LAB 83.34, -34.96, 60.1

 

CMYK 31 / 0 / 89 / 41

HEX #689710

RGB 104 151 16

HSL 80.89, 0.81%, 0.33%

LAB 57.19, -34.47, 57.3

 

CMYK 35 / 0 / 100 / 48

HEX #578500

RGB 87 133 0

HSL 80.75, 1%, 0.26%

LAB 50.45, -33.41, 54.31

 

CMYK 39 / 0 / 100 / 55

HEX #467300

RGB 70 115 0

HSL 83.48, 1%, 0.23%

LAB 43.6, -31.94, 48.6

 

CMYK 45 / 0 / 100 / 62

HEX #356100

RGB 53 97 0

HSL 87.22, 1%, 0.19%

LAB 36.57, -30.38, 42.76

 

CMYK 54 / 0 / 100 / 69

HEX #244F00

RGB 36 79 0

HSL 92.66, 1%, 0.15%

LAB 29.33, -28.67, 36.75

 

CMYK 32 / 0 / 90 / 40

HEX #68980F

RGB 104 152 15

HSL 81.02, 0.82%, 0.33%

LAB 57.5, -34.95, 57.75

 

CMYK 7 / 0 / 90 / 40

HEX #8D980F

RGB 141 152 15

HSL 64.82, 0.82%, 0.33%

LAB 60.03, -19.32, 60.87

 

CMYK 0 / 17 / 90 / 40

HEX #987E0F

RGB 152 126 15

HSL 48.61, 0.82%, 0.33%

LAB 53.63, -0.31, 56.18

 

CMYK 0 / 41 / 90 / 40

HEX #98590F

RGB 152 89 15

HSL 32.41, 0.82%, 0.33%

LAB 44.02, 20.8, 48.6

 

CMYK 0 / 66 / 90 / 40

HEX #98340F

RGB 152 52 15

HSL 16.2, 0.82%, 0.33%

LAB 36.3, 40.26, 42.56

 

CMYK 32 / 0 / 90 / 40

HEX #68980F

RGB 104 152 15

HSL 81.02, 0.82%, 0.33%

LAB 57.5, -34.95, 57.75

 

CMYK 55 / 0 / 90 / 40

HEX #44980F

RGB 68 152 15

HSL 96.79, 0.82%, 0.33%

LAB 55.81, -47.36, 55.65

 

CMYK 80 / 0 / 90 / 40

HEX #1F980F

RGB 31 152 15

HSL 112.99, 0.82%, 0.33%

LAB 54.85, -55.39, 54.45

 

CMYK 90 / 0 / 76 / 40

HEX #0F9825

RGB 15 152 37

HSL 129.64, 0.82%, 0.33%

LAB 54.75, -55.83, 48.01

 

CMYK 90 / 0 / 51 / 40

HEX #0F984A

RGB 15 152 74

HSL 145.84, 0.82%, 0.33%

LAB 55.13, -51.22, 31.62

 

CMYK 32 / 0 / 90 / 40

HEX #68980F

RGB 104 152 15

HSL 81.02, 0.82%, 0.33%

LAB 57.5, -34.95, 57.75

 

CMYK 35 / 0 / 99 / 35

HEX #6CA502

RGB 108 165 2

HSL 80.98, 0.98%, 0.33%

LAB 61.74, -39.45, 63.23

 

CMYK 32 / 0 / 90 / 40

HEX #68980F

RGB 104 152 15

HSL 81.02, 0.82%, 0.33%

LAB 57.5, -34.95, 57.75

 

CMYK 28 / 0 / 79 / 46

HEX #648A1D

RGB 100 138 29

HSL 80.92, 0.65%, 0.33%

LAB 52.92, -29.51, 49.97

 

CMYK 23 / 0 / 66 / 51

HEX #607D2B

RGB 96 125 43

HSL 81.22, 0.49%, 0.33%

LAB 48.67, -23.85, 40.04

 

CMYK 17 / 0 / 50 / 56

HEX #5C6F38

RGB 92 111 56

HSL 80.73, 0.33%, 0.33%

LAB 44.13, -16.92, 28.16

 

CMYK 9 / 0 / 28 / 62

HEX #586146

RGB 88 97 70

HSL 80, 0.16%, 0.33%

LAB 39.69, -8.79, 14.27

 

CMYK 0 / 18 / 90 / 40

HEX #987D0F

RGB 152 125 15

HSL 48.18, 0.82%, 0.33%

LAB 53.36, 0.25, 55.97

 

CMYK 6 / 0 / 90 / 40

HEX #8F980F

RGB 143 152 15

HSL 63.94, 0.82%, 0.33%

LAB 60.19, -18.44, 61.06

 

CMYK 30 / 0 / 90 / 40

HEX #6A980F

RGB 106 152 15

HSL 80.15, 0.82%, 0.33%

LAB 57.61, -34.16, 57.9

 

CMYK 54 / 0 / 90 / 40

HEX #46980F

RGB 70 152 15

HSL 95.91, 0.82%, 0.33%

LAB 55.88, -46.78, 55.74

 

CMYK 78 / 0 / 90 / 40

HEX #22980F

RGB 34 152 15

HSL 111.68, 0.82%, 0.33%

LAB 54.9, -54.94, 54.51

 

CMYK 31 / 0 / 90 / 70

HEX #354D08

RGB 53 77 8

HSL 80.87, 0.81%, 0.17%

LAB 29.62, -20.34, 34.34

 

CMYK 31 / 0 / 89 / 55

HEX #4F720C

RGB 79 114 12

HSL 80.59, 0.81%, 0.25%

LAB 43.83, -27.44, 46.27

 

CMYK 32 / 0 / 90 / 40

HEX #68980F

RGB 104 152 15

HSL 81.02, 0.82%, 0.33%

LAB 57.5, -34.95, 57.75

 

CMYK 31 / 0 / 90 / 26

HEX #82BD13

RGB 130 189 19

HSL 80.82, 0.82%, 0.41%

LAB 70.31, -41.23, 68.25

 

CMYK 31 / 0 / 90 / 11

HEX #9CE217

RGB 156 226 23

HSL 80.69, 0.82%, 0.49%

LAB 82.66, -47.27, 78.32

 

CMYK 31 / 0 / 89 / 41

HEX #689710

RGB 104 151 16

HSL 80.89, 0.81%, 0.33%

LAB 57.19, -34.47, 57.3

 

CMYK 90 / 0 / 42 / 40

HEX #0F9858

RGB 15 152 88

HSL 151.97, 0.82%, 0.33%

LAB 55.34, -48.67, 24.45

 

CMYK 6 / 90 / 0 / 40

HEX #8F0F98

RGB 143 15 152

HSL 296.06, 0.82%, 0.33%

LAB 34.9, 63.23, -43.01

 

CMYK 31 / 0 / 89 / 41

HEX #689710

RGB 104 151 16

HSL 80.89, 0.81%, 0.33%

LAB 57.19, -34.47, 57.3

 

CMYK 90 / 30 / 0 / 40

HEX #0F6A98

RGB 15 106 152

HSL 200.15, 0.82%, 0.33%

LAB 42.27, -7.37, -31.91

 

CMYK 0 / 90 / 30 / 40

HEX #980F6A

RGB 152 15 106

HSL 320.15, 0.82%, 0.33%

LAB 34.1, 58.5, -15.42

 

CMYK 31 / 0 / 89 / 41

HEX #689710

RGB 104 151 16

HSL 80.89, 0.81%, 0.33%

LAB 57.19, -34.47, 57.3

 

CMYK 90 / 0 / 42 / 40

HEX #0F9858

RGB 15 152 88

HSL 151.97, 0.82%, 0.33%

LAB 55.34, -48.67, 24.45

 

CMYK 60 / 90 / 0 / 40

HEX #3D0F98

RGB 61 15 152

HSL 260.15, 0.82%, 0.33%

LAB 22.31, 51.83, -64.09

 

CMYK 0 / 90 / 48 / 40

HEX #980F4F

RGB 152 15 79

HSL 331.97, 0.82%, 0.33%

LAB 33.1, 55.74, 0.55

 

CMYK 31 / 0 / 89 / 41

HEX #689710

RGB 104 151 16

HSL 80.89, 0.81%, 0.33%

LAB 57.19, -34.47, 57.3

 

CMYK 90 / 0 / 15 / 40

HEX #0F9881

RGB 15 152 129

HSL 169.93, 0.82%, 0.33%

LAB 56.23, -38.83, 2.69

 

CMYK 60 / 90 / 0 / 40

HEX #3D0F98

RGB 61 15 152

HSL 260.15, 0.82%, 0.33%

LAB 22.31, 51.83, -64.09

 

CMYK 0 / 90 / 75 / 40

HEX #980F26

RGB 152 15 38

HSL 349.93, 0.82%, 0.33%

LAB 32.16, 53.09, 26.15

 

Description

Color code: HEX #689710 | qconv.com Color code: HEX #689710 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 151 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 151 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 89 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 89% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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