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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #689724 it is the complementary color #9768DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #689724. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #689724 shade: #6D971F, #7EA932, #8FBB45, #A0CD58 and #B1DF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #689724. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #689724 shade: #689724, #578511, #467300, #356100 and #244F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #689724 shade: #689724, #879724, #978824, #976924 and #974A24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #689724 shade: #689724, #499724, #2A9724, #24973D and #24975C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #689724 shade matches the following richer shades: #689724, #6BA715 and #6EB606

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #689724 shade: #689724, #668834, #637943, #606A52 and #5D5A61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #689724 shade: #978824, #889724, #699724, #4B9724 and #2C9724

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #689724 shade: #3B5514, #51761C, #689724, #7FB92C and #94D03E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #689724 shade: #689724, #249769 and #972497

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #689724 shade: #689724, #246997 and #972469

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #689724 shade: #689724, #249769, #522497 and #972452

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #689724 shade: #689724, #24978C, #522497 and #972430

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 76 / 41

HEX #689724

RGB 104 151 36

HSL 84.52, 0.61%, 0.37%

LAB 57.27, -33.6, 51.81

 

Complementary color

CMYK 31 / 53 / 0 / 14

HEX #9768DB

RGB 151 104 219

HSL 264.52, 0.61%, 0.63%

LAB 53.59, 42.34, -52.28

 

CMYK 28 / 0 / 79 / 41

HEX #6D971F

RGB 109 151 31

HSL 81, 0.66%, 0.36%

LAB 57.54, -31.9, 53.84

 

CMYK 25 / 0 / 70 / 34

HEX #7EA932

RGB 126 169 50

HSL 81.68, 0.54%, 0.43%

LAB 64.19, -32.44, 53.93

 

CMYK 24 / 0 / 63 / 27

HEX #8FBB45

RGB 143 187 69

HSL 82.37, 0.46%, 0.5%

LAB 70.74, -32.8, 53.37

 

CMYK 22 / 0 / 57 / 20

HEX #A0CD58

RGB 160 205 88

HSL 83.08, 0.54%, 0.57%

LAB 77.19, -33.03, 52.48

 

CMYK 21 / 0 / 52 / 13

HEX #B1DF6B

RGB 177 223 107

HSL 83.79, 0.64%, 0.65%

LAB 83.54, -33.18, 51.45

 

CMYK 31 / 0 / 76 / 41

HEX #689724

RGB 104 151 36

HSL 84.52, 0.61%, 0.37%

LAB 57.27, -33.6, 51.81

 

CMYK 35 / 0 / 87 / 48

HEX #578511

RGB 87 133 17

HSL 83.79, 0.77%, 0.29%

LAB 50.5, -32.92, 50.99

 

CMYK 39 / 0 / 100 / 55

HEX #467300

RGB 70 115 0

HSL 83.48, 1%, 0.23%

LAB 43.6, -31.94, 48.6

 

CMYK 45 / 0 / 100 / 62

HEX #356100

RGB 53 97 0

HSL 87.22, 1%, 0.19%

LAB 36.57, -30.38, 42.76

 

CMYK 54 / 0 / 100 / 69

HEX #244F00

RGB 36 79 0

HSL 92.66, 1%, 0.15%

LAB 29.33, -28.67, 36.75

 

CMYK 31 / 0 / 76 / 41

HEX #689724

RGB 104 151 36

HSL 84.52, 0.61%, 0.37%

LAB 57.27, -33.6, 51.81

 

CMYK 11 / 0 / 76 / 41

HEX #879724

RGB 135 151 36

HSL 68.35, 0.61%, 0.37%

LAB 59.35, -20.73, 54.52

 

CMYK 0 / 10 / 76 / 41

HEX #978824

RGB 151 136 36

HSL 52.17, 0.61%, 0.37%

LAB 56.4, -5.62, 52.23

 

CMYK 0 / 30 / 76 / 41

HEX #976924

RGB 151 105 36

HSL 36, 0.61%, 0.37%

LAB 48.02, 11.89, 44.13

 

CMYK 0 / 51 / 76 / 41

HEX #974A24

RGB 151 74 36

HSL 19.83, 0.61%, 0.37%

LAB 40.58, 29.47, 36.54

 

CMYK 31 / 0 / 76 / 41

HEX #689724

RGB 104 151 36

HSL 84.52, 0.61%, 0.37%

LAB 57.27, -33.6, 51.81

 

CMYK 52 / 0 / 76 / 41

HEX #499724

RGB 73 151 36

HSL 100.7, 0.61%, 0.37%

LAB 55.76, -44.43, 49.82

 

CMYK 72 / 0 / 76 / 41

HEX #2A9724

RGB 42 151 36

HSL 116.87, 0.61%, 0.37%

LAB 54.82, -52.07, 48.57

 

CMYK 76 / 0 / 60 / 41

HEX #24973D

RGB 36 151 61

HSL 133.04, 0.61%, 0.37%

LAB 54.91, -50.47, 37.95

 

CMYK 76 / 0 / 39 / 41

HEX #24975C

RGB 36 151 92

HSL 149.22, 0.61%, 0.37%

LAB 55.36, -45.26, 22.34

 

CMYK 31 / 0 / 76 / 41

HEX #689724

RGB 104 151 36

HSL 84.52, 0.61%, 0.37%

LAB 57.27, -33.6, 51.81

 

CMYK 36 / 0 / 87 / 35

HEX #6BA715

RGB 107 167 21

HSL 84.66, 0.78%, 0.37%

LAB 62.35, -40.25, 60.7

 

CMYK 40 / 0 / 97 / 29

HEX #6EB606

RGB 110 182 6

HSL 84.55, 0.94%, 0.37%

LAB 67.11, -45.81, 66.98

 

CMYK 31 / 0 / 76 / 41

HEX #689724

RGB 104 151 36

HSL 84.52, 0.61%, 0.37%

LAB 57.27, -33.6, 51.81

 

CMYK 25 / 0 / 62 / 47

HEX #668834

RGB 102 136 52

HSL 84.29, 0.45%, 0.37%

LAB 52.6, -26.06, 40.29

 

CMYK 18 / 0 / 45 / 53

HEX #637943

RGB 99 121 67

HSL 84.44, 0.29%, 0.37%

LAB 47.92, -17.93, 26.95

 

CMYK 9 / 0 / 23 / 58

HEX #606A52

RGB 96 106 82

HSL 85, 0.13%, 0.37%

LAB 43.37, -8.58, 12.23

 

CMYK 4 / 7 / 0 / 62

HEX #5D5A61

RGB 93 90 97

HSL 265.71, 0.04%, 0.37%

LAB 38.73, 2.69, -3.59

 

CMYK 0 / 10 / 76 / 41

HEX #978824

RGB 151 136 36

HSL 52.17, 0.61%, 0.37%

LAB 56.4, -5.62, 52.23

 

CMYK 10 / 0 / 76 / 41

HEX #889724

RGB 136 151 36

HSL 67.83, 0.61%, 0.37%

LAB 59.43, -20.29, 54.62

 

CMYK 30 / 0 / 76 / 41

HEX #699724

RGB 105 151 36

HSL 84, 0.61%, 0.37%

LAB 57.33, -33.21, 51.89

 

CMYK 50 / 0 / 76 / 41

HEX #4B9724

RGB 75 151 36

HSL 99.65, 0.61%, 0.37%

LAB 55.84, -43.82, 49.93

 

CMYK 71 / 0 / 76 / 41

HEX #2C9724

RGB 44 151 36

HSL 115.83, 0.61%, 0.37%

LAB 54.86, -51.69, 48.63

 

CMYK 31 / 0 / 76 / 67

HEX #3B5514

RGB 59 85 20

HSL 84, 0.62%, 0.21%

LAB 32.87, -21.1, 33.01

 

CMYK 31 / 0 / 76 / 54

HEX #51761C

RGB 81 118 28

HSL 84.67, 0.62%, 0.29%

LAB 45.35, -27.74, 42.65

 

CMYK 31 / 0 / 76 / 41

HEX #689724

RGB 104 151 36

HSL 84.52, 0.61%, 0.37%

LAB 57.27, -33.6, 51.81

 

CMYK 31 / 0 / 76 / 27

HEX #7FB92C

RGB 127 185 44

HSL 84.68, 0.62%, 0.45%

LAB 69.03, -39.65, 60.84

 

CMYK 29 / 0 / 70 / 18

HEX #94D03E

RGB 148 208 62

HSL 84.66, 0.61%, 0.53%

LAB 77.13, -40.89, 62.94

 

CMYK 31 / 0 / 76 / 41

HEX #689724

RGB 104 151 36

HSL 84.52, 0.61%, 0.37%

LAB 57.27, -33.6, 51.81

 

CMYK 76 / 0 / 30 / 41

HEX #249769

RGB 36 151 105

HSL 156, 0.61%, 0.37%

LAB 55.61, -42.47, 15.46

 

CMYK 0 / 76 / 0 / 41

HEX #972497

RGB 151 36 151

HSL 300, 0.61%, 0.37%

LAB 37.98, 59.59, -37.4

 

CMYK 31 / 0 / 76 / 41

HEX #689724

RGB 104 151 36

HSL 84.52, 0.61%, 0.37%

LAB 57.27, -33.6, 51.81

 

CMYK 76 / 30 / 0 / 41

HEX #246997

RGB 36 105 151

HSL 204, 0.61%, 0.37%

LAB 42.33, -5.08, -31.2

 

CMYK 0 / 76 / 30 / 41

HEX #972469

RGB 151 36 105

HSL 324, 0.61%, 0.37%

LAB 35.72, 52.84, -12.34

 

CMYK 31 / 0 / 76 / 41

HEX #689724

RGB 104 151 36

HSL 84.52, 0.61%, 0.37%

LAB 57.27, -33.6, 51.81

 

CMYK 76 / 0 / 30 / 41

HEX #249769

RGB 36 151 105

HSL 156, 0.61%, 0.37%

LAB 55.61, -42.47, 15.46

 

CMYK 46 / 76 / 0 / 41

HEX #522497

RGB 82 36 151

HSL 264, 0.61%, 0.37%

LAB 27.55, 45.93, -54.76

 

CMYK 0 / 76 / 46 / 41

HEX #972452

RGB 151 36 82

HSL 336, 0.61%, 0.37%

LAB 34.9, 50.29, 1.2

 

CMYK 31 / 0 / 76 / 41

HEX #689724

RGB 104 151 36

HSL 84.52, 0.61%, 0.37%

LAB 57.27, -33.6, 51.81

 

CMYK 76 / 0 / 7 / 41

HEX #24978C

RGB 36 151 140

HSL 174.26, 0.61%, 0.37%

LAB 56.49, -33.37, -3.18

 

CMYK 46 / 76 / 0 / 41

HEX #522497

RGB 82 36 151

HSL 264, 0.61%, 0.37%

LAB 27.55, 45.93, -54.76

 

CMYK 0 / 76 / 68 / 41

HEX #972430

RGB 151 36 48

HSL 353.74, 0.61%, 0.37%

LAB 34.1, 47.67, 22.08

 

Description

Color code: HEX #689724 | qconv.com Color code: HEX #689724 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 151 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 151 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 76 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 76% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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