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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6899D9 it is the complementary color #976626. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6899D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6899D9 shade: #6D99D4, #7EABE7, #8FBDFA, #A0CFFF and #B1E1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6899D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6899D9 shade: #6899D9, #5787C6, #4675B3, #3563A0 and #24518D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6899D9 shade: #6899D9, #687AD9, #7468D9, #9268D9 and #B168D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6899D9 shade: #6899D9, #687AD9 and #6868D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6899D9 shade matches the following richer shades: #6899D9, #5897E8 and #4995F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6899D9 shade: #6899D9, #779BC9, #869DBA, #959FAB and #A5A19C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6899D9 shade: #68D7D9, #68B9D9, #689AD9, #687CD9 and #7168D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6899D9 shade: #2F6DBF, #4782D1, #6899D9, #89AFE1 and #AAC5E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6899D9 shade: #6899D9, #BC68D9 and #C8D968

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6899D9 shade: #6899D9, #D9689A and #9AD968

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6899D9 shade: #6899D9, #BC68D9, #D9A668 and #84D968

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6899D9 shade: #6899D9, #D968D3, #D9A668 and #68D96D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 29 / 0 / 15

HEX #6899D9

RGB 104 153 217

HSL 213.98, 0.6%, 0.63%

LAB 62.28, 1.58, -37.66

 

Complementary color

CMYK 0 / 32 / 75 / 41

HEX #976626

RGB 151 102 38

HSL 33.98, 0.6%, 0.37%

LAB 47.26, 13.71, 42.46

 

CMYK 49 / 28 / 0 / 17

HEX #6D99D4

RGB 109 153 212

HSL 214.37, 0.54%, 0.63%

LAB 62.33, 1.22, -34.79

 

CMYK 45 / 26 / 0 / 9

HEX #7EABE7

RGB 126 171 231

HSL 214.29, 0.69%, 0.7%

LAB 68.99, 0.68, -34.84

 

CMYK 43 / 24 / 0 / 2

HEX #8FBDFA

RGB 143 189 250

HSL 214.21, 0.91%, 0.77%

LAB 75.54, 0.22, -34.93

 

CMYK 37 / 19 / 0 / 0

HEX #A0CFFF

RGB 160 207 255

HSL 210.32, 1%, 0.81%

LAB 81.47, -3.81, -28.39

 

CMYK 31 / 12 / 0 / 0

HEX #B1E1FF

RGB 177 225 255

HSL 203.08, 1%, 0.85%

LAB 87.2, -8.64, -19.58

 

CMYK 52 / 29 / 0 / 15

HEX #6899D9

RGB 104 153 217

HSL 213.98, 0.6%, 0.63%

LAB 62.28, 1.58, -37.66

 

CMYK 56 / 32 / 0 / 22

HEX #5787C6

RGB 87 135 198

HSL 214.05, 0.49%, 0.56%

LAB 55.51, 2.37, -37.65

 

CMYK 61 / 35 / 0 / 30

HEX #4675B3

RGB 70 117 179

HSL 214.13, 0.44%, 0.49%

LAB 48.61, 3.35, -37.67

 

CMYK 67 / 38 / 0 / 37

HEX #3563A0

RGB 53 99 160

HSL 214.21, 0.5%, 0.42%

LAB 41.56, 4.63, -37.72

 

CMYK 74 / 43 / 0 / 45

HEX #24518D

RGB 36 81 141

HSL 214.29, 0.59%, 0.35%

LAB 34.36, 6.33, -37.78

 

CMYK 52 / 29 / 0 / 15

HEX #6899D9

RGB 104 153 217

HSL 213.98, 0.6%, 0.63%

LAB 62.28, 1.58, -37.66

 

CMYK 52 / 44 / 0 / 15

HEX #687AD9

RGB 104 122 217

HSL 230.44, 0.6%, 0.63%

LAB 53.89, 19.93, -50.9

 

CMYK 47 / 52 / 0 / 15

HEX #7468D9

RGB 116 104 217

HSL 246.37, 0.6%, 0.63%

LAB 50.24, 33.44, -56.69

 

CMYK 33 / 52 / 0 / 15

HEX #9268D9

RGB 146 104 217

HSL 262.3, 0.6%, 0.63%

LAB 52.97, 40.58, -52.17

 

CMYK 18 / 52 / 0 / 15

HEX #B168D9

RGB 177 104 217

HSL 278.76, 0.6%, 0.63%

LAB 56.34, 48.61, -46.6

 

CMYK 52 / 29 / 0 / 15

HEX #6899D9

RGB 104 153 217

HSL 213.98, 0.6%, 0.63%

LAB 62.28, 1.58, -37.66

 

CMYK 52 / 44 / 0 / 15

HEX #687AD9

RGB 104 122 217

HSL 230.44, 0.6%, 0.63%

LAB 53.89, 19.93, -50.9

 

CMYK 52 / 52 / 0 / 15

HEX #6868D9

RGB 104 104 217

HSL 240, 0.6%, 0.63%

LAB 49.32, 30.86, -58.23

 

CMYK 52 / 29 / 0 / 15

HEX #6899D9

RGB 104 153 217

HSL 213.98, 0.6%, 0.63%

LAB 62.28, 1.58, -37.66

 

CMYK 62 / 35 / 0 / 9

HEX #5897E8

RGB 88 151 232

HSL 213.75, 0.76%, 0.63%

LAB 61.68, 4.29, -46.97

 

CMYK 70 / 40 / 0 / 3

HEX #4995F7

RGB 73 149 247

HSL 213.79, 0.92%, 0.63%

LAB 61.33, 8.18, -55.83

 

CMYK 52 / 29 / 0 / 15

HEX #6899D9

RGB 104 153 217

HSL 213.98, 0.6%, 0.63%

LAB 62.28, 1.58, -37.66

 

CMYK 41 / 23 / 0 / 21

HEX #779BC9

RGB 119 155 201

HSL 213.66, 0.43%, 0.63%

LAB 63, -0.55, -27.57

 

CMYK 28 / 16 / 0 / 27

HEX #869DBA

RGB 134 157 186

HSL 213.46, 0.27%, 0.63%

LAB 63.94, -1.32, -17.65

 

CMYK 13 / 7 / 0 / 33

HEX #959FAB

RGB 149 159 171

HSL 212.73, 0.12%, 0.63%

LAB 65.06, -1.05, -7.45

 

CMYK 0 / 2 / 5 / 35

HEX #A5A19C

RGB 165 161 156

HSL 33.33, 0.05%, 0.63%

LAB 66.44, 0.52, 3.1

 

CMYK 52 / 1 / 0 / 15

HEX #68D7D9

RGB 104 215 217

HSL 181.06, 0.6%, 0.63%

LAB 79.93, -31.04, -10.7

 

CMYK 52 / 15 / 0 / 15

HEX #68B9D9

RGB 104 185 217

HSL 196.99, 0.6%, 0.63%

LAB 71.32, -16.01, -23.7

 

CMYK 52 / 29 / 0 / 15

HEX #689AD9

RGB 104 154 217

HSL 213.45, 0.6%, 0.63%

LAB 62.56, 1, -37.22

 

CMYK 52 / 43 / 0 / 15

HEX #687CD9

RGB 104 124 217

HSL 229.38, 0.6%, 0.63%

LAB 54.42, 18.72, -50.07

 

CMYK 48 / 52 / 0 / 15

HEX #7168D9

RGB 113 104 217

HSL 244.78, 0.6%, 0.63%

LAB 50, 32.78, -57.09

 

CMYK 75 / 43 / 0 / 25

HEX #2F6DBF

RGB 47 109 191

HSL 214.17, 0.61%, 0.47%

LAB 46.05, 8.89, -48.75

 

CMYK 66 / 38 / 0 / 18

HEX #4782D1

RGB 71 130 209

HSL 214.35, 0.6%, 0.55%

LAB 53.93, 5.99, -46.43

 

CMYK 52 / 29 / 0 / 15

HEX #6899D9

RGB 104 153 217

HSL 213.98, 0.6%, 0.63%

LAB 62.28, 1.58, -37.66

 

CMYK 39 / 22 / 0 / 12

HEX #89AFE1

RGB 137 175 225

HSL 214.09, 0.59%, 0.71%

LAB 70.47, -0.4, -29.23

 

CMYK 27 / 15 / 0 / 9

HEX #AAC5E9

RGB 170 197 233

HSL 214.29, 0.59%, 0.79%

LAB 78.67, -1.1, -20.84

 

CMYK 52 / 29 / 0 / 15

HEX #6899D9

RGB 104 153 217

HSL 213.98, 0.6%, 0.63%

LAB 62.28, 1.58, -37.66

 

CMYK 13 / 52 / 0 / 15

HEX #BC68D9

RGB 188 104 217

HSL 284.6, 0.6%, 0.63%

LAB 57.66, 51.54, -44.44

 

CMYK 8 / 0 / 52 / 15

HEX #C8D968

RGB 200 217 104

HSL 69.03, 0.6%, 0.63%

LAB 83.39, -21.77, 53.05

 

CMYK 52 / 29 / 0 / 15

HEX #6899D9

RGB 104 153 217

HSL 213.98, 0.6%, 0.63%

LAB 62.28, 1.58, -37.66

 

CMYK 0 / 52 / 29 / 15

HEX #D9689A

RGB 217 104 154

HSL 333.45, 0.6%, 0.63%

LAB 58.96, 49.7, -6.05

 

CMYK 29 / 0 / 52 / 15

HEX #9AD968

RGB 154 217 104

HSL 93.45, 0.6%, 0.63%

LAB 80.46, -39.09, 48.85

 

CMYK 52 / 29 / 0 / 15

HEX #6899D9

RGB 104 153 217

HSL 213.98, 0.6%, 0.63%

LAB 62.28, 1.58, -37.66

 

CMYK 13 / 52 / 0 / 15

HEX #BC68D9

RGB 188 104 217

HSL 284.6, 0.6%, 0.63%

LAB 57.66, 51.54, -44.44

 

CMYK 0 / 24 / 52 / 15

HEX #D9A668

RGB 217 166 104

HSL 32.92, 0.6%, 0.63%

LAB 71.57, 11.51, 39.14

 

CMYK 39 / 0 / 52 / 15

HEX #84D968

RGB 132 217 104

HSL 105.13, 0.6%, 0.63%

LAB 79.35, -46.46, 47.25

 

CMYK 52 / 29 / 0 / 15

HEX #6899D9

RGB 104 153 217

HSL 213.98, 0.6%, 0.63%

LAB 62.28, 1.58, -37.66

 

CMYK 0 / 52 / 3 / 15

HEX #D968D3

RGB 217 104 211

HSL 303.19, 0.6%, 0.63%

LAB 61.09, 58.33, -35.4

 

CMYK 0 / 24 / 52 / 15

HEX #D9A668

RGB 217 166 104

HSL 32.92, 0.6%, 0.63%

LAB 71.57, 11.51, 39.14

 

CMYK 52 / 0 / 50 / 15

HEX #68D96D

RGB 104 217 109

HSL 122.65, 0.6%, 0.63%

LAB 78.27, -53.92, 43.3

 

Description

Color code: HEX #6899D9 | qconv.com Color code: HEX #6899D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 153 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 153 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 29 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 29% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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