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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68A747 it is the complementary color #9758B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68A747. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68A747 shade: #6DA742, #7EB955, #8FCB68, #A0DD7B and #B1EF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68A747. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68A747 shade: #68A747, #579534, #468321, #35710E and #245F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68A747 shade: #68A747, #82A747, #9CA747, #A79947 and #A77F47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68A747 shade: #68A747, #4FA747, #47A75A, #47A774 and #47A78E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68A747 shade matches the following richer shades: #68A747, #62BB34, #5CCE21 and #56E10D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68A747 shade: #68A747, #6E945B, #74816E, #7B6D82 and #815A95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68A747 shade: #9CA747, #83A747, #69A747, #4FA747 and #47A759

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68A747 shade: #446E2F, #568A3B, #68A747, #7EBA5E and #95C67B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68A747 shade: #68A747, #47A799 and #A7478F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68A747 shade: #68A747, #4769A7 and #A74769

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68A747 shade: #68A747, #47A799, #8647A7 and #A74756

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68A747 shade: #68A747, #4799A7, #8647A7 and #A75647

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 57 / 35

HEX #68A747

RGB 104 167 71

HSL 99.38, 0.4%, 0.47%

LAB 62.54, -37.87, 42.65

 

Complementary color

CMYK 18 / 52 / 0 / 28

HEX #9758B8

RGB 151 88 184

HSL 279.38, 0.4%, 0.53%

LAB 48.28, 42.86, -40.66

 

CMYK 35 / 0 / 60 / 35

HEX #6DA742

RGB 109 167 66

HSL 94.46, 0.43%, 0.46%

LAB 62.74, -36.63, 45.29

 

CMYK 32 / 0 / 54 / 27

HEX #7EB955

RGB 126 185 85

HSL 95.4, 0.42%, 0.53%

LAB 69.32, -36.68, 44.22

 

CMYK 30 / 0 / 49 / 20

HEX #8FCB68

RGB 143 203 104

HSL 96.36, 0.49%, 0.6%

LAB 75.79, -36.66, 43.07

 

CMYK 28 / 0 / 44 / 13

HEX #A0DD7B

RGB 160 221 123

HSL 97.35, 0.59%, 0.67%

LAB 82.17, -36.58, 41.89

 

CMYK 26 / 0 / 41 / 6

HEX #B1EF8E

RGB 177 239 142

HSL 98.35, 0.75%, 0.75%

LAB 88.46, -36.46, 40.74

 

CMYK 38 / 0 / 57 / 35

HEX #68A747

RGB 104 167 71

HSL 99.38, 0.4%, 0.47%

LAB 62.54, -37.87, 42.65

 

CMYK 42 / 0 / 65 / 42

HEX #579534

RGB 87 149 52

HSL 98.35, 0.48%, 0.39%

LAB 55.86, -37.75, 43.65

 

CMYK 47 / 0 / 75 / 49

HEX #468321

RGB 70 131 33

HSL 97.35, 0.6%, 0.32%

LAB 49.06, -37.4, 44.23

 

CMYK 53 / 0 / 88 / 56

HEX #35710E

RGB 53 113 14

HSL 96.36, 0.78%, 0.25%

LAB 42.15, -36.65, 43.77

 

CMYK 62 / 0 / 100 / 63

HEX #245F00

RGB 36 95 0

HSL 97.26, 1%, 0.19%

LAB 35.12, -35.28, 41.31

 

CMYK 38 / 0 / 57 / 35

HEX #68A747

RGB 104 167 71

HSL 99.38, 0.4%, 0.47%

LAB 62.54, -37.87, 42.65

 

CMYK 22 / 0 / 57 / 35

HEX #82A747

RGB 130 167 71

HSL 83.13, 0.4%, 0.47%

LAB 64.03, -28.22, 44.76

 

CMYK 7 / 0 / 57 / 35

HEX #9CA747

RGB 156 167 71

HSL 66.88, 0.4%, 0.47%

LAB 65.87, -17.59, 47.35

 

CMYK 0 / 8 / 57 / 35

HEX #A79947

RGB 167 153 71

HSL 51.25, 0.4%, 0.47%

LAB 62.89, -5.51, 44.21

 

CMYK 0 / 24 / 57 / 35

HEX #A77F47

RGB 167 127 71

HSL 35, 0.4%, 0.47%

LAB 55.94, 8.84, 36.06

 

CMYK 38 / 0 / 57 / 35

HEX #68A747

RGB 104 167 71

HSL 99.38, 0.4%, 0.47%

LAB 62.54, -37.87, 42.65

 

CMYK 53 / 0 / 57 / 35

HEX #4FA747

RGB 79 167 71

HSL 115, 0.4%, 0.47%

LAB 61.44, -45.71, 41.09

 

CMYK 57 / 0 / 46 / 35

HEX #47A75A

RGB 71 167 90

HSL 131.88, 0.4%, 0.47%

LAB 61.41, -45.13, 31.46

 

CMYK 57 / 0 / 31 / 35

HEX #47A774

RGB 71 167 116

HSL 148.13, 0.4%, 0.47%

LAB 61.86, -40.35, 18.09

 

CMYK 57 / 0 / 15 / 35

HEX #47A78E

RGB 71 167 142

HSL 164.38, 0.4%, 0.47%

LAB 62.45, -34.44, 4.48

 

CMYK 38 / 0 / 57 / 35

HEX #68A747

RGB 104 167 71

HSL 99.38, 0.4%, 0.47%

LAB 62.54, -37.87, 42.65

 

CMYK 48 / 0 / 72 / 27

HEX #62BB34

RGB 98 187 52

HSL 99.56, 0.56%, 0.47%

LAB 68.3, -49.88, 56.89

 

CMYK 55 / 0 / 84 / 19

HEX #5CCE21

RGB 92 206 33

HSL 99.54, 0.72%, 0.47%

LAB 73.89, -59.74, 67.83

 

CMYK 62 / 0 / 94 / 12

HEX #56E10D

RGB 86 225 13

HSL 99.34, 0.89%, 0.47%

LAB 79.53, -68.22, 75.89

 

CMYK 38 / 0 / 57 / 35

HEX #68A747

RGB 104 167 71

HSL 99.38, 0.4%, 0.47%

LAB 62.54, -37.87, 42.65

 

CMYK 26 / 0 / 39 / 42

HEX #6E945B

RGB 110 148 91

HSL 100, 0.24%, 0.47%

LAB 57.32, -24.14, 26.01

 

CMYK 10 / 0 / 15 / 49

HEX #74816E

RGB 116 129 110

HSL 101.05, 0.08%, 0.47%

LAB 52.44, -8.58, 8.7

 

CMYK 5 / 16 / 0 / 49

HEX #7B6D82

RGB 123 109 130

HSL 280, 0.09%, 0.47%

LAB 47.96, 9.67, -9.57

 

CMYK 13 / 40 / 0 / 42

HEX #815A95

RGB 129 90 149

HSL 279.66, 0.25%, 0.47%

LAB 44.45, 27.3, -26.23

 

CMYK 7 / 0 / 57 / 35

HEX #9CA747

RGB 156 167 71

HSL 66.88, 0.4%, 0.47%

LAB 65.87, -17.59, 47.35

 

CMYK 22 / 0 / 57 / 35

HEX #83A747

RGB 131 167 71

HSL 82.5, 0.4%, 0.47%

LAB 64.09, -27.82, 44.85

 

CMYK 37 / 0 / 57 / 35

HEX #69A747

RGB 105 167 71

HSL 98.75, 0.4%, 0.47%

LAB 62.59, -37.52, 42.72

 

CMYK 53 / 0 / 57 / 35

HEX #4FA747

RGB 79 167 71

HSL 115, 0.4%, 0.47%

LAB 61.44, -45.71, 41.09

 

CMYK 57 / 0 / 47 / 35

HEX #47A759

RGB 71 167 89

HSL 131.25, 0.4%, 0.47%

LAB 61.39, -45.29, 31.96

 

CMYK 38 / 0 / 57 / 57

HEX #446E2F

RGB 68 110 47

HSL 100, 0.4%, 0.31%

LAB 42.13, -27.21, 30.21

 

CMYK 38 / 0 / 57 / 46

HEX #568A3B

RGB 86 138 59

HSL 99.49, 0.4%, 0.39%

LAB 52.37, -32.42, 36.38

 

CMYK 38 / 0 / 57 / 35

HEX #68A747

RGB 104 167 71

HSL 99.38, 0.4%, 0.47%

LAB 62.54, -37.87, 42.65

 

CMYK 32 / 0 / 49 / 27

HEX #7EBA5E

RGB 126 186 94

HSL 99.13, 0.4%, 0.55%

LAB 69.73, -36.09, 40.33

 

CMYK 25 / 0 / 38 / 22

HEX #95C67B

RGB 149 198 123

HSL 99.2, 0.4%, 0.63%

LAB 74.96, -29.74, 32.52

 

CMYK 38 / 0 / 57 / 35

HEX #68A747

RGB 104 167 71

HSL 99.38, 0.4%, 0.47%

LAB 62.54, -37.87, 42.65

 

CMYK 57 / 0 / 8 / 35

HEX #47A799

RGB 71 167 153

HSL 171.25, 0.4%, 0.47%

LAB 62.74, -31.63, -1.25

 

CMYK 0 / 57 / 14 / 35

HEX #A7478F

RGB 167 71 143

HSL 315, 0.4%, 0.47%

LAB 45.23, 48.33, -21.02

 

CMYK 38 / 0 / 57 / 35

HEX #68A747

RGB 104 167 71

HSL 99.38, 0.4%, 0.47%

LAB 62.54, -37.87, 42.65

 

CMYK 57 / 37 / 0 / 35

HEX #4769A7

RGB 71 105 167

HSL 218.75, 0.4%, 0.47%

LAB 44.56, 6.88, -37.05

 

CMYK 0 / 57 / 37 / 35

HEX #A74769

RGB 167 71 105

HSL 338.75, 0.4%, 0.47%

LAB 43.86, 43, 0.09

 

CMYK 38 / 0 / 57 / 35

HEX #68A747

RGB 104 167 71

HSL 99.38, 0.4%, 0.47%

LAB 62.54, -37.87, 42.65

 

CMYK 57 / 0 / 8 / 35

HEX #47A799

RGB 71 167 153

HSL 171.25, 0.4%, 0.47%

LAB 62.74, -31.63, -1.25

 

CMYK 20 / 57 / 0 / 35

HEX #8647A7

RGB 134 71 167

HSL 279.38, 0.4%, 0.47%

LAB 41.79, 43.56, -41.1

 

CMYK 0 / 57 / 49 / 35

HEX #A74756

RGB 167 71 86

HSL 350.63, 0.4%, 0.47%

LAB 43.35, 40.92, 11.08

 

CMYK 38 / 0 / 57 / 35

HEX #68A747

RGB 104 167 71

HSL 99.38, 0.4%, 0.47%

LAB 62.54, -37.87, 42.65

 

CMYK 57 / 8 / 0 / 35

HEX #4799A7

RGB 71 153 167

HSL 188.75, 0.4%, 0.47%

LAB 58.89, -20.71, -14.88

 

CMYK 20 / 57 / 0 / 35

HEX #8647A7

RGB 134 71 167

HSL 279.38, 0.4%, 0.47%

LAB 41.79, 43.56, -41.1

 

CMYK 0 / 49 / 57 / 35

HEX #A75647

RGB 167 86 71

HSL 9.38, 0.4%, 0.47%

LAB 46.08, 31.8, 23.81

 

Description

Color code: HEX #68A747 | qconv.com Color code: HEX #68A747 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 167 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 167 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 57 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 57% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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