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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68B652 it is the complementary color #9749AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68B652. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68B652 shade: #6DB64D, #7EC860, #8FDA73, #A0EC86 and #B1FE99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68B652. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68B652 shade: #68B652, #57A43F, #46922C, #358019 and #246E06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68B652 shade: #68B652, #83B652, #9EB652, #B6B352 and #B69852

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68B652 shade: #68B652, #52B657, #52B672, #52B68D and #52B6A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68B652 shade matches the following richer shades: #68B652, #5DCA3E, #52DE2A and #47F217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68B652 shade: #68B652, #73A266, #7E8F7A, #897B8D and #9467A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68B652 shade: #9FB652, #84B652, #69B652, #52B655 and #52B670

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68B652 shade: #468035, #569D42, #68B652, #81C26F and #9BCF8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68B652 shade: #68B652, #52B6B3 and #B65291

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68B652 shade: #68B652, #5269B6 and #B65269

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68B652 shade: #68B652, #52B6B3, #9F52B6 and #B65255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68B652 shade: #68B652, #529CB6, #9F52B6 and #B66D52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 55 / 29

HEX #68B652

RGB 104 182 82

HSL 106.8, 0.41%, 0.52%

LAB 67.28, -43.13, 42.98

 

Complementary color

CMYK 13 / 58 / 0 / 32

HEX #9749AD

RGB 151 73 173

HSL 286.8, 0.41%, 0.48%

LAB 44.75, 48.32, -39.82

 

CMYK 40 / 0 / 58 / 29

HEX #6DB64D

RGB 109 182 77

HSL 101.71, 0.42%, 0.51%

LAB 67.46, -42.07, 45.6

 

CMYK 37 / 0 / 52 / 22

HEX #7EC860

RGB 126 200 96

HSL 102.69, 0.49%, 0.58%

LAB 73.93, -42.07, 44.46

 

CMYK 34 / 0 / 47 / 15

HEX #8FDA73

RGB 143 218 115

HSL 103.69, 0.58%, 0.65%

LAB 80.3, -41.99, 43.27

 

CMYK 32 / 0 / 43 / 7

HEX #A0EC86

RGB 160 236 134

HSL 104.71, 0.73%, 0.73%

LAB 86.6, -41.86, 42.09

 

CMYK 30 / 0 / 40 / 0

HEX #B1FE99

RGB 177 254 153

HSL 105.74, 0.98%, 0.8%

LAB 92.81, -41.7, 40.93

 

CMYK 43 / 0 / 55 / 29

HEX #68B652

RGB 104 182 82

HSL 106.8, 0.41%, 0.52%

LAB 67.28, -43.13, 42.98

 

CMYK 47 / 0 / 62 / 36

HEX #57A43F

RGB 87 164 63

HSL 105.74, 0.44%, 0.45%

LAB 60.73, -43.03, 44.1

 

CMYK 52 / 0 / 70 / 43

HEX #46922C

RGB 70 146 44

HSL 104.71, 0.54%, 0.37%

LAB 54.07, -42.71, 44.97

 

CMYK 59 / 0 / 80 / 50

HEX #358019

RGB 53 128 25

HSL 103.69, 0.67%, 0.3%

LAB 47.32, -42.02, 45.19

 

CMYK 67 / 0 / 95 / 57

HEX #246E06

RGB 36 110 6

HSL 102.69, 0.9%, 0.23%

LAB 40.48, -40.69, 44.03

 

CMYK 43 / 0 / 55 / 29

HEX #68B652

RGB 104 182 82

HSL 106.8, 0.41%, 0.52%

LAB 67.28, -43.13, 42.98

 

CMYK 28 / 0 / 55 / 29

HEX #83B652

RGB 131 182 82

HSL 90.6, 0.41%, 0.52%

LAB 68.67, -33.82, 44.96

 

CMYK 13 / 0 / 55 / 29

HEX #9EB652

RGB 158 182 82

HSL 74.4, 0.41%, 0.52%

LAB 70.41, -23.35, 47.43

 

CMYK 0 / 2 / 55 / 29

HEX #B6B352

RGB 182 179 82

HSL 58.2, 0.41%, 0.52%

LAB 71.42, -11.92, 49.06

 

CMYK 0 / 16 / 55 / 29

HEX #B69852

RGB 182 152 82

HSL 42, 0.41%, 0.52%

LAB 64.17, 2.43, 40.59

 

CMYK 43 / 0 / 55 / 29

HEX #68B652

RGB 104 182 82

HSL 106.8, 0.41%, 0.52%

LAB 67.28, -43.13, 42.98

 

CMYK 55 / 0 / 52 / 29

HEX #52B657

RGB 82 182 87

HSL 123, 0.41%, 0.52%

LAB 66.47, -48.83, 39.37

 

CMYK 55 / 0 / 37 / 29

HEX #52B672

RGB 82 182 114

HSL 139.2, 0.41%, 0.52%

LAB 66.87, -44.53, 26

 

CMYK 55 / 0 / 23 / 29

HEX #52B68D

RGB 82 182 141

HSL 155.4, 0.41%, 0.52%

LAB 67.41, -39.09, 12.15

 

CMYK 55 / 0 / 8 / 29

HEX #52B6A8

RGB 82 182 168

HSL 171.6, 0.41%, 0.52%

LAB 68.08, -32.6, -1.73

 

CMYK 43 / 0 / 55 / 29

HEX #68B652

RGB 104 182 82

HSL 106.8, 0.41%, 0.52%

LAB 67.28, -43.13, 42.98

 

CMYK 54 / 0 / 69 / 21

HEX #5DCA3E

RGB 93 202 62

HSL 106.71, 0.57%, 0.52%

LAB 72.84, -56.26, 57.73

 

CMYK 63 / 0 / 81 / 13

HEX #52DE2A

RGB 82 222 42

HSL 106.67, 0.73%, 0.52%

LAB 78.58, -67.17, 69.72

 

CMYK 71 / 0 / 90 / 5

HEX #47F217

RGB 71 242 23

HSL 106.85, 0.89%, 0.52%

LAB 84.44, -76.22, 78.57

 

CMYK 43 / 0 / 55 / 29

HEX #68B652

RGB 104 182 82

HSL 106.8, 0.41%, 0.52%

LAB 67.28, -43.13, 42.98

 

CMYK 29 / 0 / 37 / 36

HEX #73A266

RGB 115 162 102

HSL 107, 0.24%, 0.52%

LAB 62.04, -27.57, 26.29

 

CMYK 12 / 0 / 15 / 44

HEX #7E8F7A

RGB 126 143 122

HSL 108.57, 0.09%, 0.52%

LAB 57.55, -10.29, 9.13

 

CMYK 3 / 13 / 0 / 45

HEX #897B8D

RGB 137 123 141

HSL 286.67, 0.07%, 0.52%

LAB 53.39, 8.85, -7.78

 

CMYK 8 / 36 / 0 / 37

HEX #9467A1

RGB 148 103 161

HSL 286.55, 0.24%, 0.52%

LAB 50.18, 28.54, -24.28

 

CMYK 13 / 0 / 55 / 29

HEX #9FB652

RGB 159 182 82

HSL 73.8, 0.41%, 0.52%

LAB 70.48, -22.95, 47.53

 

CMYK 27 / 0 / 55 / 29

HEX #84B652

RGB 132 182 82

HSL 90, 0.41%, 0.52%

LAB 68.73, -33.45, 45.04

 

CMYK 42 / 0 / 55 / 29

HEX #69B652

RGB 105 182 82

HSL 106.2, 0.41%, 0.52%

LAB 67.33, -42.81, 43.04

 

CMYK 55 / 0 / 53 / 29

HEX #52B655

RGB 82 182 85

HSL 121.8, 0.41%, 0.52%

LAB 66.45, -49.09, 40.32

 

CMYK 55 / 0 / 38 / 29

HEX #52B670

RGB 82 182 112

HSL 138, 0.41%, 0.52%

LAB 66.84, -44.89, 27.02

 

CMYK 45 / 0 / 59 / 50

HEX #468035

RGB 70 128 53

HSL 106.4, 0.41%, 0.35%

LAB 48.26, -34.14, 34.36

 

CMYK 45 / 0 / 58 / 38

HEX #569D42

RGB 86 157 66

HSL 106.81, 0.41%, 0.44%

LAB 58.5, -40.06, 40.12

 

CMYK 43 / 0 / 55 / 29

HEX #68B652

RGB 104 182 82

HSL 106.8, 0.41%, 0.52%

LAB 67.28, -43.13, 42.98

 

CMYK 34 / 0 / 43 / 24

HEX #81C26F

RGB 129 194 111

HSL 106.99, 0.4%, 0.6%

LAB 72.49, -36.47, 35.28

 

CMYK 25 / 0 / 32 / 19

HEX #9BCF8C

RGB 155 207 140

HSL 106.57, 0.41%, 0.68%

LAB 78.16, -29.42, 28.01

 

CMYK 43 / 0 / 55 / 29

HEX #68B652

RGB 104 182 82

HSL 106.8, 0.41%, 0.52%

LAB 67.28, -43.13, 42.98

 

CMYK 55 / 0 / 2 / 29

HEX #52B6B3

RGB 82 182 179

HSL 178.2, 0.41%, 0.52%

LAB 68.39, -29.7, -7.33

 

CMYK 0 / 55 / 20 / 29

HEX #B65291

RGB 182 82 145

HSL 322.2, 0.41%, 0.52%

LAB 49.53, 47.94, -15.44

 

CMYK 43 / 0 / 55 / 29

HEX #68B652

RGB 104 182 82

HSL 106.8, 0.41%, 0.52%

LAB 67.28, -43.13, 42.98

 

CMYK 55 / 42 / 0 / 29

HEX #5269B6

RGB 82 105 182

HSL 226.2, 0.41%, 0.52%

LAB 46.01, 14.3, -43.5

 

CMYK 0 / 55 / 42 / 29

HEX #B65269

RGB 182 82 105

HSL 346.2, 0.41%, 0.52%

LAB 48.26, 42.77, 6.73

 

CMYK 43 / 0 / 55 / 29

HEX #68B652

RGB 104 182 82

HSL 106.8, 0.41%, 0.52%

LAB 67.28, -43.13, 42.98

 

CMYK 55 / 0 / 2 / 29

HEX #52B6B3

RGB 82 182 179

HSL 178.2, 0.41%, 0.52%

LAB 68.39, -29.7, -7.33

 

CMYK 13 / 55 / 0 / 29

HEX #9F52B6

RGB 159 82 182

HSL 286.2, 0.41%, 0.52%

LAB 47.99, 47.77, -39.9

 

CMYK 0 / 55 / 53 / 29

HEX #B65255

RGB 182 82 85

HSL 358.2, 0.41%, 0.52%

LAB 47.8, 40.81, 18.16

 

CMYK 43 / 0 / 55 / 29

HEX #68B652

RGB 104 182 82

HSL 106.8, 0.41%, 0.52%

LAB 67.28, -43.13, 42.98

 

CMYK 55 / 14 / 0 / 29

HEX #529CB6

RGB 82 156 182

HSL 195.6, 0.41%, 0.52%

LAB 60.74, -15.56, -20.53

 

CMYK 13 / 55 / 0 / 29

HEX #9F52B6

RGB 159 82 182

HSL 286.2, 0.41%, 0.52%

LAB 47.99, 47.77, -39.9

 

CMYK 0 / 40 / 55 / 29

HEX #B66D52

RGB 182 109 82

HSL 16.2, 0.41%, 0.52%

LAB 53.48, 26.25, 27.37

 

Description

Color code: HEX #68B652 | qconv.com Color code: HEX #68B652 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 182 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 182 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 55 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 55% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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