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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68C65E it is the complementary color #9739A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68C65E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68C65E shade: #6DC659, #7ED86C, #8FEA7F, #A0FC92 and #B1FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68C65E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68C65E shade: #68C65E, #57B44B, #46A238, #359025 and #247E12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68C65E shade: #66C55C, #83C55C, #9FC55C, #BBC55C and #C5B35C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68C65E shade: #66C55C, #5CC56E, #5CC58B, #5CC5A7 and #5CC5C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68C65E shade matches the following richer shades: #66C55C, #58D74A, #4AE939 and #3BFB27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68C65E shade: #66C55C, #75B46E, #83A280, #919091 and #A07FA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68C65E shade: #9FC55C, #83C55C, #67C55C, #5CC56E and #5CC58A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68C65E shade: #3F9A36, #4CB840, #66C55C, #83D07B and #A0DB99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68C65E shade: #68C65E, #5CBBC5 and #C55C91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68C65E shade: #68C65E, #5C67C5 and #C55C67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68C65E shade: #68C65E, #5CBBC5, #BB5CC5 and #C5675C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68C65E shade: #68C65E, #5C9BC5, #BB5CC5 and #C5865C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 53 / 22

HEX #68C65E

RGB 104 198 94

HSL 114.23, 0.48%, 0.57%

LAB 72.32, -48.31, 43.25

 

Complementary color

CMYK 6 / 65 / 0 / 37

HEX #9739A1

RGB 151 57 161

HSL 294.23, 0.48%, 0.43%

LAB 41.34, 53.46, -38.09

 

CMYK 45 / 0 / 55 / 22

HEX #6DC659

RGB 109 198 89

HSL 108.99, 0.49%, 0.56%

LAB 72.47, -47.44, 45.86

 

CMYK 42 / 0 / 50 / 15

HEX #7ED86C

RGB 126 216 108

HSL 110, 0.58%, 0.64%

LAB 78.83, -47.42, 44.66

 

CMYK 39 / 0 / 46 / 8

HEX #8FEA7F

RGB 143 234 127

HSL 111.03, 0.72%, 0.71%

LAB 85.11, -47.32, 43.45

 

CMYK 37 / 0 / 42 / 1

HEX #A0FC92

RGB 160 252 146

HSL 112.08, 0.95%, 0.78%

LAB 91.31, -47.17, 42.25

 

CMYK 31 / 0 / 35 / 0

HEX #B1FFA5

RGB 177 255 165

HSL 112, 1%, 0.82%

LAB 93.27, -40.45, 35.62

 

CMYK 47 / 0 / 53 / 22

HEX #68C65E

RGB 104 198 94

HSL 114.23, 0.48%, 0.57%

LAB 72.32, -48.31, 43.25

 

CMYK 52 / 0 / 58 / 29

HEX #57B44B

RGB 87 180 75

HSL 113.14, 0.41%, 0.5%

LAB 65.89, -48.2, 44.47

 

CMYK 57 / 0 / 65 / 36

HEX #46A238

RGB 70 162 56

HSL 112.08, 0.49%, 0.43%

LAB 59.37, -47.87, 45.54

 

CMYK 63 / 0 / 74 / 44

HEX #359025

RGB 53 144 37

HSL 111.03, 0.59%, 0.35%

LAB 52.77, -47.17, 46.23

 

CMYK 71 / 0 / 86 / 51

HEX #247E12

RGB 36 126 18

HSL 110, 0.75%, 0.28%

LAB 46.1, -45.85, 46.02

 

CMYK 48 / 0 / 53 / 23

HEX #66C55C

RGB 102 197 92

HSL 114.29, 0.48%, 0.57%

LAB 71.91, -48.73, 43.7

 

CMYK 34 / 0 / 53 / 23

HEX #83C55C

RGB 131 197 92

HSL 97.71, 0.48%, 0.57%

LAB 73.24, -39.53, 45.61

 

CMYK 19 / 0 / 53 / 23

HEX #9FC55C

RGB 159 197 92

HSL 81.71, 0.48%, 0.57%

LAB 74.87, -29.27, 47.94

 

CMYK 5 / 0 / 53 / 23

HEX #BBC55C

RGB 187 197 92

HSL 65.71, 0.48%, 0.57%

LAB 76.84, -18.16, 50.74

 

CMYK 0 / 9 / 53 / 23

HEX #C5B35C

RGB 197 179 92

HSL 49.71, 0.48%, 0.57%

LAB 72.81, -4.79, 46.24

 

CMYK 48 / 0 / 53 / 23

HEX #66C55C

RGB 102 197 92

HSL 114.29, 0.48%, 0.57%

LAB 71.91, -48.73, 43.7

 

CMYK 53 / 0 / 44 / 23

HEX #5CC56E

RGB 92 197 110

HSL 130.29, 0.48%, 0.57%

LAB 71.78, -48.89, 34.55

 

CMYK 53 / 0 / 29 / 23

HEX #5CC58B

RGB 92 197 139

HSL 146.86, 0.48%, 0.57%

LAB 72.28, -43.74, 20.06

 

CMYK 53 / 0 / 15 / 23

HEX #5CC5A7

RGB 92 197 167

HSL 162.86, 0.48%, 0.57%

LAB 72.89, -37.67, 5.85

 

CMYK 53 / 0 / 1 / 23

HEX #5CC5C4

RGB 92 197 196

HSL 179.43, 0.48%, 0.57%

LAB 73.67, -30.38, -8.75

 

CMYK 48 / 0 / 53 / 23

HEX #66C55C

RGB 102 197 92

HSL 114.29, 0.48%, 0.57%

LAB 71.91, -48.73, 43.7

 

CMYK 59 / 0 / 66 / 16

HEX #58D74A

RGB 88 215 74

HSL 114.04, 0.64%, 0.57%

LAB 76.78, -61.16, 57.14

 

CMYK 68 / 0 / 76 / 9

HEX #4AE939

RGB 74 233 57

HSL 114.2, 0.8%, 0.57%

LAB 81.85, -71.43, 68.41

 

CMYK 76 / 0 / 84 / 2

HEX #3BFB27

RGB 59 251 39

HSL 114.34, 0.96%, 0.57%

LAB 87.03, -80.12, 77.88

 

CMYK 48 / 0 / 53 / 23

HEX #66C55C

RGB 102 197 92

HSL 114.29, 0.48%, 0.57%

LAB 71.91, -48.73, 43.7

 

CMYK 35 / 0 / 39 / 29

HEX #75B46E

RGB 117 180 110

HSL 114, 0.32%, 0.57%

LAB 67.69, -34.2, 29.47

 

CMYK 19 / 0 / 21 / 36

HEX #83A280

RGB 131 162 128

HSL 114.71, 0.15%, 0.57%

LAB 63.53, -17.48, 14.22

 

CMYK 0 / 1 / 0 / 43

HEX #919091

RGB 145 144 145

HSL 300, 0%, 0.57%

LAB 59.9, 0.56, -0.41

 

CMYK 2 / 22 / 0 / 36

HEX #A07FA3

RGB 160 127 163

HSL 295, 0.16%, 0.57%

LAB 57.36, 19.21, -14.35

 

CMYK 19 / 0 / 53 / 23

HEX #9FC55C

RGB 159 197 92

HSL 81.71, 0.48%, 0.57%

LAB 74.87, -29.27, 47.94

 

CMYK 34 / 0 / 53 / 23

HEX #83C55C

RGB 131 197 92

HSL 97.71, 0.48%, 0.57%

LAB 73.24, -39.53, 45.61

 

CMYK 48 / 0 / 53 / 23

HEX #67C55C

RGB 103 197 92

HSL 113.71, 0.48%, 0.57%

LAB 71.95, -48.44, 43.76

 

CMYK 53 / 0 / 44 / 23

HEX #5CC56E

RGB 92 197 110

HSL 130.29, 0.48%, 0.57%

LAB 71.78, -48.89, 34.55

 

CMYK 53 / 0 / 30 / 23

HEX #5CC58A

RGB 92 197 138

HSL 146.29, 0.48%, 0.57%

LAB 72.26, -43.94, 20.57

 

CMYK 59 / 0 / 65 / 40

HEX #3F9A36

RGB 63 154 54

HSL 114.6, 0.48%, 0.41%

LAB 56.52, -46.83, 43.22

 

CMYK 59 / 0 / 65 / 28

HEX #4CB840

RGB 76 184 64

HSL 114, 0.48%, 0.49%

LAB 66.66, -53.81, 50.15

 

CMYK 48 / 0 / 53 / 23

HEX #66C55C

RGB 102 197 92

HSL 114.29, 0.48%, 0.57%

LAB 71.91, -48.73, 43.7

 

CMYK 37 / 0 / 41 / 18

HEX #83D07B

RGB 131 208 123

HSL 114.35, 0.47%, 0.65%

LAB 76.9, -40.38, 34.86

 

CMYK 27 / 0 / 30 / 14

HEX #A0DB99

RGB 160 219 153

HSL 113.64, 0.48%, 0.73%

LAB 82.07, -31.38, 26.57

 

CMYK 47 / 0 / 53 / 22

HEX #68C65E

RGB 104 198 94

HSL 114.23, 0.48%, 0.57%

LAB 72.32, -48.31, 43.25

 

CMYK 53 / 5 / 0 / 23

HEX #5CBBC5

RGB 92 187 197

HSL 185.71, 0.48%, 0.57%

LAB 70.77, -25.21, -13.64

 

CMYK 0 / 53 / 26 / 23

HEX #C55C91

RGB 197 92 145

HSL 329.71, 0.48%, 0.57%

LAB 53.57, 47.85, -9.13

 

CMYK 47 / 0 / 53 / 22

HEX #68C65E

RGB 104 198 94

HSL 114.23, 0.48%, 0.57%

LAB 72.32, -48.31, 43.25

 

CMYK 53 / 48 / 0 / 23

HEX #5C67C5

RGB 92 103 197

HSL 233.71, 0.48%, 0.57%

LAB 46.98, 22.62, -50.59

 

CMYK 0 / 53 / 48 / 23

HEX #C55C67

RGB 197 92 103

HSL 353.71, 0.48%, 0.57%

LAB 52.4, 42.93, 14.08

 

CMYK 47 / 0 / 53 / 22

HEX #68C65E

RGB 104 198 94

HSL 114.23, 0.48%, 0.57%

LAB 72.32, -48.31, 43.25

 

CMYK 53 / 5 / 0 / 23

HEX #5CBBC5

RGB 92 187 197

HSL 185.71, 0.48%, 0.57%

LAB 70.77, -25.21, -13.64

 

CMYK 5 / 53 / 0 / 23

HEX #BB5CC5

RGB 187 92 197

HSL 294.29, 0.48%, 0.57%

LAB 54.29, 53.34, -38.38

 

CMYK 0 / 48 / 53 / 23

HEX #C5675C

RGB 197 103 92

HSL 6.29, 0.48%, 0.57%

LAB 54.39, 36.3, 23.22

 

CMYK 47 / 0 / 53 / 22

HEX #68C65E

RGB 104 198 94

HSL 114.23, 0.48%, 0.57%

LAB 72.32, -48.31, 43.25

 

CMYK 53 / 21 / 0 / 23

HEX #5C9BC5

RGB 92 155 197

HSL 204, 0.48%, 0.57%

LAB 61.44, -8.32, -27.85

 

CMYK 5 / 53 / 0 / 23

HEX #BB5CC5

RGB 187 92 197

HSL 294.29, 0.48%, 0.57%

LAB 54.29, 53.34, -38.38

 

CMYK 0 / 32 / 53 / 23

HEX #C5865C

RGB 197 134 92

HSL 24, 0.48%, 0.57%

LAB 61.39, 19.56, 32.26

 

Description

Color code: HEX #68C65E | qconv.com Color code: HEX #68C65E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 198 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 198 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 53 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 53% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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