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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68CFCF it is the complementary color #973030. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68CFCF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68CFCF shade: #6DCFCA, #7EE1DD, #8FF3F0, #A0FFFF and #B1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68CFCF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68CFCF shade: #68CFCF, #57BDBC, #46ABA9, #359996 and #248783

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68CFCF shade: #67CFCF, #67CFB3, #67CF97, #67CF7B and #6FCF67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68CFCF shade: #67CFCF, #67B3CF, #6797CF, #677BCF and #6767CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68CFCF shade matches the following richer shades: #67CFCF, #57DFDF and #47EFEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68CFCF shade: #67CFCF, #77BFBF, #88AFAF, #989E9E and #A88E8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68CFCF shade: #67CF98, #67CFB3, #67CFCF, #67B3CF and #6798CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68CFCF shade: #36ADAD, #48C5C5, #67CFCF, #87D9D9 and #A6E3E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68CFCF shade: #68CFCF, #7C67CF and #CFA567

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68CFCF shade: #68CFCF, #CF67CF and #CFCF67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68CFCF shade: #68CFCF, #7C67CF, #CF6767 and #BACF67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68CFCF shade: #68CFCF, #9B67CF, #CF6767 and #9BCF67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 0 / 19

HEX #68CFCF

RGB 104 207 207

HSL 180, 0.52%, 0.61%

LAB 77.32, -29.82, -9.22

 

Complementary color

CMYK 0 / 68 / 68 / 41

HEX #973030

RGB 151 48 48

HSL 0, 0.52%, 0.39%

LAB 35.8, 42.97, 24.19

 

CMYK 47 / 0 / 2 / 19

HEX #6DCFCA

RGB 109 207 202

HSL 176.94, 0.51%, 0.62%

LAB 77.37, -30, -6.45

 

CMYK 44 / 0 / 2 / 12

HEX #7EE1DD

RGB 126 225 221

HSL 177.58, 0.62%, 0.69%

LAB 83.71, -30.01, -7.12

 

CMYK 41 / 0 / 1 / 5

HEX #8FF3F0

RGB 143 243 240

HSL 178.2, 0.81%, 0.76%

LAB 89.97, -29.98, -7.76

 

CMYK 37 / 0 / 0 / 0

HEX #A0FFFF

RGB 160 255 255

HSL 180, 1%, 0.81%

LAB 94.4, -28.01, -8.89

 

CMYK 31 / 0 / 0 / 0

HEX #B1FFFF

RGB 177 255 255

HSL 180, 1%, 0.85%

LAB 95.2, -23.63, -7.63

 

CMYK 50 / 0 / 0 / 19

HEX #68CFCF

RGB 104 207 207

HSL 180, 0.52%, 0.61%

LAB 77.32, -29.82, -9.22

 

CMYK 54 / 0 / 1 / 26

HEX #57BDBC

RGB 87 189 188

HSL 179.41, 0.44%, 0.54%

LAB 70.91, -29.67, -8.52

 

CMYK 59 / 0 / 1 / 33

HEX #46ABA9

RGB 70 171 169

HSL 178.81, 0.42%, 0.47%

LAB 64.4, -29.42, -7.76

 

CMYK 65 / 0 / 2 / 40

HEX #359996

RGB 53 153 150

HSL 178.2, 0.49%, 0.4%

LAB 57.79, -29.01, -6.92

 

CMYK 73 / 0 / 3 / 47

HEX #248783

RGB 36 135 131

HSL 177.58, 0.58%, 0.34%

LAB 51.08, -28.36, -5.98

 

CMYK 50 / 0 / 0 / 19

HEX #67CFCF

RGB 103 207 207

HSL 180, 0.52%, 0.61%

LAB 77.29, -30.03, -9.27

 

CMYK 50 / 0 / 14 / 19

HEX #67CFB3

RGB 103 207 179

HSL 163.85, 0.52%, 0.61%

LAB 76.54, -36.95, 4.68

 

CMYK 50 / 0 / 27 / 19

HEX #67CF97

RGB 103 207 151

HSL 147.69, 0.52%, 0.61%

LAB 75.91, -43.01, 18.76

 

CMYK 50 / 0 / 41 / 19

HEX #67CF7B

RGB 103 207 123

HSL 131.54, 0.52%, 0.61%

LAB 75.41, -48.08, 32.7

 

CMYK 46 / 0 / 50 / 19

HEX #6FCF67

RGB 111 207 103

HSL 115.38, 0.52%, 0.61%

LAB 75.44, -48.8, 42.78

 

CMYK 50 / 0 / 0 / 19

HEX #67CFCF

RGB 103 207 207

HSL 180, 0.52%, 0.61%

LAB 77.29, -30.03, -9.27

 

CMYK 50 / 14 / 0 / 19

HEX #67B3CF

RGB 103 179 207

HSL 196.15, 0.52%, 0.61%

LAB 69.2, -15.92, -21.45

 

CMYK 50 / 27 / 0 / 19

HEX #6797CF

RGB 103 151 207

HSL 212.31, 0.52%, 0.61%

LAB 61.24, -0.54, -33.71

 

CMYK 50 / 41 / 0 / 19

HEX #677BCF

RGB 103 123 207

HSL 228.46, 0.52%, 0.61%

LAB 53.55, 15.97, -45.79

 

CMYK 50 / 50 / 0 / 19

HEX #6767CF

RGB 103 103 207

HSL 240, 0.52%, 0.61%

LAB 48.37, 28.16, -54.06

 

CMYK 50 / 0 / 0 / 19

HEX #67CFCF

RGB 103 207 207

HSL 180, 0.52%, 0.61%

LAB 77.29, -30.03, -9.27

 

CMYK 61 / 0 / 0 / 13

HEX #57DFDF

RGB 87 223 223

HSL 180, 0.68%, 0.61%

LAB 81.91, -36.29, -11

 

CMYK 70 / 0 / 0 / 6

HEX #47EFEF

RGB 71 239 239

HSL 180, 0.84%, 0.61%

LAB 86.65, -41.44, -12.4

 

CMYK 50 / 0 / 0 / 19

HEX #67CFCF

RGB 103 207 207

HSL 180, 0.52%, 0.61%

LAB 77.29, -30.03, -9.27

 

CMYK 38 / 0 / 0 / 25

HEX #77BFBF

RGB 119 191 191

HSL 180, 0.36%, 0.61%

LAB 72.86, -22.44, -7.12

 

CMYK 22 / 0 / 0 / 31

HEX #88AFAF

RGB 136 175 175

HSL 180, 0.2%, 0.61%

LAB 68.74, -13.07, -4.32

 

CMYK 4 / 0 / 0 / 38

HEX #989E9E

RGB 152 158 158

HSL 180, 0.03%, 0.61%

LAB 64.64, -2.14, -0.75

 

CMYK 0 / 15 / 15 / 34

HEX #A88E8E

RGB 168 142 142

HSL 0, 0.13%, 0.61%

LAB 61.33, 9.76, 3.63

 

CMYK 50 / 0 / 27 / 19

HEX #67CF98

RGB 103 207 152

HSL 148.27, 0.52%, 0.61%

LAB 75.93, -42.81, 18.26

 

CMYK 50 / 0 / 14 / 19

HEX #67CFB3

RGB 103 207 179

HSL 163.85, 0.52%, 0.61%

LAB 76.54, -36.95, 4.68

 

CMYK 50 / 0 / 0 / 19

HEX #67CFCF

RGB 103 207 207

HSL 180, 0.52%, 0.61%

LAB 77.29, -30.03, -9.27

 

CMYK 50 / 14 / 0 / 19

HEX #67B3CF

RGB 103 179 207

HSL 196.15, 0.52%, 0.61%

LAB 69.2, -15.92, -21.45

 

CMYK 50 / 27 / 0 / 19

HEX #6798CF

RGB 103 152 207

HSL 211.73, 0.52%, 0.61%

LAB 61.52, -1.11, -33.28

 

CMYK 69 / 0 / 0 / 32

HEX #36ADAD

RGB 54 173 173

HSL 180, 0.52%, 0.45%

LAB 64.71, -31.84, -9.56

 

CMYK 63 / 0 / 0 / 23

HEX #48C5C5

RGB 72 197 197

HSL 180, 0.52%, 0.53%

LAB 73.12, -33.71, -10.18

 

CMYK 50 / 0 / 0 / 19

HEX #67CFCF

RGB 103 207 207

HSL 180, 0.52%, 0.61%

LAB 77.29, -30.03, -9.27

 

CMYK 38 / 0 / 0 / 15

HEX #87D9D9

RGB 135 217 217

HSL 180, 0.52%, 0.69%

LAB 81.72, -24.91, -7.9

 

CMYK 27 / 0 / 0 / 11

HEX #A6E3E3

RGB 166 227 227

HSL 180, 0.52%, 0.77%

LAB 86.3, -19.16, -6.25

 

CMYK 50 / 0 / 0 / 19

HEX #68CFCF

RGB 104 207 207

HSL 180, 0.52%, 0.61%

LAB 77.32, -29.82, -9.22

 

CMYK 40 / 50 / 0 / 19

HEX #7C67CF

RGB 124 103 207

HSL 252.12, 0.52%, 0.61%

LAB 50.09, 33.03, -51.22

 

CMYK 0 / 20 / 50 / 19

HEX #CFA567

RGB 207 165 103

HSL 35.77, 0.52%, 0.61%

LAB 70.28, 7.82, 37.83

 

CMYK 50 / 0 / 0 / 19

HEX #68CFCF

RGB 104 207 207

HSL 180, 0.52%, 0.61%

LAB 77.32, -29.82, -9.22

 

CMYK 0 / 50 / 0 / 19

HEX #CF67CF

RGB 207 103 207

HSL 300, 0.52%, 0.61%

LAB 59.41, 55.34, -35.87

 

CMYK 0 / 0 / 50 / 19

HEX #CFCF67

RGB 207 207 103

HSL 60, 0.52%, 0.61%

LAB 81.22, -14.1, 51.1

 

CMYK 50 / 0 / 0 / 19

HEX #68CFCF

RGB 104 207 207

HSL 180, 0.52%, 0.61%

LAB 77.32, -29.82, -9.22

 

CMYK 40 / 50 / 0 / 19

HEX #7C67CF

RGB 124 103 207

HSL 252.12, 0.52%, 0.61%

LAB 50.09, 33.03, -51.22

 

CMYK 0 / 50 / 50 / 19

HEX #CF6767

RGB 207 103 103

HSL 0, 0.52%, 0.61%

LAB 56.03, 41.04, 19.29

 

CMYK 10 / 0 / 50 / 19

HEX #BACF67

RGB 186 207 103

HSL 72.12, 0.52%, 0.61%

LAB 79.64, -22.51, 48.83

 

CMYK 50 / 0 / 0 / 19

HEX #68CFCF

RGB 104 207 207

HSL 180, 0.52%, 0.61%

LAB 77.32, -29.82, -9.22

 

CMYK 25 / 50 / 0 / 19

HEX #9B67CF

RGB 155 103 207

HSL 270, 0.52%, 0.61%

LAB 53.14, 41.01, -46.17

 

CMYK 0 / 50 / 50 / 19

HEX #CF6767

RGB 207 103 103

HSL 0, 0.52%, 0.61%

LAB 56.03, 41.04, 19.29

 

CMYK 25 / 0 / 50 / 19

HEX #9BCF67

RGB 155 207 103

HSL 90, 0.52%, 0.61%

LAB 77.62, -34.3, 45.93

 

Description

Color code: HEX #68CFCF | qconv.com Color code: HEX #68CFCF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 207 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 207 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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