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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68E576 it is the complementary color #971A89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68E576. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68E576 shade: #6DE571, #7EF784, #8FFF97, #A0FFAA and #B1FFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68E576. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68E576 shade: #68E576, #57D363, #46C150, #35AF3D and #249D2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68E576 shade: #66E574, #7AE566, #9CE566, #BEE566 and #E0E566

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68E576 shade: #66E574, #66E596, #66E5B8, #66E5DB and #66CCE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68E576 shade matches the following richer shades: #66E574 and #57F369

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68E576 shade: #66E574, #74D67F, #83C88A, #91B996 and #A0ABA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68E576 shade: #9DE566, #7BE566, #66E573, #66E594 and #66E5B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68E576 shade: #24D437, #43DF54, #66E574, #89EB94 and #ACF1B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68E576 shade: #68E576, #66BFE5 and #E5668C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68E576 shade: #68E576, #7366E5 and #E57366

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68E576 shade: #68E576, #66BFE5, #E566D8 and #E58C66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68E576 shade: #68E576, #6699E5, #E566D8 and #E5B266

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 48 / 10

HEX #68E576

RGB 104 229 118

HSL 126.72, 0.71%, 0.65%

LAB 82, -57.32, 43.58

 

Complementary color

CMYK 0 / 83 / 9 / 41

HEX #971A89

RGB 151 26 137

HSL 306.72, 0.71%, 0.35%

LAB 36.22, 60.15, -31.6

 

CMYK 52 / 0 / 51 / 10

HEX #6DE571

RGB 109 229 113

HSL 122, 0.7%, 0.66%

LAB 82.1, -56.75, 46.13

 

CMYK 49 / 0 / 47 / 3

HEX #7EF784

RGB 126 247 132

HSL 122.98, 0.88%, 0.73%

LAB 88.27, -56.78, 44.86

 

CMYK 44 / 0 / 41 / 0

HEX #8FFF97

RGB 143 255 151

HSL 124.29, 1%, 0.78%

LAB 91.5, -52.68, 39.92

 

CMYK 37 / 0 / 33 / 0

HEX #A0FFAA

RGB 160 255 170

HSL 126.32, 1%, 0.81%

LAB 92.53, -44.89, 31.99

 

CMYK 31 / 0 / 26 / 0

HEX #B1FFBD

RGB 177 255 189

HSL 129.23, 1%, 0.85%

LAB 93.69, -36.65, 24.11

 

CMYK 55 / 0 / 48 / 10

HEX #68E576

RGB 104 229 118

HSL 126.72, 0.71%, 0.65%

LAB 82, -57.32, 43.58

 

CMYK 59 / 0 / 53 / 17

HEX #57D363

RGB 87 211 99

HSL 125.81, 0.58%, 0.58%

LAB 75.77, -57.12, 44.9

 

CMYK 64 / 0 / 59 / 24

HEX #46C150

RGB 70 193 80

HSL 124.88, 0.5%, 0.52%

LAB 69.48, -56.69, 46.2

 

CMYK 70 / 0 / 65 / 31

HEX #35AF3D

RGB 53 175 61

HSL 123.93, 0.54%, 0.45%

LAB 63.14, -55.91, 47.39

 

CMYK 77 / 0 / 73 / 38

HEX #249D2A

RGB 36 157 42

HSL 122.98, 0.63%, 0.38%

LAB 56.74, -54.58, 48.25

 

CMYK 55 / 0 / 49 / 10

HEX #66E574

RGB 102 229 116

HSL 126.61, 0.71%, 0.65%

LAB 81.91, -58.08, 44.41

 

CMYK 47 / 0 / 55 / 10

HEX #7AE566

RGB 122 229 102

HSL 110.55, 0.71%, 0.65%

LAB 82.45, -54.59, 51.78

 

CMYK 32 / 0 / 55 / 10

HEX #9CE566

RGB 156 229 102

HSL 94.49, 0.71%, 0.65%

LAB 84, -43.87, 53.98

 

CMYK 17 / 0 / 55 / 10

HEX #BEE566

RGB 190 229 102

HSL 78.43, 0.71%, 0.65%

LAB 85.98, -31.54, 56.78

 

CMYK 2 / 0 / 55 / 10

HEX #E0E566

RGB 224 229 102

HSL 62.36, 0.71%, 0.65%

LAB 88.37, -18.23, 60.14

 

CMYK 55 / 0 / 49 / 10

HEX #66E574

RGB 102 229 116

HSL 126.61, 0.71%, 0.65%

LAB 81.91, -58.08, 44.41

 

CMYK 55 / 0 / 34 / 10

HEX #66E596

RGB 102 229 150

HSL 142.68, 0.71%, 0.65%

LAB 82.41, -52.64, 28.15

 

CMYK 55 / 0 / 20 / 10

HEX #66E5B8

RGB 102 229 184

HSL 158.74, 0.71%, 0.65%

LAB 83.09, -45.8, 11.41

 

CMYK 55 / 0 / 4 / 10

HEX #66E5DB

RGB 102 229 219

HSL 175.28, 0.71%, 0.65%

LAB 83.95, -37.46, -5.79

 

CMYK 55 / 11 / 0 / 10

HEX #66CCE5

RGB 102 204 229

HSL 191.81, 0.71%, 0.65%

LAB 77.08, -22.76, -21.42

 

CMYK 55 / 0 / 49 / 10

HEX #66E574

RGB 102 229 116

HSL 126.61, 0.71%, 0.65%

LAB 81.91, -58.08, 44.41

 

CMYK 64 / 0 / 57 / 5

HEX #57F369

RGB 87 243 105

HSL 126.92, 0.87%, 0.65%

LAB 85.58, -67.79, 53.83

 

CMYK 55 / 0 / 49 / 10

HEX #66E574

RGB 102 229 116

HSL 126.61, 0.71%, 0.65%

LAB 81.91, -58.08, 44.41

 

CMYK 46 / 0 / 41 / 16

HEX #74D67F

RGB 116 214 127

HSL 126.73, 0.54%, 0.65%

LAB 78.07, -46.84, 34.22

 

CMYK 35 / 0 / 31 / 22

HEX #83C88A

RGB 131 200 138

HSL 126.09, 0.39%, 0.65%

LAB 74.81, -34.38, 24.31

 

CMYK 22 / 0 / 19 / 27

HEX #91B996

RGB 145 185 150

HSL 127.5, 0.22%, 0.65%

LAB 71.5, -20.38, 13.44

 

CMYK 6 / 0 / 6 / 33

HEX #A0ABA1

RGB 160 171 161

HSL 125.45, 0.06%, 0.65%

LAB 68.88, -5.79, 3.81

 

CMYK 31 / 0 / 55 / 10

HEX #9DE566

RGB 157 229 102

HSL 94.02, 0.71%, 0.65%

LAB 84.05, -43.53, 54.05

 

CMYK 46 / 0 / 55 / 10

HEX #7BE566

RGB 123 229 102

HSL 110.08, 0.71%, 0.65%

LAB 82.49, -54.3, 51.83

 

CMYK 55 / 0 / 50 / 10

HEX #66E573

RGB 102 229 115

HSL 126.14, 0.71%, 0.65%

LAB 81.89, -58.21, 44.87

 

CMYK 55 / 0 / 35 / 10

HEX #66E594

RGB 102 229 148

HSL 141.73, 0.71%, 0.65%

LAB 82.38, -53, 29.13

 

CMYK 55 / 0 / 21 / 10

HEX #66E5B6

RGB 102 229 182

HSL 157.8, 0.71%, 0.65%

LAB 83.04, -46.24, 12.39

 

CMYK 83 / 0 / 74 / 17

HEX #24D437

RGB 36 212 55

HSL 126.48, 0.71%, 0.49%

LAB 74.66, -70.58, 61.73

 

CMYK 70 / 0 / 62 / 13

HEX #43DF54

RGB 67 223 84

HSL 126.54, 0.71%, 0.57%

LAB 78.82, -67.11, 55.09

 

CMYK 55 / 0 / 49 / 10

HEX #66E574

RGB 102 229 116

HSL 126.61, 0.71%, 0.65%

LAB 81.91, -58.08, 44.41

 

CMYK 42 / 0 / 37 / 8

HEX #89EB94

RGB 137 235 148

HSL 126.73, 0.71%, 0.73%

LAB 85.44, -46.48, 33.43

 

CMYK 29 / 0 / 25 / 5

HEX #ACF1B4

RGB 172 241 180

HSL 126.96, 0.71%, 0.81%

LAB 89.38, -33.31, 22.74

 

CMYK 55 / 0 / 48 / 10

HEX #68E576

RGB 104 229 118

HSL 126.72, 0.71%, 0.65%

LAB 82, -57.32, 43.58

 

CMYK 55 / 17 / 0 / 10

HEX #66BFE5

RGB 102 191 229

HSL 197.95, 0.71%, 0.65%

LAB 73.38, -16.09, -27.07

 

CMYK 0 / 55 / 39 / 10

HEX #E5668C

RGB 229 102 140

HSL 342.05, 0.71%, 0.65%

LAB 59.94, 52.91, 3.71

 

CMYK 55 / 0 / 48 / 10

HEX #68E576

RGB 104 229 118

HSL 126.72, 0.71%, 0.65%

LAB 82, -57.32, 43.58

 

CMYK 50 / 55 / 0 / 10

HEX #7366E5

RGB 115 102 229

HSL 246.14, 0.71%, 0.65%

LAB 50.46, 37.97, -63.13

 

CMYK 0 / 50 / 55 / 10

HEX #E57366

RGB 229 115 102

HSL 6.14, 0.71%, 0.65%

LAB 61.55, 43.04, 27.76

 

CMYK 55 / 0 / 48 / 10

HEX #68E576

RGB 104 229 118

HSL 126.72, 0.71%, 0.65%

LAB 82, -57.32, 43.58

 

CMYK 55 / 17 / 0 / 10

HEX #66BFE5

RGB 102 191 229

HSL 197.95, 0.71%, 0.65%

LAB 73.38, -16.09, -27.07

 

CMYK 0 / 55 / 6 / 10

HEX #E566D8

RGB 229 102 216

HSL 306.14, 0.71%, 0.65%

LAB 62.61, 63.34, -35.73

 

CMYK 0 / 39 / 55 / 10

HEX #E58C66

RGB 229 140 102

HSL 17.95, 0.71%, 0.65%

LAB 66.8, 30.14, 34.51

 

CMYK 55 / 0 / 48 / 10

HEX #68E576

RGB 104 229 118

HSL 126.72, 0.71%, 0.65%

LAB 82, -57.32, 43.58

 

CMYK 55 / 33 / 0 / 10

HEX #6699E5

RGB 102 153 229

HSL 215.91, 0.71%, 0.65%

LAB 62.73, 4.87, -43.62

 

CMYK 0 / 55 / 6 / 10

HEX #E566D8

RGB 229 102 216

HSL 306.14, 0.71%, 0.65%

LAB 62.61, 63.34, -35.73

 

CMYK 0 / 22 / 55 / 10

HEX #E5B266

RGB 229 178 102

HSL 35.91, 0.71%, 0.65%

LAB 75.74, 9.91, 45.53

 

Description

Color code: HEX #68E576 | qconv.com Color code: HEX #68E576 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 229 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 229 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 48 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 48% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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