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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68E73A it is the complementary color #9718C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68E73A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68E73A shade: #6DE735, #7EF948, #8FFF5B, #A0FF6E and #B1FF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68E73A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68E73A shade: #68E73A, #57D527, #46C314, #35B101 and #249F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68E73A shade: #69E63B, #97E63B, #C5E63B, #E6DA3B and #E6AB3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68E73A shade: #69E63B, #3BE63C, #3BE66A, #3BE698 and #3BE6C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68E73A shade matches the following richer shades: #69E63B and #60F82A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68E73A shade: #69E63B, #71D54D, #79C35F, #82B171 and #8A9F82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68E73A shade: #C4E63B, #97E63B, #69E63B, #3BE63B and #3BE669

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68E73A shade: #42B916, #4FDE1B, #69E63B, #85EB60 and #A1EF85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68E73A shade: #68E73A, #3BE6DB and #E63BAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68E73A shade: #68E73A, #3B69E6 and #E63B69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68E73A shade: #68E73A, #3BE6DB, #B93BE6 and #E63B47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68E73A shade: #68E73A, #3BBEE6, #B93BE6 and #E6633B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 75 / 9

HEX #68E73A

RGB 104 231 58

HSL 104.05, 0.78%, 0.57%

LAB 82.06, -64.1, 68.56

 

Complementary color

CMYK 23 / 88 / 0 / 23

HEX #9718C5

RGB 151 24 197

HSL 284.05, 0.78%, 0.43%

LAB 40.02, 70.86, -61.5

 

CMYK 53 / 0 / 77 / 9

HEX #6DE735

RGB 109 231 53

HSL 101.12, 0.79%, 0.56%

LAB 82.2, -63.09, 70.31

 

CMYK 49 / 0 / 71 / 2

HEX #7EF948

RGB 126 249 72

HSL 101.69, 0.94%, 0.63%

LAB 88.28, -63.74, 70.33

 

CMYK 44 / 0 / 64 / 0

HEX #8FFF5B

RGB 143 255 91

HSL 100.98, 1%, 0.68%

LAB 90.83, -59.63, 66.14

 

CMYK 37 / 0 / 57 / 0

HEX #A0FF6E

RGB 160 255 110

HSL 99.31, 1%, 0.72%

LAB 91.74, -52.66, 59.46

 

CMYK 31 / 0 / 49 / 0

HEX #B1FF81

RGB 177 255 129

HSL 97.14, 1%, 0.75%

LAB 92.77, -45.11, 52.34

 

CMYK 55 / 0 / 75 / 9

HEX #68E73A

RGB 104 231 58

HSL 104.05, 0.78%, 0.57%

LAB 82.06, -64.1, 68.56

 

CMYK 59 / 0 / 82 / 16

HEX #57D527

RGB 87 213 39

HSL 103.45, 0.69%, 0.49%

LAB 75.92, -63.17, 68.12

 

CMYK 64 / 0 / 90 / 24

HEX #46C314

RGB 70 195 20

HSL 102.86, 0.81%, 0.42%

LAB 69.74, -61.8, 66.62

 

CMYK 70 / 0 / 99 / 31

HEX #35B101

RGB 53 177 1

HSL 102.27, 0.99%, 0.35%

LAB 63.51, -59.93, 63.89

 

CMYK 77 / 0 / 100 / 38

HEX #249F00

RGB 36 159 0

HSL 106.42, 1%, 0.31%

LAB 57.24, -57.26, 58.88

 

CMYK 54 / 0 / 74 / 10

HEX #69E63B

RGB 105 230 59

HSL 103.86, 0.77%, 0.57%

LAB 81.79, -63.43, 67.99

 

CMYK 34 / 0 / 74 / 10

HEX #97E63B

RGB 151 230 59

HSL 87.72, 0.77%, 0.57%

LAB 83.7, -49.36, 70.5

 

CMYK 14 / 0 / 74 / 10

HEX #C5E63B

RGB 197 230 59

HSL 71.58, 0.77%, 0.57%

LAB 86.39, -32.12, 74.02

 

CMYK 0 / 5 / 74 / 10

HEX #E6DA3B

RGB 230 218 59

HSL 55.79, 0.77%, 0.57%

LAB 85.65, -12.83, 74.21

 

CMYK 0 / 26 / 74 / 10

HEX #E6AB3B

RGB 230 171 59

HSL 39.3, 0.77%, 0.57%

LAB 73.72, 11.42, 62.86

 

CMYK 54 / 0 / 74 / 10

HEX #69E63B

RGB 105 230 59

HSL 103.86, 0.77%, 0.57%

LAB 81.79, -63.43, 67.99

 

CMYK 74 / 0 / 74 / 10

HEX #3BE63C

RGB 59 230 60

HSL 120.35, 0.77%, 0.57%

LAB 80.66, -72.75, 66.16

 

CMYK 74 / 0 / 54 / 10

HEX #3BE66A

RGB 59 230 106

HSL 136.49, 0.77%, 0.57%

LAB 81.05, -67.96, 47.85

 

CMYK 74 / 0 / 34 / 10

HEX #3BE698

RGB 59 230 152

HSL 152.63, 0.77%, 0.57%

LAB 81.72, -60.24, 26.02

 

CMYK 74 / 0 / 14 / 10

HEX #3BE6C6

RGB 59 230 198

HSL 168.77, 0.77%, 0.57%

LAB 82.7, -49.83, 3.35

 

CMYK 54 / 0 / 74 / 10

HEX #69E63B

RGB 105 230 59

HSL 103.86, 0.77%, 0.57%

LAB 81.79, -63.43, 67.99

 

CMYK 61 / 0 / 83 / 3

HEX #60F82A

RGB 96 248 42

HSL 104.27, 0.94%, 0.57%

LAB 86.89, -72.57, 77.39

 

CMYK 54 / 0 / 74 / 10

HEX #69E63B

RGB 105 230 59

HSL 103.86, 0.77%, 0.57%

LAB 81.79, -63.43, 67.99

 

CMYK 47 / 0 / 64 / 16

HEX #71D54D

RGB 113 213 77

HSL 104.12, 0.62%, 0.57%

LAB 77.06, -53.5, 56.46

 

CMYK 38 / 0 / 51 / 24

HEX #79C35F

RGB 121 195 95

HSL 104.4, 0.45%, 0.57%

LAB 72.18, -41.67, 42.77

 

CMYK 27 / 0 / 36 / 31

HEX #82B171

RGB 130 177 113

HSL 104.06, 0.29%, 0.57%

LAB 67.56, -27.85, 27.85

 

CMYK 13 / 0 / 18 / 38

HEX #8A9F82

RGB 138 159 130

HSL 103.45, 0.13%, 0.57%

LAB 63.19, -13.01, 12.7

 

CMYK 15 / 0 / 74 / 10

HEX #C4E63B

RGB 196 230 59

HSL 71.93, 0.77%, 0.57%

LAB 86.33, -32.52, 73.93

 

CMYK 34 / 0 / 74 / 10

HEX #97E63B

RGB 151 230 59

HSL 87.72, 0.77%, 0.57%

LAB 83.7, -49.36, 70.5

 

CMYK 54 / 0 / 74 / 10

HEX #69E63B

RGB 105 230 59

HSL 103.86, 0.77%, 0.57%

LAB 81.79, -63.43, 67.99

 

CMYK 74 / 0 / 74 / 10

HEX #3BE63B

RGB 59 230 59

HSL 120, 0.77%, 0.57%

LAB 80.65, -72.83, 66.48

 

CMYK 74 / 0 / 54 / 10

HEX #3BE669

RGB 59 230 105

HSL 136.14, 0.77%, 0.57%

LAB 81.04, -68.1, 48.3

 

CMYK 64 / 0 / 88 / 27

HEX #42B916

RGB 66 185 22

HSL 103.8, 0.79%, 0.41%

LAB 66.45, -59.3, 63.4

 

CMYK 64 / 0 / 88 / 13

HEX #4FDE1B

RGB 79 222 27

HSL 104, 0.78%, 0.49%

LAB 78.45, -68.43, 72.92

 

CMYK 54 / 0 / 74 / 10

HEX #69E63B

RGB 105 230 59

HSL 103.86, 0.77%, 0.57%

LAB 81.79, -63.43, 67.99

 

CMYK 43 / 0 / 59 / 8

HEX #85EB60

RGB 133 235 96

HSL 104.03, 0.78%, 0.65%

LAB 84.61, -54.37, 57.05

 

CMYK 33 / 0 / 44 / 6

HEX #A1EF85

RGB 161 239 133

HSL 104.15, 0.77%, 0.73%

LAB 87.49, -42.98, 43.72

 

CMYK 55 / 0 / 75 / 9

HEX #68E73A

RGB 104 231 58

HSL 104.05, 0.78%, 0.57%

LAB 82.06, -64.1, 68.56

 

CMYK 74 / 0 / 5 / 10

HEX #3BE6DB

RGB 59 230 219

HSL 176.14, 0.77%, 0.57%

LAB 83.25, -44.31, -6.95

 

CMYK 0 / 74 / 25 / 10

HEX #E63BAD

RGB 230 59 173

HSL 320, 0.77%, 0.57%

LAB 55.04, 73.85, -22.84

 

CMYK 55 / 0 / 75 / 9

HEX #68E73A

RGB 104 231 58

HSL 104.05, 0.78%, 0.57%

LAB 82.06, -64.1, 68.56

 

CMYK 74 / 54 / 0 / 10

HEX #3B69E6

RGB 59 105 230

HSL 223.86, 0.77%, 0.57%

LAB 47.94, 27.34, -67.93

 

CMYK 0 / 74 / 54 / 10

HEX #E63B69

RGB 230 59 105

HSL 343.86, 0.77%, 0.57%

LAB 52.92, 67.19, 14.45

 

CMYK 55 / 0 / 75 / 9

HEX #68E73A

RGB 104 231 58

HSL 104.05, 0.78%, 0.57%

LAB 82.06, -64.1, 68.56

 

CMYK 74 / 0 / 5 / 10

HEX #3BE6DB

RGB 59 230 219

HSL 176.14, 0.77%, 0.57%

LAB 83.25, -44.31, -6.95

 

CMYK 20 / 74 / 0 / 10

HEX #B93BE6

RGB 185 59 230

HSL 284.21, 0.77%, 0.57%

LAB 50.87, 73.05, -62.64

 

CMYK 0 / 74 / 69 / 10

HEX #E63B47

RGB 230 59 71

HSL 355.79, 0.77%, 0.57%

LAB 52.29, 65.15, 33.85

 

CMYK 55 / 0 / 75 / 9

HEX #68E73A

RGB 104 231 58

HSL 104.05, 0.78%, 0.57%

LAB 82.06, -64.1, 68.56

 

CMYK 74 / 17 / 0 / 10

HEX #3BBEE6

RGB 59 190 230

HSL 194.04, 0.77%, 0.57%

LAB 71.87, -22.09, -30.04

 

CMYK 20 / 74 / 0 / 10

HEX #B93BE6

RGB 185 59 230

HSL 284.21, 0.77%, 0.57%

LAB 50.87, 73.05, -62.64

 

CMYK 0 / 57 / 74 / 10

HEX #E6633B

RGB 230 99 59

HSL 14.04, 0.77%, 0.57%

LAB 58.1, 48.59, 46.98

 

Description

Color code: HEX #68E73A | qconv.com Color code: HEX #68E73A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 231 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 231 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 75 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 75% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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