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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68FC6D it is the complementary color #970392. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68FC6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68FC6D shade: #6DFC68, #7EFF7B, #8FFF8E, #A0FFA1 and #B1FFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68FC6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68FC6D shade: #68FC6D, #57EA5A, #46D847, #35C634 and #24B421

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68FC6D shade: #69FB6E, #8BFB69, #B3FB69, #DAFB69 and #FBF569

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68FC6D shade: #69FB6E, #69FB95, #69FBBD, #69FBE4 and #69EBFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68FC6D shade matches the following richer shades: #69FB6E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68FC6D shade: #69FB6E, #75EF79, #81E385, #8ED690 and #9ACA9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68FC6D shade: #B2FB69, #8BFB69, #69FB6D, #69FB95 and #69FBBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68FC6D shade: #18FA1F, #40FB46, #69FB6E, #91FC95 and #B9FDBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68FC6D shade: #68FC6D, #69D9FB and #FB699E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68FC6D shade: #68FC6D, #6D69FB and #FB6D69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68FC6D shade: #68FC6D, #69D9FB, #FB69F7 and #FB8B69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68FC6D shade: #68FC6D, #69ADFB, #FB69F7 and #FBB769

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 57 / 1

HEX #68FC6D

RGB 104 252 109

HSL 122.03, 0.96%, 0.7%

LAB 88.77, -66.91, 55.91

 

Complementary color

CMYK 0 / 98 / 3 / 41

HEX #970392

RGB 151 3 146

HSL 302.03, 0.96%, 0.3%

LAB 35.44, 65.32, -38.39

 

CMYK 57 / 0 / 59 / 1

HEX #6DFC68

RGB 109 252 104

HSL 117.97, 0.96%, 0.7%

LAB 88.86, -66.33, 58.24

 

CMYK 51 / 0 / 52 / 0

HEX #7EFF7B

RGB 126 255 123

HSL 118.64, 1%, 0.74%

LAB 90.5, -61.04, 51.84

 

CMYK 44 / 0 / 44 / 0

HEX #8FFF8E

RGB 143 255 142

HSL 119.47, 1%, 0.78%

LAB 91.38, -53.97, 44.12

 

CMYK 37 / 0 / 37 / 0

HEX #A0FFA1

RGB 160 255 161

HSL 120.63, 1%, 0.81%

LAB 92.38, -46.29, 36.28

 

CMYK 31 / 0 / 29 / 0

HEX #B1FFB4

RGB 177 255 180

HSL 122.31, 1%, 0.85%

LAB 93.52, -38.14, 28.45

 

CMYK 59 / 0 / 57 / 1

HEX #68FC6D

RGB 104 252 109

HSL 122.03, 0.96%, 0.7%

LAB 88.77, -66.91, 55.91

 

CMYK 63 / 0 / 62 / 8

HEX #57EA5A

RGB 87 234 90

HSL 121.22, 0.78%, 0.63%

LAB 82.71, -66.4, 57.05

 

CMYK 68 / 0 / 67 / 15

HEX #46D847

RGB 70 216 71

HSL 120.41, 0.65%, 0.56%

LAB 76.6, -65.58, 58.01

 

CMYK 73 / 0 / 74 / 22

HEX #35C634

RGB 53 198 52

HSL 119.59, 0.58%, 0.49%

LAB 70.45, -64.33, 58.62

 

CMYK 80 / 0 / 82 / 29

HEX #24B421

RGB 36 180 33

HSL 118.78, 0.69%, 0.42%

LAB 64.26, -62.48, 58.57

 

CMYK 58 / 0 / 56 / 2

HEX #69FB6E

RGB 105 251 110

HSL 122.05, 0.95%, 0.7%

LAB 88.51, -66.21, 55.17

 

CMYK 45 / 0 / 58 / 2

HEX #8BFB69

RGB 139 251 105

HSL 106.03, 0.95%, 0.7%

LAB 89.63, -57.97, 58.96

 

CMYK 29 / 0 / 58 / 2

HEX #B3FB69

RGB 179 251 105

HSL 89.59, 0.95%, 0.7%

LAB 91.5, -45.12, 61.6

 

CMYK 13 / 0 / 58 / 2

HEX #DAFB69

RGB 218 251 105

HSL 73.56, 0.95%, 0.7%

LAB 93.85, -30.81, 64.87

 

CMYK 0 / 2 / 58 / 2

HEX #FBF569

RGB 251 245 105

HSL 57.53, 0.95%, 0.7%

LAB 94.67, -15.01, 66.45

 

CMYK 58 / 0 / 56 / 2

HEX #69FB6E

RGB 105 251 110

HSL 122.05, 0.95%, 0.7%

LAB 88.51, -66.21, 55.17

 

CMYK 58 / 0 / 41 / 2

HEX #69FB95

RGB 105 251 149

HSL 138.08, 0.95%, 0.7%

LAB 89, -60.75, 37.39

 

CMYK 58 / 0 / 25 / 2

HEX #69FBBD

RGB 105 251 189

HSL 154.52, 0.95%, 0.7%

LAB 89.71, -53.33, 18.16

 

CMYK 58 / 0 / 9 / 2

HEX #69FBE4

RGB 105 251 228

HSL 170.55, 0.95%, 0.7%

LAB 90.6, -44.52, -0.74

 

CMYK 58 / 6 / 0 / 2

HEX #69EBFB

RGB 105 235 251

HSL 186.58, 0.95%, 0.7%

LAB 86.69, -31.24, -18.55

 

CMYK 58 / 0 / 56 / 2

HEX #69FB6E

RGB 105 251 110

HSL 122.05, 0.95%, 0.7%

LAB 88.51, -66.21, 55.17

 

CMYK 58 / 0 / 56 / 2

HEX #69FB6E

RGB 105 251 110

HSL 122.05, 0.95%, 0.7%

LAB 88.51, -66.21, 55.17

 

CMYK 51 / 0 / 49 / 6

HEX #75EF79

RGB 117 239 121

HSL 121.97, 0.79%, 0.7%

LAB 85.45, -57.5, 46.52

 

CMYK 43 / 0 / 41 / 11

HEX #81E385

RGB 129 227 133

HSL 122.45, 0.64%, 0.7%

LAB 82.54, -47.7, 37.1

 

CMYK 34 / 0 / 33 / 16

HEX #8ED690

RGB 142 214 144

HSL 121.67, 0.47%, 0.7%

LAB 79.53, -36.35, 27.65

 

CMYK 24 / 0 / 23 / 21

HEX #9ACA9C

RGB 154 202 156

HSL 122.5, 0.31%, 0.7%

LAB 76.99, -24.72, 17.97

 

CMYK 29 / 0 / 58 / 2

HEX #B2FB69

RGB 178 251 105

HSL 90, 0.95%, 0.7%

LAB 91.45, -45.47, 61.52

 

CMYK 45 / 0 / 58 / 2

HEX #8BFB69

RGB 139 251 105

HSL 106.03, 0.95%, 0.7%

LAB 89.63, -57.97, 58.96

 

CMYK 58 / 0 / 57 / 2

HEX #69FB6D

RGB 105 251 109

HSL 121.64, 0.95%, 0.7%

LAB 88.5, -66.33, 55.6

 

CMYK 58 / 0 / 41 / 2

HEX #69FB95

RGB 105 251 149

HSL 138.08, 0.95%, 0.7%

LAB 89, -60.75, 37.39

 

CMYK 58 / 0 / 25 / 2

HEX #69FBBC

RGB 105 251 188

HSL 154.11, 0.95%, 0.7%

LAB 89.69, -53.54, 18.64

 

CMYK 90 / 0 / 88 / 2

HEX #18FA1F

RGB 24 250 31

HSL 121.86, 0.96%, 0.54%

LAB 86.34, -83.38, 78.69

 

CMYK 75 / 0 / 72 / 2

HEX #40FB46

RGB 64 251 70

HSL 121.93, 0.96%, 0.62%

LAB 87.25, -77.64, 69.45

 

CMYK 58 / 0 / 56 / 2

HEX #69FB6E

RGB 105 251 110

HSL 122.05, 0.95%, 0.7%

LAB 88.51, -66.21, 55.17

 

CMYK 42 / 0 / 41 / 1

HEX #91FC95

RGB 145 252 149

HSL 122.24, 0.95%, 0.78%

LAB 90.69, -51.18, 39.86

 

CMYK 27 / 0 / 26 / 1

HEX #B9FDBC

RGB 185 253 188

HSL 122.65, 0.94%, 0.86%

LAB 93.54, -33.41, 24.48

 

CMYK 59 / 0 / 57 / 1

HEX #68FC6D

RGB 104 252 109

HSL 122.03, 0.96%, 0.7%

LAB 88.77, -66.91, 55.91

 

CMYK 58 / 14 / 0 / 2

HEX #69D9FB

RGB 105 217 251

HSL 193.97, 0.95%, 0.7%

LAB 81.62, -22.45, -26.25

 

CMYK 0 / 58 / 37 / 2

HEX #FB699E

RGB 251 105 158

HSL 338.22, 0.95%, 0.7%

LAB 64.23, 60.51, -0.03

 

CMYK 59 / 0 / 57 / 1

HEX #68FC6D

RGB 104 252 109

HSL 122.03, 0.96%, 0.7%

LAB 88.77, -66.91, 55.91

 

CMYK 57 / 58 / 0 / 2

HEX #6D69FB

RGB 109 105 251

HSL 241.64, 0.95%, 0.7%

LAB 52.2, 41.77, -72.64

 

CMYK 0 / 57 / 58 / 2

HEX #FB6D69

RGB 251 109 105

HSL 1.64, 0.95%, 0.7%

LAB 63.73, 53.98, 29.53

 

CMYK 59 / 0 / 57 / 1

HEX #68FC6D

RGB 104 252 109

HSL 122.03, 0.96%, 0.7%

LAB 88.77, -66.91, 55.91

 

CMYK 58 / 14 / 0 / 2

HEX #69D9FB

RGB 105 217 251

HSL 193.97, 0.95%, 0.7%

LAB 81.62, -22.45, -26.25

 

CMYK 0 / 58 / 2 / 2

HEX #FB69F7

RGB 251 105 247

HSL 301.64, 0.95%, 0.7%

LAB 67.52, 72.74, -45.04

 

CMYK 0 / 45 / 58 / 2

HEX #FB8B69

RGB 251 139 105

HSL 13.97, 0.95%, 0.7%

LAB 69.47, 39.41, 36.85

 

CMYK 59 / 0 / 57 / 1

HEX #68FC6D

RGB 104 252 109

HSL 122.03, 0.96%, 0.7%

LAB 88.77, -66.91, 55.91

 

CMYK 58 / 31 / 0 / 2

HEX #69ADFB

RGB 105 173 251

HSL 212.05, 0.95%, 0.7%

LAB 69.37, 0.97, -45.22

 

CMYK 0 / 58 / 2 / 2

HEX #FB69F7

RGB 251 105 247

HSL 301.64, 0.95%, 0.7%

LAB 67.52, 72.74, -45.04

 

CMYK 0 / 27 / 58 / 2

HEX #FBB769

RGB 251 183 105

HSL 32.05, 0.95%, 0.7%

LAB 79.27, 16.52, 48.83

 

Description

Color code: HEX #68FC6D | qconv.com Color code: HEX #68FC6D | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 252 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 252 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 57 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 57% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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