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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #691362 it is the complementary color #96EC9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #691362. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #691362 shade: #6E135D, #7F2570, #903783, #A14996 and #B25BA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #691362. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #691362 shade: #691362, #58014F, #47003C, #360029 and #250016

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #691362 shade: #671260, #671249, #671233, #67121C and #671212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #691362 shade: #671260, #571267, #401267, #291267 and #131267

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #691362 shade matches the following richer shades: #671260 and #710968

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #691362 shade: #671260, #5D1C58, #53264F, #493047 and #3F3A3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #691362 shade: #401267, #561267, #671261, #67124B and #671234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #691362 shade: #21061F, #440C40, #671260, #8A1981 and #AD1FA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #691362 shade: #691362, #672912 and #12674B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #691362 shade: #691362, #616712 and #126167

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #691362 shade: #691362, #672912, #126718 and #125067

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #691362 shade: #691362, #674212, #126718 and #123767

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 7 / 59

HEX #691362

RGB 105 19 98

HSL 304.88, 0.69%, 0.24%

LAB 24.8, 45.64, -25.44

 

Complementary color

CMYK 36 / 0 / 33 / 7

HEX #96EC9D

RGB 150 236 157

HSL 124.88, 0.69%, 0.76%

LAB 86.46, -41.65, 30.34

 

CMYK 0 / 83 / 15 / 57

HEX #6E135D

RGB 110 19 93

HSL 311.21, 0.71%, 0.25%

LAB 25.48, 46.03, -21.02

 

CMYK 0 / 71 / 12 / 50

HEX #7F2570

RGB 127 37 112

HSL 310, 0.55%, 0.32%

LAB 31.82, 47.06, -23.16

 

CMYK 0 / 62 / 9 / 44

HEX #903783

RGB 144 55 131

HSL 308.76, 0.45%, 0.39%

LAB 38.38, 47.14, -24.61

 

CMYK 0 / 55 / 7 / 37

HEX #A14996

RGB 161 73 150

HSL 307.5, 0.38%, 0.46%

LAB 45, 46.75, -25.64

 

CMYK 0 / 49 / 5 / 30

HEX #B25BA9

RGB 178 91 169

HSL 306.21, 0.36%, 0.53%

LAB 51.62, 46.14, -26.43

 

CMYK 0 / 82 / 7 / 59

HEX #691362

RGB 105 19 98

HSL 304.88, 0.69%, 0.24%

LAB 24.8, 45.64, -25.44

 

CMYK 0 / 99 / 10 / 65

HEX #58014F

RGB 88 1 79

HSL 306.21, 0.98%, 0.17%

LAB 18.63, 43.49, -22.72

 

CMYK 0 / 100 / 15 / 72

HEX #47003C

RGB 71 0 60

HSL 309.3, 1%, 0.14%

LAB 13.63, 37.28, -17.64

 

CMYK 0 / 100 / 24 / 79

HEX #360029

RGB 54 0 41

HSL 314.44, 1%, 0.11%

LAB 8.52, 30.52, -12.02

 

CMYK 0 / 100 / 41 / 85

HEX #250016

RGB 37 0 22

HSL 324.32, 1%, 0.07%

LAB 4.08, 19.55, -4.39

 

CMYK 0 / 83 / 7 / 60

HEX #671260

RGB 103 18 96

HSL 304.94, 0.7%, 0.24%

LAB 24.2, 45.14, -25.1

 

CMYK 0 / 83 / 29 / 60

HEX #671249

RGB 103 18 73

HSL 321.18, 0.7%, 0.24%

LAB 22.99, 41.65, -11.6

 

CMYK 0 / 83 / 50 / 60

HEX #671233

RGB 103 18 51

HSL 336.71, 0.7%, 0.24%

LAB 22.14, 39.08, 2.29

 

CMYK 0 / 83 / 73 / 60

HEX #67121C

RGB 103 18 28

HSL 352.94, 0.7%, 0.24%

LAB 21.58, 37.32, 17.52

 

CMYK 0 / 83 / 83 / 60

HEX #671212

RGB 103 18 18

HSL 0, 0.7%, 0.24%

LAB 21.43, 36.85, 23.95

 

CMYK 0 / 83 / 7 / 60

HEX #671260

RGB 103 18 96

HSL 304.94, 0.7%, 0.24%

LAB 24.2, 45.14, -25.1

 

CMYK 16 / 83 / 0 / 60

HEX #571267

RGB 87 18 103

HSL 288.71, 0.7%, 0.24%

LAB 21.72, 42.88, -33.82

 

CMYK 38 / 83 / 0 / 60

HEX #401267

RGB 64 18 103

HSL 272.47, 0.7%, 0.24%

LAB 17.93, 38.31, -40.15

 

CMYK 60 / 83 / 0 / 60

HEX #291267

RGB 41 18 103

HSL 256.24, 0.7%, 0.24%

LAB 14.86, 34.56, -45.29

 

CMYK 82 / 83 / 0 / 60

HEX #131267

RGB 19 18 103

HSL 240.71, 0.7%, 0.24%

LAB 12.92, 32.16, -48.55

 

CMYK 0 / 83 / 7 / 60

HEX #671260

RGB 103 18 96

HSL 304.94, 0.7%, 0.24%

LAB 24.2, 45.14, -25.1

 

CMYK 0 / 92 / 8 / 56

HEX #710968

RGB 113 9 104

HSL 305.19, 0.85%, 0.24%

LAB 25.88, 50.76, -27.55

 

CMYK 0 / 83 / 7 / 60

HEX #671260

RGB 103 18 96

HSL 304.94, 0.7%, 0.24%

LAB 24.2, 45.14, -25.1

 

CMYK 0 / 70 / 5 / 64

HEX #5D1C58

RGB 93 28 88

HSL 304.62, 0.54%, 0.24%

LAB 23.21, 37.44, -21.49

 

CMYK 0 / 54 / 5 / 67

HEX #53264F

RGB 83 38 79

HSL 305.33, 0.37%, 0.24%

LAB 22.96, 27.44, -15.99

 

CMYK 0 / 34 / 3 / 71

HEX #493047

RGB 73 48 71

HSL 304.8, 0.21%, 0.24%

LAB 23.62, 15.83, -9.73

 

CMYK 0 / 8 / 0 / 75

HEX #3F3A3F

RGB 63 58 63

HSL 300, 0.04%, 0.24%

LAB 25.08, 3.27, -2.31

 

CMYK 38 / 83 / 0 / 60

HEX #401267

RGB 64 18 103

HSL 272.47, 0.7%, 0.24%

LAB 17.93, 38.31, -40.15

 

CMYK 17 / 83 / 0 / 60

HEX #561267

RGB 86 18 103

HSL 288, 0.7%, 0.24%

LAB 21.54, 42.67, -34.11

 

CMYK 0 / 83 / 6 / 60

HEX #671261

RGB 103 18 97

HSL 304.24, 0.7%, 0.24%

LAB 24.26, 45.31, -25.67

 

CMYK 0 / 83 / 27 / 60

HEX #67124B

RGB 103 18 75

HSL 319.76, 0.7%, 0.24%

LAB 23.08, 41.92, -12.82

 

CMYK 0 / 83 / 50 / 60

HEX #671234

RGB 103 18 52

HSL 336, 0.7%, 0.24%

LAB 22.17, 39.18, 1.64

 

CMYK 0 / 82 / 6 / 87

HEX #21061F

RGB 33 6 31

HSL 304.44, 0.69%, 0.08%

LAB 4.99, 16.83, -10.14

 

CMYK 0 / 82 / 6 / 73

HEX #440C40

RGB 68 12 64

HSL 304.29, 0.7%, 0.16%

LAB 14.75, 32.88, -18.75

 

CMYK 0 / 83 / 7 / 60

HEX #671260

RGB 103 18 96

HSL 304.94, 0.7%, 0.24%

LAB 24.2, 45.14, -25.1

 

CMYK 0 / 82 / 7 / 46

HEX #8A1981

RGB 138 25 129

HSL 304.78, 0.69%, 0.32%

LAB 33.31, 56.38, -31.39

 

CMYK 0 / 82 / 7 / 32

HEX #AD1FA1

RGB 173 31 161

HSL 305.07, 0.7%, 0.4%

LAB 41.9, 67.13, -36.97

 

CMYK 0 / 82 / 7 / 59

HEX #691362

RGB 105 19 98

HSL 304.88, 0.69%, 0.24%

LAB 24.8, 45.64, -25.44

 

CMYK 0 / 60 / 83 / 60

HEX #672912

RGB 103 41 18

HSL 16.24, 0.7%, 0.24%

LAB 25.3, 26.41, 27.96

 

CMYK 83 / 0 / 27 / 60

HEX #12674B

RGB 18 103 75

HSL 160.24, 0.7%, 0.24%

LAB 38.44, -31.56, 9.01

 

CMYK 0 / 82 / 7 / 59

HEX #691362

RGB 105 19 98

HSL 304.88, 0.69%, 0.24%

LAB 24.8, 45.64, -25.44

 

CMYK 6 / 0 / 83 / 60

HEX #616712

RGB 97 103 18

HSL 64.24, 0.7%, 0.24%

LAB 41.67, -13.39, 43.17

 

CMYK 83 / 6 / 0 / 60

HEX #126167

RGB 18 97 103

HSL 184.24, 0.7%, 0.24%

LAB 37.22, -20.09, -9.97

 

CMYK 0 / 82 / 7 / 59

HEX #691362

RGB 105 19 98

HSL 304.88, 0.69%, 0.24%

LAB 24.8, 45.64, -25.44

 

CMYK 0 / 60 / 83 / 60

HEX #672912

RGB 103 41 18

HSL 16.24, 0.7%, 0.24%

LAB 25.3, 26.41, 27.96

 

CMYK 83 / 0 / 77 / 60

HEX #126718

RGB 18 103 24

HSL 124.24, 0.7%, 0.24%

LAB 37.65, -40.67, 35.69

 

CMYK 83 / 22 / 0 / 60

HEX #125067

RGB 18 80 103

HSL 196.24, 0.7%, 0.24%

LAB 31.45, -10.37, -18.79

 

CMYK 0 / 82 / 7 / 59

HEX #691362

RGB 105 19 98

HSL 304.88, 0.69%, 0.24%

LAB 24.8, 45.64, -25.44

 

CMYK 0 / 36 / 83 / 60

HEX #674212

RGB 103 66 18

HSL 33.88, 0.7%, 0.24%

LAB 31.4, 11.57, 33.93

 

CMYK 83 / 0 / 77 / 60

HEX #126718

RGB 18 103 24

HSL 124.24, 0.7%, 0.24%

LAB 37.65, -40.67, 35.69

 

CMYK 83 / 47 / 0 / 60

HEX #123767

RGB 18 55 103

HSL 213.88, 0.7%, 0.24%

LAB 23.14, 6.15, -31.9

 

Description

Color code: HEX #691362 | qconv.com Color code: HEX #691362 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 19 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 19 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 7 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 7% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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